My Week in Manga: March 21-March 27, 2011

My News and Reviews

I was on vacation for most of last week so I wasn’t around online much, but I did still mange to get a couple of reviews posted. I reviewed Kozue Amano’s Aqua, Volume 1 for the Aria Manga Moveable Feast. Amano’s artwork is lovely, and the story is relaxing. The second review was for Yokai Attack!: The Japanese Monster Survival Guide written by Hiroko Yoda and Matt Alt and illustrated by Tatsuya Morino. It’s a fantastic and colorful introduction to traditional Japanese creepy crawlies and supernatural creatures.

And as for other fun stuff online: Jason Thompson’s House of a 1000 Manga recently featured Hinako Takanaga, one of his favorite boys’ love mangaka (who also happens to be one of my favorites as well). On a related note, Jennifer LeBlanc of The Yaoi Review has finished posting her three part interview with Takanaga (Part 1, Part 2, Part 3).

Since I read both Sundome and Peepo Choo this past week, I’d also like to draw your attention to a couple episodes of Ed Sizemore’s Manga Out Loud podcasts featuring the series: Sundome with Melinda Beasi of Manga Bookshelf and Peepo Choo w/ Erica Friedman, David Welsh, & Melinda Beasi. I really enjoy Manga Out Loud—it’s nice to see (well, hear) such candid conversations about manga, especially regarding potentially controversial series and materials.

Quick Takes

Peepo Choo, Volumes 1-3 by Felipe Smith. Take a few stereotypes to the extreme, add more than enough graphic violence and sex, and finish off by including a few stunningly over-the-top characters, and you might get close to understanding the mind-blowing insanity that is Peepo Choo. It’s not a type of insanity that everyone will be able to appreciate. The story, especially towards the beginning of the series, frequently comes across as cruel and there’s plenty of material at which to take offense. But Smith’s tough-love approach plays out nicely by the end. There’s not necessarily anything wrong with being a walking embodiment of a stereotype if that’s what someone wants to be.

Ristorante Paradiso by Natsume Ono. Older gentlemen, let alone sexy older gentlemen, are not often featured in manga licenses that make their way over to the United States. Fortunately, we’ve at least got Ristorante Paradiso. Ono’s artwork is distinctive and may take a little warming up to, but I’ve fallen in love with it. Nicoletta has traveled to Rome to track down and confront her mother who left her to be raised by her grandparents. In the process, she finds the Casetta dell’Orso, a restaurant owned by her mother’s new husband. Ristorante Paradiso is a charming and romantic glimpse into Nicoletta’s life as she works out her relationship with her mother and her crush on the head waiter, Claudio.

Sundome, Volumes 1-8 by Kazuto Okada. Another series that’s difficult to recommend to just anyone, Sundome is certainly deserving of it’s mature rating. I wasn’t actually that fond of the artwork overall, but it was effective in conveying certain elements of the story. Kurumi’s health problems, never fully explained, are certainly obvious from the beginning just by looking at her. The teens are portrayed as very sexual beings, which may bother some people, but I actually found the characters’ frankness regarding a wide variety of kinks and fetishes to be refreshing. There’s also a fair amount of humor. The exploration of Hideo and Kurumi’s relationship, something they both want and need, is fascinating and compelling.

Antique Bakery directed by Yoshiaki Okumura. It’s been a while since I’ve read Fumi Yoshinaga’s manga series Antique Bakery. I’d forgotten how much I adored the characters, and the anime and voice actors capture them perfectly. I’d also forgotten how funny the series can be. The anime is only twelve episodes, so the story has been condensed and focuses mostly on the four main characters. It may be missing some of the sidestories, but it’s a lovely adaptation. The CG used for background and buildings unfortunately clashes terribly with the hand drawn elements, but I really like the color palette used. The music, featuring plenty of string ensembles, was also a wonderful fit.

Guin Saga, Episodes 1-13 directed by Atsushi Wakabayashi. The Guin Saga anime adaptation is so incredibly epic and overly dramatic that it’s almost embarrassing, but I’m enjoying it immensely. The score is also suitably epic—but then I’d expect no less from Nobuo Uematsu. I’ve only read the first Guin Saga light novel, which takes up only three episodes of the anime, so I’m not sure how the adaptation compares to the original. But it it feels like the anime is only scratching the surface of a much deeper and more complex story. And there is an unfortunate tendency to pause in the middle of fight scenes to allow characters to make grand speeches. The animation is pretty, but perhaps too colorful for the story.

My Week in Manga: November 29-December 5, 2010

My News and Reviews

Last week was the One Piece Manga Moveable Feast. This was the first time I was able to participate in the Manga Moveable Feast and for my part I wrote a review of One Piece, Volume 1: Romance Dawn. This also counts as my second in-depth manga review for the month of November, meeting my goal! Now let’s see if I can do it again for December. January’s Manga Moveable Feast will be hosted by Anna of Manga Report and focuses on Karakuri Odette by Julietta Suzuki. I’m really looking forward to reading the series and participating in the Manga Moveable Feast again. My other posts for this week included the Bookshelf Overload for November and the announcement of the Feast of Firsts manga giveaway winner.

Quick Takes

Eerie Queerie, Volumes 1-4 by Shuri Shiozu. The first volume of this series is definitely the strongest. Mitsuo is supernaturally sensitive and discovers to his dismay that ghosts can easily take advantage of him and possess his body. This can be a bit awkward when the spirits are women who want to make a few last memories with his male classmates before moving on. After the first volume though, things kinda fall apart and Shiozu tends to lose focus on the supernatural aspects of the story. The manga is goofy and amusing, but I wasn’t really convinced by most of the relationships or romance. And then it just ends and I was left wondering what the point of it all was.

House of Five Leaves, Volume 1 by Natsume Ono. I absolutely adored the anime adaptation of House of Five Leaves (I really hope it gets a DVD release) and I was very excited to discover that the manga had been licensed. The manga is also very good. Ono’s artwork is a bit unusual but the droopy lines seem fitting and are effective in conveying the emotions of the story. Most of the time I just want to give Masa a huge hug (which would probably freak him out, the poor guy). He’s a rōnin, a masterless samurai, that due to his timid nature and odd personality finds it difficult to hold down a job. Masa ends up falling in with a group of kidnappers that go by the name of House of Five Leaves, fascinated by the mysterious and charismatic leader Yaichi.

Lupin III, Volumes 1-5 by Monkey Punch. Lupin really is a cocky bastard. The humor is lewd and crude, the characters are foul-mouthed, and Monkey Punch frequently breaks the fourth wall—I quite enjoyed the humor. Unfortunately, I found the manga itself somewhat difficult to follow and the characters, especially the women, hard to tell apart most of the time. There isn’t so much of a coherent plot to Lupin III in these first few volumes, instead each of the short chapters is more of a vignette. Occasionally an episode might continue over several chapters and there are several recurring characters in addition to Lupin although their roles might change significantly from story to story. The more I read of Lupin III the more I liked it.

Lupin III: The Castle of Cagliostro directed by Hayao Miyazaki. Miyazaki’s Lupin is a much more noble, family-friendly character than the Lupin from the original manga (although some of the strong language still remains). With marvelous visual gags and plenty of humor, The Castle of Cagliostro is a fantastic anime and a lot of fun. It’s definitely a movie that I would watch again, probably repeatedly. After it turns out the huge haul they lifted from a casino was completely counterfeit, master thief Lupin and his right-hand man Jigen search for its source in Cagliostro hoping to strike it big. Things get a bit complicated when Lupin gets involved with the Lady Clarisse, though.

Monster, Episodes 12-27 directed by Masayuki Kojima. The anime adaptation of Naoki Urasawa’s Monster continues to follow the manga very closely although some scenes have been abbreviated or lengthened. The anime does lack some of the subtlety of the manga and some of the more dramatic scenes come across as too overly dramatic. Overall though, it’s still quite good. I particularly appreciate the efforts gone into the casting of the voice actors for the English dub—even the secondary characters that only show up in one episode have been chosen well. As far as I can tell, only the first fifteen episodes have been released on DVD, but the full series is available streaming through Hulu.