My News and Reviews
Today is the last day of the Horror Manga Moveable Feast and it’s been a great one! My quick takes from last week featured vampire themed manga while this week I’m featuring a variety of other horror influenced manga (plus Sugar Sugar Rune which isn’t horror, but reminds me of Hallowe’en). Last week I also posted a review of Otsuichi and Kendi Oiwa’s Goth manga adaptation. And after some encouragement from the Feast’s host Lori Henderson, I made a last minute contribution—Random Musings: Nightmare Inspector. (Which is one of the reasons this week’s new and reviews section is rather brief.)
Also! October’s manga giveaway for Moyoco Anno’s Sugar Sugar Rune, Volume 1 is up and going. The winner will be announced on Wednesday, so there’s still time to enter for a chance to win the first volume of a great fantasy series—Manga Giveaway: Happy Hallowe’en! (Sugar Sugar Rune Giveaway)
Quick Takes
Berserk, Volume 35 by Kentaro Miura. Guts and his companions are still on the high seas when the wind of change passes over the world. He is also still recovering from his last battle, but his skills are needed when the ship must face a hoard of demons from the sea. Occasionally Miura’s monster designs can feel somewhat repetitive, but that doesn’t mean they’re any less frightening. The art in Berserk is detailed and the battles are chaotic. Guts’ ordeal continues as he fights to protect those he’s come to consider friends. But the very power that he must use might also be the power that destroys them all. Berserk remains one of my favorite manga series; now begins the long wait for the next volume.
Dragon Head, Volumes 1-10 by Mochizuki Minetaro. I enjoy post-apocalyptic fiction and Dragon Head is one of the best examples of the genre that I’ve come across in manga. The series explores the fear and the darkness, both literal and figurative, that cataclysmic events bring about. Dragon Head is fiction, and so some of the human responses to the tragedy feels overly dramatized, but the story is still very engrossing. I did find the inclusion of the scar heads somewhat odd, but they do provide another interesting perspective on fear. One of the most terrifying things in the world is the unknown, and the characters are never able to determine for certain what has happened. Minetaro’s art works fantastically well for the series, particularly the ravaged landscapes and scenes of destruction.
Grand Guignol Orchestra, Volume 1 by Kaori Yuki. I have a feeling that Grand Guignol Orchestra is a series that I like in theory but am unsatisfied with in reality. I mean, an orchestra that fights zombies with music (among other things)? How great is that? Pretty great in my opinion, but after reading the first volume I haven’t been convinced that Yuki will be able to pull it off. Even the characters haven’t settled in yet. The first volume seems unfocused and rushed at the same time, as if Yuki was trying to shove in too many manic ideas all at once. Still, the ability to take out a zombie with a tuning fork is pretty awesome. And even though it seems to have nothing to do with the actual story, I really like Gwin’s pet hedgehog.
King of Thorn, Volume 1 by Yuji Iwahara. The extremely deadly Medusa virus is running rampant across the world. In an effort to find a cure, a group of people chosen by lottery are put into stasis. But some awake to a world drastically different from the one they left. The facility they are in is in an extreme state of decay and carnivorous dinosaur-like creatures are roaming the grounds. The virus is no longer their immediate concern as they must struggle to simply survive. One of the things I like best about King of Thorn is that the ensemble cast is so diverse in both character design and personality. It is obvious from the way they interact with each other that Iwahara has put some thought into exactly who these people are. I’ll definitely be picking up the rest of the series.
Sugar Sugar Rune, Volumes 1-8 by Moyoco Anno. For a series that was created with elementary school students in mind, Sugar Sugar Rune is incredibly engaging for adult readers as well. It starts out innocently enough, two young witches have come to the human world to compete to become the next queen of the magical world, but the story quickly becomes deeper and more complex. The characters and setting are wonderfully well-rounded. Anno’s art is great even if some of the pages become a bit overwhelming. Marvelous attention is given to details such as clothing. Sometimes plot developments come out of nowhere, but they generally work in the long run. I really loved this series and wouldn’t hesitate to recommend it.
Black Jack, Episodes 18-28 and Black Jack Special: The 4 Miracles of Life directed by Makoto Tezuka. I wouldn’t necessarily classify Black Jack anime as horror, although the potential is certainly there. I, for one, wouldn’t want to have to face the various diseases and conditions that afflict Black Jack’s patients. I find Black Jack to be a fantastic character and prefer the episodes where he plays a greater role in the story. He can be an absolute ass, but underneath he’s really very compassionate. Also, he’s a baddass. The Black Jack anime ran for sixty-one episodes but only the first twenty-nine episodes and the special are available through Crunchyroll. Fortunately, Black Jack is primarily episodic, so at least we’re not left with unresolved plot arcs. Plus, there’s always the original manga!
