Orange Junk, Volume 1

Orange Junk, Volume 1Creator: Heldrad
Publisher: Chromatic Press
ISBN: 9781987988031
Released: July 2015

Orange Junk, created by Mexican artist (and architecture student) Heldrad, is an ongoing comic series strongly influenced by shoujo manga. The series had its beginnings back in 2010 and eventually became one of the most well-loved comics hosted online at Inkblazers (previously known as Manga Magazine). Sadly, Inkblazers closed in early 2015. Happily, Orange Junk was quickly picked up by the publisher Chromatic Press to be featured in its online multimedia magazine Sparkler Monthly. And now, less than a year later, the first volume of Orange Junk has been collected and released both digitally and in print. While I was vaguely aware of Orange Junk before its debut in Sparkler Monthly, I didn’t have any extensive knowledge about its plot or characters. (Really, I recognized it more by name than anything else.) However, the release of the collection of the first four chapters and additional bonus content provided the perfect opportunity to be introduced to the unabashed shoujo delight that is Orange Junk.

Louise Barton is the oldest child of a family that at one point was very wealthy. She lived in comfort, had plenty of time and opportunity to pursue her hobbies, and was generally happy and content with her lot in life. But then her father’s company went bankrupt and her family is now struggling to pay back the debt and make ends meet. Louise, her younger brother, and both of their parents are still adjusting to their new circumstances. One of the greatest challenges for Louise is that she must attend a public school for the first time. Starting over as a transfer student, she has no friends and an unfortunate lack of academic aptitude. Not to mention that she’s also already managed to get on the bad side of Bruce Daniels, a classmate notorious for his temper and getting into fights. But not everything is bad in the eleventh grade. Andrew Grey, another transfer student and one of the cutest guys in the school, is in her class, too. And when the three of them get thrown together, things take an unexpected turn or two.

Orange Junk, Volume 1, page 34Out of all of the stories that have so far appeared in Sparkler Monthly, Orange Junk is the one that is probably the most stereotypically “shoujo,” except that in most cases Heldrad has deliberately taken frequently found tropes and stereotypes and given them a bit of twist. This is especially apparent in the characterizations of the series’ lead trio. Bruce is athletic and constantly getting into fights, but he’s also the smartest student in class. Drew may have the looks that make many of the girls swoon, but he’s also a complete airhead (with occasional moments of wisdom) and an otaku to boot. Almost everyone assumes that Louise has great connections and great grades, but her social life is lacking and she’s absolutely terrible at math. Even the underlying drama of the comic—Louise’s family losing their wealth and status—seems to be less commonly seen than a downtrodden heroine suddenly coming into a fortune of some sort. Orange Junk isn’t necessarily a shoujo manga parody, but it does approach being one at times. Either way though, the comic is very funny.

In the author’s notes, Heldrad explains why the series is named Orange Junk. “Orange” because it conveys a sense of energy and “junk” because the comic is akin to junk food. It’s a title that actually fits the series quite well. Orange Junk is fantastically energetic and the chemistry between its characters is great. Louise and Bruce’s interactions are particularly entertaining to watch. They both have strong personalities that frequently clash with each other—Louise is one of the few people who can actually stand up to Bruce—but they begin to establish an awkward sort of friendship over the course of the comic that is absolutely adorable. Ultimately, Orange Junk is a romantic comedy that’s not to be taken too seriously. Although many of the relationships evolve naturally, the comic has its fair share of silliness and melodrama, and there are plenty of developments that inspire incredulity. But that’s really all part of Orange Junk‘s charm. If the first volume is any indication, the rest of the series should be a tremendous amount of fun.

Giveaway: Sparkler Monthly Giveaway

The end of July quickly approaches, as does the end of the Sparkler Monthly: Year 3 Kickstarter. The campaign hasn’t quite reached its goal yet, but I desperately want it to succeed. With that in mind, hoping to draw more attention to the project, this month’s giveaway will be a little different than usual. I happen to have an extra copy of Tokyo Demons, Book 2 to give away, but that’s not all I’m offering. The winner of the contest will also be able to choose one item (physical/print or digital) from the Sparkler Online Shop! (Yes, a Year+ gift subscription to the magazine, which also includes a free ebook, is a completely valid option.) As always, the giveaway is open worldwide!

Tokyo Demons, Book 2: Add a Little Chaos

It’s no secret that I’m a huge fan of Sparkler Monthly and Chromatic Press. I’m fairly obsessed with Tokyo Demons and I adore Off*Beat, and so when those two series became the flagship titles for the newly established publisher in 2013, I knew it was time to pay attention. It was the right decision. I honestly haven’t been disappointed by a single thing that I’ve read (or listened to) that has been released in Sparkler Monthly. (Just take a look at the Chromatic Press tag for my in-depth reviews and features of a small selection of the content.) Sparkler Monthly is a multimedia magazine that includes prose, comics, and audio, and I devour it all. I love the range of formats and genres, the diverse stories and characters; the variety found in Sparkler Monthly is one of its greatest strengths, and more is constantly being added.

The work the creators and staff are doing through Sparkler Monthly is phenomenal. It would be tragic if they can’t garner the support to continue. So please, if you haven’t already, give the fantastic stories of Sparkler Monthly a try. Almost everything is available online for free, so there’s no excuse! And if you like what you see and/or hear, please consider donating to the Kickstarter campaign, too.

So, you may be wondering, how can you win a copy of Tokyo Demons, Book 2 AND one other Sparkler goody of your choice?

1) In the comments below, name one of your favorite Sparkler Monthly stories and write a little about why you like it. (Never experienced Sparkler? Now’s the time to check it out!)
2) If you’re on Twitter, you can earn a bonus entry by tweeting, or retweeting, about the contest. Make sure to include a link to this post and @PhoenixTerran (that’s me).

That’s all there is to it! Each person can earn up to two entries for this giveaway and has one week to submit comments. Entries can also be sent to me via email at phoenixterran(at)gmail(dot)com if you have trouble with the comment form or if you would prefer. I will then post the comments here in your name. The giveaway winner will be randomly selected and announced on August 5, 2015. Good luck and happy reading!

VERY IMPORTANT: Include some way that I can contact you. This can be an e-mail address in the comment form, a link to your website, Twitter username, or whatever. If I can’t figure out how to get a hold of you and you win, I’ll just draw another name.

Contest winner announced–Giveaway: Sparkler Monthly Giveaway Winner

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My Week in Manga: July 20-July 26, 2015

My News and Reviews

I posted one in-depth manga review last week, Sengoku Basara: Samurai Legends, Omnibus 2 by Yak Haibara. It’s the final omnibus in the series, collecting the third and fourth volume of Haibara’s Sengoku Basara 2 manga adaptation. I get a huge kick out of Sengoku Basara. It’s incredibly over-the-top but actually does manage to incorporate some legitimate history. Samurai Legends stands fairly well on its own, too, so no previous knowledge of the franchise is necessary. The other post last week (other than the usual My Week in Manga feature, of course) was something a little different: I was tagged in a game of manga tag, so I had an excuse to talk a bit about my collection. It was fun, so I hope others found it interesting.

Otakon was last week and there were some pretty great licenses announced. Viz Media picked up Inio Asano’s Goodnight Pun Pun as well as Takeshi Obata’s artbook Blanc et Noir and Keiko Ishihara’s The Heiress and the Chauffeur. Vertical will be releasing Riichi Ueshiba’s Mysterious Girlfriend X, Ryo Hanada’s Devil’s Line, and Kaori Ozaki’s The Gods Lie. (Ozaki is also the creator of Immortal Rain, which I love, so I’m especially excited for this one.) Kodansha Comics has plans to publish Yui Sakum’s Complex Age, Nao Emoto’s Forget Me Not, and most notably Leiji Matsumoto’s classic manga Queen Emeraldas! Also of note, Sekai Project, which primarily releases visual novels, has a new manga publishing initiative, starting with Satoru Sao, Takumi Yanai, and Daisuke Izuka’s GATE.

Elswhere online, Viz posted an interview with Canadian comics creator Faith Erin Hicks talking about many things, including her love of manga. (Also, her comics are great and well-worth checking out.) Organization Anti-Social Geniuses interviewed Kurt Hassler from Yen Press’ at Anime Expo. (All those manga recently licensed for digital release? There is a possibility we’ll be seeing them in print!) Graham Kolbeins of MASSIVE posted an impassioned but thoughtful explanation of how online piracy negatively impacts creators of gay manga. Deb Aoki has posted the audio and transcript of the gay manga panel from TCAF earlier this year. (It’s was a great panel that I only touched upon briefly in my TCAF roundup, so I’m glad it’s now available for anyone to read/listen to!) Finally, I’d like to draw everyone’s attention to an excellent post by Christopher Butcher about “othering” in the comics industry: Shifts and Living History

Quick Takes

Incredible KintaroThe Incredible Kintaro by Naomi Guren. In Japanese folktales, Kintaro is a young boy with incredible strength who, among other things, runs around in the mountains with his trusty axe wearing nothing but a bib and wrestling bears. Those legends partly inspire The Inncredible Kinato, except that the youth is now a virile bishōnen. He does still spend a lot of time with very little clothing on and his junk hanging out, though. Currently, Kintaro is working as a janitor in order to protect his childhood love and friend Makoto. After his grandfather dies, Makoto is serving as the acting principal at the private high school where he is also a student, becoming a target of all the other men who would like to take control of the institute. And since the school’s motto is “Heart, Lust, Body,” that means it’s his virginity that’s at stake. The Incredible Kintaro is an intentionally ludicrous boys’ love manga. Makoto finds himself in all sorts of dubious situations, the teachers coming up with some rather creative scenarios to win his body if not his heart. The characters are shallow, so The Incredible Kintaro must rely on its bizarre premise and sense of humor to carry the story. Readers will need a high tolerance for the absurd to really enjoy the volume.

Johnny Wander, Volume 1Johnny Wander, Volume 1-3 written by Ananth Panagariya and illustrated by Yuko Ota. I was first introduced to the online comic Johnny Wander through several of the strips devoted to the cats in the character’s lives. They were hilarious and I was hooked. Johnny Wander isn’t always about cats, though. Actually, it really isn’t about anything. Johnny Wander is a sequence of short, one-page, autobiographically-inspired comics. Although there are recurring characters, scenarios, and even the occasional running joke, most of the individual comics stand completely on their own merits. They’re brief glimpses into somewhat nerdy, after-college, daily life and they’re very funny. The cast consists of family, friends, and roommates (and cats). The setting is made up of the various cities and apartments (some of which are kind of sketchy even if they’re fondly remembered) in which they’ve lived. It’s incredibly ordinary and wonderful at the same time. Johnny Wander is entertaining, delightful, and charming, made up of the types of stories and jokes that people who know each other well will reminisce about, and tell and retell over the years. I really do love this series, and it just recently began updating again!

Noragami: Stray God, Volume 5Noragami: Stray God, Volume 5 by Adachitoka. Although it hasn’t completely disappeared, at times I miss the quirky humor that was fairly prevalent in the early volumes of Noragami. But I must say, the drama in recent installments has been increasingly intense and engaging. The fifth volume in particular is an especially excellent addition to the series, and it ends on one heck of a cliffhanger. Although not everything has yet been revealed, the fifth volume delves into the unfortunate history between Yato and Bishamonten, which turns out to be much more complicated than many realize. Importantly, with Bishamonten finding it difficult to control her numerous shinki, it seems as though the two of them are now facing a very similar situation. It didn’t end well the first time, which ignited their current feud and Bishamonten’s desire for vengeance, and it looks like they are now on the brink of another tragedy. Kugaha is manipulating the entire situation, successfully igniting a confrontation between Yato and Bishamonten in the hopes that she will die in the process. The intrigue in Noragami has reached new heights and the battles between gods has become even more perilous; I need to know what happens next.

Random Musings: Manga Tag

Earlier this month, Megan of The Manga Test Drive (which is one of my favorite manga review blogs and worth checking out if you haven’t already) gave a tour of her manga shelves and answered some questions about her collection as part of a game of manga tag. And wouldn’t you know it, I was tagged at the end! I thought it would be fun to participate, and it gives me a chance to talk a bit about my own manga collection, so here goes!

Adolf, Volume 1: A Tale of the Twentieth Century1. What was your first manga?
The first manga that I ever read was Osamu Tezuka’s Adolf as published by Viz way back in the day. I came across it while helping a friend locate materials for his thesis about the Jewish population in Japan during World War II. I’m fairly certain that the first manga I purchased for myself was Blade of the Immortal by Hiroaki Samura at the recommendation of my fantastic local comic book shop.

Basara, Volume 12. What is your most expensive manga?
Considering the amount of manga that I accumulate, I try very hard to keep my habit as inexpensive as possible. But sometimes it just can’t be helped and exceptions must be made. I discovered and fell in love with Basara after most of the series went out of print and ended up spending more than I really wanted to find a complete set. But I did get a couple of Basara artbooks out of the deal, too, which was cool.

Gunslinger Girl, Omnibus 13. What was your least expensive manga?
Relatively recently, my good friend Traci (who did a guest video review for me a couple of years ago) gifted me with her collection of Yu Aida’s Gunslinger Girl. She was moving out of the state and had to be very selective with the books she could take with her. As a result, I inherited a bunch of comics, most of which I still need to actually read. (I dread my next move; my collection is huge.)

Project X: Cup Noodle4. What is the most boring manga you own?
This was probably the question that I found the most difficult to answer. I’m going to guess that Project X: Cup Noodle by Tadashi Katoh might be the most boring manga that I own, but it doesn’t seem entirely fair to say that since I haven’t actually read it yet. However, I don’t expect that the manga will be terribly exciting, even though it may be interesting and at the very least educational. I could be wrong, though!

Wandering Son, Volume 15. What is your favorite manga series?
I have way too many favorites to narrow it down to one, so instead I’ll just highlight the series that has been the most personally meaningful—Takako Shimura’s Wandering Son. As someone who is all sorts of queer, the manga’s earnest and sensitive exploration of personal identity, including gender identity, made a huge impact on me; it’s not an exaggeration when I call Wandering Son life-changing.

Real, Volume 16. What is the most relatable manga series you own?
This took some thought, but in the end I’m going to go with Takehiko Inoue’s Real. It might seem like an odd choice for me seeing as I’m not really a basketball enthusiast and am currently fortunate enough not to need a wheelchair, but Inoue’s characterization in Real is phenomenal. He has created incredibly complex individuals with whom I can strongly identify with even though they’re unlike me in many ways.

Samurai Champloo: The Complete Series7. What is one manga you own that is based off an anime?
It’s certainly not always the case, but many manga based on anime often leave something to be desired. I’ve still collected a few, though. Samurai Champloo was one of the first anime series I ever watched and it remains a favorite. Sadly, the Samurai Champloo manga by Masaru Gotsubo didn’t overly impress me. But, it has its moments, and I’m enough of a completist that I’ve held onto it.

Fist of the North Star: Master Edition, Volume 18. What is your rarest manga?
I’m not certain it’s necessarily the rarest manga that I own, but let’s just say I hope I never need to purchase the colorized master edition of Buronson and Tetsuo Hara’s Fist of the North Star ever again. The sixth volume alone, even used, would cost several hundred dollars to replace. But I’ve actually got all sorts of interesting, uncommon, and unusual things kicking around.

Parasyte, Volume 19. What is the most reprinted manga you own?
Well, assuming we’re talking about the different releases of a manga rather than the number of printings, that would be Hitoshi Iwaaki’s Parasyte. In English, the manga started out in Tokyopop’s MixxZine before being collected as individual volumes. Tokyopop eventually lost the license and Del Rey Manga picked it up. Kodansha Comics rescued the series after that. (I have the Del Rey version, though.)

Attack on Titan, Volume 110. What is the most popular manga you own?
At the moment, that would probably be Hajime Isayama’s Attack on Titan along with its numerous spinoffs. The immense popularity of Attack on Titan fascinates me, so I like to keep up with the series. (In some ways, I’m almost more interested in the fandom than I am in the franchise itself.) Even though I do find parts of the manga to be extremely frustrating, other parts can be very engaging.

Berserk, Volume 111. What is the most damaged manga you own?
I try to take very good care of my collection and am largely successful, but thanks to my cat Lysander (affectionately and sometimes not-so-affectionately known as Stupid), I have a few volumes of Kentaro Miura’s Berserk that I need to get around to replacing. Lysander used a box of full of manga as a scratching post, so some of them look like they were mauled by a tiger. I’ve still not forgiven him for that.

A Bride's Story, Volume 112. Which manga has the most amazing art?
I’m with Megan on this one. Kaoru Mori’s work in A Bride’s Story is absolutely stunning. It’s incredibly detailed, beautifully drawn, and thoroughly researched. There are a lot of mangaka whose artwork that I love and appreciate, but the illustrations in A Bride’s Story really do amaze me. In addition to the frequently breathtaking artwork, I also enjoy the series’ story, characters, and setting immensely.

The Four Immigrants Manga13. What is the oldest published manga that you own?
I’m pretty sure the oldest manga that I have in translation is The Four Immigrants Manga by Henry (Yoshitaka) Kiyama. The Japanese compilation was published in 1931. I’ve also collected the work by Masaichi Mukaide released in North America the 1970s, some of the earliest manga to be published in English. Granted, depending on the definition of “manga” being used, those may or may not count.

Prison School, Omnibus 114. What is the newest published manga you own?
Let’s see… what came out this week? I actually picked up the first omnibus of Akira Hiramoto’s Prison School. I’m intensely curious about this manga since it’s such an extreme shift in tone from Hiramoto’s earlier series, Me and the Devil Blues. I have a feeling Prison School will be a very divisive series. If for no other reason, it’s something that I want to read myself in order to have an informed opinion.

Cross Game, Omnibus 115. What are some of the most recent manga you have purchased?
Not counting all of the preorders that I’ve recently placed (and there have been many) the most recent manga that I purchased was a complete set of Cross Game by Mitsuru Adachi. I’ve actually been meaning to do this for a while now. (Sorry, Viz, for taking so long!) And as for my most recent out-of-print find, I was very happy to finally get my hands on Akimi Yoshida’s Banana Fish!

So there you have it! A very brief look at a very small selection of my manga collection. (Where is all the shoujo and josei?! The alt manga?! And everything else!?) Like Megan, I’m next going declare a free-for-all. If you’d like to answer some manga tag questions about your collection, either in the comments below or elsewhere, go for it! I’d love to keep talking about manga with you all. I’m also specifically going to tag my fellow bloggers manjiorin at Manga Connection and Lori Henderson at Manga Xanadu in case they’d like to participate, too. It’s been fun; hopefully you’ve found this diversion interesting!

Sengoku Basara: Samurai Legends, Omnibus 2

Sengoku Basara: Samurai Legends, Omnibus 2Creator: Yak Haibara
U.S. publisher: Udon Entertainment
ISBN: 9781926778594
Released: February 2013
Original release: 2008-2009

Yak Haibara’s four-volume manga series Sengoku Basara 2 is an adaptation of the video game known by the same name. The manga was released in English by Udon Entertainment in two omnibus volumes under the title Sengoku Basara: Samurai Legends. The second omnibus, collecting the third and fourth volumes of Haibara’s Sengoku Basara 2 released in Japan in 2008 and 2009 respectively, was published in 2013. The Sengoku Basara franchise had its beginnings in 2005 as a series of video games but it has since spawned multiple manga and anime series among other things. Samurai Legends was actually my introduction to Sengoku Basara as a whole and it stands fairly well as its own work. Prior exposure to Sengoku Basara isn’t really necessary to enjoy or understand Samurai Legends, although it might not hurt to have some basic knowledge of Japan’s Warring States period upon which it is very loosely based.

In the aftermath of the devastating defeat of the armies of both Kai Takeda and Kenshin Uesugi at Kawanaka Island, very little stands between the forces of Hideyoshi Toyotomi and Masamune Date to prevent them from clashing head on. While there are now fewer contenders vying for control over Japan, the battle for supremacy is still fierce. Toyotomi relies on his own power and strength as well as the skills of his master strategist Hanbei Takenaka, destroying anyone and anything in his path and using fear to rule. Date, too, has an excellent strategist in the talented Kojuro Katekura, but his rise to power has been significantly less destructive, at least when compared to that of Toyotomi. Knowing that they must contend with each other, the two warlords have set their sights on Odawara Castle, a fortress that if conquered will grant the victor an immense advantage in claiming Japan as his own.

Sengoku Basara: Samurai Legends, Omnibus 2, page 209While Samurai Legends is inspired by actual historical figures and events from Japan’s sixteenth-century, the manga, like the rest of Sengoku Basara, makes no attempt at realism or authenticity. Quite the opposite in fact—the series is deliberately over-the-top and anachronistic. The dialogue and trash talk is very contemporary in its style, giving the characters tremendous attitudes with a modern bent. (“Dude, seriously? You wanna dance with me!?”) Additionally, Date’s army is basically portrayed as a bōsōzoku gang, complete with pompadours, although his forces do ride horses instead of motorcycles. And when it comes to actually battling things out, a frequent occurrence in Samurai Legends, the amount of damaged caused and incurred by the overpowered fighters is impressive to say the least, though hardly believable. But that’s part of what makes Sengoku Basara so great. It’s ridiculous and outrageous.

The first omnibus of Samurai Legend moved fairly quickly from one battle to the next. The second omnibus also as plenty of action, but the pacing doesn’t seem quite as frantic. Haibara takes more time to delve into the personal motivations of the primary players in the series’ conflict, revealing what drives them to conquer and unify Japan. While in the end the characters still aren’t particularly subtle or nuanced, this does provide them with more depth. I appreciate it when there is more complex meaning behind a fight than a simple lust for power; the second omnibus clarifies the underlying purpose of the war, making the battles even more thrilling. Samurai Legends is a bombastic series, and a least one major continuity error does slip in amid all of the excitement. However, I’m actually willing to forgive this simply because the manga is so incredibly entertaining otherwise. In the immortal words of Keij Maeda, “As long as you’re having fun, it’s all good.”