Creator: Hiroaki Samura
U.S. publisher: Dark Horse
ISBN: 9781595826718
Released: January 2011
Original release: 2007
Awards: Eisner Award, Japan Media Arts Award

Scarlet Swords is the twenty-third volume in the English-language release of Hiroaki Samura’s manga series Blade of the Immortal. Published in 2011 by Dark Horse Comics, Scarlet Swords collects the same material as the twenty-second volume in the original Japanese edition of the series, which was released in 2007. Following Footsteps, Scarlet Swords is an early volume in the fifth and final major story arc in Blade of the Immortal. Blade of the Immortal was one of the first manga series that I began reading and collecting and it continues to be one of my personal favorites. The series has been well received both in Japan and abroad. In 1998 Blade of the Immortal earned Samura a Japan Media Arts Award. The series went on to win an Eisner Award in 2000 and has been the recipient of several other honors since then as well.

Time is quickly running out for Habaki Kagimura and the Rokki-dan. Anotsu Kagehisa and the Ittō-ryū have been banished from Edō and must leave the city within days else forfeit their lives. Should the Ittō-ryū make their escape, Kagimura and the Rokki-dan will lose their lives instead. Kagimura has been ordered to commit seppuku in atonement for the debacles surrounding his previous attempts to annihilate the Ittō-ryū and his failed investigation into immortality. The Rokki-dan are a group of death row felons who have been given a chance to redeem themselves if they can wipe out the Ittō-ryū and its leader, but they have been forbidden to leave the city; they must find and destroy the Ittō-ryū before the rogue sword school leaves Edō. One thing is certain: Anotsu and the Ittō-ryū will not make it easy for them.

Scarlet Swords is a volume of journeys and farewells. The Rokki-dan is desperate in its pursuit of the members of the Ittō-ryū, resorting to torture and other dubious means in the search for clues as to the group’s whereabouts. The Ittō-ryū are prepared for discovery and have even planned for it; perhaps in part due to the exceptional leadership of Anotsu, the Ittō-ryū frequently shows extraordinary forethought. And the Rokki-dan isn’t the only group that the Ittō-ryū needs to worry about—Rin and Manji are still in pursuit of revenge and some of the members of the disbanded Mugai-ryū, the predecessors of the Rokki-dan, are ready to support Kagimura. As the Ittō-ryū swordsmen prepare to leave Edō for the port in Hitachi, so do those who would hunt them down. Goodbyes are said and in some cases incredible sacrifices are made. The journey to Hitachi will be an eventful one for all who are involved.

As Anotsu points out to Rin early on in Scarlet Swords, only two active members of the Ittō-ryū remain from when her parents were brutally killed two years ago—Anotsu himself and his current second-in-command Magatsu Taito. Rin’s relationship with Anotsu has several complicating factors and she has even made friends with some of the newer Ittō-ryū members, but she still hasn’t forgiven the deaths of her parents nor does she approve of the Ittō-ryū’s methods. In the beginning of Blade of the Immortal, the Ittō-ryū was clearly set up as villainous, but as the manga progresses the morality is muddled. The sword school may be extreme, but its members maintain their own sense of honor as they fight against society’s injustices. I appreciate the development of the Ittō-ryū in Blade of the Immortal and look forward to seeing how the group continues to change and evolve in the next volume, Massacre.

Creator: Hiroaki Samura
U.S. publisher: Dark Horse
ISBN: 9781595824431
Released: January 2010
Original release: 2007
Awards: Eisner Award, Japan Media Arts Award

Footsteps is the twenty-second volume in the English-language release of Hiroaki Samura’s manga series Blade of the of Immortal. The volume was published by Dark Horse in 2010. Because of the difference in how the various chapters of Blade of the Immortal have been collected for the English-language edition, Footsteps is actually equivalent to the twenty-first volume of the original Japanese release published in 2007. Blade of the Immortal is a long-running series, having first begun serialization in 1993. Over the course of its publication it has won several awards, including a Japan Media Arts Award and an Eisner Award. It also happens to be a series of which I am particularly fond. Footsteps marks the beginning of the fifth and final major story arc in Blade of the Immortal.

After staging a successful prison break, setting free hundreds of captives from the hidden dungeons underneath Edō Castle and rescuing them from the fate of becoming the human test subjects of cruel immortality experiments, Rin has finally been reunited with Manji. The two have been separated for quite some time. Manji, despite his near-immortality, is a little worse for wear from his time spent in the dungeons and is currently missing his left arm. Isaku and Dōa, two members of the Ittō-ryū who were also involved in the raid on Edō Castle, were able to escape as well. However, their involvement has brought the Ittō-ryū back under the intense scrutiny of the shogunate. Nearly wiped out when the bakufu betrayed them, the few remaining Ittō-ryū members have been working in the shadows readying their revenge. They may have been forced out into the open sooner than planned, but the Ittō-ryū is still prepared to face the authorities head on.

Although I did enjoy the previous storyline, I am glad that the series is moving on from the dungeons and experiments and beginning to cover some new ground. Footsteps is an excellent volume in general, but particularly as the opening to the final story arc. The volume establishes where nearly all of the major players in Blade of the Immortal are after the fallout from the prison break. The focus turns from Rin and Manji (although they do have some absolutely wonderful scenes together) to the Ittō-ryū, which was largely though not entirely ignored during the previous arc. Anotsu, the highly capable leader of the Ittō-ryū, is gathering his forces and the Ittō-ryū is gaining new members and strength. For better and worse the Ittō-ryū has left a strong impression on other sword schools. Anotsu faces Habaki Kagimura, who has proven to be a worthy opponent, and the newly formed Rokki-dan—a group of death row felons hand-selected for their battle prowess.

I was actually a little surprised by the introduction of the Rokki-dan in Footsteps. Samura already included one group of death row assassins in Blade of the Immortal—the Mugai-ryū. However, the Mugai-ryū has been disbanded. The Rokki-dan is a similar group with a similar goal—to annihilate the Ittō-ryū. At this point, the only difference between the two is that the elite of the Rokki-dan are implied to be even more badass than the members of the Mugai-ryū. This would certainly be impressive if true. Skill-wise, its top fighters may even be able to hold their own against some of the Ittō-ryū’s. The lower ranking members of the Rokki-dan are nothing more than faceless cannon fodder, though. In many ways the Rokki-dan’s introduction does seem to be more of the same, but there should at least be some fantastic confrontations and battles in the next volume, Scarlet Swords, as a result.

Creator: Hiroaki Samura
U.S. publisher: Dark Horse
ISBN: 9781595823236
Released: July 2009
Original release: 2006
Awards: Eisner Award, Japan Media Arts Award

Demon Lair II is the twenty-first volume in the English-language release of Blade of the Immortal, Hiroaki Samura’s long-running, award-winning manga series. Along with the previous volume, Demon Lair, it forms the conclusion to the series’ fourth and penultimate major story arc. Demon Lair II was published by Dark Horse in 2009. The chapters collected in Demon Lair II are the same as those found in the twentieth volume of the Japanese release of Blade of the Immortal, published in 2006. In addition, Demon Lair II also includes a glossary (useful since many terms in Blade of the Immortal are left untranslated, or simply don’t have an exact equivalent in English) and a translation of a parody article about Samura originally found in the September 2003 issue of Afternoon, the magazine in which Blade of the Immortal was serialized.

Somehow, Rin and Dōa have successfully fought their way into the secret underground dungeons of Edō Castle. There they have found what, or rather who, they have been looking for: Manji and Isaku, who have both been subjected to cruel experiments meant to find a way to transfer Manji’s near-immortality and regenerative abilities to another person. Now the real trick will be getting everyone back out alive and ideally in one piece. As challenging as it was for Rin and Dōa to infiltrate the castle grounds, escaping will be even more problematic. The tunnels underneath the complex are flooding and are ready to collapse; standing between them and their way out are armed guards as well as crazed inmates. The situation above ground, assuming that they can make it that far, is chaos with countless escaped prisoners inside the castle complex and their families outside of its walls on the verge of rioting.

Much like its companion volume Demon Lair, Demon Lair II is largely one long action sequence. There are some important plot revelations and character moments, but for the most part Demon Lair II is made up of one fight after another. What sets Demon Lair II apart form previous volumes, and one of the things that I like the most about the volume, is Samura’s use of water. The flooding of the dungeons is a violent event in and of itself. The water is extraordinarily destructive and its effect upon those unlucky enough to be caught up in it is extremely detrimental. Generally speaking, Samura has always made good use of the environment and surroundings as part of his battles in Blade of the Immortal. Demon Lair II is no different and he has given special consideration to the sorts of problems and opportunities fighting in high, cold water would present.

Many of the recent volumes in Blade of the Immortal have focused on the human costs and failures surrounding the immortality experiments. Demon Lair II reveals that some of the successes that Burando, the doctor in charge of the investigation, has had are just as horrifying—he has literally created monsters. To some extent, that particular development wasn’t foreshadowed as well as it could have been, but it does go to show just how far Burando has strayed from his ideals. The conclusion of Demon Liar II also brings together a few of the stray plot lines and characters in Blade of the Immortal in preparation for the next and final story arc. Samura introduces a surprise or two along the way, too. I am very curious to see how things begin to play out in the next volume, Footsteps.

Creator: Hiroaki Samura
U.S. publisher: Dark Horse
ISBN: 9781595821997
Released: December 2008
Original release: 2005-2006
Awards: Eisner Award, Japan Media Arts Award

Demon Lair is the twentieth volume in the English-language release of Hiroaki Samura’s manga series Blade of the Immortal. Published by Dark Horse Comics in 2008, Demon Lair is most closely equivalent to the nineteenth volume of the Japanese edition of the series published in 2006, although it includes a couple of chapters from the eighteenth volume released in 2005 as well. Demon Lair is also the first volume in which none of the chapters were previously released by Dark Horse in a monthly format. In general, Blade of the Immortal has been well received. In 1998 the series won a Japan Media Arts Award and in 2000 it received an Eisner Award for Best U.S. Edition of International Material. The series also happens to be a personal favorite of mine. Demon Lair marks the beginning of the end of the fourth major story arc in Blade of the Immortal.

Following rumors of an immortality experiment, Rin and Dōa have successfully penetrated the first level of Edo Castle’s defenses. It wasn’t easy—Rin in particular isn’t in the best physical condition after a brutal run in with the guards in the secret tunnels leading to the castle—but the two young women are determined to find Manji and Isaku. Not that they have any hard evidence that the men are being held within the castle complex; their insider information is sketchy at best. Rin and Dōa are so focused on finding and rescuing Manji and Isaku that many of the finer points of their plan have been neglected, which is bound to get them into more trouble along the way. But for two fighters in over their heads, they have done remarkably well to have made it as far as they have.

From beginning to end, Demon Lair is one long, non-stop sequence of battles, fights, and near escapes. The plot might not move forward much, but there is certainly plenty of action to be had. The last few volumes of Blade of the Immortal have really been building up to and setting the stage for Demon Lair. Some of the developments in Demon Lair may not be particularly unexpected, but there are still some nice twists and surprises in store as Manji’s storyline and Rin’s storyline finally collide again. Samura even mangaes to work in a few brief sweet and touching moments amid all the chaos of Demon Lair. Some of the series’ humor also returns; this is welcome even if it does feel a bit out of place—lately Blade of the Immortal has been pretty dark.

One of the things that stands out in Demon Lair is Rin’s reactions to what she and Dōa discover in the dungeons and tunnels of Edo Castle. Up until now, the rumours of the immortality experiments have just been rumors. Readers of Blade of the Immortal are well aware of the horrifying experiments, but Rin and Dōa are facing the results of the atrocities for the very first time. Slowly Rin is able to piece together what has been going on underneath the castle and she is outraged. It’s a very nice character moment. At the series’ start, Rin was concerned about her own personal revenge. More recently, she has been focused on Manji’s plight. But now in some small way she is also fighting for the people of Edo. Of course, if she plans on making any sort of difference, she’ll need to escape from the castle first.