My News and Reviews
For most of last week I was in Nashville for a conference for work, which means I didn’t get nearly as much manga and anime in as I would have liked. Hauling large stacks of books through airports isn’t particularly fun, so I didn’t take much with me. Still, I managed to find time to get some reading in before I left. I also managed to post an in-depth review of The Bible: A Japanese Manga Rendition while I was away, the latest manga offering from One Peace Books. The Read or Die Giveaway Winner was announced last week as well. The post shares some favorite book loving characters and series, too, so please check it out.
Some exciting licensing news! Drawn & Quarterly will be releasing Shigeru Mizuki’s GeGeGe no Kitaro in early 2013. Rumor has it that it will be a “best of” collection, but no specific details on the publication have been released yet. Elsewhere online, CBLDF reported that both a manga and an anime have survived being challenged under Tokyo’s Youth Healthy Development Ordinance amendment. Although I’m not familiar with either work, this makes me very happy. And over at Yuri no Boke, Katherine Hanson has great a post about Yuri Characters Who Are Out To Family Members in Manga, which includes a couple of titles that are available in English.
Quick Takes
Fist of the North Star: Master Edition, Volumes 4-6 written by Buronson and illustrated by Tetsuo Hara. I really do love this series. Post-apocalyptic, shirt exploding, martial arts mayhem, with a brooding hero…I can’t help but like it. I particularly enjoyed these volumes because they delve further into Kenshiro’s past. The overall story is starting to feel more cohesive and less “fight-of-the-week.” I also really liked Rei. He’s a great addition to the cast. He’s just as much of a badass as Kenshiro, but more emotionally unstable. Their personalities play off of each other nicely. I personally prefer the more realistic fights (and I use that term very loosely) in which Kenshiro’s opponents aren’t outrageously over-the-top.
Let Dai, Volumes 11-15 by Sooyeon Won. Let Dai is relentless and emotionally exhausting. The story is melodramatic, the narrative and dialogue is extravagant, and a lot of it is unbelievable, but the thoughts and feelings that the manhwa expresses are incredibly real. The scenes where Jaehee and Dai’s parents confront them about their sexuality hit very close to home for me. Let Dai is an epic. The characters actually grow and change as the story progresses. Events from the first volume that set everything into motion are never forgotten and are played through to the very end of the series. The youths in Let Dai have to face tragic circumstances, some of their own making, but society, adults, and even their own families have failed them, too.
Tokyo Zombie by Yusaku Hanakuma. I’ve read several of Hanakuma’s short manga, but Tokyo Zombie is the first book length work of his that I have read (it also happens to be his first long-form manga). Tokyo Zombie is a darkly comedic homage to the zombie genre, specifically zombie films. The manga incorporates and plays with many of the tropes that would be expected from a zombie story. Hanakuma also throws in plenty of his own quirky elements—pig surfing and professional wrestling, for example. Violent and grotesque, the manga quickly earns its “adults only” label. Hanakuma’s art style is deliberately crude, but it’s also rather charming somehow. Either way, it fits Tokyo Zombie perfectly.
Black Rock Shooter directed by Shinobu Yoshioka. The Black Rock Shooter franchise began with a single illustration by Ryohei Fuke. It went on to inspire music, video games, manga, and anime, including this eight episode series that aired on noitaminA. I probably wouldn’t have picked up the series had not someone made me sit down and watch the first three episodes. I didn’t think I would be interested in the life dramas of middle school girls, but I found the series to be oddly compelling even if its symbolism was terribly obvious. There is reality, but then there is psychological fantasy, too. The series has three major animation styles. The first one introduced is a visual feast that I’d really like to experience somehow other than streaming (my connection couldn’t keep up.)
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