Planetes, Omnibus 1

Planetes, Omnibus 1Creator: Makoto Yukimura
U.S. publisher: Dark Horse
ISBN: 9781616559212
Released: December 2015
Original release: 2001-2003
Awards: Seiun Award

Makoto Yukimura’s Planetes, a realistic, near-future science fiction manga series about space exploration and development, was originally released in English by Tokyopop. It’s a great series, and one that I’ve made a point to hold onto over the years. I was very pleased to learn that the manga was going to be brought back into print by Dark Horse—this time in a larger trim size, with more of the color pages, and with artwork that has been better reproduced. Dark Horse’s edition of Planetes consists of two omnibus volumes and it’s production quality makes it well-worth the upgrade. The first omnibus, released in 2015, contains the first and second volumes of the original Japanese edition as well as a small part of the third volume, which were published between 2001 and 2003. In 2002, Planetes earned Yukimura a Seiun Award for best manga. Planetes was also adapted into an anime which happens to be one of my favorite and most frequently rewatched series.

The year is 2074. Humankind has established numerous bases on the moon and has sent multiple expeditions to Mars. The next major goal in space exploration is to successfully man a mission to Jupiter in the hopes of harnessing the planet’s resources to support the ever-increasing energy needs of the solar system’s human populations. However, with the continued development of space comes a significant problem—the creation of vast amounts of waste. Junked and outdated satellites, exhausted fuel cells, and other debris orbit the Earth, endangering the lives of anyone who would attempt to leave the atmosphere. Hachimaki is a debris hauler, one of the unsung heroes who makes space travel possible. Along with the rest of the crew of the Toy Box, a decades-old ship that’s falling apart itself, Hachimaki either retrieves the debris drifting in space or drops it into the atmosphere to burn. It’s important and demanding work, not to mention dangerous, but the thankless job rarely receives any recognition.

Planetes, Omnibus 1, page 93Planetes is a manga about many different things—scientific progress, socioeconomic tensions, geopolitical discourse, and so on—but more importantly it’s a series about many different kinds of people. It’s about the dreamers who are inspired and compelled to reach for the stars, the scientists and engineers who are focused on advancing technology above all else, the medical researchers who are developing treatments and cures for space-caused disorders, and the people for whom leaving Earth is simply a way of making a living. But it’s also about all of the loved ones the spacefarers leave behind, the families and friends who can do little but hope and wait for their safe return. While incorporating into the story all of the basic, mundane, and day-to-day requirements necessary for life in space, Planetes explores the complex human relationships that support and make that life possible.

Planetes spends a fair amount of time delving tin the psyches of its characters. This is most obvious with the manga’s treatment of Hachimaki, who goes through an extreme psychological crisis and transformation after a traumatic accident, but the other characters have their own struggles, too. Their evolving relationships with one another and their changing attitudes towards space are critical components of Planetes, lending an additional sense of realism to the series. Yukimura doesn’t just limit himself to the personal aspects of the characters’ lives in the series, he also addresses wider societal issues and concerns such as inequality, terrorism, and war. It takes a few chapters for Yukimura to fully settle into the tone and art style for the series, but from the very beginning Planetes is an excellent work of science fiction, balancing humor and pathos while maintaining a largely optimistic outlook on the future believably punctuated by some of the harsher realities of life.

My Week in Manga: February 8-February 14, 2016

My News and Reviews

Life has gotten to be rather hectic again for me, though hopefully things should settle back down soon. In the meantime, I’ve returned to a reduced posting schedule for a little bit. Last week I only posted one in-depth review, but it was for the most recent installment in one of my favorite series currently being released—Aya Kanno’s Requiem of the Rose King. In this volume a tenuous peace has been established while the story moves away from the battlefield to delve into the dangerous political intrigue of the court.

Elsewhere online, The Organization of Anti-Social Geniuses (which has moved, by the way), posted a short interview with Casey Brienza, the author of the recently released Manga in America (which I hope to review in the not too distant future). The wonderful folks behind MASSIVE have launched a Kickstarter campaign to help fund The Queer Japan Project documentary, which should be phenomenal. In manga news, Kodansha Comics has announced that its release of the final volume of My Little Monster will include an additional sixty pages of content. Over the weekend, Vertical announced the addition of a few more titles: the Bakemonogatari novels by Nisioisin, the manga Immortal Hounds by Ryo Yasohachi, the master edition of Tsutomu Nihei’s manga Blame!, and (the one I’m most excited about) the josei horror manga Dissolving Classroom by Junji Ito. Not to be left out, Seven Seas snuck in a license announcement on Sunday as well—Nakatani Nio’s yuri manga Bloom Into You.

Quick Takes

Batmanga, Volume 1Batmanga, Volume 1 by Jiro Kuwata. Back in the 1960s, Kuwata was commissioned to create a manga series featuring the iconic American masked vigilante Batman specifically tailored for a Japanese audience. This series was nearly forgotten in the United States but was rediscovered and introduced in translation relatively recently. DC Comics is now releasing the entire series in English. Although I do enjoy Batman and grew up with the franchise, I don’t really consider myself to be a huge fan or aficionado. But I was very interested in the publication history of Batmanga, and it’s not very often that an older manga is licensed. Kuwata’s Batmanga is understandably most reminiscent of the 1960s television series starring Adam West than any of Batman‘s more recent incarnations (the sixties apparently saw a Batman craze in Japan). The manga is a lot of fun with plenty of ridiculous action, camp, and wordplay. I believe that all the villains are unique to the manga, their origin stories often having something to do with devious scientific innovations or experiments gone awry.

False Memories, Volume 1False Memories, Volumes 1-2 by Isaku Natsume. A few of Natsume’s boys’ love manga have been released digitally, but I believe False Memories is only the second one to be released in print. It’s been a while since I’ve read any of Natsume’s manga, so I was surprised by how charming and touching False Memories ended up being. Nakano and Tsuda drifted apart soon after they slept together in high school. Ten years have passed since their graduation, but they suddenly find themselves assigned to work together on the same project by their respective companies. The misunderstandings surrounding their high school days continue to prove problematic, though. The two men will at least need to pretend to be friendly, but old feelings can be difficult to ignore. I enjoyed False Memories more than I expected I would, largely because I found the characters to be so likeable and relatable. Nakano’s insecurities are understandable, having unintentionally been hurt by Tsuda in the past. As for Tsuda, he’s a well-meaning goofball. The two of them do honestly care for each other, it just takes them a little while to figure that out.

Firefighter! Daigo of Fire Company M, Volume 1Firefighter! Daigo of Fire Company M, Volume 1 by Masahito Soda. I recently happened across the first volume of Firefighter! and so picked it up. It’s been out-of-print for some time now, but the entire series is now available digitally from Viz Media. When Daigo Asahina was a child, he almost died in a fire but was rescued by a heroic local firefighter. Ever since then, it has been his dream to become a firefighter himself. Fresh out of training he’s eager to prove himself, only the station that he’s been assigned to deals with very few major fires. While this would normally be considered to be a good thing, for Daigo it’s frustrating, especially when his rival at another company has already seen plenty of action. Despite the seemingly relaxed atmosphere of Company M, Firefighter! quickly ramps up the excitement. Only one volume in and Daigo’s had to rescue a cat, help prevent a potential gas explosion, fight multiple fires, and face the fact that he’s not nearly as well-prepared as he thought he was. The veterans of Company M know their stuff, though, and are very good at what they do.

Requiem of the Rose King, Volume 3

Requiem of the Rose King, Volume 3Creator: Aya Kanno
U.S. publisher: Viz Media
ISBN: 9781421582597
Released: January 2016
Original release: 2015

Aya Kanno’s manga series Requiem of the Rose King has quickly become one of the releases that I most look forward to from one volume to the next. I’m not particularly surprised by this, though—I’ve enjoyed many of Kanno’s past works, and she has proven to be quite versatile when it comes to genre and style. In the case of Requiem of the Rose King, Kanno has taken direct inspiration from the historical plays of William Shakespeare, more specifically the Wars of the Roses cycle consisting of Henry VI and Richard III. Even if Kanno hadn’t been involved with the manga, this would have been more than enough to catch my attention. But Kanno is involved and she brings her own touches to the story, giving it a dark fantasy-tinged atmosphere in addition to exploring gender and identity in an interesting and engaging way. With all of that and more, I have been completely taken with Requiem of the Rose King, and so was glad when the third volume of the series, originally released in Japan in 2015, was published in English by Viz Media in 2016.

The battle has been won and the House of York reigns victorious, but the struggle for the English crown continues; the war is far from being over. The deposed King Henry seems content to wander the countryside, the weight of rulership lifted from his shoulders, but the rest of the Lancasters are plotting to return their family to power and reclaim the throne. The hold that the newly established King Edward has on the England is in more peril than he realizes. In addition to the threat that the Lancasters pose, there are others among the nobility who are againt the House of York’s usurption of the throne. The widowed Elizabeth Woodville is prepared to take advantage of Edward’s womanizing ways in order to bring about his and his family’s downfall; besotted with Elizabeth, he puts his own desires before the security of the kingdom, risking the loss of the support of France. His younger brother Richard is one of the few people to recognize the danger, but Richard isn’t yet in a position to avert the potentially calamitous outcome.

Requiem of the Rose King, Volume 3, page 68I continue to be fascinated by Kanno’s interpretation of Richard, a young man who has been irrevocably harmed by the the rejection and hatred of his mother who sees him and his body as imperfect and demonic. He has a difficult time connecting with people because of the anxiety surrounding his self-identity, an issue made even worse by the recent death of his father on the battlefield. Henry is a perfect foil for Richard and is in many ways his opposite, which throws Richard’s perception of himself and of the world into confusion. Richard has resigned himself to loneliness and darkness, even while Henry seeks his company. The two men spend a fair amount of time together in Requiem of the Rose King, Volume 3, neither of them knowing who the other truly is and that their families are enemies. Much as Edward and Elizabeth’s relationship may doom the kingdom, Richard and Henry’s awkward friendship can only result in tragedy with far-reaching consequences.

Personal strife is mixed with political turmoil in Requiem of the Rose King, each feeding into the other as events unfold. With multiple people expressing interest in obtaining the crown, whether in jest or in all seriousness, the social structures and relationships among the English nobility have become extraordinarily precarious during a time of tenuous peace. This underlying chaos is also reflected in how Kanno approaches the story of Requiem of the Rose King. Many times several scenes overlap with one another, tied together thematically rather than chronologically. Pasts, presents, and possible futures all intertwine and are simultaneous revealed. This can be somewhat disconcerting at first and at times challenging to follow, but I do like the overall effect and drama that it brings to the series, emphasizing the individual characters’ experiences as memories, reality, and visions merge together. Requiem of the Rose King has an almost dreamlike quality to it and I find that I fall more deeply under its thrall with each passing volume.

My Week in Manga: February 1-February 7, 2016

My News and Reviews

I posted a few different things at Experiments in Manga last week. For starters, the Love at Fourteen Giveaway Winner was announced. The post also includes a list of some of the manga available in English which feature a bit of romance. Last week I also reviewed Tokyo Decadence: 15 Stories by Ryu Murakami which in some ways is about love, or at least lust. Due to be published later this year, the collection is engaging but definitely not for everyone as some of the stories are quite disturbing. Over the weekend January’s Bookshelf Overload was posted for those of you curious about what made it onto my shelves last month. I also had a taiko gig over the weekend that took up a fair amount of time. As a result of that and other some other life stress, I’ve fallen a bit behind on my writing (just when I thought I’d finally gotten ahead!), so there’ll likely only be one review coming this week instead of the two that were originally planned.

Quick Takes

Orange, Omnibus 1Orange, Omnibus 1 by Ichigo Takano. I had heard very good things about Orange and so was greatly looking forward to reading the manga, but I honestly didn’t anticipate that the series might become one of my favorite releases of the year. (It all depends on exactly how the story plays out in the second and final omnibus.) Orange sensitively deals with some fairly heavy subject matter, including suicide and crippling regret, but at the same time the manga also has a lighter sweetness to it. The manga is both heartwrenching and heartwarming, a melancholic story about close relationships and human connection. Admittedly, Naho is incredibly dense when it comes to recognizing other people’s feelings for her, even when they basically come right out and tell her, which can be a bit exasperating. But overall, the feelings and emotions in Orange ring true, especially as the series progresses and it’s revealed just why everyone is behaving in the ways that they are. I can see Orange ending either in tragedy or in happiness and I’m very curious to see which it will be.

Prison School, Omnibus 2Prison School, Omnibus 2 by Akira Hiramoto. The first omnibus of Prison School established the manga as a series that is simultaneously appalling and strangely engaging. This of course assumes that readers aren’t immediately offended by its highly sexualized and incredibly vulgar nature to begin with. Prison School is definitely not a series for everyone even if, surprisingly, it has its sweet moments. The second omnibus very much continues in the same vein, so the initial shock caused by the manga’s obscenity, over-the-top fanservice, and ridiculous premise has diminished some. Even so, Prison School is a page-turner. The series has been building up to Kiyoshi’s escape attempt, resulting in a situation that gets progressively worse as time goes by. Seeing just how bad things can possibly get (which is pretty bad) is one of Prison School‘s major draws. That and Hiramoto’s impressive skills as an artist. The manga’s content will certainly not be to everyone’s taste, but it’s hard to deny Hiramoto’s talent.

SuperMutant Magic AcademySuperMutant Magic Academy by Jillian Tamaki. Originally a webcomic, the best of SuperMutant Magic Academy has now been collected into a single volume along with newly-created content. I hadn’t actually read any of the comic while it was being released online, but I was obviously missing out—SuperMutant Magic Academy is great stuff. The comic takes place in a high school where students study magic and learn to control their superpowers (sort of an odd mix between Harry Potter and X-Men that bizarrely works), all while dealing with the more normal sorts of teenage angst and anxiety. Except for the series’ lengthy finale, created specifically for the collected volume, most of SuperMutant Magic Academy consists of single-page, and in some cases single-panel, gag comics.There’s no real overarching plot, but there are recurring characters and running jokes. Some of the social commentary can be fairly biting, but SuperMutant Magic Academy is very funny, frequently absurd, and wholly enjoyable.

Bookshelf Overload: January 2016

Another month has passed and my manga collection continues to grow and evolve. The nice thing about December and January is that I usually end up with at least a few gift cards (and gifts), so I can splurge a bit even though I’m actively reducing the number of manga and books I’m buying at the moment. There are a few things that I definitely didn’t want to miss out on though, such as  Requiem of the Rose King, Volume 3 by Aya Kanno (review to come soon!) and Orange, Omnibus 1 by Ichigo Takano, which at the moment is a strong candidate for becoming one of my favorite series of the year. Also released in January, though I’m not sure when I’ll be able to actually get around to reading it, was Casey Brienza’s Manga in America: Transnational Book Publishing and the Domestication of Japanese Comics, one of the very few works about the North American manga industry. I also managed to snag an early copy of Tokyo Decadence, a “best of” collection of short stories by Ryu Murakami due to be released in March. (I recently posted my review of the volume which, though engaging, definitely won’t be to everyone’s taste.) Also arriving in January, though technically I believe it was released in December, was one of Chromatic Press’ most recent paperbacks, KaiJu’s delightful Mahou Josei Chimaka . (Unsurprisingly, I reviewed that one, too!)

Manga!
Aldnoah.Zero: Season One, Volume 1 by Olympus Knights
Brave Dan by Osamu Tezuka
Clockwork Apple by Osamu Tezuka
Even So, I Will Love You Tenderly by Kou Yoneda
A Girl on the Shore by Inio Asano
Kamisama Kiss, Volumes 2-4 by Julietta Suzuki
Kaze Hikaru, Volumes 8-11 by Taeko Watanabe
My Love Story!!, Volume 7 written by Kazune Kawahara, illustrated by Aruko
Natsume’s Book of Friends, Volumes 4-8 by Yuki Midorikawa
Of the Red, the Light, and the Ayakashi, Volume 1 written by HaccaWorks*, illustrated by Nanao
Orange, Omnibus 1 by Ichigo Takano
Requiem of the Rose King, Volume 3 by Aya Kanno
The Tyrant Falls In Love, Volume 9 by Hinako Takanaga

Comics!
Bug Boys, Volume 1: Welcome to Bug Village by Laura Knetzger
Mahou Josei Chimaka by KaiJu
Shades After by T. A. Kimpton
The Tipping Point edited by Various

Novels!
A Little Life by Hanya Yanagihara

Anthologies!
Biogenesis by Tatsuaki Ishiguro
Tokyo Decadence: 15 Stories by Ryu Murakami

Nonfiction!
Manga in America by Casey Brienza
Sake Confidential by John Gauntner

Anime!
Ouran High School Host Club directed by Takuya Igarashi