My Week in Manga: January 23-January 29, 2017

My News and Reviews

The end of the month is approaching which means it’s time for Experiments in Manga’s monthly giveaway. The winner of the most recent giveaway will be announced on Wednesday, so there’s still a little time left to enter for a chance to win the first volume of Kenya Suzuki’s delightful full-color manga series Please Tell Me! Galko-chan. Speaking of manga giveaways, there’s also an opportunity to win a copy of the first omnibus in Kei Sanbe’s Erased over at The OASG.

Elsewhere online, I came the Young Adult Library Services Association’s 2017 Great Graphic Novels for Teens. As usual, the list includes a fair number of manga along with all of the other excellent comics. Ichigo Takano’s Orange (which was also one of my notable manga from 2016) even made the top ten list. Out of the many other manga included as part of YALSA’s larger list, I have in-depth reviews of Junji Ito’s Cat Diary: Yon & Mu and Akiko Higashimura’s Princess Jellyfish, Omnibus 1, both of which I loved.

Another list I came across recently was BookRiot’s feature on Japanese speculative fiction in translation. Overall, I think it’s a great list–I’ve previously reviewed three of the books included (Miyuki Miyabe’s The Book of Heroes, Yusuke Kishi’s The Crimson Labyrinth, and Taiyo Fujii’s Gene Mapper) and most of the others I’ve been meaning to read for quite some time or were already high on my list of books to read in the near future.

It’s been a while since I’ve mentioned Kickstarter projects here, but there are a few campaigns for print comics that have caught my eye lately: Maya Kern is looking to print the second volume of the adorable webcomic Monster Pop; Amanda Lafrenais is campaigning to release the second Titty-Time print collection of erotic comics; and Deandra Tan is hoping to release a print edition of her graphic novel Love Debut!.

Quick Takes

Aoharu X Machinegun, Volume 1Aoharu X Machinegun, Volume 1 by Naoe. I picked up the first volume of Aoharu X Machinegun more on a whim than anything else but I ended up enjoying it much more than I expected. On the surface there are a few things about the beginning of Aoharu X Machinegun that are oddly reminiscent of Ouran High School Host Club–Masamune works in a host club and Hotaru, who is often mistaken for a boy, gets wrapped up in his schemes after she needs to earn some money for damaging the club’s property–but the similarities mostly end there. Hotaru has an overly-strong sense of of justice and has a tendency to get into fights because of it. Masamune is the leader of a competitive survival/war game team and has decided the Hotaru should become its third member after her aggressiveness leaves a distinct impression on him. Initially, the team’s second member Tooru, who also happens to be well-known hentai mangaka, is less than thrilled about this. They’re both completely unaware that Hotaru is a girl, too, which could cause some trouble later on. Aoharu X Machinegun is kind of ridiculous but fun. I enjoyed its action and sense of humor and this point would be interested in reading more.

Bakune Young, Volume 1Bakune Young, Volumes 1-3 by Toyokazu Matsunaga. I’ve been meaning to read Bakune Young for quite a while now but the short series is long out-of-print and can be somewhat difficult to find. (Fortunately, it turned out that my library actually owns a complete set.) Reading Bakune Young is quite an experience to say the least. Matsunaga’s artwork, while it’s frequently and deliberately grotesque and at times could even be described as ugly, is tremendous. The story itself is nearly nonsensical, but it does manage to have a bizarre sort of logic to it. The series opens with the titular Bakune Young in a pachinko parlor before he begins targeting yakuza in a killing spree. His rampage quickly escalates and eventually not only the yakuza, but Japanese police, a ninja assassin from the French Foreign Legion, psychics, and even the American military all become involved as the death count increases exponentially. Bakune Young is certainly not for the faint of heart. It’s incredibly violent, viciously dark, and legitimately absurd, but assuming one isn’t bothered by all that, it can also be extraordinarily funny. I suspect Bakune Young is a manga that readers either love or hate without there being much middle ground.

The Encyclopedia of Early EarthThe Encyclopedia of Early Earth by Isabel Greenberg. I recently read and absolutely loved Greenberg’s The One Hundred Nights of Hero and so immediately made a point to seek out more of her work. The Encyclopedia of Early Earth was Greenberg’s first graphic novel and received great acclaim when it was published. The comic’s premise is simple: a nameless storyteller as travels the world in search of a missing piece of his soul. The graphic novel shares some obvious similarities to The One  Hundred Nights of Hero in its structure, themes, artwork, and setting. Both comics take place in the pre-prehistoric Early Earth and utilize the same mythologies, cosmologies, and pantheons. Both comics, in addition to love, are also about the importance of stories and storytellers; they find inspiration in and retell existing folktales while intertwining them with those of Greenberg’s own making. Otherwise, the two comics aren’t directly related. The Encyclopedia of Early Earth feels less politically-charged than The One Hundred Nights of Hero which may make it more palatable to some audiences but as a result it isn’t nearly as powerful a work overall in comparison. Even so, The Encyclopedia of Early Earth is wonderful.

Wolf MagicWolf Magic by Natsuki Zippo. So far, Wolf Magic is the only manga by Zippo to have been released in English. As far as I can tell, Wolf Magic is also Zippo’s first professional work. Especially considering that, it’s a very strong collection of boys’ love manga, and I’d certainly be interested in seeing more from Zippo translated. Wolf Magic opens with “The Water of Love for the Withered Flower” which is about Hanasaki, a florist whose severe appearance is at complete odds with what most people would associate with his profession. However, he still manages to unintentionally catch the eye of Hata. The manga then turns to the various “Wolf Magic” stories which follow Nagase, a young gay man, as he falls in and out of love during high school and then continues to look for “the one” in college. In the process, he develops a surprising relationship with Higuchi. While the two story arcs are unrelated and are quite different from each other, thematically they are very similar. Both Hanasaki and Nagase are searching for love and acceptance and both ultimately find it in unexpected places and ways. Overall, with its attractive artwork and excellent characterizations, Wolf Magic is quite well done.

United States of JapanUnited States of Japan by Peter Tieryas. I’ve often heard United States of Japan described as a spiritual sequel or successor to Philip K. Dick’s The Man in the High Castle. In some ways that is certainly true–Tieryas’ novel probably would not have existed were it not for Dick’s and makes multiple references to The Man in the High Castle–but the two novels are drastically different from each other in tone and style. The underlying premise, however, is the same. Emerging victorious from World War II, Japan now controls a significant portion of what was once the United States of America. The grim cyberpunk alternate history presented in United States of Japan (complete with mecha battles and graphic torture) can be extraordinarily brutal and gruesome. The lead characters aren’t exactly the most likeable or sympathetic people, either, though they become slightly more so as the novel progresses. Captain Ben Ishimura, whose only talent seems to be hacking and programming, is a censor who comes to the attention of Agent Akiko Tsukino when an illegal video game which imagines America winning the Second World War threatens to embolden resistance against the rule of Japan.

My Week in Manga: January 9-January 15, 2017

My News and Reviews

Last week at Experiments in Manga I posted the Bookshelf Overload for December. It includes a pretty big list of things, in part due to massive holiday sales, so hopefully future months won’t be quite as ridiculous. Another thing that happened last week that was kind of cool was related to a post that I wrote back in 2014. My Spotlight on Masaichi Mukaide is probably one of the most noteworthy things that I’ve ever written and it actually got quite a bit of attention when I posted it. Well, Masaichi Mukaide himself apparently came across it recently and even left a comment.

Probably the biggest manga news from last week was the slew of licenses and other announcements made by Seven Seas. Here’s the list of manga:

Absolute Duo by Takumi Hiiragiboshi and Shinichirou Nariie
Alice & Zouroku by Tetsuya Imai
Captain Harlock: Dimensional Voyage by Leiji Matsumoto and Kouichi Shimahoshi
The Count of Monte Cristo by Moriyama Ena
Cutie Honey a Go Go! by Hideaki Anno and Shinpei Itou
Devilman G by Go Nagai and Rui Takatou
Dragon Half by Ryusuke Mita
Hatsune Miku: Bad End Night by Hitoshizuku-P x Yama and Tsubata Nozaki
Hatsune Miku Presents: Hachune Miku’s Everyday Vocaloid Paradise by Ontama
Magical Girl Special Ops Asuka by Makoto Fukami and Seigo Tokiya
Sleeping Beauty by Yumi Unita
Spirit Circle by Satoshi Mizukami
The Testament of Sister New Devil Storm by Tetsuto Uesu and Fumihiro Kiso
Unmagical Girl by Ryuichi Yokoyama and Manmaru Kamitsuki
Wadanohara and the Great Blue Sea by Mogeko

Seven Seas is getting back into translating novels and has a deluxe edition of Ryo Mizuno’s Record of the Lodoss War: The Grey Witch with illustrations by illustrations by Yutaka Izubuchi in the works, too. Also announced was a full-color edition of Madeleine Rosca’s Hollow Fields and five more illustrated literary classics. (I found Seven Seas release of Lewis Carroll’s Alice’s Adventures in Wonderland and Through the Looking-Glass to be quite enjoyable.)

It’s a pretty interesting group of announcements with a fairly wide range of titles to choose from. There’s even a manga from the late ’80s (Dragon Half), and not many of those are licensed any more. I’m particularly curious about Moriyama Ena’s adaptation of The Count of Monte Cristo (the cover art is gorgeous), the josei manga Sleeping Beauty by Yumi Unita (whose Bunny Drop left me with extremely conflicted feelings), as well as the number of titles which are part of classic franchises.

Quick Takes

Devils' Line, Volume 1Devils’ Line, Volumes 1-2 by Ryo Hanada. I actually didn’t realize it at first, but Devils’ Line is the second work by Hanada to be released in English. The first was the doujinshi Good-bye Geist which overall I enjoyed. However, Devils’ Line is Hanada’s first professional series. In general, I’m liking it, too, except that the artwork is terribly inconsistent. At times it’s absolutely spectacular (the cover illustrations are especially great) but within a few panels it may have lost all sense of scale an anatomy. I can’t quite tell if this is mean to be deliberate or not; if so, the execution is unconvincing. The story isn’t as tight as it could be, but it does have a nice blend of genres, including romance, horror, action, crime, and thriller. And, like Good-bye Geist, the series has a marvelously ominous atmosphere. The plot centers around Tsukasa, who unfortunately seems to be a magnet for both vampires (or “devils”) and sexual assault, and Anzai, a half-vampire working for the police in a unit specializing in devil-related incidents. Vampirism in Devils’ Line has an intensely sexual component to it; the eroticism often associated with vampires in other stories is in this case incredibly dark and violent.

The Ghost and the Lady, Volume 2The Ghost and the Lady, Volume 2 by Kazuhiro Fujita. Admittedly, The Ghost and the Lady is kind of a strange manga series. In part historical fiction and in part supernatural drama, the manga’s disparate elements don’t always perfectly mesh, but I still enjoyed the series a great deal. In The Ghost and the Lady, Fujita mixes together historical facts and legends, reimagining the life of Florence Nightingale and her accomplishments during the Crimean War with a distinctly supernatural flair. It’s clear that Fujita has done a tremendous amount of research for the series; and as the afterword by the series’ translator Zack Davisson points out, more or less every named character in the manga has a historical counterpart. There’s Nightingale herself as well as the people she knew, Grey is based on a famous ghost of the Drury Lane theater, and even historical figures like the Chevalier d’Éon have prominent roles to play. (Speaking of whom, I really need to find a good biography of d’Éon to read.) Despite the presence of the ghosts, the supernatural aspects of The Ghost and the Lady seem to come and go; I do wish that the eidolons had been utilized a little more in the series’ second half because it’s great when they are.

Holy Corpse Rising, Volume 1Holy Corpse Rising, Volume 1 by Hosana Tanaka. As can be safely assumed by provocative cover art, Holy Corpse Rising is a manga series that includes a fair amount of nudity and scantily clad women. However, despite the occasional ridiculousness, the fanservice is largely keeping with the style and tone of the series as a whole, so it doesn’t feel out-of-place; a significant portion of Holy Corpse Rising is intended to be titillating. In general, Tanaka’s artwork is quite attractive, though the women in the series are the most beautiful. They’re also by far the most powerful characters, both in ability and status. The first volume of Holy Corpse Rising serves as an introduction to the war between the Credic Church and the witches. Nikola, a monk who is a specialist in witch lore, is charged with securing the aid of the coven of first witches in the Church’s fight against their descendants. But first Nikola must resurrect them and in the process manages to put himself in some rather compromising situations. So far the first witches each seem to gain their power from a different bodily fluid (tears, blood). And since there are twelve of them, Holy Corpse Rising has the potential to enter some pretty kinky territory.

The One Hundred Nights of HeroThe One Hundred Nights of Hero by Isabel Greenberg. I don’t recall exactly what it was that brought The One Hundred Nights of Hero to my attention, but I’m so glad that I read it because it is marvelous; I loved the comic. Greenberg takes inspiration from existing stories and even provides retelling of folktales over the course of the graphic novel. The framework is deliberately similar to that of One Thousand and One Nights and there are stories within stories within stories. In fact, The One Hundred Nights of Hero is about the power of stories and storytellers. It’s also about love and “brave women who don’t take shit from anyone.” At the center of the comic is Cherry and her maid Hero, two women who love each other dearly. Night after night, Hero spins tale after tale in an effort to save their lives. The world of The One Hundred Nights of Hero is an incredibly misogynistic one. While different from our own, in some ways it is also tragically reminiscent. The One Hundred Nights of Hero isn’t always particularly subtle and can at times feel somewhat heavy-handed, but it’s a wonderfully powerful and unabashedly feminist work. I definitely plan on seeking out more of Greenberg’s comics.

Moshi MoshiMoshi Moshi by Banana Yoshimoto. Despite being an extremely prolific author and one of the most well-known Japanese novelists translated in English, I haven’t actually read any of Yoshimoto’s works until now. The story of Moshi Moshi is told from the first-person perspective of Yoshie, a young woman whose father has recently died. A successful musician, the circumstances surrounding his death are somewhat unclear, but it’s believed that he committed double suicide with a woman who neither she or her mother knows. The novel follows Yoshie as she tries to come to terms with the unexpected loss of her father by reinventing her life in the chic neighborhood of Shimokitazawa. Her mother joins her there, feeling that the ghost of her husband is haunting the family home, and Yoshie herself is plagued with recurring dreams in which her father appears, searching for his phone. Though Moshi Moshi does tend to drag a little in places, I really liked how Yoshimoto handles the themes of love, loss, and the inevitability of change in the novel. I suspect that Moshi Moshi likely isn’t the best introduction to Yoshimoto’s work, but for the most part I did appreciate it.

Random Musings: Notable in 2016

The end of 2016 has come and, as promised, I have compiled my annual list of notable releases of some of the works published within the last twelve months. All of the caveats from previous years still apply–to qualify a book must have been released in 2016 and I must have read it in 2016. (And I certainly haven’t read everything that’s been published this year.) Additionally, this year I’ve specifically decided to focus on debuts rather than continuing series (with one exception) and am limiting the list to one book per publisher in order to make it more manageable for myself. This is not a “best of” list or a list of favorites (that would be a much longer feature). It’s not even a list of all of the noteworthy releases from the past year, otherwise I’d probably never finish writing (2016 was an excellent year for manga in particular). What this list is is a subset of releases from the last year that, for one reason or another, left the most significant impressions on me.

Orange, Omnibus 1The first manga published in English in 2016 which really made me take note was Ichigo Takano’s Orange. It’s a heartwarming but bittersweet story which deals with some very heavy topics including crippling guilt, regret, depression, and suicide. Orange resonated very strongly with my own personal experiences as someone who is both challenged by and knows others who struggle with similar issues. The manga can be heartbreaking, but Takano’s approach is immensely compassionate and life-affirming.

Goodnight Punpun, Omnibus 1Inio Asano’s Goodnight Punpun is likewise a heartwrenching manga that deals with very serious and troubling subject matter. However, in the case of Goodnight Punpun, that exploration ends up being incredibly dark and surreal. I find the series to be remarkably compelling and the artwork is spectacular, but it’s certainly not what I would call light reading. The tragic coming-of-age story that Asano presents is deliberately uncomfortable and even the humor tends to be extremely bleak.

The Gods LieDevastating coming-of-age stories were apparently a theme for me in 2016 because The Gods Lie by Kaori Ozaki fits into that category as well. The Gods Lie was actually one of my most anticipated releases of the year and I was not disappointed. The manga is a beautiful, emotionally resonate work with a story that is both skillfully told and drawn. Ozaki addresses themes of abandonment, desperation, and death, recognizing that solutions to bad situations aren’t always easy or clear.

What Is Obscenity?Although the subject matter of Rokudenashiko’s autobiographical manga What Is Obscenity?: The Story of a Good for Nothing Artist and Her Pussy is also quite serious—a portrayal of the circumstances surrounding her multiple arrests on obscenity charges—the volume itself is charmingly funny, sweet, and surprisingly upbeat. Rokudenashiko’s work as an artist and activist is both inspiring and empowering. I personally feel that What Is Obscenity? was one of the most important releases from 2016.

Kitaro, Volume 1: The Birth of KitaroA few years ago, Drawn & Quarterly released a collection of Shigeru Mizuki’s Kitaro manga which I loved, so I was thrilled when a multi-volume Kitaro series was announced. Beginning with The Birth of Kitaro, the series has been specifically curated to appeal to younger readers although the manga is still a tremendous amount of fun regardless of age. Not very many classic manga are licensed in English these days, but with my particular interest in yokai, I’m glad that the influential Kitaro is one of them.

Attack on Titan AnthologyKodansha Comics was the manga publisher that impressed me most overall in 2016 with the expansion of the range of its offerings. One of the most interesting releases actually wasn’t a manga but an original collection of Western comics inspired by Hajime Isayama’s Attack on Titan. Like any anthology, some of the contributions to Attack on Titan Anthology are stronger than others, but some are incredible. As a whole, the volume is a fantastic collection compiling a wide variety of styles and genres.

Are You an Echo?: The Lost Poetry of Misuzu KanekoAnother remarkable multinational effort from 2016 was Are You an Echo?: The Lost Poetry of Misuzu Kaneko from Chin Music Press. The children’s book, beautifully illustrated by Toshikado Hajiri, combines a biography written by David Jacobson with a selection of Kaneko’s poetry translated by Sally Ito and Michiko Tsuboi. Kaneko is relatively unknown in English but her work is utterly delightful, charming, and compassionate. Are You an Echo? is a lovely book and a treasure.

Human ActsTechnically, Han Kang’s Human Acts won’t be released in North America until 2017, but the English translation was first published in 2016. The novel was honestly one of the best books that I read all year. It was also one of the most devastating and haunting. Beautifully written by Kang and elegantly translated by Deborah Smith, Human Acts shows how past tragedies have long-lasting and far-reaching effects on the present and future. The novel is intensely personal, political, and powerful.

The Paper Menagerie and Other StoriesThe Paper Menagerie and Other Stories is the second book by Ken Liu to have been published. (Liu’s first book, The Grace of Kings, was actually on last year’s list of notable releases.) The collection brings together fifteen of Liu’s short stories and novellas, a combination of award-winning works and the author’s personal favorites. The volume is consistently compelling and thought-provoking—as good speculative fiction should be—each story providing a distinctive and meaningful perspective.

Tokyo Demons: Know What You WantAs many people know, Lianne Sentar’s Tokyo Demons is one of my obsessions, so I would be remiss to not mention it here. 2016 was a great year for fans of the series: Know What You Want, a provocative collection of mature side stories, was released in print, the third book finished its serialization online with an extremely satisfying conclusion, and the beginnings of the sequel series Tokyo Ghosts began to make its appearance. I’m very glad for the opportunity to see the story and characters continue to change and evolve.

My Week in Manga: December 19-December 25, 2016

My News and Reviews

Nothing other than the usual My Week in Manga feature was posted last week at Experiments in Manga. However, I still have a few things in store before the year is through. Later this week you’ll want to be on the lookout for the monthly manga giveaway for December. I’ve also been hard at work on my list of notable manga, comics, and other books that I’ve read that were released in 2016. That list should be ready to post in the very near future as well!

Quick Takes

The Demon Prince of Momochi House, Volume 2The Demon Prince of Momochi House, Volumes 2-6 by Aya Shouoto. It was the beautiful artwork and yokai that first drew The Demon Prince of Momochi House to my attention and that continues to be a large part of the series’ appeal for me. I’m also enjoying the story’s melancholic atmosphere as the manga explores themes of loneliness and the desire to belong. Himari, who is an incredibly sweet and caring person, is steadily building her relationships and friendships with the locals, ayakashi and humans alike. However, more the romantic elements of the series are admittedly less convincing. Although there is an underlying story about the mysteries surrounding Aoi and Himari’s efforts to free him from his tragic fate, The Demon Prince of Momochi House frequently almost seems episodic in nature as Himari is introduced to a variety of supernatural wonders and dangers. The seemingly directionless and less-than-cohesive storytelling can be frustrating and sometimes even feels a little shallow, but overall I find the series to be alluring and provocative and look forward to reading more.

What Did You Eat Yesterday?, Volume 9What Did You Eat Yesterday?, Volumes 9-11 by Fumi Yoshinaga. I am incredibly happy that What Did You Eat Yesterday? is being released in English, so it makes me sad that the series doesn’t seem to be doing especially well in translation. It’s a shame, because it really is a wonderful manga. While I certainly appreciate the food aspects of What Did You Eat Yesterday?, I particularly love the realistic and nuanced characterizations found in the series. The food is all well and good, not to mention beautifully illustrated, but it’s the characters and their relationships that really make the series work. Shiro’s character development has probably been the most interesting and satisfying. I’m very glad to see his relationship with his parents improving even after some significant setbacks. While he’s still not out in his professional life, it is clear that he is becoming more comfortable publicly expressing his sexuality. Fortunately, Shiro and his long-term boyfriend Kenji have the love, support, and acceptance of others which makes that easier. More recently, rather than their homosexuality, what they’ve had to worry about are Shiro’s aging parents and the rising cost of living.

Yowamushi Pedal, Omnibus 3Yowamushi Pedal, Omnibuses 3-4 (equivalent to Volumes 5-8) by Wataru Watanabe. Out of the recent spate of new sports manga being released in North America, Yowamushi Pedal is currently one of my favorites. I have seen a fair amount of the anime adaptation so at this point I am very familiar with where the plot is heading, but even so I still find the original manga to be immensely engaging. Before Yowamushi Pedal, I actually didn’t realize how much of a team effort cycling could be; it’s interesting to learn about the various strategies that can be used to win a race. These couple of omnibuses largely focus on Sohoku’s intensive training camp and also introduce some of the major competition. The characters are fun, some of them are frankly pretty cool, too, and they all have distinctive personalities. The Sohoku team especially is made up of a group of quirky but likeable and talented young cyclists. Art-wise Yowamushi Pedal could almost be described as ugly, but I really like its highly dramatic and energetic style. Watanabe probably uses more speedlines than any other artist I’ve seen, but the effect is great.

Legend of the Galactic Heroes, Volume 2: AmbitionLegend of the Galactic Heroes, Volumes 2-3 by Yoshiki Tanaka. Despite the nearly constant war and political upheaval present in the Legend of the Galactic Heroes novels, the series isn’t really that action-oriented. I suspect some people will actually find it to be rather dry and perhaps even textbook-like. With only the occasional bout of melodrama, the series quickly moves from one event or venue to the next and the cast of characters only continues to grow. (Granted, as this is war, not all of them survive very long after being introduced.) Because the scope is so sprawling sometimes it feels as though Legend of the Galactic Heroes lacks depth of story and characters, instead opting for a wider view and summary of major events. However, Tanaka does show how the complexities of societal, political, economic, and militaristic influences can impact one another. The books frequently read like a popular history, and the series actually reminds me a bit of Romance of the Three Kingdoms, too. So far I’m really enjoying the series and find its story and characters interesting. I like the focus on tactics and strategy as well as the influence that real-life history has had on the series.

Human Acts

Human ActsAuthor: Han Kang
Translator: Deborah Smith
U.S. Publisher: Hogarth Press
ISBN: 9781101906729
Released: January 2017
Original release: 2014
Awards: Manhae Literary Prize

Over the last few years South Korean novelist Han Kang has gained a fair amount of international attention. Of particular recent note, her second novel to be translated into English, The Vegetarian (which I’ve been meaning to read for quite some time now), was awarded the Man Booker International Prize in 2016 after being met with great acclaim. Kang isn’t a stranger to awards–her work, while at times controversial, is well-regarded and has earned her many honors and accolades both in South Korea and abroad. Human Acts is Kang’s third novel to receive an English translation. The book was originally published in Korea in 2014 (under a title that more closely translates as The Boy Is Coming) and won Kang the Manhae Literary Prize. Deborah Smith’s English translation of and accompanying introduction to Human Acts was first published in Great Britain in 2016 and is scheduled to be released in the United States in early 2017.

After the assassination of South Korean president Park Chung-hee in 1979, the political climate of the country became increasingly perilous. The student demonstrations calling for democracy and the protests against the government which began during Park’s rule when he implemented authoritarian policies and martial law continued even after his death. In 1980, in the southern city of Gwanju, one such demonstration was engulfed in violence when a group of citizens supporting the students’ efforts was attacked and killed by government forces. The protest in Gwanju quickly escalated into an uprising involving thousands. The incident only lasted a few days–ultimately the civil militias were defeated by the government troops–but the uprising and accompanying massacre would deeply impact South Korea and its people for decades to come, leaving a wound that has yet to completely heal.

Human Acts focuses on the aftermath of the Gwanju Uprising and the personal costs, pain, and suffering of the people involved. The novel unfolds in seven parts told from seven different perspectives. It begins in the midst of the uprising itself in 1980 and ends in 2013 with its lingering influence. Human Acts opens with the story Dong-ho, a middle school student working in a gymnasium which had been hastily converted into a temporary morgue in order to accommodate the tremendous number of casualties. There he helps to care for and identify the bodies. After he himself is killed during the uprising, Dong-ho becomes the touchstone which ties the disparate parts of the novel together. In addition to Dong-ho, Human Acts contains the accounts of the soul of his friend who also lost his life, two of the women who worked in the morgue with him, a protestor who witnessed his death and who was later arrested, imprisoned, and tortured, his mother, and the writer who retells their stories.

Human Acts is a beautifully written novel, the translation is elegant and at times even poetic, but the subject matter is horrific and tragic and Kang doesn’t shy away from that fact. The story, based on truth, is filled with death, brutality, and violence. Human Acts is extraordinary though it certainly isn’t light reading; it can be a very difficult, affecting, and haunting read. The text slips in and out of a second-person narrative which draws the reader directly into the story. The technique is surprisingly effective and disconcerting, helping to turn the novel into something that’s akin to both a eulogy and a denunciation. While Human Acts focuses on a specific historical event, its themes are universal, exploring the lasting changes that the past has on the present and how people as individuals cope with the trauma that has been experienced. Human Acts is an intensely personal, political, powerful, and devastating work and is honestly one of best novels that I have read in a long while.

Thank you to Hogarth Press for providing a copy of Human Acts for review.