My Week in Manga: July 29-August 4, 2013

My News and Reviews

The Boys’ Love Manga Moveable Feast, hosted by Khursten of Otaku Champloo, is in full swing. Khursten is doing a fantastic job hosting the Feast; I highly recommend checking out her posts! I myself posted a couple of contributions to the Feast last week. The most recent manga giveaway at Experiments in Manga is for Shiuko Kano’s boys’ love collection Affair. The winner will be randomly selected and announced on Wednesday, so there’s still time to enter! I also devoted my first in-depth manga review of the month to Tomoko Yamashita’s Black-Winged Love. I tried to explain why it’s one of my absolute favorite collections of short manga. (July’s Bookshelf Overload was also posted last week. Although it’s not really a part of the Feast, it does include some boys’ love on the list.) Finally, as you can see below, I spent last week reading a bunch of boys’ love manga by Yugi Yamada. I really enjoy her sense of humor, cranky characters, and bickering (but loving) couples. Oh, and I also watched Gravitation.

Quick Takes

Dry Heat by Yugi Yamada. I don’t think that Dry Heat shows Yamada at her best, but it is still an engaging read. Dry Heat has an odd mix of tones. The story itself is quite serious with a tendency towards the melodramatic, but there is a fair amount of humor included as well. It’s as though Yamada couldn’t quite decide whether the manga should be a comedy or a drama. Sometimes the balance works and sometimes it doesn’t. The plot is a little over the top and stretches believability in places and I can’t say that I was particularly convinced by the romantic interests, but Dry Heat does have some really great moments. Dry Heat is in turns touching, exasperating, and very funny.

Glass Sky by Yugi Yamada. Glass Sky is a great collection of short boys’ love manga ranging from the bittersweet to the almost cheerful with a few laugh out loud moments. The strongest selection in the volume is the titular “Glass Sky.” It’s a rough and intense story, but very, very good. Dealing with bullying and violence, it’s the most sobering story in Glass Sky and is especially shocking since it follows some of the more lighthearted pieces. I was surprised to recognize characters from Yamada’s earlier one-shot manga Laugh Under the Sun in several of the stories in Glass Sky. However, it’s not at all necessary to have read it in order to appreciate their stories. (Although if you have, Glass Sky does provide a little more insight into the characters—Naoki, especially.)

No One Loves Me by Yugi Yamada. I really enjoyed No One Loves Me. It’s  one of my favorite manga by Yamada. Katsuhiro is a subdued and awkward book lover and used book store owner with a particular interest in Czech literature. The much brasher Masafumi is in the sales department of a publishing house but is thrust into a translation project as Katsuhiro’s editor. Their relationship, professional and otherwise, has its ups and downs and is wonderful to watch unfold. No One Loves Me isn’t as outrageously funny as some of Yamada’s other manga, but there’s still plenty of humor. Plus, the incorporation of the love of books into the story is a nice bonus and something that I particularly appreciated.

Open the Door to Your Heart by Yugi Yamada. One of my favorite Yamada manga is Close the Last Door, a short two-volume series. Open the Door to Your Heart is a one-volume side story which slightly overlaps, following the two older Honda brothers. I didn’t like Open the Door to Your Heart nearly as well, but still enjoyed parts of the manga. It was nice to get to know the Hondas better, both the brothers as individuals and the family a whole. What Yamada captures particularly well in Open the Door to Your Heart is the struggle that Sho, the oldest brother, continues to go through trying to fully accept that he has been adopted. This is complicated by the fact that he is in love with his younger brother and that those feelings are returned.

Picnic by Yugi Yamada. Once again, the titular story “Picnic” is probably the strongest manga in this collection. Or, at least it’s one of my favorites. Granted, most of the manga collected in the volume are well done. Picnic tends towards the sillier and sweeter side of things, but there are some genuinely touching moments that balance out the goofier ones quite nicely. Two of the stories feature characters from an earlier manga by Yamada which at this point hasn’t been licensed in English. (They may have also been spun off into their own series, though I’m not certain about that.) The focus of the short manga collected in Picnic is less on the plot more on the characters themselves.

Spring Fever by Yugi Yamada. Spring Fever collects two unrelated stories by Yamada: the titular “Spring Fever” and “Wildman Blues.” The beginning of “Spring Fever” is delightfully funny before taking quite a serious turn. Yusuke is constantly falling head-over-heels for the most unlikely candidates only to be rejected again and again. This time the object of his desire happens to be an older man—a divorcé with a young son. “Wildman Blues” ties in with “Glass Sky” (and by extension Laugh Under the Sun.) Yamada once again turns her attention to Naoki. Despite all the heartache and anguish she puts him through, Yamada seems to have a fondness for the character. I’ve come to really like him, too. “Wildman Blues” provides a very satisfying conclusion to his story.

Gravitation directed by Bob Shirohata. The thirteen-episode Gravitation anime is much more even-keeled than Maki Murakami’s original manga series. The darker moments aren’t quite as dark and the humor, while still ridiculous, isn’t quite as outrageous. The anime adapts a little more than half of the manga series. I personally preferred the manga’s earlier storyline anyway, so I didn’t have a problem with the anime stopping where it did. The anime compresses and streamlines the plot of Gravitation. As a result, Shuichi and Yuki’s relationship seems a bit rushed, but for the most part the adaptation is really well done. I did wish there was a little more variety in the music, though.

Black-Winged Love

Creator: Tomoko Yamashita
U.S. publisher: Netcomics
ISBN: 9781600093241
Released: October 2009
Original release: 2008

So far, only two of Tomoko Yamashita’s works have been released in print in English, both in 2009 and both by Netcomics: Dining Bar Akira and Black-Winged Love. I’ve read and enjoyed both volumes a great deal, but it’s Black-Winged Love that has really stuck with me. In fact, Black-Winged Love, originally published in Japan in 2008, is one of my favorite boys’ love collections and contains some of my absolute favorite short manga. (Though, as with all collections, some of the pieces aren’t as strong as others.) When the subject of the Manga Moveable Feast for August 2013 was decided to be boys’ love, my mind immediately turned to Black-Winged Love. I’ve actually been meaning to review the volume for quite a while now. As a lesser known work from a lesser known publisher (which tends to specialize in manhwa rather than manga), I personally feel that both Yamashita and Black-Winged Love are deserving of more attention and I wanted to share my love.

Black-Winged Love collects seven unrelated short manga by Yamashita along with some fun bonus material to close the volume. The collection opens with “Drive a Nail into Love,” unusual for a boys’ love story in that it is told from the perspective of a gay high school student’s older sister. Next is “It’s My Chocolate!” which captures being the oldest sibling in a large family exceptionally well. “A Villain’s Teeth” shows the relationship between the daughter of a mafia boss and his former second-in-command and explores his devotion to the both of them. In the titular “Black-Winged Love,” a man’s masochistic tendencies and fetishes get in the way of his feelings. Next is “Jump Across That Fire” which follows two students as they become closer in the school library over summer break. “Fool 4 U” features a problematic relationship between two long-time friends. Black-Winged Love concludes with the shortest piece, “Photogenic,” in which a man doesn’t quite get what he was expecting from a male escort service.

None of the stories in Black-Winged Love are tied together by plot and they are all quite different from one another, but many share similar elements. One of the recurring themes in Black-Winged Love is the importance of family—”Drive a Nail into Love,” “It’s My Chocolate!,” and “A Villain’s Teeth” in particular feature atypical families and family situations. As someone who is a queer oldest sibling, I’m especially fond of “It’s My Chocolate!”—never have I come across another boy’ love manga that I so personally and closely identify with. I also happen to read and enjoy Japanese literature, so I appreciate the literary references in Black-Winged Love and how characters connect (or try to connect) through books and reading. In “Jump Across That Fire,” both the title and part of the story are references to Yukio Mishima’s The Sound of Waves. And in “Black-Winged Love,” short works by Edogawa Rampo and Kenzaburō Ōe play a small role.

So, what exactly is it about Black-Winged Love that works so well for me? I like that all of the stories are a little unusual and unexpected while still be very realistic in the portrayal of their characters and their relationships. Black-Winged Love explores hidden feelings that are often forced out into the open. The characters must first come to terms with themselves before they can attempt to come to terms with those around them. Black-Winged Love tends towards the more serious, introspective, and melancholy, but all of the stories and many of the characters exhibit a quirky, dark sense of humor as well. I like that the stories have funnier moments to balance out the morose. Not every one is treated to an ideal happy ending but some of them are. To me that makes Black-Winged Love feel more authentic. Black-Winged Love is a collection that I have read several times already and it continues to be one of my favorite volumes of short manga, boys’ love or otherwise.

Bookshelf Overload: July 2013

I had some great luck in finding out of print manga in July: my collection of the ultimate edition of the Battle Royale manga is finally complete; I’m now only missing one print volume of Shotaro Ishinomori’s Cyborg 009; and I came across an entire set of Kyoko Ariyoshi’s Swan (or at least the volumes that were released in English.) More importantly, I managed to get them all below cover price, which is saying something. Other July manga acquisitions included a near-complete collection of Ai Yazawa’s Nana for an incredible price. I had been borrowing Nana from my local library; I’ve been debating picking up a copy of my own because it’s so good. I couldn’t pass up the opportunity and finally caved. But the manga I was most excited about in July was Suehiro Maruo’s The Strange Tale of Panorama Island. I have literally been waiting for this release for years. Expect a review soon!

Manga!
Animal Land, Volumes 1-4 by Makoto Raiku
Battle Royale: Ultimate Edition, Volumes 5 written by Koushun Takami, illustrated by Masayuki Taguchi
Black Jack, Volume 7 by Osamu Tezuka
Cyborg 009, Volume 8 and 10 by Shotaro Ishinomori
The Flowers of Evil, Volume 6 by Shuzo Oshimi
The Gorgeous Life of Strawberry Chan by Ai Morinaga
Hide and Seek, Volume 1 by Yaya Sakuragi
The Last of the Mochicans by Shigeru Sugiura
Limit, Volume 6 by Keiko Suenobu
Loveless, Omnibus 4 by Yun Kouga
Math Girls Manga, Volume 1 written by Hiroshi Yuki, illustrated by Mika Hisaka
Nana, Volumes 1-20 by Ai Yazawa
Ral Ω Grad, Volumes 1-4 written by Tsuneo Takano, illustrated by Takeshi Obata
Sengoku Basara: Samurai Legends, Volume 1 by Yak Haibara
The Strange Tale of Panorama Island by Suehiro Maruo
The Super-Cool Life of Strawberry Chan by Ai Morinaga
Swan, Volumes 1-15 by Kyoko Ariyoshi
Triton of the Sea, Omnibus 1 by Osamu Tezuaka
The Twin Knights by Osamu Tezuka
Velveteen & Mandala by Jiro Matsumoto
Wolfsmund, Volume 1 by Mitsuhisa Kuji

Manhwa!
Aron’s Absurd Armada, Omnibus 2 by MiSun Kim

Comics!
Demeter by Becky Cloonan
Every/Body: An Open Discussion of Gender and Body by Various
Meat Cake by Dame Darcey
NNN by Dan Kim
Samurai: A Digital Tribute to Men by Various

Light Novels!
Orochi no Kishi written by Itoshi, illustrated by Lehanan Aida

Novels!
The Crimson Labyrinth by Yusuke Kishi
The Goddess Chronicle by Natsuo Kirino
Kafka on the Shore by Haruki Murakami

Anthologies!
The Edogawa Rampo Reader by Edogawa Rampo
Japanese Tales of Mystery and Imagination by Edogawa Rampo

Anime!
Fullmetal Alchemist: Brotherhood directed by Yasuhiro Irie
The Garden of Words directed by Makoto Shinkai
X: The Movie directed by Rintaro

Music!
Kodo vs. Yosuke Yamashita in Live

Manga Giveaway: 801 Manga Giveaway (Affair)

Not only is it the last Wednesday of the month—meaning it’s time for another manga giveaway here at Experiments in Manga—it’s also the last day of the month. Tomorrow begins the Boys’ Love Manga Moveable Feast, also known as the 801 MMF. Keeping with the theme of the Feast, I decided to coordinate this month’s giveaway by offering you all a chance to win Shiuko Kano’s boys’ love collection Affair from Digital Manga’s imprint 801 Media. Now, this is a mature title so entries are restricted to those who are eighteen and older. The giveaway is open worldwide, but if boys’ love or yaoi is illegal in your country, please refrain from entering. (Sorry!)

My introduction to Shiuko Kano’s work was through Affair, one of the earliest to be released by 801 Media and Kano’s second manga to be released in English. Since then she’s had a pretty good run of it. Her boys’ love manga has been published in print by 801 Media, Be Beautiful, Deux Press, Juné, and SuBLime. It’s quite impressive, really. Seeing how much of and how frequently her work has been licensed, I think it would probably be safe to assume that Kano has a fairly strong following.

So, you may be wondering, how can you win a copy of Affair?

1) In the comments below, name at least one boys’ love or yaoi mangaka whose manga you would like to see more of in English and tell me why you enjoy their work.
2) If you’re on Twitter, you can earn a bonus entry by tweeting about the contest. Make sure to include a link to this post and @PhoenixTerran (that’s me).

Pretty simple, no? For this giveaway, each person who participates can earn up to two entries. As usual, you have one week to submit your comments. If you have trouble leaving comments, or if you would prefer, you can e-mail me your entry at phoenixterran(at)gmail(dot)com. The winner will be randomly selected and announced on August 7, 2013. Good luck to you all and enjoy the 801 MMF!

VERY IMPORTANT: Include some way that I can contact you. This can be an e-mail address, link to your website, Twitter username, or whatever. If I can’t figure out how to get a hold of you and you win, I’ll just draw another name.

Contest winner announced—Manga Giveaway: 801 Manga Giveaway Winner

My Week in Manga: July 22-July 28, 2013

My News and Reviews

I recently watched and enjoyed Kids on the Slope which inspired me to learn more about jazz in Japan. To that end, I decided to read one of the very few books on the subject, Jazz Journeys to Japan: The Heart Within by jazz writer and journalist William Minor. It’s part travelogue and part music criticism and history. Personally, I found Minor’s writing style to be annoying, but the information was great. Last week I also posted the most recent Library Love feature, which is now back on its regular bimonthly schedule.

Deb Aoki, the former editor of About.com:Manga, has launched a new website of her own—Manga Comics Manga. She’s already posted some great content, including the list of manga from the Best & Worst Manga panel at the San Diego Comic-Con and the accompanying audio. Last week I mentioned some of the news from SDCC that I was particularly interested in, but Brigid Alverson has a nice roundup of most of the manga news from SDCC at MTV Geek and at A Case Suitable for Treatment Sean Gaffney takes a closer look at the licenses that were announced.

A few more interesting items that I’ve recently come across online: Toh EnJoe was interviewed at SFFWorld. Special attention is given to Self-Reference Engine, which remains one of my favorite books that I’ve read this year. Also, the winners of the Silent Manga Audition competition have been announced and the winning entries have all been made available for download. Later this week, the Boys’ Love Manga Moveable will begin! Khursten of Otaku Champloo will be hosting and has already posted a couple of great giveaways: We want new webcomics! and Name your kinks.

Quick Takes

Flowers of Evil, Volumes 4-6 by Shuzo Oshimi. I have no idea where Oshimi is going with Flowers of Evil but the series seems to be getting better and better. Kasuga has changed considerably from who he was at the beginning of the manga. Nakamura has forced him to realize things about himself that he had tried to keep hidden or that he wasn’t aware of to begin with. And then there’s Saeki, who he once idolized but who isn’t the embodiment of purity he thought or wanted her to be. The relationship between the three is a dangerous and twisted triangle of love, power, and submission. Flowers of Evil is intense. It’s dark. It’s perverted. I’m looking forward to the next arc a great deal.

Pretty Guardian Sailor Moon, Volume 11 by Naoko Takeuchi. The eleventh and penultimate volume of Pretty Guardian Sailor Moon is the beginning of the final major story arc in the series. After an all too brief time of peace, the Sailor Guardians once again must face a powerful enemy. And this time the entire galaxy may be at stake. The last volume I read of Pretty Guardian Sailor Moon was actually the fourth one, but I was still able to fall into the story of the eleventh fairly easily. I love how Takeuchi plays around with gender roles and expectations in Pretty Guardian Sailor Moon. The series continues to be frantically paced and occasionally difficult to follow, but its mix of silliness and seriousness is charming. I can understand why the manga is so well loved.

Yokai’s Hunger by Bohra Naono. I really wanted to like Yokai’s Hunger, and there were parts of it that I did enjoy, but for the most part the manga frustrated me. In particular, the legends and mythologies in this boys’ love one-shot were a complete mess. Koma is described as a tengu, but he’s depicted as a dog spirit rather than the usual avian-inspired yokai. Later the manga tries to merge Mesopotamian myths with the story; it doesn’t end up working very well. I didn’t realize when I first picked up Yokai’s Hunger that it was largely a comedy. The humorous moments in the manga are certainly much more successful than those attempting to be more serious. Yokai’s Hunger was actually quite funny in places.

Dear Brother, Episodes 21-39 directed by Osamu Dezaki. The second half of the Dear Brother anime adaptation picks up the pace from the first and I found myself consistently engaged. There is so much drama in the Dear Brother and it’s marvelous (even when it’s not particularly believable.) The story unfolds within the social dynamics of Seiran Academy and within the personal lives of the students. What happens at the academy pales in comparison to the tragedies outside of it. Some of the plot twists seem to come out of nowhere and some of the revelations are shocking, but it makes for an absorbing tale. The very last scene is a bit of a cop-out, but otherwise I found the ending of the series to be satisfying. I really enjoyed Dear Brother.