28 August 2017 1 Comment

My Week in Manga: August 21-August 27, 2017

My News and Reviews

I was away last week traveling for work as well as for yet another family wedding (this year has been full of them), but I still managed to post a review before it was all said and done. It’s several month’s later than I really intended it to be since the manga was actually released back in May, but I’ve finally reviewed the first omnibus of My Brother’s Husband by Gengoroh Tagame. The manga was easily one of my most anticipated releases for 2017. I’ve actually been collecting the series in Japanese (even though my reading comprehension of the language isn’t quite where it needs to be yet), but I am incredibly happy that it’s being translated into English. I’m not sure when the second and final omnibus is scheduled to be released, but there’s not question that I’ll be picking it up once it’s available.

Quick Takes

Assassin's Creed: Awakening, Volume 1Assassin’s Creed: Awakening, Volume 1 written by Takashi Yano and illustrated by Kenji Oiwa. There have been numerous Assassin’s Creed comic adaptations published by Titan Comics, so including Yano and Oiwa’s Awakening  as part of its catalog seems an obvious choice to make even though the publisher doesn’t typically release many manga. Admittedly, I’ve not played very much of any of the Assassin’s Creed video games (although what I have played I’ve largely liked) and I’m not especially familiar with Assassin’s Creed IV: Black Flag, the installment upon which Awakening is loosely based. What primarily drew me to the series was the involvement of Oiwa, one of the creators behind the manga adaptations of Otsuichi’s Goth and Welcome to the N.H.K., both of which I greatly enjoyed. Awakening alternates between two stories taking place in different time periods which turn out to be deeply connected to each other although the depth of that connection isn’t immediately clear. The first, and the one I prefer, is set in the early eighteenth century and follows Edward Kenway, a pirate captain who gets caught up in the conflict between the Templars and Assassins. Centuries later, that conflict is still ongoing, impacting the life of Masato Yagyu and his family in unexpected ways.

The Backstagers, Volume 1: Rebels without ApplauseThe Backstagers, Volume 1: Rebels without Applause written by James Tynion IV, illustrated by Rian Sygh, and colors by Walter Baiamonte. I believe The Backstagers first came to my attention when it was featured on a list of ongoing comics series which included trans characters. And indeed, one of the characters in The Backstagers–and an important main character at that–is a transguy, something that is almost unheard of in mainstream comics. (Also of note, the series’ co-creator and illustrator is also trans, which I hadn’t initially realized.) That was enough to make me interested in the series, and the first volume was more than enough to make me a fan. The Backstagers is set at an all-boys high school and largely follows the stage crew of the drama club. Jory, a recent transfer student, who at first he thought he wanted to be an actor ultimately finds himself swept up in the magic of what happens behind the scenes. Quite literally, actually. The Backstagers is a tremendous amount of high-energy fun with brightly colored artwork and sparkles, blushing, and flowers galore. The comic is also delightfully queer and diverse, breaking down gender stereotypes by presenting a wide variety of masculinities. I absolutely loved the first volume of The Backstagers and definitely look forward to more.

Nirvana, Volume 1Nirvana, Volume 1 by Jin and Sayuki. Due to her selflessness and devotion to volunteer efforts, Yachiyo Hitotose has become known as the Modern-Day Florence Nightingale. While on a trip to help those in need overseas, Yachiyo’s flight crashes and she suddenly finds herself reincarnated in another world known as Gulgraf. Believed to be the new embodiment of the divine goddess Sakuya, the bringer of light, Yachiyo has naturally taken upon herself to rescue and protect the residents of Gulgaf from the powers of darkness. As well-meaning as she is, Yachiyo will still need plenty of help if she wants to make a difference, especially as there are those who already want her dead. And so she sets off on an adventure, traveling across the world in search of allies as she learns to control the new powers she has been granted. Nirvana does seem to at least in part be be inspired by Buddhist and Hindu mythologies and mysticism–which honestly is what compelled me to give the series a try–but at this point they seem to be used mostly as a veneer and to provide the series’ most basic narrative structure and worldbuilding. I wasn’t as captivated as I was hoping to be with Nirvana, but I was still entertained by the first volume which takes a much more comedic approach than I was expecting.

Filed Under: Features, My Week in Manga Tagged: , , , , , , , , , , ,
27 August 2017 5 Comments

My Brother’s Husband, Omnibus 1

My Brother's Husband, Omnibus 1Creator: Gengoroh Tagame
Translator: Anne Ishii
U.S. publisher: Pantheon Books
ISBN: 9781101871515
Released: May 2017
Original release: 2015-2016
Awards: Japan Media Arts Award

Gengoroh Tagame is an extremely influential manga creator known worldwide for his work in sadomasochistic, homoerotic fantasies. More recently, however, he has garnered a significant amount of attention for his series My Brother’s Husband, a four-volume manga aimed at general audience which directly addresses homophobia and other forms of discrimination in Japanese culture–one of the first works of its kind created for a prominent, mainstream magazine. My Brother’s Husband began serialization in Monthly Action in 2014 and would go on to win a Japan Media Arts Excellence Award in 2015. The series is one of the very few manga which I have made the point of collecting in the original Japanese, but I was absolutely thrilled when it was licensed for an English-language release. Translated by Anne Ishii, who has been instrumental in bringing Tagame’s work as a whole to English-reading audiences, the first omnibus in Pantheon Books’ hardcover edition of My Brother’s Husband was published in 2017 and is equivalent to the first two Japanese volumes released in 2015 and 2016.

Yaichi is a single father in Japan raising his young daughter Kana. Following the unexpected death of his estranged twin brother Ryoji, his brother’s Canadian husband Mike Flanagan arrives to meet the family and pay his respects. Yaichi’s life is suddenly upended–out of touch with Ryoji for years, he had never entirely come to terms with the fact that his younger brother was gay, but with Mike around it becomes something impossible for him to ignore. As for Kana, she is absolutely delighted to discover an uncle who she never knew existed and manages to convince her father to allow Mike to stay in their home while he’s in the area. As the days pass, the three of them become closer despite the occasional awkward clash of cultures; Mike’s kindhearted, gentle nature combined with Kana’s infectious exuberance and curiosity force Yaichi to reflect on his own learned attitudes and preconceived notions regarding homosexuality as well as confront the gulf that formed between him and Ryoji because of them. Through Mike, Yaichi is finally able reconnect with and learn more about his brother and who he was.

My Brother's Husband, Omnibus 1, page 110Tagame’s message of kindness, love, and acceptance in My Brother’s Husband is not at all subtle. At times it may come across as obvious or even like preaching to the choir for some readers, but the manga is really intended more for those who, like Yaichi, have casually conformed with and promulgated a culture of discrimination and misinformed stereotypes within society without putting much thought into it than it is for those who have personally experienced the negative effects of that discrimination. Even so, My Brother’s Husband still has plenty to offer that will appeal to a wide audience. The series is in turns heartwarming and heartbreaking, an honest and earnest exploration of family and the complex and often complicated relationships that exist between people. It’s a beautiful and moving story supported by strong, expressive artwork. Unsurprisingly, considering his artistic background, Tagame particularly excels in the realistic portrayal of adult masculine forms, but Kana’s cute character design can be quite effective as well. The backgrounds in the manga are fairly simple, the focus of Tageme’s illustrations is definitely on the characters, their facial expressions and body language adeptly conveying their thoughts and feelings, helping to establish the emotional core of the manga.

I unequivocally love the three lead characters and the development of their relationships in My Brother’s Husband. One of ways this is frequently accomplished in the manga which I particularly appreciate is through the sharing of meals and food, a natural and important way that people form connections in real life which serves to further cement those that exist in My Brother’s Husband. In addition to providing the series’ primary point of perspective, Yaichi is also probably the most well-rounded character. He has his flaws, but he is also a devoted and caring father who is willing to challenge his own internalized prejudices, initially for the sake of his daughter but ultimately for himself and the others, like Mike, he has come to care about as well. Seeing Yaichi slowly grow as a person and become more accepting over the course of the first omnibus of My Brother’s Husband has been wonderful. Mike, while overall coming across as a less nuanced character, is still a very positive and sympathetic portrayal of a gay man, his incredible patience and understanding adding to what makes him so immensely endearing. And of course there’s Kana, too, who can so easily love others despite their differences, her youth and innocence allowing her an amount of freedom and flexibility that’s not as easily accessible to adults who have already become set in their ways. I am very much looking forward to the continuation and conclusion of the story of these three in the second omnibus of My Brother’s Husband.

Filed Under: Reviews Tagged: , , ,
21 August 2017 4 Comments

My Week in Manga: August 14-August 20, 2017

My News and Reviews

It’s been a while since there have been two features posted at Experiments in Manga within the same week in addition to the usual My Week in Manga, but that’s exactly what happened last week. First there was July’s Bookshelf Overload which, minus the replacement copies for some of my recently water-damaged books, provides a list of the manga and other media that I picked up last month. (Normally I post the Bookshelf Overload feature in the second week of the month, but I switched things up a little in order to post my review of Kazuki Sakuraba’s A Small Charred Face sooner rather than later.) Last week was also Experiments in Manga’s seven-year anniversary! I wrote a little about the past year and, with some amount of sadness, also announced my upcoming (semi)-retirement from manga blogging. I’ll continue to post here at Experiments in Manga for the rest of 2017, but once 2018 arrives most of my short ramblings on manga will be found over at Manga Bookshelf (and probably at my Twitter account, too).

Quick Takes

H. P. Lovecraft’s The Hound and Other StoriesH. P. Lovecraft’s The Hound and Other Stories by Gou Tanabe. While I am very aware of Lovecraft’s work and influence (the Cthulhu Mythos in particular was tremendously popular among a certain segment of my friends for quite some time), I’ve actually only ever read a single collection of his short horror stories. I largely enjoy their bizarre creepiness, and so I immediately took note when I learned that Dark Horse would be releasing a volume of some of Tanabe’s manga adaptations of Lovecraft stories. Plus, I was simply happy to see more mature horror manga being licensed. The Hound and Other Stories collects the adaptations of three of Lovecraft’s stories from the early 1920s: “The Temple,” “The Hound” (the only one of which I had read the original), and “The Nameless City.” Of the three, “The Temple” was the most successful for me, Tanbe’s deliberately disconcerting artwork perfectly conveying the narrative’s dark and increasingly claustrophobic sense of dread. The Hound and Other Stories is actually the first volume in a series. Nothing official has been announced regarding the translation of future volumes, but Dark Horse has indicated that the possibility is there. I know I’d certainly be interested in reading more of Tanabe’s work, Lovecraftian or otherwise.

Hana & Hina After School, Volume 2Hana & Hina After School, Volume 2 by Milk Morinaga. I’m not as interested in schoolgirl yuri manga as I am in those that feature adult women–which seem to be very few and far between in translation–but I will still happily read them. Which is probably a good thing seeing as most of the yuri manga that has been published in English tend to be set in either middle or high school. (To be fair, that can be said of numerous other genres as well.) Hana & Hina After School definitely falls into that category, and I certainly have been enjoying the manga. While it’s clear that Hina and Hana care for each other a great deal, the romance in the series is actually a little slow to develop, though it does feel more natural that way. Hina recognizes that she has a crush on Hana, and has known for some time, but Hana tends to be a little more oblivious. Hana & Hina After School concludes with the next volume; I would be incredibly surprised if the ending isn’t a happy one, but both Hina and Hana will need to fully come to terms with their feelings before that happens. In general, Hana & Hina After School is a cute and sweet series, but I do appreciate that Morinaga also incorporates some of the real-world concerns faced by people in non-heterosexual relationships.

Samurai Crusader: The Kumomaru Chronicles, Volume 1Samurai Crusader: The Kumomaru Chronicles, Volumes 1-3 written by Oji Hiroi and illustrated by Ryoichi Ikegami. At this point I’ve read most of the manga available in English with which Ikegami has been involved, Samurai Crusader being one of the few exceptions up until now. Hiroi is probably best known as the creator of Sakura Wars, which I’m not particularly familiar with. (I believe Samurai Crusader is the only other manga of Hiroi’s to have been released in English.) Samurai Crusader is currently out-of-print and can be a little tricky to find, but the series can usually be found for a fairly reasonable price. (Note that the individual volumes aren’t numbered and after the first are given unique subtitles instead; Samurai Crusader is followed by Way of the Dragon and Sunrise Over Shanghai.) Taking place in the 1930s with the Second World War looming on the horizon, Samurai Crusader is an tale of action and adventure spanning the globe and featuring Ernest Hemingway as the a sidekick to the series’ protagonist Kumomaru, a noble young man who finds himself fighting against those intent on world domination. Samurai Crusader is admittedly outrageous and over-the-top, but that’s also a large part of why the series is so highly entertaining.

Filed Under: Features, My Week in Manga Tagged: , , , , , ,
18 August 2017 8 Comments

Random Musings: Seven Years of Experiments in Manga

As of today, I have been writing at Experiments in Manga for SEVEN YEARS. And of those, four have been spent as a contributing member to Manga Bookshelf and its cohort of blogs. I have spent much of this past year trying to find a balance between my writing and reviewing and the multitude of other responsibilities requiring my focus and attention. I had to cut back significantly on my posting, more than I really would have liked, but was still largely happy with what I was able to achieve both with Experiments in Manga and in other areas of my life. Among other things, over the past twelve months I’ve been granted the rank of shodan in traditional Okinawan karate, was hired for a new job at a different library, and started teaching introductory taiko classes. It’s all been rather tumultuous. But perhaps most importantly, at least for the sake of this post, I am now able to celebrate the seventh anniversary of Experiments in Manga!

Unlike past years, there weren’t really any big projects or special features at Experiments in Manga this time around. In fact, much to my dismay, I actually even stopped writing in-depth reviews for a few months. However, I re-found some of my inspiration to write after reading and reviewing the eighth omnibus of Makoto Yukimura’s Vinland Saga after which I finally started to post long-form features a little more regularly again. Other reviews from the past year that were personally memorable or meaningful to me in some way include those for the marvelous children’s book Are You an Echo?: The Lost Poetry of Misuzu Kaneko, Yeon-sik Hong’s autobiographical manhwa Uncomfortably Happily, and most recently Kazuki Sakuraba’s soon to be released novel A Small Charred Face. I also continued two annual features that I especially enjoy, my random musings on notable releases for the year and my Toronto Comic Arts Festival adventures.

I started writing at Experiments in Manga seven years ago as a way to more actively engage with the online manga community. To some extent, I was successful with that. Not all of my experiences have necessarily been positive ones, but Experiments in Manga has given me the opportunity to meet and interact with a wide variety of people that otherwise I never would have. I especially cherish the friendships that have been fostered because of it. While I primarily write for myself, I also love sharing my excitement for manga and such with people; it makes me incredibly happy to know that at least from time to time others have found Experiments in Manga interesting, entertaining, or useful.

And so, while I am celebrating seven years of Experiments in Manga, it is with some amount of sadness that I am also announcing my semi-retirement from manga blogging. I will continue to regularly write at Experiments in Manga through the end of 2017, but once 2018 arrives I will no longer be actively posting here. However, I’ll still be a contributor at Manga Bookshelf, chiming in on the Manga the Week of and Pick of the Week features, and starting in January my quick takes on manga will be included as part of the Bookshelf Briefs. I’ll likely be a little more active on my Twitter account, too, using it as an additional outlet for my thoughts on a variety of topics. This all was an extremely difficult and even heart-wrenching decision for me to make, but while I remain conflicted, I do feel that it was ultimately the right choice. There are a number of different reasons behind it, but perhaps the most obvious is that the demands on my time only seem to increase with every year that goes by. And at this particular point in my life, I find I most want to return to my roots in music and to be able to devote more of my attention to studying, performing, and teaching taiko.

To conclude, I would like to thank everyone who has supported me and Experiments in Manga over these last seven years–my readers, colleagues, contributors, friends, family, publishers, industry contacts, the creators I’ve met, and anyone else who has taken the time to care, participate, comment, provide feedback, or share. Experiments in Manga truly couldn’t have lasted this long without your encouragement; I am incredibly grateful and appreciative of you all. Writing here has been an illuminating experience and I’ve learned a lot along the way. I’m also going to miss it tremendously. Experiments in Manga and I have had our ups and downs, but I am honestly proud of some of the things that I have been able to accomplish both with and through it. Going forward I won’t be writing as much, but I will certainly be reading even more and hope to continue finding ways to share my love of manga, Japanese literature, and all of the other wonderful things that mean so much to me.

Filed Under: Random Musings, Unshelved Tagged:
16 August 2017 1 Comment

Bookshelf Overload: July 2017

I ended up picking up a few more things than I had initially planned to in July (including more anime series than usual). Partly to blame was the huge month-long anniversary sale at RightStuf. Granted, some of the items that I ordered during the sale didn’t arrive until August, so they won’t be found in the list below. Also not represented (although perhaps they should be) are the books that I bought as replacements for some of the materials that I already owned but lost to water damage from a radiator leak last month. But as for the manga to arrive in July that do appear on the list below that I was especially happy to see, there was Kentaro Miura’s Berserk, Volume 38 (the previous volume was published in 2013), Shigeru Mizuki’s Kitaro and the Great Tanuki War (technically released in June), and Izumi Tsubaki’s Monthly Girls’ Nozaki-kun, Volume 8 (which continues to be a delight). I also finally got around to picking up Tetsu Kariya and Akira Hanasaki’s Oishinbo, A la Carte: Izakaya: Pub Food, the final volume of the series to be published in English. July had a fair number of interesting debuts in store for me, too, including Gou Tanabe’s H.P. Lovecraft’s The Hound and Other Stories (a nice addition to the horror manga available in translation), Yuki Fumino’s I Hear the Sunspot (a truly lovely manga), and Haruko Ichikawa’s Land of the Lustrous, Volume 1 (which, if nothing else, has stunning artwork).

Manga!
The Ancient Magus’ Bride, Volume 7 by Kore Yamazaki
Berserk, Volume 38 by Kentaro Miura
Blame!, Omnibus 2 by Tsutomu Nihei
Bungo Stray Dogs, Volume 3 by Kafka Asagiri
Don’t Be Cruel: Plus+, Volume 1 by Yonezou Nekota
Food Wars!: Shokugeki no Soma, Volume 18 written by Yuto Tsukuda, illustrated by Shun Saeki
Fruits Basket, Omnibus 2 by Natsuki Takaya
Hana & Hina After School, Volume 2 by Milk Morinaga
H.P. Lovecraft’s The Hound and Other Stories by Gou Tanabe
I Hear the Sunspot by Yuki Fumino
Kitaro and the Great Tanuki War by Shigeru Mizuki
Land of the Lustrous, Volume 1 by Haruko Ichikawa
The Legend of Zelda: Legendary Edition, Omnibuses 3-5 by Akira Himekawa
Love Com, Volumes 5-13 by Aya Nakahara
Million Tears, Volume 1 by Yuana Kazumi
Monthly Girls’ Nozaki-kun, Volume 8 by Izumi Tsubaki
Oishinbo, A la Carte: Izakaya: Pub Food written by Tetsu Kariya, illustrated by Akira Hanasaki
Princess Jellyfish, Omnibus 5 by Akiko Higashimura
Samurai Crusader, Volumes 1-3 written by Hiroi Oji, illustrated by Ryoichi Ikegami
Twinkle Stars, Omnibus 3 by Natsuki Takaya
Your Name, Volume 1 written by Makoto Shinkai, illustrated by Ranmaru Kotone

Comics!
The Backstagers, Volume 1 written by James Tynion IV, illustrated by Rian Sygh
Blood Brothers: Hermanos de Sangre written by Fabian Rangel Jr., illustrated by Javier Martin Caba
Electric Ant, Issue 1: Your First Kiss edited by Ryan Sands
For When You Can’t Sleep at Night by Skye Ali
Husband & Husband, Volume 1 by Aaron Ferrara
Living Space by Elise Schuenke
Loved & Lost written by Tyler Chin-Tanner
Ravina the Witch? by Junko Mizuno
Rutabaga the Adventure Chef, Book 2: Feasts of Fury by Eric Colossal
Stages of Rot by Linnea Sterte

Novels!
Gosick, Volumes 1-2 by Kazuki Sakuraba
Legend of the Galactic Heroes, Volume 4: Strategem by Yoshiki Tanaka
Your Name by Makoto Shinkai

Anime!
Captain Harlock Space Pirate: The Complete Series directed by Rintaro
Death Parade: The Complete Series directed by Yuzuru Tachikawa
Gangsta: The Complete Series directed by Shukō Murase
Gosick: The Complete Series, Part 1 directed by Hitoshi Nanba
The Story of Saiunkoku: Season 1, Parts 1-3 directed by Jun Shishido
Space Dandy, Seasons 1-2  directed by Shinichirō Watanabe
Yona of the Dawn, Parts 1-2 directed by Kazuhiro Yoneda

Filed Under: Bookshelf Overload, Unshelved
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