My Week in Manga: August 6-August 12, 2012

My News and Reviews

Last week I posted my first in-depth manga review for August, focusing on Takako Shimura’s Wandering Son, Volume 3. I am incredibly grateful that this series is being released in English. The story hits very close to home for me, which can sometimes make it difficult for me to review, but it’s a wonderful series. Now comes the long wait for the next volume, which will probably be released sometime in 2013. I also reviewed Losing Kei,  the debut novel by Suzanne Kamata, an American expatriate living in Japan. I didn’t always like the main character, but even still the novel was very engaging. Kamata’s own experiences living in Japan add to the authenticity of the story.

A few months ago, I reviewed Hirohiko Araki’s full-color manga Rohan at the Louvre, a spin-off story from his series JoJo’s Bizarre Adventure. Only the third part of that series and Rohan at the Louvre have been licensed in English. Over at The Hooded Utilitarian, there is a great introduction to JoJo’s Bizarre Adventure (Araki Hirohiko at the Louvre, Part 1) and Rohan at the Louvre (Araki Hirohiko at the Louvre, Part 2) that are worth checking out. And check out Rohan at the Louvre itself, too, for the artwork if nothing else.

Quick Takes

Kekkaishi, Omnibus 3 (equivalent to Volumes 7-9) by Yellow Tanabe. Kekkaishi has taken a serious turn. Although the comedic elements are still there, and the series still has a great sense of humor, the more lighthearted aspects of the series have been downplayed. Much of this omnibus focuses on Gen and his back story, which I was glad to see. It’s a tragic tale, but explains a lot about him as a person. Yoshimori, Tokine, and Gen make a great trio. The series’ well-developed and well-rounded characters are probably its greatest strength. But, as much as I’ve enjoyed Kekkaishi so far, I’m not quite ready to invest in the individual volumes. I really wish Viz would publish the rest of the series as omnibuses, too.

Polterguys, Volume 1 by Laurianne Uy and Nathan Go. The influence of reverse harem manga is readily clear, but Polterguys is definitely its own charming comic. Bree is a freshmen in college who can’t seem to get along with any of her roommates. She thinks renting a room in an old house will be the perfect solution, only to find out later that the house is already inhabited by a group of ghosts. Polterguys features a great cast of characters; each one of them has a distinct personality. I wasn’t surprised by any of the story’s twists, but I enjoyed them immensely nonetheless. The development of the characters’ relationships does feel a little rushed here or there, but for the most part this volume is an excellent start to the series. I can’t wait to read the second volume.

Twin Spica, Volumes 11-12 by Kou Yaginuma. If you didn’t enjoy the first few volumes of Twin Spica, there are no drastic changes in the manga that would make you reconsider. If, like me, you have been enjoying Twin Spica, the last two volumes are a satisfying ending to a great series. The manga’s tone has been the same from the very beginning—slightly melancholic but with a sense of hope as the characters pursue their dreams against the odds. The students training to become astronauts through Tokyo Space School’s newly established program have all been put to the test. Repeatedly pushed to their limits and beyond, they have become an inspiration to those around them.

The Tyrant Falls in Love, Volumes 3-4 by Hinako Takanaga. Isogai was one of my favorite characters in Challengers and so I was delighted to see him return in The Tyrant Falls in Love. And yes, he causes just as much trouble this time around as he did in the original series. The Tyrant Falls in Love is sort of a strange manga, each volume tends to vary wildly in tone from the next. The second volume was rather serious while the third volume (with a little help of Isogai) was substantially more comedic. The fourth volume returns to being serious in some ways but in other ways the narrative is completely ridiculous and unbelievable. But I am glad to see that Morinaga is slightly less of an ass and that Souichi is slowly coming to terms with their relationship.

The Book of Bantorra, Episodes 14-27 directed by Toshiya Shinohara. I am completely torn over The Book of Bantorra. I absolutely love the basic premise of the series. Unfortunately, most of the time I had no idea what the hell was going on. And frankly, the complete lack of consistent character design annoys me. But as much as the series frustrates me, The Book of Bantorra has some absolutely brilliant worldbuilding. I also appreciate the fact that the series is willing to kill off important characters when the story calls for it. Even when I just didn’t get the anime, I was consistently engaged and curious to learn more. And the ending is fantastic. I’ll probably give The Book of Bantorra another try at some point.

My Week in Manga: April 23-April 29, 2012

My News and Reviews

Last week was the Viz Signature Manga Moveable Feast, hosted by Kate Dacey at The Manga Critic. In addition to last week’s quick takes, I took a closer look at Q Hayashida’s Dorohedoro, Volume 1 for the Feast. If you don’t mind graphic violence (which I don’t), the series is well worth checking out. It’s a little weird and has great art and memorable characters. The giveaway for April has also been posted. This time around I’m giving away the first volume of I’ll Give It My All…Tomorrow by Shunju Aono (which happens to be a Viz Signature title). As usual, the giveaway is open worldwide. And there’s still a couple of days left to submit your entries! If you’re not sure about the series, The Manga Critic has a few reasons why I’ll Give It My All…Tomorrow is the one of the best manga you’re not reading.

On to some cool things online! The second Aniblog Tourney is well underway. The voting for the first round finished up recently. Experiments in Manga has been matched up with Shameful Otaku Secret! for the second round of voting which will begin on May 1st. (Hello to all of you tourney folk who may be visiting Experiments in Manga for the first time, and welcome back to all of you who have wandered by this way before.) Only three manga-centric blogs (Heart of Manga, Kuriousity, and Shades of Grey) made it through the first round of voting. However, some manga blogs, including Experiments in Manga, were seeded into the second round and haven’t been voted on yet. I’m interested in seeing how Experiments in Manga, which isn’t particularly well known and hasn’t been around for long, will fare.

Elsewhere online, Vertical mentioned on Twitter that they expect to have at least five new licenses to announce this summer. I always enjoy Vertical’s manga and novel releases, so I’m really looking forward to seeing what they have in store. Manga creator Moto Hagio was recently awarded the Purple Ribbon Medal of Honor. Deb Aoki has a great article about the medal at About.com: Manga. I also came across an interview with Hagio from 2005 conducted by manga translator and shoujo aficionado Matt Thorn.

Quick Takes

20th Century Boys, Volumes 7-9 by Naoki Urasawa. I’ll admit it—Naoki Urasawa is one of the of the reasons I developed an obsession with manga. 20th Century Boys the most recent of Urasawa’s works to be released in English and I’m loving it. Granted, it can be a bit frustrating that every time the Friend is about to be revealed Urasawa cuts away, but otherwise he does a fantastic job of generating suspense. In fact, he can create some incredibly intense and exciting scenes. Urasawa also handles a large cast well; I like how he brings in new characters to interact with the players that have already been established. He’s dealing with a couple of different timelines, but they’re slowly coming together nicely.

A Bride’s Story, Volumes 2-3 by Kaoru Mori. If I had to describe A Bride’s Story in one word, it would be “gorgeous.” Mori’s artwork is marvelous to behold. The amount of detail she devotes to each panel is astounding but never overwhelming. The story, too, is lovely. Reading the manga I’m torn between lingering over the artwork and turning the pages to find out what happens next. The first volume was fairly quiet, but the second volume has significantly more conflict as Amir’s family comes to reclaim her, by force if necessary. In the third volume the story actually begins to follow Mr. Smith, the linguist staying with the Eihon family. I liked Smith as a secondary character but I wasn’t sure how well I would like him as a lead. It didn’t take long for Mori to convince me.

Fist of the North Star: Master Edition, Volumes 1-3 written by Buronson and illustrated by Tetsuo Hara. Fist of the North Star is set in a post-apocalyptic world in which people are struggling to survive, fighting over the most meager of resources. Enter Kenshiro, a dark hero who wanders the land protecting the innocent. Even though Kenshiro’s martial art of Hokuto Shinken may seem to be nearly invincible, he still takes quite a beating from time to time as he faces more and more powerful foes. But he’s calm and collected and enough of a badass that he tends to come out on top in the end. I really enjoyed Fist of the North Star; I’ll definitely be tracking down the couple of volumes that I have missing from the series.

The Book of Bantorra, Episodes 1-13 directed by Toshiya Shinohara. It only took two words for me to pick up The Book of Bantorra: Armed Librarians. As a librarian myself, I can’t help but love kickass and fantastic portrayals of my profession. Unfortunately, beyond the basic premise of the series which I really liked, I found The Book of Bantorra to be rather disappointing. For one, the narrative is a mess. Perhaps it makes more sense to someone who’s had the opportunity to read the novels upon which the anime is based. Plot developments seem to come out of nowhere and often aren’t explained adequately. Neither are the characters’ motivations. Still, as much as The Book of Bantorra frustrates me, I will be following the series through to the end.

Jiro Dreams of Sushi directed by David Gelb. At the age of 85, Jiro Ono is considered to be one of the greatest sushi masters in the world. His skill and passion for his work is readily apparent in Gelb’s debut documentary, Jiro Dreams of Sushi. The film shows the absolute care and thoughtfulness that goes into every detail of making sushi: the cooking of the rice, the selection of the fish, the presentation of the meal, the development and honing of techniques, and more. Making sushi is frequently compared to making music and this is nicely reflected in the film’s soundtrack. Orchestral works and concertos are expertly paired with beautiful imagery of the sushi’s creation. Jiro Dreams of Sushi is a wonderful film.