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22 February 2016 2 Comments

My Week in Manga: February 15-February 21, 2016

My News and Reviews

Last week was another one-review week at Experiments in Manga, but I should hopefully be back to the normal swing of things again soon. (Though it does seem as though one review per week is the new normal… ) As for the review itself, I took a look at the first omnibus of Planetes, an excellent series about space exploration and development by Makoto Yukimura. I don’t tend to double-dip when it comes to manga (Planetes was originally released in English by Tokyopop), but Dark Horse has done such a nice job with the new edition that I couldn’t help myself. I really enjoy Planetes and am very glad to see it back in print.

In licensing news, Jay’s manga adaptation of the BBC’s television series Sherlock will be released in English by Titan. Elsewhere online, Kodansha Comics posted an interview with Hiro Mashima and Viz Media’s Shonen Jump posted an interview with Kohei Horikoshi. The OASG hosted an interesting light novel roundtable in which my Manga Bookshelf cohort Sean Gaffney participated. And the Toronto Comic Arts Festival announced its second wave of featured guests, which includes Shintaro Kago and Faith Erin Hicks among other great artists.

Quick Takes

Chiro: The Star Project, Volume 1Chiro: The Star Project, Volume 1 by HyeKyung Baek. I picked up Chiro mainly for two reasons. The first was that the manhwa is one of Netcomics most recent releases. (Technically, it could even be considered a license rescue; Udon Entertainment published a few volumes of the series back in the day, which I also counted in its favor.) The second reason was that at some point Chiro apparently begins to play with gender in interesting ways. Unfortunately, this doesn’t happen in the first volume and there is nothing else that does happen in the first volume that would convince me to read any further. No matter what directions the series might eventually take, I really did not like the beginning of Chiro at all. The lead is incredibly self-conceited and self-absorbed and her actions frequently make no logical sense whatsoever. The plot, too, seems to be lacking any real direction at this point and ends up being a mess of unfortunate cliches and tropes. At times I think Baek is intentionally attempting to be off-the-wall and absurd, but the humor and the series as a whole just isn’t working for me.

Food Wars!: Shokugeki no Soma, Volume 5Food Wars!: Shokugeki no Soma, Volumes 5-8 written by Yuto Tsukuda and illustrated by Shun Saeki. I tend to enjoy food manga, so it doesn’t really surprise me that I find Food Wars! to be entertaining. The fanservice is admittedly and purposefully ridiculous. People frequently lose their clothing not only figuratively but literally as their reactions to tasting exquisite food are nearly orgasmic. And there are plenty of delectable dishes to go around—these particular volumes bring to a conclusion the challenges of the school’s cooking camp and the beginning of the Fall Classic competition. One danger of a tournament-style manga like Food Wars! is the sheer number of characters that are introduced over the course of the series. Fortunately, Tsukuda and Saeki have so far managed to create a cast made up of characters who, while not necessarily being particularly nuanced or deep, are distinctive in their personalities and designs. Perhaps even more important is that they each have their own dramatic and over-the-top style of cooking. It’s especially interesting seeing the different approaches to cuisine pitted against one another.

Horimiya, Volume 1Horimiya, Volume 1 written by Hero, illustrated by Daisuke Hagiwara. Because I knew quite a few people who were very excited when Horimiya was first licensed I wanted to make a point to give the manga a try even though I didn’t really know much about it except for the fact that it was adapted from a webcomic. They were right to be excited—Horimiya is a delightfully sweet and charming series. The basic premise is similar to any number of other manga featuring a high school romance with quirky characters, but both the leads and Hagiwara’s execution of the story are so wonderful that I didn’t at all mind. At school, Hori presents herself as fashionable and upbeat, but she’s a bit frustrated with her family situation which requires her to be something of a homebody. Miyamura is a classmate whose reserved nature and social awkwardness hides the fact that he’s liberally tattooed and pierced. Neither of them are quite like the other expected but they fall into an easy and natural friendship with each other. I’m really looking forward to reading more of Horimiya. It’s cute, funny, and has a ton of heart.

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18 February 2016 1 Comment

Planetes, Omnibus 1

Planetes, Omnibus 1Creator: Makoto Yukimura
U.S. publisher: Dark Horse
ISBN: 9781616559212
Released: December 2015
Original release: 2001-2003
Awards: Seiun Award

Makoto Yukimura’s Planetes, a realistic, near-future science fiction manga series about space exploration and development, was originally released in English by Tokyopop. It’s a great series, and one that I’ve made a point to hold onto over the years. I was very pleased to learn that the manga was going to be brought back into print by Dark Horse—this time in a larger trim size, with more of the color pages, and with artwork that has been better reproduced. Dark Horse’s edition of Planetes consists of two omnibus volumes and it’s production quality makes it well-worth the upgrade. The first omnibus, released in 2015, contains the first and second volumes of the original Japanese edition as well as a small part of the third volume, which were published between 2001 and 2003. In 2002, Planetes earned Yukimura a Seiun Award for best manga. Planetes was also adapted into an anime which happens to be one of my favorite and most frequently rewatched series.

The year is 2074. Humankind has established numerous bases on the moon and has sent multiple expeditions to Mars. The next major goal in space exploration is to successfully man a mission to Jupiter in the hopes of harnessing the planet’s resources to support the ever-increasing energy needs of the solar system’s human populations. However, with the continued development of space comes a significant problem—the creation of vast amounts of waste. Junked and outdated satellites, exhausted fuel cells, and other debris orbit the Earth, endangering the lives of anyone who would attempt to leave the atmosphere. Hachimaki is a debris hauler, one of the unsung heroes who makes space travel possible. Along with the rest of the crew of the Toy Box, a decades-old ship that’s falling apart itself, Hachimaki either retrieves the debris drifting in space or drops it into the atmosphere to burn. It’s important and demanding work, not to mention dangerous, but the thankless job rarely receives any recognition.

Planetes, Omnibus 1, page 93Planetes is a manga about many different things—scientific progress, socioeconomic tensions, geopolitical discourse, and so on—but more importantly it’s a series about many different kinds of people. It’s about the dreamers who are inspired and compelled to reach for the stars, the scientists and engineers who are focused on advancing technology above all else, the medical researchers who are developing treatments and cures for space-caused disorders, and the people for whom leaving Earth is simply a way of making a living. But it’s also about all of the loved ones the spacefarers leave behind, the families and friends who can do little but hope and wait for their safe return. While incorporating into the story all of the basic, mundane, and day-to-day requirements necessary for life in space, Planetes explores the complex human relationships that support and make that life possible.

Planetes spends a fair amount of time delving tin the psyches of its characters. This is most obvious with the manga’s treatment of Hachimaki, who goes through an extreme psychological crisis and transformation after a traumatic accident, but the other characters have their own struggles, too. Their evolving relationships with one another and their changing attitudes towards space are critical components of Planetes, lending an additional sense of realism to the series. Yukimura doesn’t just limit himself to the personal aspects of the characters’ lives in the series, he also addresses wider societal issues and concerns such as inequality, terrorism, and war. It takes a few chapters for Yukimura to fully settle into the tone and art style for the series, but from the very beginning Planetes is an excellent work of science fiction, balancing humor and pathos while maintaining a largely optimistic outlook on the future believably punctuated by some of the harsher realities of life.

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15 February 2016 2 Comments

My Week in Manga: February 8-February 14, 2016

My News and Reviews

Life has gotten to be rather hectic again for me, though hopefully things should settle back down soon. In the meantime, I’ve returned to a reduced posting schedule for a little bit. Last week I only posted one in-depth review, but it was for the most recent installment in one of my favorite series currently being released—Aya Kanno’s Requiem of the Rose King. In this volume a tenuous peace has been established while the story moves away from the battlefield to delve into the dangerous political intrigue of the court.

Elsewhere online, The Organization of Anti-Social Geniuses (which has moved, by the way), posted a short interview with Casey Brienza, the author of the recently released Manga in America (which I hope to review in the not too distant future). The wonderful folks behind MASSIVE have launched a Kickstarter campaign to help fund The Queer Japan Project documentary, which should be phenomenal. In manga news, Kodansha Comics has announced that its release of the final volume of My Little Monster will include an additional sixty pages of content. Over the weekend, Vertical announced the addition of a few more titles: the Bakemonogatari novels by Nisioisin, the manga Immortal Hounds by Ryo Yasohachi, the master edition of Tsutomu Nihei’s manga Blame!, and (the one I’m most excited about) the josei horror manga Dissolving Classroom by Junji Ito. Not to be left out, Seven Seas snuck in a license announcement on Sunday as well—Nakatani Nio’s yuri manga Bloom Into You.

Quick Takes

Batmanga, Volume 1Batmanga, Volume 1 by Jiro Kuwata. Back in the 1960s, Kuwata was commissioned to create a manga series featuring the iconic American masked vigilante Batman specifically tailored for a Japanese audience. This series was nearly forgotten in the United States but was rediscovered and introduced in translation relatively recently. DC Comics is now releasing the entire series in English. Although I do enjoy Batman and grew up with the franchise, I don’t really consider myself to be a huge fan or aficionado. But I was very interested in the publication history of Batmanga, and it’s not very often that an older manga is licensed. Kuwata’s Batmanga is understandably most reminiscent of the 1960s television series starring Adam West than any of Batman‘s more recent incarnations (the sixties apparently saw a Batman craze in Japan). The manga is a lot of fun with plenty of ridiculous action, camp, and wordplay. I believe that all the villains are unique to the manga, their origin stories often having something to do with devious scientific innovations or experiments gone awry.

False Memories, Volume 1False Memories, Volumes 1-2 by Isaku Natsume. A few of Natsume’s boys’ love manga have been released digitally, but I believe False Memories is only the second one to be released in print. It’s been a while since I’ve read any of Natsume’s manga, so I was surprised by how charming and touching False Memories ended up being. Nakano and Tsuda drifted apart soon after they slept together in high school. Ten years have passed since their graduation, but they suddenly find themselves assigned to work together on the same project by their respective companies. The misunderstandings surrounding their high school days continue to prove problematic, though. The two men will at least need to pretend to be friendly, but old feelings can be difficult to ignore. I enjoyed False Memories more than I expected I would, largely because I found the characters to be so likeable and relatable. Nakano’s insecurities are understandable, having unintentionally been hurt by Tsuda in the past. As for Tsuda, he’s a well-meaning goofball. The two of them do honestly care for each other, it just takes them a little while to figure that out.

Firefighter! Daigo of Fire Company M, Volume 1Firefighter! Daigo of Fire Company M, Volume 1 by Masahito Soda. I recently happened across the first volume of Firefighter! and so picked it up. It’s been out-of-print for some time now, but the entire series is now available digitally from Viz Media. When Daigo Asahina was a child, he almost died in a fire but was rescued by a heroic local firefighter. Ever since then, it has been his dream to become a firefighter himself. Fresh out of training he’s eager to prove himself, only the station that he’s been assigned to deals with very few major fires. While this would normally be considered to be a good thing, for Daigo it’s frustrating, especially when his rival at another company has already seen plenty of action. Despite the seemingly relaxed atmosphere of Company M, Firefighter! quickly ramps up the excitement. Only one volume in and Daigo’s had to rescue a cat, help prevent a potential gas explosion, fight multiple fires, and face the fact that he’s not nearly as well-prepared as he thought he was. The veterans of Company M know their stuff, though, and are very good at what they do.

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11 February 2016 1 Comment

Requiem of the Rose King, Volume 3

Requiem of the Rose King, Volume 3Creator: Aya Kanno
U.S. publisher: Viz Media
ISBN: 9781421582597
Released: January 2016
Original release: 2015

Aya Kanno’s manga series Requiem of the Rose King has quickly become one of the releases that I most look forward to from one volume to the next. I’m not particularly surprised by this, though—I’ve enjoyed many of Kanno’s past works, and she has proven to be quite versatile when it comes to genre and style. In the case of Requiem of the Rose King, Kanno has taken direct inspiration from the historical plays of William Shakespeare, more specifically the Wars of the Roses cycle consisting of Henry VI and Richard III. Even if Kanno hadn’t been involved with the manga, this would have been more than enough to catch my attention. But Kanno is involved and she brings her own touches to the story, giving it a dark fantasy-tinged atmosphere in addition to exploring gender and identity in an interesting and engaging way. With all of that and more, I have been completely taken with Requiem of the Rose King, and so was glad when the third volume of the series, originally released in Japan in 2015, was published in English by Viz Media in 2016.

The battle has been won and the House of York reigns victorious, but the struggle for the English crown continues; the war is far from being over. The deposed King Henry seems content to wander the countryside, the weight of rulership lifted from his shoulders, but the rest of the Lancasters are plotting to return their family to power and reclaim the throne. The hold that the newly established King Edward has on the England is in more peril than he realizes. In addition to the threat that the Lancasters pose, there are others among the nobility who are againt the House of York’s usurption of the throne. The widowed Elizabeth Woodville is prepared to take advantage of Edward’s womanizing ways in order to bring about his and his family’s downfall; besotted with Elizabeth, he puts his own desires before the security of the kingdom, risking the loss of the support of France. His younger brother Richard is one of the few people to recognize the danger, but Richard isn’t yet in a position to avert the potentially calamitous outcome.

Requiem of the Rose King, Volume 3, page 68I continue to be fascinated by Kanno’s interpretation of Richard, a young man who has been irrevocably harmed by the the rejection and hatred of his mother who sees him and his body as imperfect and demonic. He has a difficult time connecting with people because of the anxiety surrounding his self-identity, an issue made even worse by the recent death of his father on the battlefield. Henry is a perfect foil for Richard and is in many ways his opposite, which throws Richard’s perception of himself and of the world into confusion. Richard has resigned himself to loneliness and darkness, even while Henry seeks his company. The two men spend a fair amount of time together in Requiem of the Rose King, Volume 3, neither of them knowing who the other truly is and that their families are enemies. Much as Edward and Elizabeth’s relationship may doom the kingdom, Richard and Henry’s awkward friendship can only result in tragedy with far-reaching consequences.

Personal strife is mixed with political turmoil in Requiem of the Rose King, each feeding into the other as events unfold. With multiple people expressing interest in obtaining the crown, whether in jest or in all seriousness, the social structures and relationships among the English nobility have become extraordinarily precarious during a time of tenuous peace. This underlying chaos is also reflected in how Kanno approaches the story of Requiem of the Rose King. Many times several scenes overlap with one another, tied together thematically rather than chronologically. Pasts, presents, and possible futures all intertwine and are simultaneous revealed. This can be somewhat disconcerting at first and at times challenging to follow, but I do like the overall effect and drama that it brings to the series, emphasizing the individual characters’ experiences as memories, reality, and visions merge together. Requiem of the Rose King has an almost dreamlike quality to it and I find that I fall more deeply under its thrall with each passing volume.

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8 February 2016 2 Comments

My Week in Manga: February 1-February 7, 2016

My News and Reviews

I posted a few different things at Experiments in Manga last week. For starters, the Love at Fourteen Giveaway Winner was announced. The post also includes a list of some of the manga available in English which feature a bit of romance. Last week I also reviewed Tokyo Decadence: 15 Stories by Ryu Murakami which in some ways is about love, or at least lust. Due to be published later this year, the collection is engaging but definitely not for everyone as some of the stories are quite disturbing. Over the weekend January’s Bookshelf Overload was posted for those of you curious about what made it onto my shelves last month. I also had a taiko gig over the weekend that took up a fair amount of time. As a result of that and other some other life stress, I’ve fallen a bit behind on my writing (just when I thought I’d finally gotten ahead!), so there’ll likely only be one review coming this week instead of the two that were originally planned.

Quick Takes

Orange, Omnibus 1Orange, Omnibus 1 by Ichigo Takano. I had heard very good things about Orange and so was greatly looking forward to reading the manga, but I honestly didn’t anticipate that the series might become one of my favorite releases of the year. (It all depends on exactly how the story plays out in the second and final omnibus.) Orange sensitively deals with some fairly heavy subject matter, including suicide and crippling regret, but at the same time the manga also has a lighter sweetness to it. The manga is both heartwrenching and heartwarming, a melancholic story about close relationships and human connection. Admittedly, Naho is incredibly dense when it comes to recognizing other people’s feelings for her, even when they basically come right out and tell her, which can be a bit exasperating. But overall, the feelings and emotions in Orange ring true, especially as the series progresses and it’s revealed just why everyone is behaving in the ways that they are. I can see Orange ending either in tragedy or in happiness and I’m very curious to see which it will be.

Prison School, Omnibus 2Prison School, Omnibus 2 by Akira Hiramoto. The first omnibus of Prison School established the manga as a series that is simultaneously appalling and strangely engaging. This of course assumes that readers aren’t immediately offended by its highly sexualized and incredibly vulgar nature to begin with. Prison School is definitely not a series for everyone even if, surprisingly, it has its sweet moments. The second omnibus very much continues in the same vein, so the initial shock caused by the manga’s obscenity, over-the-top fanservice, and ridiculous premise has diminished some. Even so, Prison School is a page-turner. The series has been building up to Kiyoshi’s escape attempt, resulting in a situation that gets progressively worse as time goes by. Seeing just how bad things can possibly get (which is pretty bad) is one of Prison School‘s major draws. That and Hiramoto’s impressive skills as an artist. The manga’s content will certainly not be to everyone’s taste, but it’s hard to deny Hiramoto’s talent.

SuperMutant Magic AcademySuperMutant Magic Academy by Jillian Tamaki. Originally a webcomic, the best of SuperMutant Magic Academy has now been collected into a single volume along with newly-created content. I hadn’t actually read any of the comic while it was being released online, but I was obviously missing out—SuperMutant Magic Academy is great stuff. The comic takes place in a high school where students study magic and learn to control their superpowers (sort of an odd mix between Harry Potter and X-Men that bizarrely works), all while dealing with the more normal sorts of teenage angst and anxiety. Except for the series’ lengthy finale, created specifically for the collected volume, most of SuperMutant Magic Academy consists of single-page, and in some cases single-panel, gag comics.There’s no real overarching plot, but there are recurring characters and running jokes. Some of the social commentary can be fairly biting, but SuperMutant Magic Academy is very funny, frequently absurd, and wholly enjoyable.

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