Discovering Manga: Organization Anti-Social Geniuses

Organization Anti-Social GeniusesIn 2010, around the same time that I started writing at Experiments in Manga, another blog also came into existence, Organization Anti-Social Genuises (OASG). Originally co-founded by Justin Stroman (the current Editor-in-Chief of OASG and an occasional guest writer at Manga Bookshelf) and the now retired LCMoran, the site is currently a team effort with a group of writers (mostly from the United States and France) working on features, articles, interviews, and reviews of Japanese pop culture, including manga, anime, video games, and more.

The site’s associated Twitter account, OrganizationASG sums it up pretty nicely: “We’re anti-social geniuses that try and highlight those people behind the scenes in anime and manga.” I’ve more or less been following OSAG since its beginning, so why am I making a point of featuring it now? I’ve always enjoyed OSAG, and it did a fantastic job hosting the Naoki Urasawa Manga Moveable Feast back in February 2013, but recently I’ve been particularly impressed by the manga-related content that the team has been posting.

I’ve already repeatedly mentioned hat OASG is a team effort. So, who exactly is writing about manga at OASG? Justin does a ton of writing for OASG in general and is also one of the site’s most prolific manga writers. He conducts interviews, reviews manga, and writes many of the manga articles. Maggie has earned her title of manga reviewer while Manjiorin (who also has her own blog, Manga Connection, which I quite enjoy) is another of the site’s primary manga columnists. Naru mostly writes anime reviews at OASG, but she also posts manga reviews from time to time. As for past writers, LCMoran wrote some manga-related content and from 2011 to 2013 Sweetpea had the more or less weekly manga column Bookmarked.

When it comes to manga, OASG is largely divided into two main categories. There are the Manga Articles and there are the Manga Reviews, which can also be browsed by demographic: Shounen, Shoujo, Seinen, and Josei. (Sadly, there’s no index to the reviews. An excellent index has been added!) However, those categories aren’t the only places to find manga-related material on OASG. One of the other places where manga content regularly shows up is in the site’s section for Interviews. Justin talks with all sorts of people from the manga industry: translators, letters, editors, publishers, critics, bloggers, and so on. OASG also maintains a list of the year’s US manga releases organized by release date and publisher. The list specifically focuses on the six major manga publishers in the United States: Digital Manga, Kodansha Comics, Seven Seas, Vertical, Viz Media, and Yen Press. Explore OASG further and manga content can be found all over the place.

As much as I enjoy the manga reviews at OASG, my favorite posts tend to be the manga-related interviews, columns, and articles simply because I don’t know of many other sites that feature that type of content. OASG’s Resources page collects links to some of the site’s most helpful posts, including plenty of manga-oriented material. Occasionally, OASG will have an ongoing series of manga articles, as well. For example, Justin just very recently launched The Manga Artists Who Stopped By and Left Forever which I’m looking forward to a great deal.

So that was the long of it. The short of it? Organization Anti-Social Geniuses is a great site for manga-related content, some of it not found anywhere else, and you should really consider checking it out.

Yukikaze

YukikazeAuthor: Chōhei Kambayashi
Translator: Neil Nadelman
U.S. publisher: Viz Media
ISBN: 9781421532554
Released: January 2010
Original release: 1984
Awards: Seiun Award

Chōhei Kambayashi is an award-winning, well-respected, and popular author of science fiction in Japan. His novel Yukikaze is one of his best known works and has even been adapted into a short anime series. It is also his first book to be translated and released in English. Originally published in Japan in 1984, Yukikaze would go on to win a Seiun Award in 1985. Kambayashi revisited and slightly revised the novel in 2002 in preparation for the volume’s sequel Good Luck, Yukikaze. Neil Nadelman’s translation of Yukikaze, published by Viz Media’s speculative fiction imprint Haikasoru in 2010, is based on this 2002 edition. Haikasoru’s release of Yukikaze also includes two very interesting essays about the novel by Ran Ishidou and Ray Fuyuki. Haikasoru also released an English translation of Good Luck, Yukikaze. Kambayashi has written a third volume in the series, Unbroken Arrow, which has yet to be translated.

Rei Fukai is one of the best pilots that the Faery Air Force has, surviving numerous encounters with the JAM, an alien force threatening humanity’s very existence. It has been more than three decades since the JAM first appeared on Earth. They were quickly pushed back to the planet from where their invasion was launched, however the prolonged war against the JAM continues with no obvious way to secure a complete victory. Survival is Fukai’s primary order and goal. A member of an elite squadron associated with the Special Air Force, his mission is to collect and record massive amounts of data about the JAM and their tactical capabilities. He is to return with that information no matter what, even if that means leaving his comrades behind to die. Because of this, he and the others in his squadron have earned the reputation of being cold-hearted bastards. Outside of himself, the only thing that Fukai believes in, cares about, or trusts is the Yukikaze, the highly advanced fighter plane that he pilots.

Kambayashi addresses several themes in depth in Yukikaze: what humanity’s purpose is within the context of war, what it means to be human or inhuman, and perhaps most strikingly what the impact of the convergence of human intelligence and the technology it develops could be. Yukikaze is an engaging war story, with kinetic and hazardous air battles that have terrifying implications, but like all great science fiction the novel is also incredibly thought-provoking. The members of the Faery Air Force, and especially those in the Special Air Force, are primarily made up of criminals, those with anti-social tendencies, and other people who are unwanted or have no place back on Earth. They are treated more like expendable resources than they are like human beings. The war and the fighting is so far removed from those living on Earth that they are mostly oblivious to what is occurring on Faery. Protecting Earth is a thankless task for those engaged in the war, people who have very few ties to the planet left but who have no better options other than to fight.

Considering all of this, it isn’t that surprising that Fukai and some of the other pilots would prefer their planes to people. I’ll admit, as unsociable as Fukai can be, I did like the guy. It did take me a couple of chapters to really settle into Yukikaze, but by the end of the novel I was completely engaged. A large reason behind that was because of Fukai and his development as the novel progressed as well as the evolution of the Yukikaze. In the chaos of war, Fukai’s relationship to his fighter is one of the only stable things remaining in his life, but even that begins to change. The members of the Faery Air Force are often called inhuman and compared to machines. At the same time those machines are becoming more and more advanced, raising the question of whether humans are even necessary anymore. The war against the JAM that humanity is waging may not be the only battle of survival that it should be concerned about fighting. After an interesting but somewhat clunky beginning, I was actually quite impressed with the depth of Kambayashi’s ideas in Yukikaze. I look forward to reading its sequel.

My Week in Manga: March 31-April 6, 2014

My News and Reviews

Last week was one of Experiments in Manga’s slower weeks, but there was still some good stuff to be had, if I do say so myself. First up was the announcement of the Battle Angel Alita Giveaway Winner, which also includes a list of some of the cyborg manga available in English. Next came March’s Bookshelf Overload, which was not nearly as an absurd month for preorders as April will be for me. Finally, we get to the really good stuff. The honor of the first in-depth manga review for April goes to Inio Asano’s Nijigahara Holograph, one of my most highly anticipated releases for 2014. It’s a dark and disturbing work, but also very beautiful. Probably one of the best comics that I’ve read so far this year.

As for a few thing found online: Kim Hoang translated an interview of Kaoru Mori from the French site madmoiZelle. Sean Gaffney at A Case Suitable For Treatment investigates some of Japan’s recent manga bestsellers with an eye towards license requests. Akira Himekawa, the creative team behind the various The Legend of Zelda manga, will be featured guests at the Toronto Comic Arts Festival in May. The most recent Mike Toole Show takes a look at the three incarnations of To Terra… (or Toward the Terra), originally a manga by Keiko Takemiya. And last but not least, I was very excited to see that the Manga Connection blog has been rebooted! (Which reminds me that I really need to do some cleanup and maintenance on my resources page…)

Quick Takes

Bad Teacher's Equation, Volume 2Bad Teacher’s Equation, Volumes 2-3 by Kazuma Kodaka. While I wasn’t blown away by it, I did enjoy the first volume of Bad Teacher’s Equation well enough to track down the rest of the boys’ love manga. I had heard that the series gets better as it goes along, but surprisingly enough, so far I think I actually prefer the slightly more absurd first volume. I seem to like Bad Teacher’s Equation best when it is being particularly ridiculous. The more obviously comedic aspects of the series work better for me than when the story takes a more serious turn. I was also happy to see the feelings that Masayoshi held for his brother Masami dealt with fairly quickly so that the series’ focus could turn elsewhere. The dynamics of that particular relationship were probably the least interesting in the entire series. One of the things that Bad Teacher’s Equation really has going for it is the manga’s large ensemble cast—their interactions can be very entertaining to watch. And as a result, there’s actually some legitimate character development to be seen, too.

Black Jack, Volume 10Black Jack, Volumes 10-13 by Osamu Tezuka. Because of Tezuka’s Star System, it’s not uncommon to encounter a character from another of his series in a different role. Due to that, I was particularly looking forward to the story “Ashes and Diamonds” collected in the tenth volume of Black Jack because it features Hyakkimaru in the role of Dr. Hyakki. (Hyakkimaru is from Dororo, one of my favorite Tezuka manga.) These volumes also reveal more about Black Jack’s unfortunate family situation. According to an editor’s note in the eleventh volume, the edition of Black Jack upon which Vertical’s release was based was initially intended to be a “best of” collection. However, it proved to be so popular that, excepting for a few stories which were deemed objectionable or inappropriate in some way, the edition became a complete collection. In the past I’ve mentioned that I generally prefer the more realistic scenarios in Black Jack, but I’ve come to really enjoy the more fantastical chapters as well. On occasion, aliens, ghosts, and the supernatural all have their own part to play in the series.

Dictatorial Grimoire, Volume 2: Snow WhiteDictatorial Grimoire, Volume 2: Snow White by Ayumi Kanou. I was intrigued by the first volume of Dictatorial Grimoire. It was a mess, but it was a fun mess. I was less enamored with the second volume, though I do still plan on reading the third and final installment in the series. The story in Snow White is still a mess. This time though, for whatever reason, I found it to be more frustrating than entertaining. So much of Dictatorial Grimoire makes very little sense and Kanou relies heavily on standard tropes and character types. Because of this, the story developments don’t really come as a surprise and readers are left to fill in the actual details themselves as Dictatorial Grimorie progresses from one expected plot point to the next. As might be assumed from the subtitle, Snow White features heavily in the second volume. Sadly, his bustier does not. He does, however, gain a pair of glasses for all of those megane fans out there. (Yes, that would include me.) I also do appreciate that Hiyori, though she’s portrayed as somewhat brainless, is very competent and dependable when it comes to a fight.

Shinobi Life, Volume 1Shinobi Life, Volumes 1-6 by Shoko Conami. Shinobi Life was originally created as a one-shot story but ended up being developed into a thirteen-volume series, seven of which were released in English by Tokyopop. The transition from what was supposed to be a standalone story into an ongoing series is awkward. Story elements are dropped or forgotten (in some cases actually for the better) as the plot is forced into something that wasn’t initially planned. In general, Shinobi Life is a manga that I like much better in concept than I do in execution, although it does improve greatly as the series progresses. I specifically like the time travel elements. However, I’m much fonder of the series when it’s dealing with the past than I am of its contemporary storyline. The art, though not especially original, is pretty, too. All of the adults in Shinobi Life are despicable, so it’s probably not too surprising that the teenage leads have significant personal issues to deal with; their parents don’t make particularly good role models.

Nijigahara Holograph

Nijigahara HolographCreator: Inio Asano
U.S. publisher: Fantagraphics Books
ISBN: 9781606995839
Released: March 2014
Original release: 2006

Nijigahara Holograph, the third manga by Inio Asano to have been licensed in English, was one of my most highly anticipated manga releases for 2014. Originally published in Japan in 2006, Fantagraphics’ English-language edition is collected in an attractive, large-trim hardcover much like its other manga releases. I had previously read and greatly enjoyed Asano’s other manga currently available in English—What a Wonderful World! and Solanin, both published by Viz Media—so I was naturally interested in Nijigahara Holograph. But after seeing an early preview of the manga, I knew that I would need to read it no matter what. The sequence, taken from near the end of Nijigahara Holograph, was so chilling and unsettling and at the same time so striking and beautiful that it left a huge impression on me. I couldn’t get that short segment of Nijigahara Holograph out of my mind, my anticipation only growing stronger the closer the manga’s release date came.

Eleven years ago Arie Kimura, a young girl bullied by her classmates, fell down a well. As a result of her injuries she has been in a coma ever since. She told a story about a monster that lived in a tunnel along the Nijigahara embankment that would bring the world to an end, which terrified the other children. Arie’s accident is only one small part of an ongoing pattern of fear and violence. It isn’t a pleasant memory for anyone involved. Her friends, classmates, teachers, and family members have continued living their lives, but even more than a decade later they still can’t escape their pasts and the consequences of their actions. Some of them live in denial while others have tried to move on and to forget, but for some that is a complete impossibility. They have no choice but to remember, tormented with the knowledge of the suffering and pain caused by the unnecessary tragedy. The story of the monster in the tunnel may be more real than any of them could have imagined.

Nijigahara Holograph is a dark and disconcerting work. The manga deals with some very heavy subjects: suicide, incest, abuse, and sexual and physical violence, among many other serious matters. Instead of being sanitized or romanticized, Asano has created an intensely disturbing tale in which all of these elements are incorporated and intertwined. Nijigahara Holograph is open to several interpretations. It’s dreamlike ambiguity makes it difficult to determine just how much of Nijigahara Holograph is real and how much of it is simply the product of the damaged psyches of the characters. It cold be a waking nightmare, it could be some sort of afterlife, or it could all be true. It would almost be comforting if Nijigahara Holograph was a portrayal of hell or purgatory; the possibility that it shows the characters’ reality is terrible to contemplate. But life isn’t always pretty and sweet, and it certainly isn’t in Nijigahara Holograph where innocence, minds, and bodies have been shattered.

As horrifying and distressing as Nijigahara Holograph is, the manga is also extraordinarily compelling and engaging. It is both brutal and beautiful. Nijigahara Holograph is also remarkably complex and layered—the characters, their lives, and their stories connect and overlap, often in unexpected and surprising ways. This is reinforced by Asano’s artwork. Visual cues are incorporated throughout Nijigahara Holograph which tie the narrative together, drawing upon the similarities between the characters and their circumstances. The parallels found in both the artwork and the story of Nijigahara Holograph are marvelously effective, underscoring the ever-increasing sense of despair as the characters are caught in a never-ending cycle of anguish and misery. Nijigahara Holograph is a work that can be and maybe even should be read several times. The clues are all there from the very beginning, but many of the subtle connections can only be seen in retrospect. It’s challenging and not always an easy read, but Nijigahara Holograph is definitely a manga that I’ll be thinking about for quite some time.

Bookshelf Overload: March 2014

Compared to some past months, the number of my March acquisitions seems completely reasonable to me. I’ve looked ahead to what April has in store for me (and my wallet) and it’ll be a bit ridiculous, so I’m glad that March ended up being relatively light. Even so, there were some things I was very happy to see arrive last month. Gengoroh Tagame had a second gay manga published by Bruno Gmünder, Gunji. Two of my most anticipated releases for 2014 made their appearance in March, too: the first volume in Fumi Yoshinaga’s What Did You Eat Yesterday? from Vertical and Inio Asano’s Nijigahara Holograph from Fantagraphics. (Reviews to come soon!) I was also happy to see Bento Books newest release, Kaoru Ohno’s novel Cage on the Sea. Not too long ago I reviewed Jeffery Angle’s Writing the Love of Boys, which got me interested in the work of Taruho Inagaki. By some miracle, I actually managed to find a copy of his extremely out-of-print novel Miroku, which had a very small print run from a very small press which, as far as I can tell, doesn’t even exist anymore.

Manga!
Castle Mango, Volume 2 written Muku Ogura,illustrated by Narise Konohara
Embracing Love, Omnibus 2 by Youka Nitta
From the New World, Volumes 2-3 by written by Yusuke Kishi, illustrated by Toru Oikawa
Gunji by Gengoroh Tagame
Hide and Seek, Volume 2 by Yaya Sakuragi
The Incredible Kintaro by Naomi Guren
Japan, Inc.: An Introduction to Japanese Economics by Shotaro Ishinomori
Mobile Suit Gundam: The Origin, Volume 5: Char & Sayla by Yoshikazu Yasuhiko
Monster Musume, Volume 2 by Okayado
Nijigahara Holograph by Inio Asano
Train Train, Volumes 1-3 by Eiki Eiki
What Did You Eat Yesterday?, Volume 1 by Fumi Yoshinaga
Ze, Volume 8 by Yuki Shimizu

Manhwa!
Stone Collector, Book 1 written by Kevin Han, illustrated by Zom-J.

Comics!
Black is the Color by Julia Gfrörer
Brody’s Ghost, Book 5 by Mark Crilley
In These Words, Chapter 11 by Guilt | Pleasure
The Sleep of Reason: An Anthology of Horror edited by C. Spike Trotman
The Undertaking of Lily Chen by Danica Novgorodoff

Novels!
The Budding Tree by Aiko Kitahara
Cage on the Sea by Kaoru Ohno
God’s Boat by Kaori Ekuni
Miroku by Taruho Inagaki

Nonfiction!
Understanding Manga and Anime by Robin E. Brenner
One Thousand Years of Manga by Brigitte Koyama-Richard
Twelve Views from the Distance by Mutsuo Takahashi