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27 February 2017 2 Comments

My Week in Manga: February 20-February 26, 2017

My News and Reviews

In a few more days and March will be here and in a few more days the winner of the Tokyo ESP manga giveaway will be announced. Never fear though, there’s still a little time left to enter for a chance to win the first omnibus in the series! Simply tell me a little about a favorite psychic/esper from a manga. (A quick note: Normally I announce giveaway winners on Wednesday mornings but, because I have an all-day job interview on the 1st, this time the announcement will likely be made sometime on Wednesday evening instead.)

As for some interesting things I came across last week: The National Museum of Modern Art in Tokyo has created an online archive of early Japanese animation. An English-language version of the site is currently in the works, but even if you can’t read Japanese if you click around enough you’ll find the some of the videos available for viewing. The University of Michigan’s Center for Japanese Studies recently hosted two master rakugo artists–Yanagiya Sankyo and Yanagiya Kyonosuke–and has posted a video of one of their events. The video includes a brief introduction to rakugo, a demonstration and performance, and a question and answer session.

There are also a few podcasts worth mentioning (though I haven’t actually had the opportunity to listen to most of them yet): The most recent episode of Comic Books Are Burning in Hell is devoted to the late Jiro Taniguchi. Tofugu started a podcast not too long ago and recently talked with Alexander O. Smith about What Makes a Good Japanese Translator? (Smith does a fair amount of video game translation but translates novels and manga as well. He’s also one of the founders of Bento Books.) Vertical Comics recently started a podcast, too, and the first episode of the Mangocast is now available for listening.

As for crowdfunding efforts for queer comics, the end of February has seen quite a few Kickstarter projects launch: The Husband & Husband campaign is hoping to publish the first volume of the cute and funny webcomic in print. The Dates anthology, which focuses on queer historical fiction, is back for a second volume. (Though I haven’t written a quick take for it yet, I have the first volume and it’s great.) The Go Get a Roomie! project is raising funds to print the second volume and reprint the first volume of the webcomic. And finally, Digital Manga’s most recent Kickstarter has launched–Juné Manga is working with Velvet Toucher, a Japanese artist living in the United States, to release Eden’s Mercy.

Quick Takes

Guardians of the LouvreGuardians of the Louvre by Jiro Taniguchi. I’ve read most but not quite all of Taniguchi’s manga that has been released in English, but his recent passing reminded me that I hadn’t yet read Guardians of the Louvre, the latest one to have been released. One of the most remarkable things about Guardians of the Louvre is its full-color artwork. The volume is actually part of the “Louvre Collection,” a series of comics commissioned by the Louvre that feature the museum and its collections. (Hirohiko Araki’s Rohan at the Louvre is part of the same series.) Taniguchi is an extremely versatile creator; while some of his manga are action-packed, others are more introspective. Guardians of the Louvre is definitely one of the latter. The story is a quiet and contemplative exploration of art and inspiration, following a manga creator who is visiting Paris on his own for a few days. He falls ill soon after he arrives but pushes through in order to visit the Louvre. And so when he seems to start slipping through time, meeting artists and historical figures associated with the museum, not to mention the embodiments of some of the works housed there, he’s never quite sure how much of his visit is based in reality and how much is a fever dream.

He's My Only Vampire, Volume 1He’s My Only Vampire, Volumes 1-3 by Aya Shouoto. While I don’t actively avoid vampire manga, I also don’t actively seek it out. Usually there has to be something a little “extra” to catch my attention. In the case of He’s My Only Vampire, I had decided to seek out more of Shouoto’s work available in English while waiting for more of The Demon Prince of Momochi House to be released. He’s My Only Vampire is kind of an odd series and at this point the manga doesn’t seem to have a clear direction. It’s as if Shouoto is either trying to do too much at once with the story or hasn’t quite decided where it should go yet. It can still be pretty entertaining from time to time, though. Shouoto’s artwork, even though anatomy seems to occasionally go out the window, can be lovely and sensual, too. So far the best part of the manga is the three main characters–Kana, the strong and spunky heroine, Aki, the titular vampire and Kana’s long-lost childhood friend, and Jin, a high-school delinquent who has recently discovered that he is at least part werewolf. Personality-wise and the relationship-wise they’re all sort of goofy and their interactions can be quite amusing. The story is taking some darker turns, but I think I prefer its humor.

Magi: The Labyrinth of Magic, Volume 1Magi: The Labyrinth of Magic, Volumes 1-4 by Shinobu Ohtaka. I know quite a few people who love Magi and have heard plenty of great things about the series but despite those facts it’s still taken me this long to finally get around to reading the manga. Magi more or less starts out as a dungeon crawl which, while highly entertaining, isn’t exactly the most compelling narrative for a series that’s already over thirty volumes and still ongoing. But after the first dungeon crawl (and I suspect that there will likely be more of those in the future) Ohtaka begins delving into the characters and their motivations while exploring the vast world in which the live. In part Magi is inspired by One Thousand and One Nights but Ohtaka does not strictly adhere to those stories and characters, instead creating a complex world that is reminiscent of but distinct from that work. Magi really is a great series, with plenty of magic, mystery, and adventure; I can easily understand why it’s so well-loved. The artwork is clear and attractive, the settings and characters are interesting and well-realized, and the story, worldbuilding, and action are engaging. I also particularly appreciate that the women can be just as badass as the men in the series and in some cases are even more so.

NewsPrintsNewsPrints by Ru Xu. My introduction to Xu’s work was through the beautifully illustrated webcomic Saint for Rent. However, NewsPrints is her debut graphic novel. Published by Scholastic the comic is aimed towards middle grade readers but it can be appreciated by older readers, too. NewsPrints, while still being very approachable, actually tackles some pretty weighty subject matter–war, propaganda, identity, and so on. The comic is about Blue, an orphan who is hiding the fact that she is a girl so that she can work as a newsboy for the Bugle, one of the only newspapers that actually reports the truth. The Bugle has taken in and cares for other orphans as well, but Blue is afraid that she won’t be able to hide her secret much longer and may lose her newfound family because of it. The city she lives in has very firmly entrenched ideas about what is and is not appropriate for girls to do. Blue is embroiled in an extremely dangerous situation when she meets and becomes friends with Crow who is also hiding a secret, one that could greatly influence the course of the war. Though NewsPrints tells a complete story the ending is left fairly open. Apparently a sequel is currently in the works; I’m very curious to see where Xu takes the comic next.

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22 February 2017 17 Comments

Manga Giveaway: Tokyo ESP Giveaway

The end of February is almost here which means it’s yet again time for another giveaway at Experiments in Manga. This month everyone will have the opportunity to win the first omnibus of Hajime Segawa’s manga series Tokyo ESP. (Published in English by Vertical Comics, the omnibus collects the first two volumes of the original Japanese edition.) As always, the giveaway is open worldwide!

Tokyo ESP, Omnibus 1

Growing up I absolutely loved stories about psychic powers. (Did anyone else read The Girl with the Silver Eyes Willo Davis Roberts? That was a favorite of mine and I frequently reread it.) I no longer deliberately seek out that particular subgenre in the same way that I used to, but I do continue to enjoy stories with ESP as a prominent feature. At one point in time, it actually seemed like it was impossible to get away from manga series revolving around characters with psychic powers. While they don’t seem to be nearly as common as they once were, manga with psychics and espers are still regularly released in English, Tokyo ESP being just one example

So, you may be wondering, how can you a copy of the first Tokyo ESP omnibus?

1) In the comments below, tell me a little about one of your favorite psychics or espers from a manga. (If you don’t have a favorite or don’t know of any, simply mention that.)
2) If you’re on Twitter, you can earn a bonus entry by tweeting, or retweeting, about the contest. Make sure to include a link to this post and @PhoenixTerran (that’s me).

That’s pretty straightforward, right? Everyone participating has one week to submit comments and can earn up to two entries for the giveaway. Comments can also be sent directly to phoenixterran(at)gmail(dot)com if needed or preferred. Those entries will then be posted here in your name. The giveaway winner will be randomly selected and announced on March 1, 2017. Good luck, everyone!

VERY IMPORTANT: Include some way that I can contact you. This can be an e-mail address in the comment form, a link to your website, Twitter username, or whatever. If I can’t figure out how to get a hold of you and you win, I’ll just draw another name.

Contest winner announced–Manga Giveaway: Tokyo ESP Giveaway Winner

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20 February 2017 Leave a Comment

My Week in Manga: February 13-February 19, 2017

My News and Reviews

Hooray! I managed to write and post another in-depth review at Experiments in Manga. Even if I’m not writing as much as I once was, it still feels pretty good to get back into the (slow) swing of things. Anyway, last week I took a look at Jen Lee Quick’s dark fantasy Western Gatesmith, Volume 1. The comic is off to an intriguing start though it can also be a little frustrating. The series is currently on break, but I hope that there will be more soon.

As many people are probably aware, the prolific and versatile mangaka Jiro Taniguchi passed away earlier this month. Despite not being particularly well known in English, a fair number of his manga have been released in translation. Kate Dacey of The Manga Critic has a nice guide to Taniguchi’s work for those interested in what is currently available. At The Comics Journal, Taniguchi was the subject of a recent article by Joe McCulloch and an obituary written by Zack Davisson. Other comic sites like The Beat have recently honored Taniguchi as well. I’ve read most but not quite all of Taniguchi’s work in English, my personal favorites being A Distant Neighborhood and his collaboration with Baku Yumemakura The Summit of the Gods. Way back when there was a Manga Moveable Feast devoted to Taniguchi, too. Some of the links are no longer work, but many of the features can still be tracked down.

In happier news, SuBLime announced three new licenses last week: Akane Abe’s Am I In Love or Just Hungry? (digital-only), Scarlet Beriko’s Jackass!, and Tsuta Suzuki’s A Strange and Mystifying Story. (I’m very curious about Jackass! and I’m very happy about A Strange and Mystifying Story which is actually a license rescue. The first three of seven volumes were originally published in English by Digital Manga; I remember quite liking them.) The Toronto Comic Arts Festival has started announcing its featured guests for the year which will include Gengoroh Tagame among other fantastic creators. The OASG talked to Kodansha Comics about the licensing of Chihayafuru. While still probably unlikely, a print edition of the series isn’t completely off the table. As for Kickstarter campaigns for queer comics that have recently caught my attention, Megan Lavey-Heaton has launched a project to print the third volume of Namesake.

Quick Takes

Blood Blockade Battlefront, Volume 1Blood Blockade Battlefront, Volumes 1-7 by Yasuhiro Nightow. I wasn’t initially planning on reading Blood Blockade Battlefront–I wasn’t a huge fan Nightow’s Trigun–but I kept hearing great things about the anime adaptation and then I came across a “complete” set of the manga on super sale, so I picked it up. The series is actually ten volumes long; supposedly Dark Horse has plans to release the final three at some point. In general the manga tends to be fairly episodic, so even if the rest of the series isn’t translated at least readers aren’t left with an unresolved story. It wasn’t until partway through the second volume of Blood Blockade Battlefront that the series started to click with me, but once it did I found myself really enjoying the manga. Its mix of goofy everyday life and action-heavy sequences actually reminded me a bit of Cowboy Bebop. The manga is essentially about a semi-secret group of monster hunters working in what used to be New York before it was destroyed by the sudden appearance of an interdimensional portal. The character designs of the main cast are sadly simple and plain compared to the series’ fantastic setting and creatures, but their distinctive personalities mostly make up for that.

The Box ManThe Box Man by Imiri Sakabashira. The North American manga industry is primarily focused on publishing more popular, mainstream works, but occasionally an alternative or independent work is released as well. The Box Man was originally serialized in Ax, an alternative manga magazine in Japan which was the basis for the Ax: Alternative Manga English-language anthology. Examples of Sakabashira’s work can be found in that anthology and in the earlier collection Sake Jock, but The Box Man is his first long-form work to be translated. Granted, there’s very little dialogue that actually needs to be translated–for the most part the manga is an entirely visual experience. Even the story is fairly limited in scope. The narrative follows a kappa-like cat accompanying a man on a scooter who is transporting a box which turns out to contain something rather peculiar. The strangeness of The Box Man doesn’t end there, but the point of the manga seems to be less about telling a story and more about creating a visual spectacle. The artwork incorporates popular culture references (some of which I’m sure I completely missed) and at times can be rather bizarre, violent, or erotically-charged.

Giganto MaxiaGiganto Maxia by Kentaro Miura. Though it certainly has its problems, Miura’s Berserk is one of my favorite series. I have been significantly less enamored with the other manga by Miura that have been released in English–specifically his collaborations with Buronson Japan and King of Wolves–but I was still very curious about Giganto Maxia. Whether it’s intentional or not, the dark fantasy manga shares some similarities with Attack on Titan and Terra Formars and also appears to be heavily influenced by professional wrestling. Miura’s artwork in Giganto Maxia is tremendous but the story, while it isn’t awful, struggles to match the caliber of the illustrations. I almost wonder if Giganto Maxia was originally intended to be longer than a single volume since so much about the manga’s world and characters are left unexplained in the end. Giganto Maxia does more or less tell a complete story, but it feels like a single episode taken from the middle of a larger narrative. At one time a slave forced to battle to the death in a gladiatorial arena, Delos is now fighting against the empire itself. Joining forces with Prome, a powerful spirit who takes the form of a young girl (and who is constantly trying to get him to drink her “nectar” ), Delos can transform into the mythic titan Gohra in order to do battle.

Lake JehovahLake Jehovah by Jillian Fleck. Lake Jehovah, Fleck’s debut graphic novel, first came to my attention due to the fact that Jay, the comic’s protagonist, is genderqueer. While themes of identity, gender, and sexuality are integral to the comic’s story they aren’t the primary focus of Lake Jehovah. Instead, the comic is about the end of the world, both literally and figuratively. Human civilization has already succumbed to multiple apocalypses but Jay unexpectedly becomes the prophet for the next impending disaster while dealing with even more personal and existential crises. Jay struggles with intense depression and anxiety which slowly destroys xis relationship with xis fiance. Eventually she leaves, no longer able to cope with Jay’s instability, and Jay is left recover and come to terms with everything alone. Lake Jehovah actually handles the topic of mental illness better than many other comics I’ve read. It’s an emotionally tumultuous work, tempering despair with humor as the characters search for meaning in their lives even while everything is falling apart around them. Some turn to sex or drugs while others find comfort in poetry or art. Lake Jehovah is a somewhat strange but undeniably compelling comic.

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13 February 2017 Leave a Comment

My Week in Manga: February 6-February 12, 2017

My News and Reviews

Last week at Experiments in Manga I posted the Bookshelf Overload for January–it was kind of a strange month for manga and other media acquisitions for me, but it wasn’t as absurd as December so at least my wallet’s a little happier. I also managed to finish my draft for February’s in-depth review, so I should have that cleaned up and posted sometime later this week.

Last week I came across a few interesting things online related to queer manga, comics, and other media. Massive has now released Jiraiya’s Two Hoses in English, a manga telling the story of “The Greatest Couple,” characters who were initially designed for the company as part of its launch. (Massive has released Jiraiya’s Caveman Guu manga, too, which was subsequently collected in the excellent anthology Massive: Gay Erotic Manga and the Men Who Make It.)

I haven’t had a chance to actually listen to it yet, but the most recent ANNCast focused on LGBT representation in manga and anime with guests Erica Friedman, Jason Thompson, and Valerie Complex. Friedman also visited the University of Michigan back in January to discuss queer manga. The recording of her presentation Alt Manga, Queer Manga: Telling Our Own Stories is now available to watch on YouTube.

There were a few Kickstarter campaigns that caught my attention last week as well. First and foremost, Chromatic Press is raising funds to release the final volume of Lianne Sentar’s series Tokyo Demons in print, produce a revised edition of the first novel, as well as reprint the other books in the series. It isn’t a secret that I am a huge fan of the series, so I definitely want to see the project succeed. Tabula Idem is a great-looking tarot-themed queer comics anthology with an accompanying queer-themed major arcana tarot deck. I’m not very familiar with most of the artists involved, but Kaiju (whose comics I greatly enjoy) is contributing the cover illustration. Pamela Kotila has also launched a campaign to print the second volume of the webcomic Spidersilk. Though I haven’t actually read it yet, I recently picked up the first volume so this project seems to be aptly-timed.

Quick Takes

The Ancient Magus' Bride, Volume 4The Ancient Magus’ Bride, Volumes 4-6 by Kore Yamazaki. It’s been a little while since I’ve read The Ancient Magus’ Bride but that’s not because I don’t like the manga. In fact, it’s quite the opposite–The Ancient Magus’ Bride is actually one of my favorite series currently being released in English. I simply wanted to have a whole stack of volumes to read all at once. (Also worth noting: The first printing of Volume 6 is even accompanied by a special booklet with an additional comic!) Somehow, I had managed to forget just how much I enjoy The Ancient Magus’ Bride. I love its moody atmosphere and setting, beautiful artwork, and intriguing characters. Elias remains something of an enigma although parts of his past have now been revealed. He isn’t particularly happy about this development, though. Likewise, more is known about Chise, too, although she is still hesitant to share. The relationship dynamics in The Ancient Magus’ Bride are somewhat peculiar but remain compelling. Most of the characters in the manga are struggling with some sort of heartbreaking loneliness or feelings of isolation. To see them slowly drawing closer together, forming bonds of friendship, family, and love is immensely satisfying.

Mr. Mini MartMr. Mini Mart by Junko. Although the boys’ love manga Mr. Mini Mart was released in English first, my introduction to Junko’s work was through the series Kiss Him, Not Me. Because I was enjoying that series, I made a point to track down a copy of Mr. Mini Mart which for a time had gone out-of-print. (It’s more-or-less back in print again, but the manga seems to only be available directly from Juné Manga’s online store.) I forget why I initially passed on Mr. Mini Mart but I’m very glad that I finally got around to reading it. Mr. Mini Mart collects two boys’ love stories. Most of the volume is devoted to the titular “Mr. Mini Mart” but a short, unrelated one-shot manga “Young Scrubs” is included as well. It’s not nearly as good, though. “Mr. Mini Mart” is wonderful and surprisingly sweet. The story follows the high-school-aged Nakaba who, after an unfortunate incident in middle school, has been living as a shut-in. He gets finally gets out of the house when his uncle gives him a job at his store, but Nakaba has a difficult time getting along with his coworker Yamai and his abrasive personality. I’ll admit, I’m a sucker for a sensitive tough guy and it turns out that Yamai is an amazing example of one and is just a great person in general.

The Seven Princes of the Thousand-Year Labyrinth, Volume 1The Seven Princes of the Thousand-Year Labyrinth, Volume 1 written by Yu Aikawa and illustrated by Haruno Atori. I really wanted to like the first volume of The Seven Princes of the Thousand-Year Labyrinth more than I actually did. The basic premise is intriguing. A group of some of the kingdom’s most noteworthy, and in some cases most notorious, citizens wake up to find themselves trapped together in an elaborately booby-trapped castle. (The exception is the protagonist Ewan whose only distinguishing characteristics are his trusting nature, inherent kindness, and the fact that he’s from the kingdom’s most remote island.) The assumption is that whoever manages to survive the ordeal will become the kingdom’s emperor and reigning lords. There is a ton of potential in this set up, but The Seven Princes of the Thousand-Year Labyrinth simply didn’t work for me. Mostly I think it’s because the characters all come across as types rather than well-rounded individuals. What’s more is that they don’t even feel like they should all be a part of the same series; I found this lack of cohesiveness to be frustrating. The artwork is pretty, though, if not especially distinctive and there are plenty of plot twists, too.

TomieTomie by Junji Ito. Although uncommon, license rescues aren’t particularly rare, but Ito’s horror series Tomie is one of the very few manga to have been released in English by three different publishers. Most recently, Viz Media has collected the entire series in a single, massive tome with over seven hundred forty pages. The translation used is the same as the one in Dark Horse’s Museum of Terror series which I own, but I couldn’t resist the deluxe, hardcover treatment the volume received to match Viz’s other recent re-releases of Ito’s manga. Tomie was actually Ito’s award-winning professional debut and began serialization in 1987 in a shoujo magazine. The manga is largely episodic although there may be several chapters devoted to a single story arc and later stories sometimes make passing references to earlier ones. What ties the series together is the presence of Tomie, a beautiful young woman who is seemingly immortal. Time and again men fall desperately in love with Tomie and are eventually overcome by a desire to murder and dismember her. Not only does Tomie survive, she regenerates and multiplies, and so the horror continues. While not as mind-bendingly bizarre as some of Ito’s later works, Tomie is still weird, horrifying, gruesome, and grotesque.

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6 February 2017 Leave a Comment

My Week in Manga: January 30-February 5, 2017

My News and Reviews

Last week at Experiments in Manga the winner of the Please Tell! Me Galko-chan manga giveaway was announced. The post also includes a fairly comprehensive list of the full-color manga and manhwa that have been released in print in English. (However, I just now realized that I neglected to include manga like Katsuhiro Otomo’s Akira and Buronson and Tetsuo Hara’s Fist of the North Star which, while not originally illustrated in full-color, had some full-color editions released in English.) Otherwise it was fairly quiet week, but I am well on my way to completing an in-depth review for February. Happily, my goal to write at least one long-form feature every month so far seems achievable.

I wasn’t actually online much at all last week (things were pretty hectic at work and there are always a fair number of taiko and lion dance performances I’m involved in around Chinese New Year) but there were still a few things that caught my attention: Vic James wrote an essay for Tor.com about Yukio Mishima and Forbidden Colors–The One Book That Made Me Move to Japan. (Mishima fascinates me and was actually my introduction to Japanese literature; I’ve reviewed quite a few books by and about him.) The most recent issue of Words without Borders is devoted to international graphic novels. Also, Digital Manga’s Juné imprint announced two new print licenses (Psyche Delico’s Even a Dog Won’t Eat It and Choco Strawberry Vanilla) as well as its upcoming Kickstarter project to publish the first volume of Velvet Toucher’s Eden’s Mercy.

Quick Takes

Bloom into You, Volume 1Bloom into You, Volume 1 by Nakatani Nio. I’ll have to admit, recently I’ve grown a little weary of high school romances. Even so, I was still very interested in reading Bloom into You, one of Seven Seas most recent yuri series. Specifically, I was curious about the manga’s treatment of aromanticism, something which I haven’t seen many series address. Yuu has never fallen in love and so she is glad to meet Nanami, an upperclassmen who likewise has never felt that way about anyone before. Finally Yuu has someone she feels comfortable confiding in about it except that Nanami is now falling in love with her. One of the things that I really appreciate about Bloom into You is how considerate and respectful Nanami is of Yuu’s feelings (an exception being a stolen kiss). It’s also obvious that they both care about each other, even if Yuu hasn’t yet experienced the romantic spark that Nanami has only recently found for herself. The two of them actually communicate, too, so there’s none of the silly misunderstandings that plague so many other series that would easily be solved if the characters would simply talk to each other. I would definitely like so see how Yuu and Nanami’s relationship continues to develop from here.

Franken Fran, Omnibus 3Franken Fran, Omnibus 3-4 (equivalent to Volumes 5-8) by Katsuhisa Kigitsu. Despite what the cover illustrations would seem to imply, Franken Fran isn’t particularly heavy on fanservice. Granted, there is some nudity in the series, but it’s generally more discomfiting than it is titillating. Franken Fran is a manga that delights in making its readers uncomfortable. But although it is frequently gruesome and grotesque, the quirky horror is accompanied by a great deal of humor as well. Kigitsu uses actual medical and scientific phenomenon as inspiration but takes them to such logical and illogical extremes that they become almost unrecognizable. The horror in Franken Fran works as well as it does because there are these little kernels of truth underneath it all. For the most part Franken Fran tends to be episodic although the stories can largely be categorized by recurring types, settings, and characters. For example, there are numerous chapters based in Fran’s school as well as a set of quickly escalating stories about the supposedly superheroic Senitals. More characters are introduced as the series progresses, too, including Fran’s incredibly crass, vulgar, and homicidal older sister Gavril.

Lucifer and the Biscuit Hammer, Omnibus 5Lucifer and the Biscuit Hammer, Omnibus 5 (equivalent to Volumes 9-10) by Satoshi Mizukami. It’s been quite a while since the last omnibus of Lucifer and the Biscuit Hammer was released. I’m not entirely sure why it took me so long to finally get around to reading it though since there was so much about the series that I enjoyed. The ending of the series was pretty great. It was immensely satisfying to see the Beast Knights pull together for the final battle against Animus as a tightly knit team, surpassing everything that they’d previously accomplished. They are a group of troubled outsiders who have established a tremendous and lasting bond with one another despite, or maybe because of, their differences. As weird a manga as Lucifer and the Biscuit Hammer can be–and it can be very weird (which is admittedly something that I like about the series)–it still manages to have a surprisingly deeply resonant core. If it wasn’t already clear, the conclusion of the series’ makes its theme explicit. Underneath the psychic powers and supernatural battles is a story about growing up regardless of how old someone actually is, about survival in the face of the worst that life can throw at somebody, and about forming meaningful connections with others.

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