My Week in Manga: January 30-February 5, 2017

My News and Reviews

Last week at Experiments in Manga the winner of the Please Tell! Me Galko-chan manga giveaway was announced. The post also includes a fairly comprehensive list of the full-color manga and manhwa that have been released in print in English. (However, I just now realized that I neglected to include manga like Katsuhiro Otomo’s Akira and Buronson and Tetsuo Hara’s Fist of the North Star which, while not originally illustrated in full-color, had some full-color editions released in English.) Otherwise it was fairly quiet week, but I am well on my way to completing an in-depth review for February. Happily, my goal to write at least one long-form feature every month so far seems achievable.

I wasn’t actually online much at all last week (things were pretty hectic at work and there are always a fair number of taiko and lion dance performances I’m involved in around Chinese New Year) but there were still a few things that caught my attention: Vic James wrote an essay for Tor.com about Yukio Mishima and Forbidden ColorsThe One Book That Made Me Move to Japan. (Mishima fascinates me and was actually my introduction to Japanese literature; I’ve reviewed quite a few books by and about him.) The most recent issue of Words without Borders is devoted to international graphic novels. Also, Digital Manga’s Juné imprint announced two new print licenses (Psyche Delico’s Even a Dog Won’t Eat It and Choco Strawberry Vanilla) as well as its upcoming Kickstarter project to publish the first volume of Velvet Toucher’s Eden’s Mercy.

Quick Takes

Bloom into You, Volume 1Bloom into You, Volume 1 by Nakatani Nio. I’ll have to admit, recently I’ve grown a little weary of high school romances. Even so, I was still very interested in reading Bloom into You, one of Seven Seas most recent yuri series. Specifically, I was curious about the manga’s treatment of aromanticism, something which I haven’t seen many series address. Yuu has never fallen in love and so she is glad to meet Nanami, an upperclassmen who likewise has never felt that way about anyone before. Finally Yuu has someone she feels comfortable confiding in about it except that Nanami is now falling in love with her. One of the things that I really appreciate about Bloom into You is how considerate and respectful Nanami is of Yuu’s feelings (an exception being a stolen kiss). It’s also obvious that they both care about each other, even if Yuu hasn’t yet experienced the romantic spark that Nanami has only recently found for herself. The two of them actually communicate, too, so there’s none of the silly misunderstandings that plague so many other series that would easily be solved if the characters would simply talk to each other. I would definitely like so see how Yuu and Nanami’s relationship continues to develop from here.

Franken Fran, Omnibus 3Franken Fran, Omnibus 3-4 (equivalent to Volumes 5-8) by Katsuhisa Kigitsu. Despite what the cover illustrations would seem to imply, Franken Fran isn’t particularly heavy on fanservice. Granted, there is some nudity in the series, but it’s generally more discomfiting than it is titillating. Franken Fran is a manga that delights in making its readers uncomfortable. But although it is frequently gruesome and grotesque, the quirky horror is accompanied by a great deal of humor as well. Kigitsu uses actual medical and scientific phenomenon as inspiration but takes them to such logical and illogical extremes that they become almost unrecognizable. The horror in Franken Fran works as well as it does because there are these little kernels of truth underneath it all. For the most part Franken Fran tends to be episodic although the stories can largely be categorized by recurring types, settings, and characters. For example, there are numerous chapters based in Fran’s school as well as a set of quickly escalating stories about the supposedly superheroic Senitals. More characters are introduced as the series progresses, too, including Fran’s incredibly crass, vulgar, and homicidal older sister Gavril.

Lucifer and the Biscuit Hammer, Omnibus 5Lucifer and the Biscuit Hammer, Omnibus 5 (equivalent to Volumes 9-10) by Satoshi Mizukami. It’s been quite a while since the last omnibus of Lucifer and the Biscuit Hammer was released. I’m not entirely sure why it took me so long to finally get around to reading it though since there was so much about the series that I enjoyed. The ending of the series was pretty great. It was immensely satisfying to see the Beast Knights pull together for the final battle against Animus as a tightly knit team, surpassing everything that they’d previously accomplished. They are a group of troubled outsiders who have established a tremendous and lasting bond with one another despite, or maybe because of, their differences. As weird a manga as Lucifer and the Biscuit Hammer can be–and it can be very weird (which is admittedly something that I like about the series)–it still manages to have a surprisingly deeply resonant core. If it wasn’t already clear, the conclusion of the series’ makes its theme explicit. Underneath the psychic powers and supernatural battles is a story about growing up regardless of how old someone actually is, about survival in the face of the worst that life can throw at somebody, and about forming meaningful connections with others.

Manga Giveaway: Please Tell Me! Galko-chan Giveaway Winner

Please Tell Me! Galko-chan, Volume 1And the winner of the Please Tell Me! Galko-chan manga giveaway is… Dawn!

As the winner, Dawn (whose Anime Nostalgia Podcast is well-worth checking out, by the way) will be receiving the first volume in Kenya Suzuki’s delightful manga series Please Tell Me! Galko-chan as published in English by Seven Seas. The series is somewhat unusual in that it is a full-color manga, so I asked participants in the giveaway to tell me a little about some of the color manga that they’ve read. Check out the giveaway comments for everyone’s detailed responses, and check out the list below for some great full-color manga! (I decided to include a few full-color manhwa on the list, too.)

Some of the full-color manga (and manhwa!) available in print in English:
Aaron’s Absurd Armada by MiSun Kim
Chi’s Sweet Home by Konami Kanata
Fluffy, Fluffy Cinnamoroll by Yumi Tsukirino
Guardians of the Louvre by Jiro Taniguchi
His House by Hajin Yoo
Joan by Yoshikazu Yasuhiko
Lethe by Kimjin
Maka-Maka: Sex, Life, and Communication by Torajiro Kishi
Milkyway Hitchhiking by Sirial
The Monkey King by Katsuya Terada
Please Tell Me! Galko-chan by Kenya Suzuki
Rohan at the Louvre by Hirohiko Araki
Unico by Osamu Tezuku
Void’s Enigmatic Mansion by HeeEun Kim
The Legend of Zelda: A Link to the Past by Shotaro Ishinomori

As far as full-color print releases in English go, I believe the above list is actually pretty comprehensive, but there may have been a few that I missed. (If you can think of one, let me know!) There are also some full-color manga and manhwa that have been licensed in English for digital release, too. Thank you to everyone who participated in the giveaway by sharing your experiences with color manga and manhwa. I hope that 2017 is a bright and colorful year for you all, and I hope to see you again for the next giveaway!

My Week in Manga: January 23-January 29, 2017

My News and Reviews

The end of the month is approaching which means it’s time for Experiments in Manga’s monthly giveaway. The winner of the most recent giveaway will be announced on Wednesday, so there’s still a little time left to enter for a chance to win the first volume of Kenya Suzuki’s delightful full-color manga series Please Tell Me! Galko-chan. Speaking of manga giveaways, there’s also an opportunity to win a copy of the first omnibus in Kei Sanbe’s Erased over at The OASG.

Elsewhere online, I came the Young Adult Library Services Association’s 2017 Great Graphic Novels for Teens. As usual, the list includes a fair number of manga along with all of the other excellent comics. Ichigo Takano’s Orange (which was also one of my notable manga from 2016) even made the top ten list. Out of the many other manga included as part of YALSA’s larger list, I have in-depth reviews of Junji Ito’s Cat Diary: Yon & Mu and Akiko Higashimura’s Princess Jellyfish, Omnibus 1, both of which I loved.

Another list I came across recently was BookRiot’s feature on Japanese speculative fiction in translation. Overall, I think it’s a great list–I’ve previously reviewed three of the books included (Miyuki Miyabe’s The Book of Heroes, Yusuke Kishi’s The Crimson Labyrinth, and Taiyo Fujii’s Gene Mapper) and most of the others I’ve been meaning to read for quite some time or were already high on my list of books to read in the near future.

It’s been a while since I’ve mentioned Kickstarter projects here, but there are a few campaigns for print comics that have caught my eye lately: Maya Kern is looking to print the second volume of the adorable webcomic Monster Pop; Amanda Lafrenais is campaigning to release the second Titty-Time print collection of erotic comics; and Deandra Tan is hoping to release a print edition of her graphic novel Love Debut!.

Quick Takes

Aoharu X Machinegun, Volume 1Aoharu X Machinegun, Volume 1 by Naoe. I picked up the first volume of Aoharu X Machinegun more on a whim than anything else but I ended up enjoying it much more than I expected. On the surface there are a few things about the beginning of Aoharu X Machinegun that are oddly reminiscent of Ouran High School Host Club–Masamune works in a host club and Hotaru, who is often mistaken for a boy, gets wrapped up in his schemes after she needs to earn some money for damaging the club’s property–but the similarities mostly end there. Hotaru has an overly-strong sense of of justice and has a tendency to get into fights because of it. Masamune is the leader of a competitive survival/war game team and has decided the Hotaru should become its third member after her aggressiveness leaves a distinct impression on him. Initially, the team’s second member Tooru, who also happens to be well-known hentai mangaka, is less than thrilled about this. They’re both completely unaware that Hotaru is a girl, too, which could cause some trouble later on. Aoharu X Machinegun is kind of ridiculous but fun. I enjoyed its action and sense of humor and this point would be interested in reading more.

Bakune Young, Volume 1Bakune Young, Volumes 1-3 by Toyokazu Matsunaga. I’ve been meaning to read Bakune Young for quite a while now but the short series is long out-of-print and can be somewhat difficult to find. (Fortunately, it turned out that my library actually owns a complete set.) Reading Bakune Young is quite an experience to say the least. Matsunaga’s artwork, while it’s frequently and deliberately grotesque and at times could even be described as ugly, is tremendous. The story itself is nearly nonsensical, but it does manage to have a bizarre sort of logic to it. The series opens with the titular Bakune Young in a pachinko parlor before he begins targeting yakuza in a killing spree. His rampage quickly escalates and eventually not only the yakuza, but Japanese police, a ninja assassin from the French Foreign Legion, psychics, and even the American military all become involved as the death count increases exponentially. Bakune Young is certainly not for the faint of heart. It’s incredibly violent, viciously dark, and legitimately absurd, but assuming one isn’t bothered by all that, it can also be extraordinarily funny. I suspect Bakune Young is a manga that readers either love or hate without there being much middle ground.

The Encyclopedia of Early EarthThe Encyclopedia of Early Earth by Isabel Greenberg. I recently read and absolutely loved Greenberg’s The One Hundred Nights of Hero and so immediately made a point to seek out more of her work. The Encyclopedia of Early Earth was Greenberg’s first graphic novel and received great acclaim when it was published. The comic’s premise is simple: a nameless storyteller as travels the world in search of a missing piece of his soul. The graphic novel shares some obvious similarities to The One  Hundred Nights of Hero in its structure, themes, artwork, and setting. Both comics take place in the pre-prehistoric Early Earth and utilize the same mythologies, cosmologies, and pantheons. Both comics, in addition to love, are also about the importance of stories and storytellers; they find inspiration in and retell existing folktales while intertwining them with those of Greenberg’s own making. Otherwise, the two comics aren’t directly related. The Encyclopedia of Early Earth feels less politically-charged than The One Hundred Nights of Hero which may make it more palatable to some audiences but as a result it isn’t nearly as powerful a work overall in comparison. Even so, The Encyclopedia of Early Earth is wonderful.

Wolf MagicWolf Magic by Natsuki Zippo. So far, Wolf Magic is the only manga by Zippo to have been released in English. As far as I can tell, Wolf Magic is also Zippo’s first professional work. Especially considering that, it’s a very strong collection of boys’ love manga, and I’d certainly be interested in seeing more from Zippo translated. Wolf Magic opens with “The Water of Love for the Withered Flower” which is about Hanasaki, a florist whose severe appearance is at complete odds with what most people would associate with his profession. However, he still manages to unintentionally catch the eye of Hata. The manga then turns to the various “Wolf Magic” stories which follow Nagase, a young gay man, as he falls in and out of love during high school and then continues to look for “the one” in college. In the process, he develops a surprising relationship with Higuchi. While the two story arcs are unrelated and are quite different from each other, thematically they are very similar. Both Hanasaki and Nagase are searching for love and acceptance and both ultimately find it in unexpected places and ways. Overall, with its attractive artwork and excellent characterizations, Wolf Magic is quite well done.

United States of JapanUnited States of Japan by Peter Tieryas. I’ve often heard United States of Japan described as a spiritual sequel or successor to Philip K. Dick’s The Man in the High Castle. In some ways that is certainly true–Tieryas’ novel probably would not have existed were it not for Dick’s and makes multiple references to The Man in the High Castle–but the two novels are drastically different from each other in tone and style. The underlying premise, however, is the same. Emerging victorious from World War II, Japan now controls a significant portion of what was once the United States of America. The grim cyberpunk alternate history presented in United States of Japan (complete with mecha battles and graphic torture) can be extraordinarily brutal and gruesome. The lead characters aren’t exactly the most likeable or sympathetic people, either, though they become slightly more so as the novel progresses. Captain Ben Ishimura, whose only talent seems to be hacking and programming, is a censor who comes to the attention of Agent Akiko Tsukino when an illegal video game which imagines America winning the Second World War threatens to embolden resistance against the rule of Japan.

Manga Giveaway: Please Tell Me! Galko-chan Giveaway

I realize that it’s the end of the month rather than the beginning, and that I’ve probably already said this, but happy new year, everyone! I’d like to help get 2017 off to a good start with a great giveaway at Experiments in Manga. And so, this month you will all have the chance to win the first volume of Kenya Suzuki’s delightful manga series Please Tell Me! Galko-chan as published in English by Seven Seas. As usual, the giveaway is open worldwide!

Please Tell Me! Galko-chan, Volume 1

I really enjoyed the first volume of Please Tell Me! Galko-chan, perhaps even more than I expected that I would. It’s a bright and cheerful manga, in part because it’s artwork is bright and cheerful, too. Please Tell Me! Galko-chan is somewhat unusual in that it’s completely in color. Although it isn’t uncommon for a manga to include a few color pages here or there, relatively few full-color manga have been licensed in English. While I love the monochromatic illustrations typical of most manga, the deliberate but sparing use of color can create a tremendous narrative impact (I’m thinking of a specific scene in Naoki Urasawa’s Pluto) and full-color manga can be very appealing as well.

So, you may be wondering, how can you a copy of Please Tell Me! Galko-chan, Volume 1?

1) In the comments below, tell me a little about a manga with color artwork that you’ve read, whether color was used for an entire volume or only a few pages. (If you haven’t encountered any, you can simply mention that.)
2) If you’re on Twitter, you can earn a bonus entry by tweeting, or retweeting, about the contest. Make sure to include a link to this post and @PhoenixTerran (that’s me).

That’s all there is to it. Participants in the giveaway can earn up to two entries and have one week to submit comments. If needed or preferred, comments can also be sent via email to phoenixterran(at)gmail(dot)com and I will then post them here in your name. The giveaway winner will be randomly selected and announced on February 1, 2017. Good luck!

VERY IMPORTANT: Include some way that I can contact you. This can be an e-mail address in the comment form, a link to your website, Twitter username, or whatever. If I can’t figure out how to get a hold of you and you win, I’ll just draw another name.

Contest winner announced–Manga Giveaway: Please Tell Me! Galko-chan Giveaway Winner

My Week in Manga: January 16-January 22, 2017

My News and Reviews

It’s been several months since my last in-depth review, but over the weekend I actually managed to post one delving into the eighth omnibus of Makoto Yukimura’s Vinland Saga. I really love this series so I am thrilled that Kodansha Comics was able to continue publishing it. The eighth omnibus marks the start of an exciting new story arc and introduces some great new characters. On a personal note, it also felt good to actually finish writing a review since it’s been so long. I’d like to continue posting at least one long-form review or feature every month in addition to the usual My Week in Manga, Bookshelf Overload, and Giveaway features. On the surface it seems to be a reasonable goal, so I guess I’ll see how it goes!

Elsewhere online, Sparkler Monthly‘s first issue of 2017 has been released. As can be expected, all of the content is great, but this issue specifically features Denise Schroeder and her delightful lesbian-themed comic Before You Go. I took a look at the first installment of Before You Go as part of my Year of Yuri review project a couple of years ago. It’s a great comic, so I’m glad so see more of it. And if things go well, there should be a collected edition in the near future as well! Also last week, Seven Seas announced its collaboration with J-Novel Club to release Ao Jyumonji’s Grimgar of Fantasy and Ash and Chiyomaru Shikura’s Occultic;Nine in print.

Quick Takes

Dimension W, Volume 2Dimension W, Volumes 1-2 by Yuji Iwahara. Several of Iwahara’s manga series have been released in English. I’ve read and enjoyed both Cat Paradise and King of Thorn, but there’s also Chikyu Misaki and most recently Dimension W. I’ve come to expect a few things from Iwahara’s manga: great artwork and action, large and diverse casts, intriguing settings and premises, and entertaining stories that take numerous twists and turns (and which often end up rather convoluted as a result). So far, it seems as though Dimension W will also follow this pattern and, being Iwahara’s longest series, I suspect that the plot will go in some truly bizarre directions. But even considering that Iwahara seems to be constantly making up and changing the rules when it’s convenient just to make the story work, I’m actually really enjoying Dimension W. In the series, New Tesla is a company that has gained a tremendous amount of political and social influence due to the fact that it monopolizes a nearly limitless source of energy and the technology needed to use it. The power could be dangerous in the wrong hands, and New Tesla may very well be the wrong hands.

Firefighter! Daigo of Fire Company M, Volume 11Firefighter! Daigo of Fire Company M, Volumes 11-20 by Masahito Soda. One of the things about Firefighter! is that once I start reading it, I can’t seem to put it down. It’s a fantastic action series that’s firmly based in reality, although some of the scenarios are so completely over-the-top that they strain believability. Even so, the drama and intensity of Firefighter! is thrilling. With every rescue Soda keeps increasing the stakes, finding ways to make each one even more daring and astonishing than the last. And seeing as the first half of Firefighter! ends with Daigo intentionally crashing a fire engine into a building, that’s a pretty impressive feat. Admittedly, the series can get pretty absurd, but it’s always entertaining as well as engaging. The character development is excellent, too. In the heat of the moment, Daigo has the tendency to make some incredibly dangerous although ultimately life-saving decisions, but afterwards he struggles to come to terms with his actions and underlying motives. Firefighter! is a great series and well-worth a look. The manga is currently out-of-print, but fortunately it is readily available digitally.

Please Tell Me! Galko-chan, Volume 1Please Tell Me! Galko-chan, Volume 1 by Kenya Suzuki. I first learned about the Please Tell Me! Galko-chan manga due to its recent anime adaptation (which I haven’t actually seen yet), but I was still very curious about the original series. What I didn’t realize until I picked up the first volume was that the manga is actually completely illustrated in color; the palette and style that Suzuki uses for the cover illustration is pretty much what is used for the interior artwork as well. Please Tell Me! Galko-chan is a surprisingly sweet, funny, and charming series, especially considering that it frankly deals with issues surrounding puberty, sex, and so on. Some of the subject matter is more innocent, but there’s plenty of  dirty humor and jokes, too. Though the framing of the series is fictional, the largely short and episodic manga of Please Tell Me! Galko-chan do incorporate a fair amount of factual information. What I really appreciate about Please Tell Me! Galko-chan is that while the topics covered often embarrass the characters–frequently they’re discussing breasts, menstruation, and sex in a deliberate attempt to make each other blush–there’s never a sense that they or their bodies are shameful.

Ze, Volumes 10-11 by Yuki Shimizu. Despite at one point being rather fond of Shimizu’s supernatural boys’ love Ze, it’s taken me a while to actually get around to reading the main manga’s last story arc and conclusion. (Granted, that may have also been partly due to the numerous delays and unreliability of Digital Manga’s release schedule.) As a whole Ze tends to be fairly sexually explicit, but these two volumes are for the most part relatively tame and include very little sex at all. The relationships and power dynamics in the series are still pretty intense, though. The final story arc of Ze is almost entirely devoted to revealing the backstory of Waki and his connection to the Mitou family. In an interesting twist, it turns out that Waki has always been an asshole and there was nothing in particular that made him that way; although unfortunate things have certainly happened to him, his depraved personality is completely his own. The Mitou family’s past is certainly a strange and tragic one that has resulted in a great deal of suffering over time, but Shimizu does manage to end the series on a positive and redemptive note.