My Week in Manga: March 17-March 23, 2014

My News and Reviews

Experiments in Manga featured two manga reviews as well as something a little different last week. First up, I took a look at Saki Nakagawa’s Attack on Titan: Junior High, Omnibus 1. It’s a rather absurd and ridiculous series, but I was amused. The manga does require some familiarity with both Attack on Titan and Attack on Titan fandom to fully appreciate it, though. Not too long ago, I read Jeffrey Angles’ Writing the Love of Boys which introduced me to the work of Kaita Murayama. Not much about Murayama has been written in English, and only two of his short stories have ever been translated, but I was interested in learning more about him and his work. The result was a Spotlight on Kaita Murayama. (I’m actually very happy with how the post turned out!) Finally, as the actual March Madness begins, I posted the penultimate review in my own Manga March Madness—Real, Volume 4 by Takehiko Inoue, which delves more deeply into Togawa’s past. Real is a fantastic series, and one of my favorite manga.

And now for a few things found online! Vertical’s tumblr often has something interesting to read. Last week’s response to a question about licensing old Tokyopop titles was particularly informative. I enjoy House of 1000 Manga, but the most recent column focuses on Usamaru Furuya and his work, which I’m always happy to read more about. Sequart has a great interview with Kumar Sivasubramanian, the translator of some of my very favorite manga. Gay Manga posted an excellent article about the censorship of a billboard designed by artist Poko Murata promoting HIV awareness which also addresses some of the history of gay artwork in Japan. And in other censorship news, it looks like the manga series Barefoot Gen, after running into some trouble last year, may end up being banned again in parts of Japan.

Quick Takes

Brody's Ghost, Book 4Brody’s Ghost, Book 4 by Mark Crilley. It’s been quite a while since I’ve read any of Brody’s Ghost, but I do enjoy the series. Each installment is frustratingly thin though (each is less than a hundred pages) and only one book is released per year. Once the story is finished, I’d love to see Brody’s Ghost collected into a single omnibus. I think the series would benefit from being read in larger chunks or all at once. Which is not to say the individual books aren’t enjoyable. Each one has a great mix of action, story, and character development. I enjoy Crilley’s artwork, too. I also enjoy the bonus content that Crilley includes, outlining some of his design choices and storytelling decisions. In this particular volume of Brody’s Ghost, Brody is doing everything that he can to track down the Penny Murderer, including impersonating a detective. His ex-girlfriend, who he still cares about, may very well be the next victim and he is desperate to prevent that from happening. Things are even more complicated now that he has discovered that Talia—the ghost who pressured him into the investigation—has been lying to him.

FlutterFlutter by Momoko Tenzen. I appreciate it when a boys’ love manga includes a character who is actually openly gay, so that aspect of Flutter particularly appealed to me. Mizuki is that man—a respected and skilled project leader at his company. He presents himself as someone who is extremely well put together, but that public face is deliberately crafted to hide his weaknesses and insecurities. Asada is one of Mizuki’s coworkers. He finds himself inexplicably drawn to Mizuki. After the two of them are assigned to the same project they get to know each other, first as friends and then as something possibly more as Mizuki begins to drop his guard around Asada. Flutter is a slowly paced and relatively quiet manga, which is somewhat surprising as Mizuki’s backstory is fairly melodramatic. However, that melodrama is completely lacking from Mizuki and Asada’s somewhat awkward relationship; I enjoyed watching it develop. Asada’s personality is very kind and candid and his inability to hide what he is thinking and feeling is adorable. This open honesty is just what Mizuki needs, whether he realizes it or not.

Missions of Love, Volume 1Missions of Love, Volumes 1-4 by Ema Toyama. I’ll admit it, I’m addicted to Missions of Love. I actually began reading the series with the fifth and sixth volumes, but I enjoyed them enough that I wanted to go back and read it from the beginning to learn how the whole mess between Yukina, Shigure, Akira, and Mami came to be. Missions of Love isn’t the most believable series and some of it is admittedly silly, but I don’t think I would enjoy the manga as much as I do if Toyama took a more serious or realistic approach. The story itself might be somewhat ridiculous, but the complicated relationships and emotions are real enough. Ultimately, that’s what appeals to me about Missions of Love—the intensity of the characters’ feelings paired with a plot that can be over-the-top. In the beginning, Yukina and Shigure don’t even like each other which is what allows them to resort to blackmail and manipulation. But as the series progresses, they come to care for and rely on each other in a way that is incredibly twisted. All of the relationships in Missions of Love are like that. I can’t help but want to watch the emotional chaos and turmoil unfold.

The Mysterious Underground MenThe Mysterious Underground Men by Osamu Tezuka. The Mysterious Underground Men is the second volume in Ryan Holmberg’s Ten-Cent Manga series which explores classic manga influenced by classic American comics and cartoons. Tezuka, often called the grandmaster of contemporary manga and anime, has had many of his works released in English. Granted, only a small fraction of his total output has been translated. As much as I appreciate Tezuka’s manga and his importance as a creator, I’m actually much more interested in the work of other classic mangaka who are less likely to be licensed. Initially, I wasn’t even planning on reading The Mysterious Underground Men. But because I was so impressed by the first volume of Ten-Cent Manga, I decided to give it a try after all. I’m glad that I did, not so much for the manga itself (which I did enjoy), but more for the supplementary material—Tezuka’s afterword, in which he describes The Mysterious Underground Men as his first story manga, and Holmberg’s essay which puts the manga into historical context, specifically noting its Western pop culture influences.

Time of EveTime of Eve directed by Yasuhiro Yoshiura. It’s not a secret that I have a fondness for stories about androids, so it probably shouldn’t be too surprising that I liked Time of Eve, a six episode anime series that was first released online. The series revolves around an unusual cafe, the titular Time of Eve, where humans and androids can interact while ignoring the laws that normally separate them. The cafe has only one rule, that there is to be no discrimination between the two groups. Rikuo discovers the cafe while looking into the unexpected behavior of “Sammy,” his household’s android. Along with his close friend Masaki, Rikuo’s assumptions about androids and how humans treat them are challenged as he gets to know the other customers at the cafe. Time of Eve doesn’t break any new ground when it comes to androids and makes good use of Asimov’s Three Laws of Robotics. I’ve read and watched so much android fiction that nothing about the series surprised me (including what were supposed to be dramatic reveals), but I still found the anime to be immensely enjoyable.

My Week in Manga: May 28-June 3, 2012

My News and Reviews

The most recent manga giveaway is underway here at Experiments in Manga. The winner will be announced on Wednesday, so there’s still some time to enter. Plus, there aren’t many entries yet, so the odds are really good! Stop by the Read or Die Giveaway and tell me about your favorite bibliophile for a chance to win. I know that at least a couple of people enjoy my Bookshelf Overload posts, which is one of the reasons I keep writing them. If you’re one of those people, May’s Bookshelf Overload is now available for viewing. Over the weekend I posted my review of Matthew Meyer’s book The Night Parade of One Hundred Demons: A Field Guide to Japanese Yokai. It’s a fantastic volume with great artwork that any yokai lover should enjoy. Be sure to check out his website for examples of his art, too. I haven’t been this excited about a book in a very long time; I absolutely loved it.

Quick Takes

Basilisk, Volumes 1-5 by Masaki Segawa. This manga series is an adaptation of Fūtaro Yamada’s semi-historical novel The Kouga Ninja Scrolls. I had previously read and enjoyed the novel, which is probably one of the reasons I didn’t appreciate the manga as much in the beginning—I missed having a lot of the background information the novel included. However, by the end of the series I was completely engaged. I’ve often heard the basic premise of the story described as “Romeo & Juliet…with ninja,” which is accurate up to a point. The large cast of ninja, each with their own special abilities, provide plenty of opportunities for intense battles and underhanded assassination attempts.

Brody’s Ghost, Books 2-3 by Mark Crilley. I believe Brody’s Ghost is planned to be a six volume series, so this brings us to the halfway point. Volumes two and three follow Brody as he gets his life back together while he undergoes training to gain control over his emerging supernatural powers. He’s also given some real motivation to pursue the Penny Murderer, something that was previously lacking. I’ve enjoyed what I’ve seen of the series so far, but I have no idea when the next book is due to come out! I’ll definitely be picking it up once it does, though. One thing I really like about Brody’s Ghost is the extra material that Crilley includes at the end of each volume which explores his creative processes and decisions.

Gerard & Jacques, Volumes 1-2 by Fumi Yoshinaga. After a very uncomfortable beginning, Gerard & Jacques eventually turns into an great historical drama. Despite the title being Gerard & Jacques, the focus is really on Gerard. He is certainly the most thoroughly developed character in this short series, but Yoshinaga doesn’t slack off when it comes to writing the other characters, either. Even the secondary characters have their defining moments. The story itself ranges from the heavy and dark to the light and comedic which can be jarring, but enjoyable. I’m not particularly interested in the French Revolution but it serves as a good backdrop for the series and ultimately becomes very important to the plot as well.

Twin Spica, Volumes 9-10 by Kou Yaginuma. For such a gentle seeming series Twin Spica can also be incredibly heart-wrenching. The manga has always had a melancholic air to it as the characters struggle to accept their pasts while striving to achieve their dreams. Even years after the Lion disaster people are still having to deal with the consequences of the shuttle’s crash. As graduation draws closer for Asumi and her friends at the space school they’ve all come to realize how important they are to one another. They also know that soon the time will come when they have to say goodbye. I’m really looking forward to reading the final two volumes in Vertical’s release of the series.

Welcome to the N.H.K. directed by Yūsuke Yamamoto. I loved Tatsuhiko Takimoto’s original Welcome to the N.H.K. novel and I must say, the anime adaptation is excellent. Although the humor is still there, I didn’t find the anime to be as outrageously funny as the novel. But even with the anime’s more serious tone there are moments of hilarity which are needed to keep the series from becoming too depressing. The anime stays true to the novel while expanding parts of the storyline and characterizations. The plot arc dealing with the pyramid scheme was a little tedious, but for the most part the changes made for the anime worked very well. The characters may sometimes be extreme, but they’re very human, too.

My Week in Manga: May 7-May 13, 2012

My News and Reviews

So, I finally got around to reading Hiromu Arakawa’s manga Fullmetal Alchemist. I really enjoyed the first anime series (I haven’t watched Brotherhood yet) but I think that the manga might be even better. I took a look at the first omnibus and loved it. I also reviewed the last volume of The Guin Saga to be published in English, The Marches King by Kaoru Kurimoto. I’ve become quite fond of the series, so I wish there was more available in translation. It’s nice to have the first major story arc, though. And then there’s always the anime, even if it isn’t as good. I’ll probably make a point to review The Guin Saga: The Seven Magi manga now that I’ve finished the translated novels.

I reviewed Math Girls by Hiroshi Yuki soon after Bento Books published the novel in English last year (it was their debut release). I rather enjoyed the book. The second volume of the series will be published later in 2012. Bento Books also recently began a Kickstarter project to release the manga version of Math Girls. The translation itself is already completed but they need a bit of a financial boost in order to finish up the English edition of the manga. I hope the project is successful; I’d really like to see this niche manga made available.

And for a couple of other interesting things online: Erica Friedman of Yuricon and Okazu has posted videos for a five part series about yuri. Completely unrelated, if you’re interested in how the March 11 earthquake affected libraries in Japan, the National Diet Library has released a report on the subject. Part of the report, “The Great East Japan Earthquake and Libraries,” is available as a pdf in English. The report is fairly extensive and isn’t necessarily for casual reading, but it is one of the definitive resources for information about libraries and the earthquake.

Oh, and one final heads up! May’s Manga Moveable Feast, featuring Oishinbo and other foodie manga and hosted by Khursten Santos at Otaku Champloo, will begin on the 22nd!

Quick Takes

Brody’s Ghost, Book 1 by Mark Crilley. I picked up Brody’s Ghost on a whim. I’m glad I gave the series a shot, though. In fact, I liked the first volume so well that I immediately went out and bought the next two available books in the series. Brody is a very average guy (at least, he thought he was) who has caught the eye of a ghost. She’s determined that he will be the one to help her track down a murderer. The story is fairly average so far, but I’m really enjoying Crilley’s artwork. He has created a futuristic, rundown, urban environment that works marvelously well. My only real complaint is that the book is so short, well under a hundred pages. Still, I’m looking forward to continuing with Brody’s Ghost.

Flowers & Bees, Volumes 1-7 by Moyoco Anno. Komatsu wins a prize—I have never seen a character go through so many different hairstyles within the course of a single series. Even though it is completely different in so many ways, Flowers & Bees reminded me a lot of another of Anno’s manga, Happy Mania. Both series feature protagonists with extremely bad luck when it comes to love and who tend to overreact and freak out over the smallest incidents. The humor in Flowers & Bees is manic, raunchy, and cruel, frequently bordering on offensive, but I still found it to be hilarious. The second half of the series does sober up a bit, but not by much. The epilogue to the series seemed tacked on and unnecessary, but it was nice to see where many of the characters ended up after the series proper.

Let Dai, Volumes 1-5 by Sooyeon Won. So far, Let Dai is a very intense manhwa series. I wasn’t expecting it to be as violent as it is, but perhaps I shouldn’t have been surprised since one of the main characters is a notorious gang leader. There’s also quite a bit of manipulation and intimidation. Dai, the aforementioned gang leader, is vicious and terrifying and yet his charisma makes him captivating and strangely alluring to others. Jaehee, who was once a straight-laced student, has been caught up in Dai’s influence. Their relationship is complicated to say the least. At this point, I really can’t imagine anything turning out well for any of the people involved; the series has a very ominous atmosphere.

Princess Jellyfish directed by Takahiro Omori. As someone who is rather socially awkward, a lot of Princess Jellyfish hit pretty close to home for me. Amamizukan is an apartment building home to a group of women, all of who are some sort of otaku. Tsukimi, one of the residents, has her life thrown into turmoil when she meets the cross-dressing son of a politician. Princess Jellyfish is leisurely paced, paying more attention to characters’ development rather than intricate plots. The anime finds a decent place to stop in the story, but it’s not much of an ending as almost nothing is actually resolved. I loved Princess Jellyfish, it’s a wonderful series, but it leaves me wanting more. I’d like to read the manga upon which it was based.