Delavier’s Mixed Martial Arts Anatomy

Delavier's Mixed Martial Arts AnatomyAuthor: Frédéric Delavier and Michael Gundill
Illustrator: Frédéric Delavier

U.S. publisher: Human Kinetics
ISBN: 9781450463591
Released: October 2013
Original release: 2012

Delavier’s Mixed Martial Arts Anatomy was released by Human Kinetics in 2013. The volume is a translated and revised edition of Frédéric Delavier and Michael Gundill’s Musculation Pour le Fight et les Sports de Combat, originally published in France in 2012. Delavier and Gundill have collaborated with each other on many works focusing on strength training, bodybuilding, and anatomy, several of which have been released in English by Human Kinetics. I was particularly interested in Delavier’s Mixed Martial Arts Anatomy since I myself am a martial artist. I have had some cross-training in other styles (namely tai chi, aikido, and hung gar), but my primary focus in the martial arts has been on traditional Okinawan karate, specifically Shōrin-ryū and Shūdōkan, as well as kobujutsu. Even though I’m not currently active in mixed martial arts, I anticipated that Delavier’s Mixed Martial Arts Anatomy would still be applicable to my own martial arts training. I was very pleased when I was selected to receive a review copy of the work through LibraryThing’s Early Reviewers program.

After a short introduction that establishes why martial artists should pursue strength training, Delavier’s Mixed Martial Arts Anatomy is divided into three major parts: “Principles of Strength Training,” “Strength Training Exercises for Fighting,” and “Training Programs.” The first part covers the basics of strength training and how it can be applied by martial artists to complement their martial arts training. The section specifically focuses on techniques used to increase strength, power, and flexibility, to improve conditioning and endurance, and to prevent injury and support recovery. The strength training exercises are arranged by their practical applications: strengthening the neck, jaw, and core, improving punches, strikes, and kicks, and developing better grabs, pulls, chokes, and throws. The section devoted to training programs provides examples of basic, specialized, and customized strength training programs and circuits.

Delavier’s Mixed Martial Arts Anatomy could have just as easily, and perhaps more accurately, been called Strength Training for Martial Artists. The book outlines strength training principles, exercises, and programs that have been modified for use within any martial arts or combat sports context, and not just specifically in mixed martial arts. Traditional bodybuilding exercise have been modified to mimic fighting conditions to more effectively develop muscle strength and endurance for practical rather than simply aesthetic applications. There is also an emphasis on compound exercises over isolation exercises since martial arts require the use and engagement of the entire body instead of individual muscle groups. Delavier’s Mixed Martial Arts Anatomy focuses on five goals: increasing muscle mass and weight, increasing strength, increasing power, improving isometric endurance, and improving muscular endurance.

Fighters and martial artists who are just beginning to supplement their regular practice with strength training will benefit the most from Delavier’s Mixed Martial Arts Anatomy. However, those who are more experienced should also be able to find useful information and valuable recommendations in the volume. Delavier and Gundill do assume at least some basic familiarity with the use of weights, bands, and other equipment, but for the most part the book is suitable for beginners. All of the exercises described include variations which allow them to be adjusted to better suit a martial artist’s particular fighting style, body type, or current level of experience or strength. The risks and martial benefits of each exercise are also included which further helps to customize and tailor a program for a martial artist’s individual needs. Delavier’s Mixed Martial Arts Anatomy is a fantastic volume—accessible, well-organized, as well as practical. I know that my own training has already benefited from what I’ve learned by reading it.

Thank you to Human Kinetics for providing a copy of Delavier’s Mixed Martial Arts Anatomy for review.

Bookshelf Overload: December 2013

I’m pretty pleased with my manga haul in December. I finally gave in and bought a complete set of Yumi Tamura’s series Basara on ebay. I ended up paying a little more than I really wanted (some of the volumes are very out of print), but the fact I had a couple of gift cards to use made me feel a little better about the whole transaction. Plus, the seller threw in copies of the two Basara artbooks as a bonus. As for preorders this month, my copy of Gengoroh Tagame’s Endless Game arrived which made me pretty happy. The English translation is actually the manga’s debut; it hasn’t even been collected in Japan yet. The next volume of Q Hayashida’s Dorohedoro was also released in December. We only get three Dorohedoro volumes a year, so I’m always excited when a new volume comes out. I got a great batch of queer comics in December which I’m looking forward to reading, too.

Manga!
Attack on Titan, Volume 10 by Hajime Isayama
Basara, Volumes 1-27 by Yumi Tamura
Between the Sheets by Erica Sakurazawa
Dorohedoro, Volume 11 by Q Hayashida
Endless Game by Gengoroh Tagame
Fairy Tail, Volume 33 by Hiro Mashima
Hetalia: Axis Powers, Volumes 4-5 by Himaruya Hidekaz
Knights of Sidonia, Volume 6 by Tsutomu Nihei
Lies Are a Gentleman’s Manners by Marta Matsuo
Mobile Suit Gundam: The Origin, Volume 4: Jaburo by Yoshikazu Yasuhiko
No. 6, Volume 4 by Hinoki Kino
Otomen, Volume 17 by Aya Kanno
Pink by Kyoko Okazaki
Red Colored Elegy by Seiichi Hayashi
Sankarea: Undying Love, Volume 4 by Mitsuru Hattori
Sekine-kun no Koi, Volumes 1-3 by Haruka Kawachi
Smuggler by Shohei Manabe
Soul Rescue, Volumes 1-2 by Aya Kanno
Wild Com. by Yumi Tamura

Manhwa!
Evyione: Ocean Fantasy, Volume 1 by Young-Hee Kim

Comics!
Flutter written by Jennie Wood, illustrated by Jeff McComsey
QU33R edited by Rob Kirby
Queerotica edited by Allie Kleber
What’s Normal Anyway? by Morgan Boecher

Artbooks!
Basara: Earth by Yumi Tamura
Basara: Flame by Yumi Tamura
The Sky: The Art of Final Fantasy by Yoshitaka Amano

Anime!
Sword of the Stranger directed by Masahiro Andō

Film!
Zoo directed by Various

Manga Giveaway: 4-Koma for You Winner

Azumanga Daioh OmnibusAnd the winner of the 4-Koma for You manga giveaway is…Cassandra!

As the winner, Cassandra (who currently writes at The Huge Anime Fan) will be receiving the Yen Press omnibus of Kiyohiko Azuma’s yonkoma manga Azumanga Daioh. For this giveaway, I asked entrants to tell me a little about the four-panel manga that they had read. Check out the 4-Koma for You comments for all of the details. And if you’re looking for some yonkoma manga to read, I’ve taken this opportunity to pull together a list of some of the titles that have been licensed in English.

4-Koma Manga in English (in print)
.hack//4Koma by Koichi Sumimaru
Azumanga Daioh by Kiyohiko Azuma
Bloody Brat written by Yuuki Kodoma, illustrated by Kanata Yoshino
ChocoMimi by Konami Sonoda
Crayon Shinchan by Yoshito Usui
Dojin Work by Hiroyuki
GA: Geijutsuka Art Design Class by Satoko Kiyuduki
Great Place High School by Naduki Koujima
Hetalia: Axis Powers by Himaruya Hidekaz
Ichiroh! by Mikage
K-ON! by Kakifly
Lucky Star by Kagami Yoshimizu
Neko Ramen by Kenji Sonishi
Palepoli by Usamaru Furuya (excerpted in Secret Comics Japan)
Oh My Goddess!: Adventures of the Mini-Goddesses by Kosuke Fujishima
Shoulder-a-Coffin Kuro by Satoko Kiyuduki
Shugo Chara Chan! by Peach-Pit
S.S. ASTRO: Asashio Sogo Teachers’ Room by Negi Banno
Sunshine Sketch by Ume Aoki
Suzunari! by Shoko Iwami
Tori Koro by Hairan
Welcome to Wakaba-soh by Chaco Abeno

My Week in Manga: December 23-December 29, 2013

My News and Reviews

Last week I posted a review of Hinoki Kino’s manga No. 6, Volume 4. The series has been getting better with each installment and things are starting to get really good. I also wrote a little bit about some of the manga, comics, and fiction releases that for me were particularly Notable in 2013. It’s not exactly a “best of” list, and it isn’t exactly a list of my favorite manga of the year, either. Basically it’s a list of interesting releases from 2013. And speaking of 2013, there’s still time to enter the last manga giveaway of the year! Check out the 4-Koma for You manga giveaway for a chance to win the omnibus edition of Kiyohiko Azuma’s yonkoma manga Azumanga Daioh.

Quick Takes

FairyTail, Volume 33Fairy Tail, Volume 33 by Hiro Mashima. It’s the second day of the Grand Magic Games and it’s still not looking good for the two Fairy Tail teams, although some of their members have surprising victories. Unfortunately, considering their prior string of defeats, it’s not enough to make much of a difference this early in the tournament. There are some great battles and moments of humor in this volume, but I still don’t find the tournament arc to be as compelling as the arcs that came before it. New characters continue to be introduced; I particularly enjoyed the addition of Bacchus, a powerful wizard from the Quatro Cerberus guild. Personality-wise, he can be a bit of a drunken jerk and isn’t always particularly likeable. What caught my interest is that his style of magic is based on Piguaquan, a legitimate Chinese martial art. Not too surprising considering his name, Bacchus combines this with Zui Quan, or “drunken fist.” Granted, it’s the fictionalized version of drunken fist that requires the practitioner to actually be intoxicated, but this is fitting and meshes well with the existing magic systems in Fairy Tail.

SmugglerSmuggler by Shohei Manabe. Originally released in English by Tokyopop, Smuggler is now available in a new edition from One Peace Books. I missed the manga the first time around, and since it also received a live-action film adaptation, I was particularly curious to read it. Kinuta is a failed actor who has accumulated a fair amount of debt. In order to pay back what he owes he has been smuggling and illegally dumping cargo outside of Tokyo. What he didn’t initially realize was that he was helping to transport and dispose of dead bodies for the yakuza. And now that he does know, Kinuta owes the mob his life as well as his money. When a job goes terribly wrong and an extraordinarily dangerous assassin escapes on his watch, Kinuta suddenly finds himself pulled even deeper into Japan’s underworld. Smuggler is a dark and violent manga, quickly paced, and unrelenting. It’s definitely not for the faint of heart. Smuggler held my interest, and there were some marvelously gut-wrenching scenes, but in the end I can’t say that the manga left much of a lasting impression on me.

Swan, Volume 4Swan, Volumes 4-9 by Kyoko Ariyoshi. I am still completely in love with Swan and am astounded that it has taken me this long to actually get around to reading it. The series is incredibly well done—it’s just so intense and passionate, not to mention beautifully drawn. I’m also learning a bit more about ballet and its history as I read, which I count as a bonus. There are quite a few themes being addressed in these particular volumes. One of the themes that is especially prominent deals with sacrifice and what people are willing to give up in order to pursue what the truly love. It’s not always an easy decision. As someone who was deeply involved in the performing arts (in my case music, not dance), it’s a conflict with which I can personally identify. The characters in Swan all have to struggle to find the balance between their lives as dancers and their relationships with other people. Matters of love and romance complicate things greatly, but they also serve as a source of inspiration for creative expression. Swan piles on the drama and it’s fantastic.

Wolfsmund, Volume 2Wolfsmund, Volume 2 by Mitsuhisa Kuji. While the first volume of Wolfsmund was violent and intense, the second volume is arguably even more so. In response to the rebellion gaining strength and numbers, the questioning of those trying to cross through the Wolf’s Maw at Sankt Gotthard Pass has become even more invasive and thorough. The gate’s overseer Wolfram—who is almost always shown with a terrifyingly pleasant smile on his face—seems to take particular delight in this. In order to get the information he needs, he’s more than willing to order the death or torture of a person no matter who they are. Cruelty isn’t limited to Wolfram. Even the rebellion’s heroes are capable of terrible deeds. I am a fan of dark historical manga, so Wolfsmund is right up my alley. Wolfsmund is definitely for mature readers. Considering its brutal nature (women and girls in particular suffer greatly in this volume) it’s not a series that I would recommend to just anyone. That being said, I am looking forward to the next volume.

Random Musings: Notable in 2013

Despite having written at Experiments in Manga for over three years, I have never once attempted to create a “best of the year” list and I’m not about to start. However, I thought it would be interesting to write a post reflecting on what I have read in the past year. This isn’t a best of list. It’s not even necessarily a list of my favorite releases of the year (although, some of them certainly are). Instead, it’s a collection of manga, comics, and fiction from 2013 that, for one reason or another, were particularly notable for me.

The Heart of ThomasI’ll start out with Moto Hagio’s The Heart of Thomas. Fantagraphics released the entire series in a beautiful, hardcover omnibus. Technically, I think it was published at the end of 2012, but I wasn’t able to get my hands on one until 2013. I adore Hagio’s manga and wish more of it was available in English. The Heart of Thomas in particular is a historically significant work and one of the precursors to the boys’ love genre. Plus, it’s a wonderful work in its own right.

The Passion of Gengoroh TagameThe Passion of Gengoroh Tagame: The Master of Gay Erotic Manga probably couldn’t be more different from The Heart of Thomas, but I anticipated its release just as much. Tagame is an incredibly influential gay comics artist. The volume was not only the first collection of his work to be released in English, it was also the first collection of bara manga to be released in print. Happily, it won’t be the last. More of Tagame’s manga is already scheduled to be published.

KitaroI have become increasingly interested in yokai over the last few years. And so I was thrilled when Drawn & Quarterly released Kitaro by Shigeru Mizuki. The volume collects stories from the first few volumes of Mizuki’s GeGeGe no Kitaro which is the yokai manga that started it all and which continues to influence creators to this day. I found Kitaro to be utterly delightful and can understand why it’s so well-loved. I hope more of the series will be translated.

Mobile Suit Gundam: The Origin, Volume 1I picked up Mobile Suit Gundam: The Origin for one reason—it was written and drawn by Yoshikazu Yasuhiko. I’m not at all a Gundam fan, but I am a fan of Yasuhiko’s work. Even so, I didn’t anticipate how much I would enjoy The Origin. The manga ended up being an extremely well done space opera. It doesn’t hurt that Vertical’s edition of the series is one of the highest quality manga releases available in English, either. I’m still not a Gundam fan, but I am a fan of The Origin.

UnicoAnother manga that I was pleasantly surprised by was Osamu Tezuka’s Unico. As much as I appreciate Tezuka’s work, I will admit to have grown a little tired of it. (I wish that other classic manga received the same amount of attention in English.) I approached Unico more as a curiosity than anything else; the full-color artwork and unusual page layouts had caught my attention. It turned out to be an endearing manga that is both heartbreaking and charming.

The Strange Tale of PanoramaAfter years of delay, Suehiro Maruo’s The Strange Tale of Panorama Island was finally released by Last Gasp in 2013. The manga is an adaptation of Edogawa Rampo’s novella Strange Tale of Panorama Island which, coincidentally, was also released in English in 2013. I cannot think of a more perfect artist to adapt Rampo’s work; Maruo’s exquisite, sensual, and erotically charged illustrations with hints of the macabre are an ideal fit. The Strange Tale of Panorama Island was worth the wait.

Wandering Son, Volume 4As for continuing series in 2013, Takako Shimura’s Wandering Son remains a manga that is incredibly important to me on a very personal level. I’m pretty sure that I’ve mentioned it before, but Wandering Son has quite literally been life-changing for me. In addition to that, I simply think it’s a wonderfully sensitive and sincere look at personal identity. Fantagraphics released both the fourth and fifth volumes of Wandering Son in 2013; I’m looking forward to reading more of the series great deal.

Paradise Kiss, Part 32013 also saw the release of Ai Yazawa’s Paradise Kiss, Part 3—the third and final volume in Vertical’s edition of the series. I missed out on the manga when it was originally licensed by Tokyopop and I’m very glad to have had the opportunity to read it. Over the last year, I have been extremely impressed by Yazawa’s work. I don’t have a particular interest in fashion, but the complex characters and complicated relationships in Paradise Kiss were extraordinary.

The One Trick Rip-Off + Deep CutsThe One Trick Rip-Off + Deep Cuts is a fantastic anthology which collects fifteen comics by Paul Pope, including those he created for Kodansha while in Japan. The volume makes a great introduction to Pope’s comics, exhibiting a nice range of styles and stories selected from nearly a decade of his work. The influence of manga can be seen in the collection, but Pope definitely has his own approach to comics. I’ve become very fond of his work and the quirkiness of his stories and characters.

BoxersWritten and illustrated by Gene Luen Yang with colors by Lark Pien, the Boxers & Saints duology is honestly one of the best comics that I read in the past year. It’s a powerful retelling of the Boxer Rebellion—a violent uprising in China that began in the late 1800s—from two different sides of the conflict, neither of which were entirely in the right. Yang put a tremendous amount of research into the work, making it historically accurate while still maintaining a very human element to the story.

Self-Reference EngineI already knew that I enjoyed Toh EnJoe’s short stories and essays and so I was excited for the release of Self-Reference Engine, the first book-length work of his to be translated into English. It’s not quite a novel, and it’s not quite a collection of short stories, but whatever it is it’s good stuff. I expected Self-Reference Engine to be intellectually stimulating as well as entertaining, and it was, but I wasn’t prepared for how funny and mind-bending it would be.