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30 September 2013 2 Comments

My Week in Manga: September 23-September 29, 2013

My News and Reviews

There were a few different things going on at Experiments in Manga last week. First off is the Arisa manga giveaway. The winner will be announced on Wednesday, so you still have a little time to enter for a chance to win the first and eleventh volumes of Natsumi Ando’s Arisa. The most recent Library Love feature was posted last week, too, which is basically a collection of quick takes of manga that I’ve borrowed from my local library. My quest to read all of Edogawa Rampo’s material available in English also continued. This time I took a look at The Edogawa Rampo Reader, which is a nice introduction to his life and work. The volume collects eighteen of his short stories and essays from over a span of thirty years.

A few interesting things found online: Brigid Alverson interviewed Charles Brownstein of the Comic Book Legal Defense Fund about its new manga guide which will be released later this year. (I reviewed Manga: Introduction, Challenges, and Best Practices not too long ago and found it to be a great resource.) And speaking of the CBLDF, Keiji Nakazawa’s Barefoot Gen was recently highlighted as part of the Using Graphic Novels in Education feature. Finally, Vertical made some licensing announcements at Anime Weekend Atlanta: Tetsuya Tsutui’s manga Prophecy (interestingly enough, Tsutui approached Vertical directly about the license) and Shinobu Hashimoto’s biographical novel Compound Cinematics: Akira Kurosawa and I.

Quick Takes

Arisa, Volume 8Arisa, Volumes 8-11 by Natsumi Ando. The true King has been revealed! As has that person’s motivations and back story, which are suitably dark and dramatic. Arisa and its characters are all pretty twisted—the King isn’t the only one with serious issues. The most stable character in Arisa is probably Tsubasa, but sometimes I wonder about her, too. It’s not just anyone who would pretend to be someone else, after all. At times Arisa can be extraordinarily over the top with its action and melodrama, but that’s probably one of the reasons I find the series so absorbing. Some of it comes across as unintentionally ridiculous, though. But for every development that’s laughable, there’s another that is effectively disturbing. Arisa is a series that’s really easy to tear through. Despite all of the twists and turns in its plot (or maybe because of them) the manga reads very quickly. With only one volume left to go in the series, I’m very curious to see how things will play out.

Black Jack, Volume 7Black Jack, Volumes 7-9 by Osamu Tezuka. Every once in a while I get the urge to read a bunch of Black Jack. Since the series is fairly episodic, it’s easy to pick up even if it’s been a while since I’ve read any of the manga. There were a couple of things that particularly struck me about these volumes. First of all, Black Jack should really stay away from cliffs as he seems to have a habit of falling off of them. Secondly, since Black Jack is an unlicensed doctor, it probably shouldn’t be too surprising that he would have a tendency to become involved with criminals. Often this works out quite well for him—he is able to demand his high prices and the other parties want to keep things quiet, too. However, on occasion Black Jack’s association with organized crime comes back to bite him and he ends up a little worse for wear. As always, I adore Black Jack as a character. I enjoy how much of a bastard he can be while still maintaining a strong sense of integrity.

Cyborg 009Cyborg 009 written by F. J. DeSanto and Bradley Cramp and illustrated by Marcus To and Ian Herring. Working closely with Ishimori Productions, Cyborg 009 is a single-volume, hardcover graphic novel adapting Shotaro Ishinomori’s Cyborg 009 manga with a Western audience in mind published by Archaia. The comic is in full-color with updated character designs closer to some of the more recent anime adaptations than the original manga. Actually, the artwork was one of my favorite things about the Cyborg 009 graphic novel. Story-wise it would have benefited from either being a little more focused or a little bit longer. As it is, the graphic novel is very compressed and not all of the plot lines introduced are adequately developed. But it is fun and quickly paced, not to mention beautifully presented; hopefully it will encourage readers to seek out the original material. Also of note: the back cover indicates that Cyborg 009 is “Ishimori Universe Book 1.” I know that I’d be very interested in seeing more collaborations between Archaia and Ishimori.

The Day I Become a ButterflyThe Day I Become a Butterfly by Sumomo Yumeka. Although The Day I Become a Butterfly was released under Digital Manga’s Juné imprint, two of the six collected stories aren’t at all boys’ love and a few of the others could be argued not to be as well. Yumeka describes the short manga in The Day I Become a Butterfly as inexplicable (she also admits to not liking them), but I think I would call them poetic. Instead of being straightforward narratives, the stories are quiet and almost impressionistic. They tend to be fairly introspective and melancholy; the desire for acceptance from others is a recurring theme throughout the volume. Yumeka’s artwork is lovely, although some of the character designs seem to be reused from one story to the next. Normally this might not be much of a problem, but because some of the stories in The Day I Become a Butterfly are interrelated it was sometimes confusing when the characters from an unrelated story looked like some of the recurring characters.

AkagiAkagi, Episodes 1-13 directed by Yuzo Sato. I love mahjong and Akagi is one of the mahjong series. I was thrilled when Crunchyroll picked up the anime for streaming. (I hold no illusions—mahjong manga and anime is very niche and unlikely to ever receive a physical release in North America.) Watching Akagi has actually improved my game a bit. It has also taught me how to cheat…not that I would. People who are at least vaguely familiar with mahjong will probably get more out of Akagi than those who aren’t, but it’s not necessary to understand the minutia of mahjong to enjoy the anime. The series can be surprisingly brutal at times and the games are intense—high stakes, crooked cops, yakuza, violence, manipulation. A huge emphasis is put on the psychological elements of the game. Akagi is a brilliant player and absolutely ruthless, both at the table and away from it. He seems to be afraid of nothing and is extremely ballsy. I’m really looking forward to watching the series’ second half.

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12 August 2013 Leave a Comment

My Week in Manga: August 5-August 11, 2013

My News and Reviews

The Boys’ Love Manga Moveable Feast came to an end last week. Khursten at Otaku Champloo did a fabulous job as the host and posted some great content. Sadly, it may be the last Manga Moveable Feast to be held, at least in the foreseeable future. I did have one last offering for August’s Feast before it ended: I announced the 801 Manga Giveaway Winner. The post also includes a wishlist of boys’ love manga. (And speaking of manga giveaway winners, the winner of the Umineko giveaway from a few months ago created a video of the unboxing of her prize.)

Last week I also posted two in-depth reviews. The first was for Suehiro Maruo’s The Strange Tale of Panorama Island. I have literally been waiting for this manga for years and am thrilled that it is finally available in English. Last Gasp has done a beautiful job with the release. The manga is an adaptation of Edogawa Rampo’s novella Strange Tale of Panorama Island which I reviewed earlier this year. The second review that I posted last week was for Isuna Hasekura’s light novel Spice & Wolf, Volume 8: Town of Strife I. Although I had previously enjoyed the series, with this volume Spice & Wolf has finally lost its charm for me.

I also updated the Resources page, adding a couple of sites. Last week I mentioned Deb Aoki’s new site Manga Comics Manga which is definitely worth checking out if you haven’t already. I also recently discovered Seth T. Hahne’s review site Good Ok Bad. I really like the site which includes reviews of manga in addition to other comics and graphic novels.

On to other interesting things found online! Nippon.com has the very interesting article Urasawa Naoki Talks with Top European Artists. The most recent Speakeasy podcast at Reverse Thieves is about American comics recommended for manga readers. Reverse Thieves also posted a review with Melissa Tanaka talking about her work translating Mobile Suit Gundam: The Origin. (I loved the first volume of the series and my review of the second should be coming soon.) If you’re interested in what Viz Media is up to these days, ICv2 has a two part interview with Leyla Aker and Kevin Hamric and Comic Book Resources has an interview with Ken Sasaki.

Also last week was Otakon. Sean Gaffney at A Case Suitable for Treatment takes a quick look at some of the recent manga announcements. Vertical has licensed Fumi Yoshinaga’s What Did You Eat Yesterday? which I am extremely excited about. Viz Media is bringing Naoki Urasawa’s Monster back into print in a deluxe omnibus edition. I already own the series and probably won’t be double-dipping, but I’m very happy to see this re-release. Finally, Seven Seas will be publishing Milk Morinaga’s most recent yuri series Gakuen Police. I really enjoyed Morinaga’s Girl Friends and Kisses, Sighs, and Cherry Blossoms Pink, so I plan on picking up Gakuen Police, too.

Quick Takes

Animal Land, Volumes 1-4 by Makoto Raiku. I’m not sure why I was so reluctant to read Animal Land but after repeated urging from a few fans of the series I decided to finally give it a try. And I’m very glad that I did. It took me a volume or so to really settle into the story, but I definitely want to read more. Taroza is a human who was abandoned as a baby only to be rescued and raised by a young female tanuki in a world of animals. The art in Animal Land is kind of strange, mixing realism, anthropomorphism, and just plain goofiness even within the same species. Despite its cuteness, the story in Animal Land can be very dark. It’s also not particularly subtle, but it is engaging. Animal Land surprised me; so far it’s a great series.

Ichiro by Ryan Inzana. Ichiro is a young man living with his Japanese mother in New York City after his American father dies. When her work takes them both to Japan, Ichiro has the chance to get to know his grandfather who he’s never met and learn more about the country’s history and culture. One night he unexpectedly stumbles into an even stranger world. I did find the sections dealing with Ichiro’s real life to be much more compelling than his adventures in the land of the gods and immortals. However, I really liked the blend of story, mythology, and reality in Ichiro and I loved the artwork. Inzana smoothly shifts his style of art and use of color throughout the graphic novel depending on the tale being told in a very effective way.

Limit, Volumes 5-6 by Keiko Suenobu. Limit has been very hit-or-miss for me. Overall, I did like it, but I had a few problems with the story. There weren’t plot holes per se, but significant suspension of disbelief is required. (I’m still trying to figure out how Usui’s bandage ended up on the ground and why no one seemed to hear the helicopters.) But the series had some truly great moments and intense, dramatic group dynamics. The fear that the characters deal with as they struggle to survive is almost palpable. I liked most of the fifth volume which revealed some great plot twists, but found the final volume to be rather unsatisfying. Everything is tied up too neatly and nicely and there’s a fair amount of moralizing.

Triton of the Sea, Omnibus 1 (equivalent to Volumes 1-2) by Osamu Tezuka. I was delighted when Triton of the Sea was licensed as part of one of Digital Manga’s Kickstarter projects. Although I don’t have a particular affinity for merfolk, I have always enjoyed stories involving oceans and other bodies of water. Triton is a merman, one of the last of his kind when his clan is wiped out by Poseidon, the king of the sea. Unaware of his true nature, Triton is adopted by a human family. As he grows older he is drawn into a fight against Poseidon. Triton of the Sea isn’t as strong or as innovative as some of Tezuka’s other manga, but it’s still a solid adventure story. I particularly enjoyed Triton’s relationship with his family and his interactions with humans.

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24 June 2013 Leave a Comment

My Week in Manga: June 17-June 23, 2013

My News and Reviews

Last week was the Skip Beat! Manga Moveable Feast, hosted by Laura at the wonderful shoujo manga blog Heart of Manga. For my contribution to the Feast, I reviewed the first omnibus volume of Yoshiki Nakamura’s Skip Beat! I had read the beginning of Skip Beat! before, but had forgotten how much I had enjoyed the series. It’s a tremendous amount of fun. Earlier in the week I reviewed Sakyo Komatsu’s award-winning earthquake disaster novel Japan Sinks. It’s been forty years since the volume was first released in Japan and it is still a chilling account.

As somewhat of a bonus, over the weekend I also reviewed Dale Lazarov’s and Amy Colburn’s short collection of gay erotic comics, Manly. Out of all of Lazarov’s collaborations, Manly happens to be my personal favorite. It’s not manga, but I do think it would appeal to readers and fans of hard yaoi and bara and erotic comics in general.

While working on my review of Manly, I discovered that Bruno Gmünder, its publisher, will be releasing Gengoroh Tagame’s Endless Game in December. Earlier this year PictureBox published The Passion of Gengoroh Tagame, which was incredible, so I’m pretty excited that more of Tagame’s work is being released in English. In other licensing news, Sublime Manga has announced the acquisition of Kou Yoneda’s collection NightS, which I’m looking forward to reading, as well as additional volumes in previously acquired series.

Elsewhere online, Manga Bookshelf has published the results from its recent reader survey. I find this sort of data fascinating, so I was very glad that they decided to share it! Finally, over at Books from Japan, Matt Alt contributed the article A wild monster chase: yokai and Haruki Murakami. Alt is one of the co-creators of the marvelous Attack! series, which I love. Surprisingly enough, I actually haven’t read much Murakami, but I still found Alt’s article to be fascinating.

Quick Takes

Atomcat by Osamu Tezuka. I was completely unaware of Atomcat until it and Triton of the Sea were tacked on to Digital Manga’s Kickstarter project for Unico. Of the three works I was least interested in Atomcat, but the volume turned out to be a fun and fluffy read. (Pun entirely intended.) Atomcat is a remake of sorts of Tezuka’s Astro Boy. The basic premise is that, in a bizarre twist of fate involving space aliens, a small kitten is granted the same powers as Astro Boy. He also faces some of the same personal dilemmas that Astro Boy had to deal with. Atom, the kitten, uses his new powers to protect his human family and to foil the evil schemes of other cats. It’s really quite cute.

Attack on Titan, Volume 5 by Hajime Isayama. While the artwork in Attack on Titan is improving very slowly, it’s still easily the weakest element in the manga. But as bad as the art can be, I continue to find the manga as a whole to be oddly engaging and at times even compelling. In addition to introducing more characters, the fifth volume reveals a little bit more about the titans and a little bit more about the society in which the humans are living. I didn’t find this volume to be quite as dark or oppressive as some of the volumes that came before it. The fear and terror caused by the titans is still there and very real, but the story has left the battlefield and turned to focus more on the societal changes and political maneuverings that have been brought about as a result.

Brave Story: A Retelling of a Classic, Volumes 1-5 by Yoichiro Ono. The Brave Story manga is a very loose adaptation of Miyuki Miyabe’s fantasy novel of the same name. The manga series reached twenty volumes in Japan before its conclusion, but only five volumes were ever released in English. While many of the major story elements and characters are the same as those found in the novel, the manga is actually quite different. Unfortunately, I didn’t find it to be quite as good, either. Although Brave Story is a seinen series, Ono makes excellent use of shonen tropes which is very appropriate for the story. Brave Story in all of its incarnations is also heavily influenced by fantasy role-playing video games.

Junjo Romantica, Volumes 1-6 by Shungiku Nakamura. I’m torn over Junjo Romantica. The boys’ love series features four related storylines/couples: Junjo Romantica, Junjo Egoist, Junjo Minimum, and Junjo Terrorist. I like the narrative structure and how the stories intertwine with each other. I also like how almost everyone is somehow involved with the publishing industry or studies literature. But the only pairing that I really like and the reason I read Junjo Romantica is Egoist. (Although Minimum is admittedly adorable.) The relationship of Junjo Romantica‘s main couple is not at all a healthy one. Usagi is abusive and extremely controlling. It makes me uncomfortable how this has been romanticized. Fortunately after the first couple of volumes this does improve.

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22 April 2013 2 Comments

My Week in Manga: April 15-April 21, 2013

My News and Reviews

Well, I didn’t end up posting any in-depth manga reviews last week, but I did review a couple of novels. The first review was for Tokyo Demons, Book 1: You’re Never Alone by Lianne Sentar. I’m actually so excited about the series that I’ll be writing more about the project later this week; I couldn’t fit it all into one review. I also reviewed Toh EnJoe’s Self-Reference Engine, which may or may not actually be a novel. Whatever it is, I loved it. The book is smart, funny, and clever science fiction.

The 2013 Eisner Award nominees were announced last week. There are some really great comics and creators up for an award this year. Manga nominees include Osamu Tezuka’s Barbara, Naoki Urasawa’s 20th Century Boys, Shigeru Mizuki’s NonNonBa (which I previously reviewed), and Mari Yamazaki’s Thermae Romae. Katsuya Terada also received a nomination for his work on The Monkey King.

Other interesting things seen online: It appears as though there may be a new manga publisher on the horizon—Kansai Club Publishing. Lissa Pattillo of Kuriousity shared some thoughts on the effort, which is where I first learned of it. Supposedly, Kansai Club will be launching a Kickstarter soon for its first release. Elsewhere, the most recent episode of The Cockpit podcast is devoted to Vertical’s release of Mobile Suit Gundam: The Origin. Ed Chavez, the marketing director at Vertical, discusses the series’ licensing, production, and promotion efforts among other things. (I’ll be posting my own review of the first volume in the near future.)

Jason Thompson’s always excellent House of 1000 Manga column featured Takako Shimura’s Wandering Son last week. (It’s a series that is personally very important to me.) And as usual, the article is great. Back in March, Tofugu had an entertaining post about common visual tropes used in manga. A followup article was posted last week—Manga Tropes Revisited. Finally, this week is the Kaori Yuki Manga Moveable Feast! The Beautiful World is hosting this month’s Feast and has posted an introduction. Later this week I’ll be reviewing the first volume of Yuki’s Grand Guignol Orchestra as my contribution to the Feast.

Quick Takes

Attack on Titan, Volumes 3-4 by Hajime Isayama. For the most part I am enjoying Attack on Titan. However, its unevenness in art and storytelling can be a bit jarring. At times the manga is genuinely thrilling while at other times it seems to be just a little off. Granted, the effect is disconcerting and does add to the dark, oppressive atmosphere of the manga. A significant portion of the fourth volume is a flashback devoted to the military training of the young soldiers. It was interesting to see this and it was a great way to get to know some of the trainees better, but it may have been more effective earlier on in the series since so many of those characters are already known to end up dead.

Black Jack, Volumes 4-6 by Osamu Tezuka. I really do adore Black Jack as a character. He can be an utter bastard, but he’s also incredibly compassionate underneath his harsh exterior. An unparalleled surgeon, he wields his skill as he chooses. Well, except when he’s blackmailed into it. But then again, he’s just as likely resort to extortion. Perhaps because of Tezuka’s medical background, a lot of attention is given to the actual operations that Black Jack performs. Although there are recurring characters in Black Jack, generally the individual stories stand alone. As with any work, some stories are stronger than others. Personally, I prefer the more plausible scenarios, although the more fantastical ones can still be enjoyable.

Eyeshield 21, Volumes 15-19 written by Riichiro Inagaki and illustrated by Yusuke Murata. In these volumes, the Deimon Devil Bats continue to advance in the fall Tokyo tournament, hoping to reach and play in the Christmas Bowl at the end of the year. I’ll admit, the artwork in Eyeshield 21 is still what appeals to me most about the series. I love Murata’s dynamic action sequences and the ridiculous imagery that often accompanies them: tidal waves, knights in armor, steam engines, etc. Each team has a visual theme that coincides with their team name, mascot, or style of play. So the Bando Spiders have spiders and webs, the Kyoshin Poseidon have water motifs, and so on. It’s really a lot of fun.

Laugh Under the Sun by Yugi Yamada. I picked up Laugh Under the Sun primarily because I tend to enjoy Yamada’s boys’ love manga. Also, it has boxing! After seriously injuring an opponent, Sohei has been reluctant to return to the ring. For the last ten years he’s managed to get by on his good looks, but he’s tired of having no direction in his life. His more successful friend Chika (who is in love with Sohei although Sohei is oblivious to it), encourages him to take up boxing again. He does, but it’s not easy—the younger boxers at the gym don’t respect Sohei much and his confidence is lacking. Laugh Under the Sun isn’t particularly deep or complicated but it is an enjoyable one-shot with a bit of romance and humor to go along with the fighting sports.

Limit, Volumes 3-4 by Keiko Suenobu. After their bus crashes on a school trip, five high school girls struggle to survive the accident and each other while waiting to be rescued. When another survivor happens upon the group, the power dynamics shift dramatically, setting off an extreme backlash from some of the members. Honestly, I didn’t like these volumes quite as much as I did the first two; some of the characters’ actions weren’t as nearly as convincing. At the same time, they are all under a tremendous amount of stress and so maybe it shouldn’t be too surprising that some of their behaviors are less than rational. Still, Limit is intense and I’m very interested in seeing how Suenobu wraps everything up in the final two volumes.

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15 April 2013 2 Comments

My Week in Manga: April 8-April 14, 2013

My News and Reviews

This past week I reviewed We, the Children of Cats, a volume collecting five short stories and three novellas by Tomoyuki Hoshino. It’s a difficult collection, troubling and even disturbing at times, but it’s also mesmerizing and very good. In the preface, Hoshino describes the desire for the stories to “lodge themselves within the bodies” of the readers; with me at least he was successful.

I also reviewed Demon Lair, the twentieth volume in the English-language release of Hiroaki Samura’s award-winning manga series Blade of the Immortal. There’s not much plot development in this volume, but there is plenty of action. Normally, my monthly Blade of the Immortal review would have been posted later this week, but I’ve been shifting my usual schedule around a bit in order to accommodate a guest post which should be ready to go soon.

If you haven’t come across it yet, Brigid Alverson’s article Manga 2013: A Smaller, More Sustainable Market for Publishers Weekly is a must read. Christopher Butcher also posted a followup to the article, The Manga Industry 2012-2013, which is also well worth reading. Curious as to what it’s like to work as a mangaka’s assistant? Jamie Lynn Lano has collected all of her assistant stories into one convenient list—Working as an Assistant on the Prince of Tennis.

Over the weekend, Lori Henderson of Manga Xanadu debuted the first episode of the Manga Dome Podcast. It’s a nice short episode focusing on recent manga news and a few brief reviews. There aren’t many podcasts out there that I know of that focus specifically on manga, so I’m very happy to see the start of a new one. I’ve added Manga Dome to podcast list on the Resources page. (I also removed Otaku USA’s Friday ACE podcast from the list, which is now defunct.)

I’ve written a couple of posts about podcasts in the past which still get quite a few page hits: Discovering Manga: Podcasts and Discovering Manga: Podcasts, Part 2. I’d love to do another podcast post in the future, so if you know of any manga related podcasts that I haven’t yet mentioned, please do let me know!

Quick Takes

Blue Exorcist, Volumes 1-4 by Kazue Kato. After a bit of a rough start (about which I had been warned), I’m starting to really enjoy Blue Exorcist. It’s not my favorite shounen series, but I can definitely understand its wide appeal. Blue Exorcist is a fun manga with likeable characters and solid artwork. Rin Okumura is the bastard son of Satan who decides to become an exorcist after his guardian dies protecting him. The series follows him and his fellow classmates as they begin their exorcist studies. The fact that he’s part demon is something that he tries, unsuccessfully, to keep hidden. Blue Exorcist has some nice, dynamic fights. There is also a good balance between the series’ humor and its darker elements.

Kiss Blue, Volumes 1-2 by Keiko Kinoshita. I absolutely loved this two volume series. It’s certainly more realistic than most of the boys’ love manga that’s out there. The character development in particular is exceptional. Tomosaka and Noda have been best friends for years, but recently Tomosaka has come to the realization that he’s actually in love with Noda. Tomosaka struggles with his feelings, wanting to preserve their friendship while at the same time being torn apart by it. Noda, too, is conflicted and unsure of how to deal with the situation. On top of all this, Tomosaka is being sexually harassed by his manager at work who, it turns out, is caught up in his own unhappy love story. The relationships are all handled very well. Kiss Blue really is excellent.

Saiyuki, Volumes 1-5 by Kazuya Minekura. Loosely based on The Journey to the West, Saiyuki gives the beloved folk heroes new personalities, motivations, and bad-boy attitudes. Quite a few of these earlier volumes are devoted to revealing Hakkai’s tragic backstory, which is substantially different from the original. Of the main characters Hakkai is probably my favorite, so I didn’t mind this too much. (Although if you want to be picky, Gojyo and Hakkai’s stories and personalities seem to be reversed from The Journey to the West.) Minekura incorporates strange anachronisms into the story and magic and mysticism are found alongside science and technology. Saiyuki is kind of ridiculous, but I’ll admit to enjoying it.

Unico by Osamu Tezuka. Unico is the second Tezuka manga to be licensed and produced by Digital Manga through a Kickstarter project. My initial interest in the manga was based on the fact that it was being released entirely in color and that its artwork extends beyond the edge of the page. Honestly, I wasn’t expecting to like Unico as much as I did, but it’s really quite wonderful. The stories follow the titular Unico, a unicorn with the power to bring happiness and good luck to those who love him. In addition to using various historical, contemporary, and futuristic settings, the manga is influenced by legends, mythology, and fairy tales. Unico is in turn delightful, heartbreaking, charming, and bittersweet.

No. 6 directed by Kenji Nagasaki. No. 6 is an eleven-episode anime based on a series of novels by Atsuko Asano. I’m rather fond of utopian/dystopian fiction, so I was looking forward to No. 6. Shion is an elite member of the city No. 6 who loses his privileges and status when he saves the life of Nezumi, a young fugitive. The relationship between Shion and Nezumi is marvelous; the two grow and change as the series progresses and as Shion learns the truth about No. 6. Although there are some fantastic moments in the last episode, the ending is unfortunately rushed and therefore somewhat disappointing. Still, up until that point I was really enjoying the series. So much so that I plan on giving the manga a try.

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