Black Sun: Enslaved King

Creator: Uki Ogasawara
U.S. publisher: Digital Manga
ISBN: 9781934129272
Released: November 2008
Original run: 2007 (Hertz)

Uki Ogasawara’s Black Sun: Enslaved King was originally published in Japan in 2007. Digital Manga released the English translation in 2008 through their division 801 Media which specializes in explicit yaoi titles. Black Sun is no exception—the sex is uncensored and frequent. Other than having seen Black Sun in 801’s catalog, I am unfamiliar with Ogasawara and her work. Currently, she only has one other title available in English (that I know of), Virtuoso di Amore which is also yaoi and is published by DramaQueen. I was very happy to see Black Sun appear in my review list from Digital Manga so that I could give Ogasawara a try.

In exchange for the lives of those under his command at Gerun Fortress, Monastic Knight and Prince Leonard de Limbourg offers up his own during the surrender. Although unheard of, the enemy general Jamal Jan accepts. But instead of killing Leonard, Jamal rapes him in front of his men and takes him back to the Empire as his personal bed accessory and slave. Isaac, Jamal’s adjutant and former lover, is deeply concerned by the developing situation; the Sultan is a man who does many things out of sheer amusement, but he cannot allow such a blatant display of insubordination from one of his most successful commanders to go unpunished.

Black Sun is not about love, despite what some of the characters may try to tell themselves. Instead, it is very much a story about lust and power—both emotional and physical (and there’s nothing wrong with that). Jamal and Leonard’s relationship is troubling, as well as it should be. Jamal’s intentions and true feelings toward Leonard are difficult to discern, especially towards the beginning—he could just be spoils of war or he could be something more—but the fact is that Leonard is a prisoner and forced into a situation with very few options and none of them good. Even considering the war and despite Jamal being for the most part a good person, he is the only one who can be blamed. His character is brash and lusty and he doesn’t hide it but even he has to deal with the consequences of his actions. Although, because of his military importance and the Sultan’s favoritism, he still manages to get away with more than he should. The camaraderie the begins to develop between Leonard and Jamal seems to come too easily, basically amounting to Stockholm syndrome, but fortunately Leonard is at least confused by this. Personally though, I prefer the pairing of Jamal and Isaac.

Ogasawara’s artwork in Black Sun is definitely its highlight; I can easily forgive some of the problems in plot and characterization for the sake of her very attractive art. Beautiful details are given to uniforms and other clothing as well as to such things as weaponry. Ogasawara’s male physiques are fantastic—it’s really nice to see some men with actual muscles in yaoi—and she shows this off to great advantage by finding more or less legitimate excuses to have Jamal seen shirtless for a large part of the book. Occasionally, Ogasawara’s fight sequences can be difficult to follow, but overall the art is simply marvelous.

Mostly, Black Sun is eye-candy although it does have potential to be more. While the basic plot is solid, some interesting elements are introduced but don’t really go anywhere, like characters’ back stories and hints of deeper political machinations. Unfortunately, since some relationships are not thoroughly explained, the plot feels a bit disjointed and characters’ actions can be confusing. There may or may not eventually be a sequel to Black Sun (I’ve seen conflicting reports) which could help address some of these issues. Although Black Sun certainly sets itself up for a second volume, I almost hope there isn’t one. Not because I didn’t enjoy the book, because I did. I simply like the story as it is—Ogasawara avoids a trite, happy ending and events happen as they should. But saying that, I still wouldn’t mind seeing some more of Ogasawara’s work available in English.

Thank you to Digital Manga for providing a digital copy of Black Sun for review.

Hey, Sensei?

Creator: Yaya Sakuragi
U.S. publisher: Digital Manga
ISBN: 9781569700471
Released: April 2009
Original run: 2007

It is almost entirely the fault of Yaya Sakuragi’s Hey, Sensei? that I am now gladly suffering from an addiction to yaoi. Before Hey, Sensei?, I had never read yaoi. I had a basic understanding of the genre, but for whatever reason I had never tried it. (It actually really surprises me how long it took me to get around to reading any.) So, when I came across a review on Graphic Novel Reporter praising Hey, Sensei?, especially for not falling into some of the traps of the genre, I figured “Hey, why not? I gotta start somewhere.” I tracked down a copy with a little bit of difficulty and when it finally arrived I only allowed myself one chapter a day to make it last. Since then I’ve read plenty more yaoi and continue to do so but Hey, Sensei? remains one of my favorites—not just because it was my first yaoi manga, but because it is really quite good.

Hey, Sensei? actually contains two stories: the main story “Hey, Sensei?” which is four acts and an epilogue, and “Unbreakable Bones,” which is a one-shot. In “Hey, Sensei?”, high school math teacher Isa is taken aback when his ex-girlfriend’s younger brother, now one of his students, makes a pass at him during a review lesson. Isa can hardly take the situation seriously—what could Homura possibly see in a guy ten years older than him? The age difference will cause some difficulties, and they communicate terribly, but the two men have fallen hard for each other. In “Unbreakable Bones” two childhood friends are unexpectedly reunited after fourteen years. After growing apart, Yuji became a juvenile delinquent although he’s turned his life around and is now working in a ramen shop, while Manabu has become the small town’s local policeman. Yuji hates the idealized memories Manabu has of him, only to realize that he’s the one stuck in the past.

I really enjoy Sakuragi’s art style. Her men are distinctive and handsome and are unmistakably male. Her figures are elongated and angular, particularly noticeable in the hands and fingers and in the long, lanky legs when standing. These slightly odd proportions may bother some people, but I quite like the effect and love her character designs. Sakuragi also does a fantastic job with facial expressions, especially with the eyes; the characters don’t always come out and say what they’re feeling but it’s pretty apparent just by looking at them. She is also skilled in showing the same character at different ages and make the changes look natural while still being identifiable. One issue that I did have with the art was that the genitals were blurred out or erased. However, I’m not sure if this is the case in the original Japanese version or if the art has been censored for the United States which does happen. Either way, I found it distracting and feel that it calls more attention to itself that way.

While the stories in Hey, Sensei? may not be particularly original, Sakuragi makes up for it with the depth of her characters and their feelings for one another. Homura is immature, hot-tempered and brash but ultimately very sincere while Isa is inexperienced, sensitive and reserved but very capable of being stern when necessary; Yuji and Manabu’s relationship is also very sweet. The translation has an occasional awkward moment but overall is very good. In addition to Hey, Sensei? becoming a favorite, I have also become a huge fan of Yaya Sakuragi—I’ve also read and loved her Tea for Two series—and will pick up anything that she has worked on. However, Hey, Sensei? will always hold a special place for me. It’s one manga, yaoi or not, that I come back to again and again.