My Week in Manga: December 23-December 29, 2013

My News and Reviews

Last week I posted a review of Hinoki Kino’s manga No. 6, Volume 4. The series has been getting better with each installment and things are starting to get really good. I also wrote a little bit about some of the manga, comics, and fiction releases that for me were particularly Notable in 2013. It’s not exactly a “best of” list, and it isn’t exactly a list of my favorite manga of the year, either. Basically it’s a list of interesting releases from 2013. And speaking of 2013, there’s still time to enter the last manga giveaway of the year! Check out the 4-Koma for You manga giveaway for a chance to win the omnibus edition of Kiyohiko Azuma’s yonkoma manga Azumanga Daioh.

Quick Takes

FairyTail, Volume 33Fairy Tail, Volume 33 by Hiro Mashima. It’s the second day of the Grand Magic Games and it’s still not looking good for the two Fairy Tail teams, although some of their members have surprising victories. Unfortunately, considering their prior string of defeats, it’s not enough to make much of a difference this early in the tournament. There are some great battles and moments of humor in this volume, but I still don’t find the tournament arc to be as compelling as the arcs that came before it. New characters continue to be introduced; I particularly enjoyed the addition of Bacchus, a powerful wizard from the Quatro Cerberus guild. Personality-wise, he can be a bit of a drunken jerk and isn’t always particularly likeable. What caught my interest is that his style of magic is based on Piguaquan, a legitimate Chinese martial art. Not too surprising considering his name, Bacchus combines this with Zui Quan, or “drunken fist.” Granted, it’s the fictionalized version of drunken fist that requires the practitioner to actually be intoxicated, but this is fitting and meshes well with the existing magic systems in Fairy Tail.

SmugglerSmuggler by Shohei Manabe. Originally released in English by Tokyopop, Smuggler is now available in a new edition from One Peace Books. I missed the manga the first time around, and since it also received a live-action film adaptation, I was particularly curious to read it. Kinuta is a failed actor who has accumulated a fair amount of debt. In order to pay back what he owes he has been smuggling and illegally dumping cargo outside of Tokyo. What he didn’t initially realize was that he was helping to transport and dispose of dead bodies for the yakuza. And now that he does know, Kinuta owes the mob his life as well as his money. When a job goes terribly wrong and an extraordinarily dangerous assassin escapes on his watch, Kinuta suddenly finds himself pulled even deeper into Japan’s underworld. Smuggler is a dark and violent manga, quickly paced, and unrelenting. It’s definitely not for the faint of heart. Smuggler held my interest, and there were some marvelously gut-wrenching scenes, but in the end I can’t say that the manga left much of a lasting impression on me.

Swan, Volume 4Swan, Volumes 4-9 by Kyoko Ariyoshi. I am still completely in love with Swan and am astounded that it has taken me this long to actually get around to reading it. The series is incredibly well done—it’s just so intense and passionate, not to mention beautifully drawn. I’m also learning a bit more about ballet and its history as I read, which I count as a bonus. There are quite a few themes being addressed in these particular volumes. One of the themes that is especially prominent deals with sacrifice and what people are willing to give up in order to pursue what the truly love. It’s not always an easy decision. As someone who was deeply involved in the performing arts (in my case music, not dance), it’s a conflict with which I can personally identify. The characters in Swan all have to struggle to find the balance between their lives as dancers and their relationships with other people. Matters of love and romance complicate things greatly, but they also serve as a source of inspiration for creative expression. Swan piles on the drama and it’s fantastic.

Wolfsmund, Volume 2Wolfsmund, Volume 2 by Mitsuhisa Kuji. While the first volume of Wolfsmund was violent and intense, the second volume is arguably even more so. In response to the rebellion gaining strength and numbers, the questioning of those trying to cross through the Wolf’s Maw at Sankt Gotthard Pass has become even more invasive and thorough. The gate’s overseer Wolfram—who is almost always shown with a terrifyingly pleasant smile on his face—seems to take particular delight in this. In order to get the information he needs, he’s more than willing to order the death or torture of a person no matter who they are. Cruelty isn’t limited to Wolfram. Even the rebellion’s heroes are capable of terrible deeds. I am a fan of dark historical manga, so Wolfsmund is right up my alley. Wolfsmund is definitely for mature readers. Considering its brutal nature (women and girls in particular suffer greatly in this volume) it’s not a series that I would recommend to just anyone. That being said, I am looking forward to the next volume.

Random Musings: Notable in 2013

Despite having written at Experiments in Manga for over three years, I have never once attempted to create a “best of the year” list and I’m not about to start. However, I thought it would be interesting to write a post reflecting on what I have read in the past year. This isn’t a best of list. It’s not even necessarily a list of my favorite releases of the year (although, some of them certainly are). Instead, it’s a collection of manga, comics, and fiction from 2013 that, for one reason or another, were particularly notable for me.

The Heart of ThomasI’ll start out with Moto Hagio’s The Heart of Thomas. Fantagraphics released the entire series in a beautiful, hardcover omnibus. Technically, I think it was published at the end of 2012, but I wasn’t able to get my hands on one until 2013. I adore Hagio’s manga and wish more of it was available in English. The Heart of Thomas in particular is a historically significant work and one of the precursors to the boys’ love genre. Plus, it’s a wonderful work in its own right.

The Passion of Gengoroh TagameThe Passion of Gengoroh Tagame: The Master of Gay Erotic Manga probably couldn’t be more different from The Heart of Thomas, but I anticipated its release just as much. Tagame is an incredibly influential gay comics artist. The volume was not only the first collection of his work to be released in English, it was also the first collection of bara manga to be released in print. Happily, it won’t be the last. More of Tagame’s manga is already scheduled to be published.

KitaroI have become increasingly interested in yokai over the last few years. And so I was thrilled when Drawn & Quarterly released Kitaro by Shigeru Mizuki. The volume collects stories from the first few volumes of Mizuki’s GeGeGe no Kitaro which is the yokai manga that started it all and which continues to influence creators to this day. I found Kitaro to be utterly delightful and can understand why it’s so well-loved. I hope more of the series will be translated.

Mobile Suit Gundam: The Origin, Volume 1I picked up Mobile Suit Gundam: The Origin for one reason—it was written and drawn by Yoshikazu Yasuhiko. I’m not at all a Gundam fan, but I am a fan of Yasuhiko’s work. Even so, I didn’t anticipate how much I would enjoy The Origin. The manga ended up being an extremely well done space opera. It doesn’t hurt that Vertical’s edition of the series is one of the highest quality manga releases available in English, either. I’m still not a Gundam fan, but I am a fan of The Origin.

UnicoAnother manga that I was pleasantly surprised by was Osamu Tezuka’s Unico. As much as I appreciate Tezuka’s work, I will admit to have grown a little tired of it. (I wish that other classic manga received the same amount of attention in English.) I approached Unico more as a curiosity than anything else; the full-color artwork and unusual page layouts had caught my attention. It turned out to be an endearing manga that is both heartbreaking and charming.

The Strange Tale of PanoramaAfter years of delay, Suehiro Maruo’s The Strange Tale of Panorama Island was finally released by Last Gasp in 2013. The manga is an adaptation of Edogawa Rampo’s novella Strange Tale of Panorama Island which, coincidentally, was also released in English in 2013. I cannot think of a more perfect artist to adapt Rampo’s work; Maruo’s exquisite, sensual, and erotically charged illustrations with hints of the macabre are an ideal fit. The Strange Tale of Panorama Island was worth the wait.

Wandering Son, Volume 4As for continuing series in 2013, Takako Shimura’s Wandering Son remains a manga that is incredibly important to me on a very personal level. I’m pretty sure that I’ve mentioned it before, but Wandering Son has quite literally been life-changing for me. In addition to that, I simply think it’s a wonderfully sensitive and sincere look at personal identity. Fantagraphics released both the fourth and fifth volumes of Wandering Son in 2013; I’m looking forward to reading more of the series great deal.

Paradise Kiss, Part 32013 also saw the release of Ai Yazawa’s Paradise Kiss, Part 3—the third and final volume in Vertical’s edition of the series. I missed out on the manga when it was originally licensed by Tokyopop and I’m very glad to have had the opportunity to read it. Over the last year, I have been extremely impressed by Yazawa’s work. I don’t have a particular interest in fashion, but the complex characters and complicated relationships in Paradise Kiss were extraordinary.

The One Trick Rip-Off + Deep CutsThe One Trick Rip-Off + Deep Cuts is a fantastic anthology which collects fifteen comics by Paul Pope, including those he created for Kodansha while in Japan. The volume makes a great introduction to Pope’s comics, exhibiting a nice range of styles and stories selected from nearly a decade of his work. The influence of manga can be seen in the collection, but Pope definitely has his own approach to comics. I’ve become very fond of his work and the quirkiness of his stories and characters.

BoxersWritten and illustrated by Gene Luen Yang with colors by Lark Pien, the Boxers & Saints duology is honestly one of the best comics that I read in the past year. It’s a powerful retelling of the Boxer Rebellion—a violent uprising in China that began in the late 1800s—from two different sides of the conflict, neither of which were entirely in the right. Yang put a tremendous amount of research into the work, making it historically accurate while still maintaining a very human element to the story.

Self-Reference EngineI already knew that I enjoyed Toh EnJoe’s short stories and essays and so I was excited for the release of Self-Reference Engine, the first book-length work of his to be translated into English. It’s not quite a novel, and it’s not quite a collection of short stories, but whatever it is it’s good stuff. I expected Self-Reference Engine to be intellectually stimulating as well as entertaining, and it was, but I wasn’t prepared for how funny and mind-bending it would be.

Manga Giveaway: 4-Koma for You (Azumanga Daioh)

2013 may be nearing its end, but there’s still time for one more manga giveaway here at Experiments in Manga before the year is over! For December’s giveaway, you all have a chance to win a copy of the Yen Press omnibus edition of Kiyohiko Azuma’s yonkoma manga Azumanga Daioh. The entire series collected in one convenient volume! As always, the giveaway is open worldwide.

Azumanga Daioh Omnibus

If I recall correctly, Azumanga Daioh was the first yonkoma manga that I ever read. Yonkoma, or 4-koma, is a four-panel format frequently used for gag manga. I know several people who consider Azumanga Daioh to be one of the best examples of yonkoma manga currently available in English. Yonkoma tends to be fairly hit-or-miss for me, but I was consistently entertained by Azumanga Daioh—it’s a goofy yet charming series.

So, you may be wondering, how can you win a copy of the Azumanga Daioh omnibus?

1) In the comments below, tell me a little about a four-panel manga that you have read and why you did, or didn’t, like it. (Haven’t read any? You can simply mention that.)
2) If you’re on Twitter, you can earn a bonus entry by tweeting about the contest. Make sure to include a link to this post and @PhoenixTerran (that’s me).

And there you have it! Each person can earn up to two entries for this giveaway. As usual, there will be one week to submit comments. Entries may also be sent via e-mail to phoenixterran(at)gmail(dot)com and I will post them in your name. The giveaway winner will be randomly selected and announced on January 1, 2014. Good luck and a Happy New Year, everyone!

VERY IMPORTANT: Include some way that I can contact you. This can be an e-mail address, a link to your website, Twitter username, or whatever. If I can’t figure out how to get a hold of you and you win, I’ll just draw another name.

Contest winner announced—Manga Giveaway: 4-Koma for You Winner

My Week in Manga: December 16-December 22, 2013

My News and Reviews

Two reviews were posted last week at Experiments in Manga. The first review was for Yaya Sakuragi’s boys’ love manga Bond of Dreams, Bond of Love, Volume 3. Although the series isn’t my favorite work by Sakuragi, I tend to enjoy her manga and Bond of Dreams, Bond of Love has been growing on me. The second review was for Tales of Moonlight and Rain, the most recent English translation of Ueda Akinari’s Ugetsu monogatari, a collection of short stories about ghosts and other mysterious happenings that was originally published in Japan in 1776. It may be over two centuries old, but it’s still a great read.

I came across quite a few interesting things online last week: The Advocate posted its 10 Great Graphic Novel Gifts. It’s a great list of queer comics that came out this year and it includes a few excellent manga selections as well; Some Fog uses Kazuo Umezu’s Drifting Classroom as an example on how to creat comics–Lessons from Umezu; Voting has opened for the second Manga Translation Battle; The Comic Book Legal Defense Fund reports that Core Magazine Pleads Guilty in Japanese Obscenity Case, feeling that a “guilty plea would be a better option than a protracted legal battle.; On a happier note, the Toronto Comic Arts Festival has announced it’s initial list of featured guests. Among other great comics creators, Est Em will be coming to TCAF 2014!

Quick Takes

About LoveAbout Love written by Narise Konohara and illustrated by Tomo Ootake. Despite his family’s misgivings over his choice of career, Asaka has become an enthusiastic wedding planner. But recently things haven’t been going so well—several of the couples that he has been working with have canceled their weddings. That’s when he reunites with his first client, a man by the name of Sasagawa who has the perfect marriage and serves as an inspiration to Asaka. However, his marriage isn’t nearly as perfect as it seems. About Love is a slow-burning romance; Asaka and Sasagawa’s relationship takes a great deal of time to develop and solidify, but it’s a natural progression from acquaintances, to friends, to possibly something greater. About Love focuses on the emotional connection between the two men more than it does on their physical intimacy, although that has a role to play as well. In addition to their evolving relationship, About Love addresses some issues of same-sex marriage and there are other gay and lesbian couples important to the story as well.

Attack on Titan, Volume 10Attack on Titan, Volume 10 by Hajime Isayama. I’m not entirely sure how Isayama pulls it off, but it’s rather impressive how many twists and turns Attack on Titan has been taking lately. I went into this volume expecting a respite from major plot reveals since there have been so many recently. I was wrong. The focus of the tenth volume is on 104th’s struggle to survive against a massive titan attack on the castle in which they were hoping to hide and recover. They are without weapons or maneuvering gear, making their situation particularly precarious. This alone would have been enough to carry the volume and there are some very exciting moments in the fight. But no. After an extended action sequence, Isayama throws in not one but two (well, maybe three depending on how you’re counting) major story twists. Although there are still plenty of questions that need to be answered, the titans themselves are becoming less of a mystery. I actually kind of miss when they were beyond humanity’s comprehension, but I’m still interested in seeing how things play out.

Baron Gong Battle, Volume 1Baron Gong Battle, Volumes 1-6 by Masayuki Taguchi. Only six out of the nine volumes of Baron Gong Battle have been released in English. After his girlfriend is horrifically murdered by a Neo Hume, Baron is determined to seek revenge against those who killed her. The Neo Hume’s are extraordinarily powerful creatures born out of the Nazi’s biological experiments. Baron Gong Battle is an utterly absurd and violent action-packed manga series that can be a tremendous amount of trashy fun when it’s not being completely offensive. Baron is an over-the-top badass and the dialogue is extreme. However, the more that I read, the less enamored I became with Baron Gong Battle. The manga’s utter ridiculousness is highly entertaining, and it becomes more and more outrageous as the series progresses, but I soon became tired of the role that the women play. Occasionally they can be very competent fighters, but more often than not they seem to only be a part of the series in order to fawn over Baron and to run around mostly if not entirely naked.

PinkPink by Kyoko Okazaki. While I didn’t find Pink to be as brutal or as hard-hitting as Okazaki’s later work Helter Skelter, I still think that the manga is an excellent work and I enjoyed it a great deal. Pink is rather curious manga filled with rather curious characters. In general, they are much more likeable than those in Helter Skelter, but they are definitely an odd bunch. Yumi works as a part-time call girl in order to feed her pet crocodile Croc. Although Yumi’s on great terms with her younger stepsister Keiko—a precocious girl with a bottomless stomach—she and her stepmother hate each other. Things get a little complicated when Yumi becomes involved with Haruo, her stepmother’s manstress and wannabe novelist. I was actually surprised by how much of the Pink was told from Haruo’s perspective. His strange relationships with these three women, and Croc, forms the basis for much of the story. But even so, it’s Yumi who really seems to be the focus of the manga. Pink has a very cynical and oddball sense of humor which I could appreciate.

From the New WorldFrom the New World directed by Masashi Ishihama. Overall I really liked the story and setting of the From the New World anime, an adaptation of the novel by the same name written by Yusuke Kishi (which sadly has yet to be licensed in English.) However, I frequently found the series’ pacing and narrative structure to be frustrating and somewhat disjointed. Saki, the main protagonist, also had an annoying habit of echoing back whatever was being said to her by someone else. I did like that the story focused on the characters at several different points in their lives. From the New World takes place in what is eventually revealed to be a post-apocalyptic environment. I actually would have liked to have seen more about how society reached the point that it is at in the series; most of the past events are merely hinted at. From the New World deals quite a bit with the terrible lengths humanity is willing to go to when driven by fear. It’s very well done in places. The anime also gets bonus points for the nice use of music from Dvořák’s From the New World symphony.

My Week in Manga: December 9-December 15, 2013

My News and Reviews

Last week I posted the first review in my new monthly review project, A Year of Yuri. This project will focus on comics and manga with yuri and lesbian themes. For this month’s review, I took a closer look at June Kim’s debut graphic novel 12 Days which was even better than I remembered it being. It’s a beautiful work that addresses the complexities of grief, family, love, and loss.

Also last week, I wrote a post that focused on how to find manga in libraries—Finding Manga: Library Love. The post is sort of a combination of two of my semi-regular features—Finding Manga and Library Love. (I’ve actually decided to retire Library Love, so the post was also a way for me to give the feature a nice send-off.) It’s a pretty long post; if you don’t feel like reading the whole thing, you can always just skip to the quick tips at the end.

As for interesting things found online: The Pew Research Center coincidentally posted its report on How Americans Value Public Libraries in Their Communities the same day I was expressing my own love of libraries; over at Geekscape, Kari Lane discussed yaoi with Jennifer LeBlanc, SuBLime’s editor; and Erica Friedman talked about some of the differences between the U.S. and Japanese comic book industries on Quora.

Quick Takes

Fake FurFake Fur by Satomi Yamagata. For a boys’ love manga, Fake Fur is surprisingly realistic in its portrayal of Yamashita—a young man who in high school is just starting to come to terms with his sexuality and homosexuality. The manga follows him as he becomes aware that he is in love with his close friend Kubo and how he handles the aftermath of that realization and his changing relationships. Fake Fur deals with both physical and romantic desire and how those two aspects of love can often be in conflict with each other. In some cases, sex and physical pleasure is used as a replacement for true affection. For Yamashita and several of the other characters in Fake Fur, this is something that is both comforting and heartbreaking. On the other hand, for better or for worse, physical intimacy can naturally lead to emotional intimacy. After all, a sexual relationship is still a relationship. In Fake Fur Yamashita and the others grapple with this, hoping to find love but also recognizing that there is more than one way to be close to another person.

Sankarea: Undying Love, Volume 4Sankarea: Undying Love, Volume 4 by Mitsuru Hattori. The covers for the English-language edition of the Sankarea manga tend to focus on the horror elements of the series. While that horror is certainly a part of Sankarea, I still see it as more of a romantic comedy than anything else. Granted, it is a very strange romantic comedy with even stranger characters. I like the series best when it’s focusing on the relationship between Chihiro and the recently zombified Rea, which has some interesting developments in this volume. For one, Rea continues to become more zombie-like, her cravings for flesh barely being held in check by her natural inhibitions. However, I was less impressed with the mostly unnecessary scene between Chihiro and Rea’s mother in which she drunkenly and nakedly propositions him. Apparently the volume’s fanservice quota needed to be met somehow. My favorite part of this volume was actually the side-comic “I Am Also…A Zombie…” which is told from the perspective of Chihiro’s pet cat (and zombie) Bub. Bub is the greatest.

Showa1Showa: A History of Japan, 1926-1939 by Shigeru Mizuki. Originally published in Japan as an eight-volume series, Drawn & Quarterly’s edition of Showa: A History of Japan is being released in four, two-volume omnibuses. Japan’s Showa era, corresponding to Emperor Hirohito’s reign, lasted from December 25, 1926 to January 7, 1989. In the introduction to the first volume of Showa, Frederik L Schodt describes the Showa era as one of “the most tumultuous, violent, and tragic” periods in Japan’s history. There are actually two intertwining stories contained in Mizuki’s Showa: the factual history of the country as a whole at that time and Mizuki’s personal history as someone who lived through it. Mizuki’s artwork also reflects these two different portrayals of the Showa era. The illustrations range from the highly detailed and realistic, based on news and photographs from that period, to the more free-form and cartoonish. Showa is an informative read. I’m personally more familiar with the late Showa era, so I appreciated being able to learn more about early Showa in such an engaging format.

The World Exists for Me, Volume 1The World Exists for Me, Volumes 1-2 written by Be-Papas and illustrated by Chiho Saito. The literal translation of the Japanese title for The World Exists for Me would actually be The World of S and M. Though I’m sure it was intentionally chosen, it’s a rather peculiar title for a rather peculiar manga. Only two volumes were ever published, but I get the feeling that The World Exists for Me was originally conceived of as a much longer work. The ending comes very suddenly and very little, if anything, is actually resolved. The series definitely had some potential—I found its use of time travel, destiny, and historical figures and events to be interesting—but the story never quite pulls together as something particularly coherent. It’s a bit of a mess, really. While it can be enjoyable, it doesn’t really make much sense at all. The World Exists for Me was developed by the same creators involved with the Revolutionary Girl Utena manga. Some similarities can be seen between the two series, but I much prefer Utena.