The Girl Who Leapt Through Time

The Girl Who Leapt Through TimeAuthor: Yasutaka Tsutsui
Translator: David Karashima
U.K. publisher: Alma Books
ISBN: 9781846881343
Released: May 2011
Original release: 1967

One of my favorite animated films is Mamoru Hosoda’s 2006 The Girl Who Leapt Through Time which was inspired by Yasutaka Tsutsui’s short novel The Girl Who Leapt Through Time, originally released in Japan in 1967. Tsutsui is an award-winning and extremely well-known author of Japanese science fiction, though Western audiences are probably more familiar with the various anime and live-action adaptations of his works. The Girl Who Leapt Through Time is one of Tsutsui’s most beloved and popular stories. It has been the basis for several television series, films, and manga in addition to Hosoda’s anime. The novel, translated by David Karashima, was released in English by UK-based publisher Alma Books in 2011. The English edition of The Girl Who Leapt Through Time is based on the 2009 republication of the volume which collects Tsutsui’s story The Stuff That Nightmares Are Made Of as well as The Girl Who Leapt Through Time.

The Girl Who Leapt Through Time was originally serialized between 1965 and 1966 before being collected in 1967. The titular girl, Kazuko, discovers that she has gained the ability to slip through time and space after fainting in her high school’s science lab. Although the power has its advantages, it’s not one that she wants. She wishes that her life would go back to normal and that her two closest friends and classmates, Goro and Kazuo, would be able to treat her in the same way that they always have. Initially Goro is skeptical of Kazuko’s newfound ability, at least until she is able to offer him proof. The more laid back Kazuo on the other hand takes the whole situation in stride; at first he doesn’t seem to be bothered by it at all. The Girl Who Leapt Through Time is a charming story, but I will admit that I largely prefer the anime’s version of the tale. Many of the scenes are similar between the two, but the novel is much simpler and more direct. Even so, I can understand why Tsutsui’s original has inspired so many other creators—it’s imaginative science fiction with just the right touch of romance.

Whereas The Girl Who Leapt Through Time is science fiction, The Stuff That Nightmares Are Made Of leans more towards realistic psychological horror. The story follows Masako, a young woman who has started to avoid visiting her friend Bunichi’s household, though she can’t quite recall the reason why she has been staying away. After helping to dispel some of the fears of her younger brother—showing that his wild imaginings are rooted in real world happenings—she decides to face and investigate the causes of her own. Initially Bunichi teases Masako, but realizing that she really is frightened he agrees to accompany her on her mission, getting quite a scare in the process. Considering the short length of The Stuff That Nightmares Are Made Of, Tsutsui is able to incorporate an impressive number of story twists. Masako is an appealing lead—smart and clever, though perhaps a little reckless and with room to grow and mature. Her willingness to confront her fears and to improve herself is admirable, but it can also cause some problems for her and the people around her, too.

Although The Girl Who Leapt Through Time and The Stuff That Nightmares Are Made Of are two, unrelated stories, they do share some similarities. The protagonists are both intelligent, likeable young women, for one. Tsutsui’s style has a subtle, understated humor to it and the writing is simple and straightforward, making both stories approachable for younger readers. Each of the tales has a bit of romance in addition to a quickly paced plot. (The entire volume can fairly easily be read in one or two sittings.) But what I found to be the most striking commonality and difference between The Girl Who Leapt Through Time and The Stuff That Nightmares Are Made Of was Tsutsui’s use of and approach to the themes of memory and truth. Both are important elements in the two stories, but are handled oppositely: The Girl Who Leapt Through Time carries a sense of nostalgia over the loss of memory, the truth ultimately being hidden while in The Stuff That Nightmares Are Made Of it is only after a particular memory is regained that the truth is completely revealed.

My Week in Manga: June 30-July 6, 2014

My News and Reviews

The first week of the month tends to be a little slow at Experiments in Manga (at least it feels slow to me). Granted, there were still three posts last week. The Juné Manga Giveaway Winner was announced, which also includes a list of some favorite Juné manga. June’s Bookshelf Overload was posted. (My wallet thanks me that June was a little less ridiculous than the last few month have been.) And finally, the first in-depth manga review of July goes to Battle Royale: Angels’ Border. Written by the author of the original Battle Royale novel, the volume collects two side stories about the girls who try to survive the death match by banding together at a lighthouse. Angels’ Border is surprisingly romantic, but if you know anything about Battle Royale, you know that things don’t end very well for almost anyone involved.

There were plenty of things that I found to read online last week. Here’s a quick list of a few of the posts that I thought were particularly interesting: Ryan Holmberg takes a look at Hayashi Seiichi’s pop music manga, specifically focusing on “Flowering Harbour” (which is now available in English!) Moyoco Anno was interviewed by Publishers Weekly. The Beautiful World has created a Transgender Manga Masterpost. J. R. Brown has a fascinating article about what can be gleaned by paying attention to the details of ukiyo-e prints. And Justin has a rant about the state of manga in translation that is worth reading. Also, Anime Expo was last week and there were a ton of announcements. Sean has a good roundup of the licenses at A Case Suitable for Treatment.

Quick Takes

Cowboy Bebop: Shooting Star, Volume 1Cowboy Bebop: Shooting Star by Cain Kuga. Of the two Cowboy Bebop manga, Shooting Star was actually the first to be released in Japan although it was the second series to be published in English. Technically, it also preceded the Cowboy Bebop anime series, which I hadn’t previously realized. However, it’s still based on the anime. Kuga was given free rein with the characters and story, which makes Shooting Star not exactly a retelling but more like an alternate version or universe. The manga isn’t as dark as the anime (though there’s humor to be found there as well), and the story is somewhat different, but the basic premise of near-future bounty hunters in space remains. Frankly, though vaguely entertaining in places, Shooting Star just isn’t as good as the anime, the action can be difficult to follow, and the slapstick is a little too silly for my taste. Shooting Star will most likely be of interest to established fans of the Cowboy Bebop anime as a curiosity more than anything else. Even though Shooting Star mostly stands on its own, people who haven’t seen the anime probably won’t get much out of it.

I Shall Never Return, Volume 1I Shall Never Return, Volumes 1-5 by Kazuna Uchida. Although the first volume of I Shall Never Return is a little shaky at the start (and parts of Ken’s stepfather’s backstory seem to be unnecessary and superfluous), overall I was actually rather impressed with this short boys’ love series. Ken comes from a broken home and is a high school dropout. His best friend Ritsuro was the only stable thing in his life but now they’re having problems, too. I Shall Never Return is filled with drama and deals with some very mature themes, such as abuse, drug use, prostitution, and rape. Terrible things happen and I was constantly waiting for something even worse. But there are also some wonderful moments of support, love, and acceptance. One of the things that I found particularly interesting about I Shall Never Return is that while it’s definitely a romance, the two leads actually spend much of the series apart from each other. Ritsuro remains in Japan while Ken travels to Singapore and then to India, trying to find a new start and become a better person. They have to deal with a long-distance relationship at the same time they’re coming to terms with their feelings for each another. It’s a believable and difficult process.

Knights of Sidonia, Volume 8Knights of Sidonia, Volumes 8-9 by Tsutomu Nihei. Maybe it’s because the manga’s such a bizarrely quirky series—a strange mix of science fiction, horror, and romantic comedy—but I can’t help but love Knights of Sidonia a little more with each passing volume. Nagate, Tsumugi, and Izana make a marvelous and frequently awkward family unit. And even considering that Tsumugi is a monstrous human-Gauna hybrid, she manages to be endearingly charming, sweet, and adorable. Nagate continues to be socially inept, though certainly less so, and Izana has fallen more in love with him, which has triggered physical changes. The three of them together are simply delightful, forming a not quite love triangle. In direct contrast to the humor and cheerfulness surrounding the trio, humanity’s fight for survival against the Gauna remains terrifyingly intense and death tolls continue to rise. Sometimes the battles can be a little difficult to follow, but they’re always exhilarating. There are some definite sexual overtones to Knights of Sidonia in these two volumes, which are especially apparent in the artwork, but this appropriately adds to the series’ more disconcerting atmosphere.

This One SummerThis One Summer written by Mariko Tamaki and illustrated by Jillian Tamaki. The Tamakis are a pair of cousins who previously worked together on the award-winning graphic novel Skim. This One Summer is their second collaboration. The story follows Rose over the course of her family’s summer vacation at Awago Beach where they have always rented a cottage. Rose’s mother has become more distant over the last year and can’t seem to relax, creating a significant amount of tension. There are reasons for that, though, and Rose is more perceptive than her parents might realize. But because communication has broken down between them all, it may be a while before everything will be okay again. Meanwhile, Rose spends time with her friend Windy, enjoying the beach and bingeing on horror films that they probably shouldn’t be watching at their age. In the background another drama is unfolding among the local teenagers when one of the young women discovers that she might be pregnant. It’s heartbreaking to see how insidious sexism can be. In addition to the strong and effectively layered storytelling in This One Summer, the artwork is beautiful as well.

YowamushiPedalYowamushi Pedal, Episodes 15-26 directed by Osamu Nabeshima. This set of episodes finishes up the Sohoku racing club’s grueling training camp and then launches almost directly into the Inter-High race, following the competition up through the first section of the first day and ending with one heck of a dramatic plot development. Yowamushi Pedal manages to be incredibly exciting, mostly due the intensity and passion of the characters and because it includes just a touch of the ridiculous. More characters and teams are introduced, and more backstories and rivalries are revealed in this part of the series, too. The animation is sadly a bit inconsistent, sometimes impressively good while at other times lacking in finesse. Although I enjoy cycling, I’ve never really followed road racing closely. I was surprised to learn just how much teamwork can go into it; I’d always assumed it was more of an individual event. I’ve also enjoyed learning more about some of the strategies involved in racing. (And I’ll admit, now that the weather is finally decent where I live I really want to get my bike out again and hit the road! Who says watching anime can’t be good for you?)

Battle Royale: Angels’ Border

Battle Royale: Angels' BorderAuthor: Koushun Takami and N-Cake
Illustrator: Mioko Ohnishi and Youhei Oguma

U.S. publisher: Viz Media
ISBN: 9781421571683
Released: June 2014
Original release: 2012

In 1999 Koushun Takami’s controversial cult classic Battle Royale was released upon the world, the novel soon after spawning a fifteen-volume manga adaptation illustrated by Masayuki Taguchi and inspiring two live-action films. I became a fan of the original novel after reading the 2009 English translation, and so was very interested to learn that Takami (with the assistance of N-Cake) had returned to Battle Royale with the manga Angels’ Border. Released in Japan in 2012, the collected volume includes two related episodes about the young women whose efforts to survive a brutal government sponsored death match by grouping together end in tragedy. The first story is illustrated by Mioko Ohnishi while the second is illustrated by Youhei Oguma. I was happy that Viz Media licensed Battle Royale: Angels’ Border, releasing the manga under its Signature imprint in 2014. Angels’ Border makes a nice addition to Viz’s other recent Battle Royale releases: The Battle Royale Slam Book, and a new English translation of Takumi’s original novel.

Every year a class of ninth grade students from the Republic of Greater East Asia is selected to participate in the Program. The students are given a small survival pack, a random weapon, and forced into a situation where they must either kill or be killed. In the end, only one person will survive. This year’s Program pits the forty-two students of Shiroiwa Junior High’s ninth grade, Class B against each other. Under the leadership of Yukie Utsumi, six of the girls band together, taking shelter in the lighthouse on the island serving as the Program’s arena. There they hope to avoid and wait out most of the violence. The group includes her best friend Haruka Tanizawa, who has recently come to the realization that she is in love with Yukie, though she hasn’t been able to confess those feelings. Another girl at the lighthouse, Chisato Matsui, has her own secret—she shares a special connection with Shinji Mimura, a star basketball player with smarts, good looks, and dangerous anti-government tendencies. But because she has joined up with the other young women for safety, it is unlikely that she will ever see him again.

People who have read the original Battle Royale, or who have experienced its adaptations, know very well how the incident at the lighthouse plays out; those who haven’t can probably very easily guess. Most (but not all) of the violence occurs off-page in Angels’ Border, but the characters still have to deal with its aftermath. The atmosphere at the lighthouse is strained but relatively quiet; the tension, fear, and despair is present even as the young women are resigning themselves to their fates. They witness the deaths of their fellow students and try to come up with excuses for the classmates who have resorted to killing one another, partly because they are in denial about what is happening and partly because the entire situation is incomprehensible to them. For a time they are safe, but every decision that they make for their own survival has an impact on the survival of everyone else forced to participate in the Program. The alliance formed by the six young women and their trust in one another are extraordinarily fragile things. None of them want to kill, but none of them want to die either, even though they know it will be impossible for all of them so survive. The result is a highly stressful and volatile scenario.

Generally, Angels’ Border can be read on its own, but it will probably appeal most to those who are at least familiar with Battle Royale. I hadn’t anticipated it when I began reading Angels’ Border, but both of the manga’s episodes are actually love stories. Granted, because they occur within the context of Battle Royale, they are both dramatic romantic tragedies. The first story is told by Haruka as she deals with what she sees as the futility of her feelings for Yukie as well as with the futility of the situation in which they find themselves. She reflects briefly on their past friendship, but generally the episode’s focus is on their unfortunate present and bleak future. The second story is seen from Chisato’s perspective. Much of it is devoted to a single encounter between her and Shinji six months before the start of the Program. Both episodes are more about the characters’ interpersonal relationships than they are about death and violence, although those are certainly a constant concern and bring those relationships into sharper focus. Both stories also talk about “forever,” which is heart-wrenching; “forever” for these young people will be a tragically short period of time.

Bookshelf Overload: June 2014

Compared to the ridiculousness of the last few months, the number of my June acquisitions is actually quite reasonable. For the most part I stuck to preorders, though there were a few splurges, too. As for out-of-print finds, I picked up the first five volumes of Naoki Yamamoto’s Dance Till Tomorrow (for some reason my library had the last part of the series but not the first part) and Venus Wars, Volume 1 by Yoshikazu Yasuhiko. (More of the series was actually released in English as floppies but never collected; if I like the first volume, I might try to track them down.) There were two preordered manga that I was particularly excited to get my hands on in June—Ayano Yamane’s Crimson Spell, Volume 4 and Showa: A History of Japan, 1939-1944 by Shigeru Mizuki—but my favorite thing from last month was probably Kazune Kawahara and Aruko’s My Love Story!!, Volume 1. In-depth reviews of books from June’s haul that you can expect to see soon will include my thoughts on Dan Mazur and Alexander Danner’s Comics: A Global History, 1968 to the Present, which is pretty great, as well as the Angels’ Border manga, which collects two side stories to Koushun Takami’s cult classic novel Battle Royale written by the author himself. I don’t buy anime as much as I used to, mostly relying on streaming services, but I definitely needed to own Flowers of Evil. Technically, it wasn’t released until July, but my copy arrived early. The first box set of Dear Brother (which I helped to crowdfund) is now available, too!

Manga!
Battle Royale: Angels’ Border written by Koushun Takami, illustrated by Mioko Ohnishi and Youhei Oguma
A Centaur’s Life, Volume 3 by Kei Murayama
Crimson Spell, Volume 4 by Ayano Yamane
Dance Till Tomorrow, Volumes 1-5 by Naoki Yamamoto
Dengeki Daisy, Volume 14 by Kyousuke Motomi
From the New World, Volume 4 written by Yusuke Kishi, illustrated by Toru Oikawa
Gakuen Polizi, Volume 1 by Milk Morinaga
Genshiken: Second Season, Volume 4 by Shimoku Kio
Honey Darling by Norikazu Akira
Knights of Sidonia, Volume 9 by Tsutomu Nihei
Missions of Love, Volume 7 by Ema Toyama
Mobile Suit Gundam: The Origin, Volume 6: To War by Yoshikazu Yasuhiko
My Love Story!!, Volume 1 written by Kazune Kawahara and illustrated by Aruko
New Lone Wolf and Cub, Volume 1 written by Kazuo Koike, illustrated by Hideki Mori
The Seven Deadly Sins, Volume 1 by Nakaba Suzuki
Showa: A History of Japan, 1939-1944 by Shigeru Mizuki
Venus Wars, Volume 1 by Yoshikazu Yasuhiko

Comics!
Arena, Chapter 2 by Himitsu Studio
Escapo by Paul Pope
Fearful Hunter by Jon Macy
Forming by Jesse Moynihan

Nonfiction!
Comics: A Global History, 1968 to the Present by Dan Mazur and Alexander Danner

Anime!
Dear Brother, Box 1 directed by Osamu Dezaki
Flowers of Evil directed by Hiroshi Nagahama

Film!
Bushido Man: Seven Deadly Battles directed by Takanori Tsujimoto
K-20: The Fiend with Twenty Faces directed by Shimako Satō

Manga Giveaway: Juné Manga Giveaway Winner

FlutterAnd the winner of the Juné Manga Giveaway is…Muteee!

As the winner, Muteee will be receiving a copy of Flutter by Momoko Tenzen as published by Juné, one of Digital Manga’s boys’ love and yaoi imprints. Because it was June and the wordplay amused me, I decided to hold a Juné giveaway, asking those who were participating to tell me a little about their favorite Juné manga (if they had one). After ten years of publishing and over four hundred volumes of manga and novels, there are quite a few Juné titles to choose from. Because I enjoy making lists, I’ve gathered everyone’s responses (and added a few additional favorites of my own) below. Check out the giveaway comments if you want all the details, though!

Some favorite Juné manga:
Café Latte Rhapsody by Toko Kawai
Caramel by Puku Okuyama
Cut by Toko Kawai
Deadlock written by Saki Aida, illustrated by Yuu Takashina
Dear Myself by Eiki Eiki
Don’t Say Anymore, Darling by Fumi Yoshinaga
Hero Heel by Makoto Tateno
Gorgeous Carat Galaxy by You Higuri
I Give to You by Maki Ebishi
In the Walnut by Toko Kawai
Invisible Boy by Hotaru Odagiri
Kiss Blue by Keiko Kinoshita
Little Butterfly by Hinako Takanaga
Loveholic by Toko Kawai
Ludwig II by You Higuri
Maiden Rose by Fusanosuke Inariya
Men of Tattoos by Yuiji Aniya
The Moon and the Sandals by Fumi Yoshinaga
Mr. Mini Mart by Junko
Necratoholic by Maguro Wasabi
No Touching at All by Kou Yoneda
Only Serious about You by Kai Asou
Only the Ring Finger Knows written by Satoru Kannagi and illustrated by Hotaru Odagiri
Our Everlasting by Toko Kawai
Rin! written by Satoru Kannagi and illustrated by Yukine Honami
Same Cell Organism by Sumomo Yumeka
Seven Days written by Venio Tachibana and illustrated by Rihito Takarai
Solfege by Fumi Yoshinaga
Thirsty for Love written by Satosumi Takaguchi and illustrated by Yukine Honami
Time Lag written by Shinobu Gotoh, illustrated by Hotaru Odagiri
The Tyrant Falls in Love by Hinako Takanaga
Yellow by Makoto Tateno

Thank you to everyone who shared their favorites with me. There are a few manga on the above list that I actually haven’t yet read that I’ll need to track down now. Hope to see you all again for the next giveaway!