My Week in Manga: July 23-July 29, 2012

My News and Reviews

Last week was the CLAMP Manga Moveable Feast, hosted by the Manga Bookshelf. As part of my contribution to the Feast, I reviewed the omnibus edition of Clover which is one of my personal favorites when it comes to CLAMP’s work. Next month’s Feast will be focusing on Kurosagi Corpse Delivery Service written by Eiji Ōtsuka and illustrated by Housui Yamazaki. Eeeper’s Choice Podcast will be hosting. The scheduling of future Feasts is currently under discussion in the MMFeast Google Group if you’d like to jump in and have your say.

On to interesting things I found online! Deb Aoki has posted the notes from the 2012 San Diego Comic-Con best and worst manga panel. I always look forward to seeing the resulting lists each year. Also at the San Diego Comic-Con, JManga announced the Manga Translation Battle, which has now officially started. JManga also recently started a new blog—JManga Poi Poi. Over at Okazu, Erica Friedman posted some excellent food for thought Why Yuri Cannot be Financially Successful…The Gospel According To Fandom.

Also! The most recent manga giveaway here at Experiments in Manga has been posted. The winner will be announced on Wednesday, but you still have time to enter to win the Love Hina Giveaway.

Quick Takes

Aftershock: Artists Respond to Disaster in Japan edited by Adam Pasion. Although I only recently learned about it, Aftershock is one of several comics anthologies that were released in response to the 2011Tōhoku earthquake. Aftershock is a fairly slim volume but packs in works from over thirty-five contributors hailing from all over the globe. The comics capture the artist’s personal responses to the earthquake in Japan and how their lives and works have been influenced by Japanese culture. A few of the selections relate the experiences of some of the creators who were in Japan at the time of the earthquake. Overall, I found Aftershock to be a great collection. (Proceeds go to various relief agencies.)

Crimson Snow by Hori Tomoki. While I wasn’t blown away by Crimson Snow, I did enjoy Tomoki’s debut collection of boys’ love stories. The the anthology includes the titular “Crimson Snow” about a yakuza rescued by a tea ceremony heir, “At First Sight” in which two university students admit their feelings for each other, “Cry for the Sun” about a young man’s relationship with his father’s lover, and “Galance” which is a continuation of “Crimson Snow.” Although there are certainly a few intimate scenes, Crimson Snow focuses more on the characters, their histories, and their emotions than it does on sex. The majority of the encounters feel like natural extensions of the developing relationships rather than being included just because they’re an expected part of the genre.

Deadman Wonderland, Volumes 2-5 written by Jinsei Kataoka and illustrated by Kazuma Kondou. I was very intrigued by the first volume of Deadman Wonderland. However, as much I thoroughly enjoyed parts of the subsequent volumes, there were other parts of the manga that frustrated me immensely. For one, major plot twists are dramatically revealed only to be forgotten for volumes at a time. I also have a hard time believing that the Deadman Wonderland inmates are given so much free reign within the prison. But there are still aspects of Deadman Wonderland that I enjoy. I particularly like Kondou’s artwork and most of the character designs. And even when it doesn’t make a lot of sense, the story is frequently engaging.

Sanctuary, Volumes 5-9 written by Sho Fumimura (Buronson) and illustrated by Ryoichi Ikegami. Sanctuary is one of the best manga series that I’ve read recently; it’s really a pity that it’s long out of print. The juxtaposition of organized crime and politics is fascinating. Each are cutthroat and dangerous in their own ways, the players in each realm working within strict codes of conduct. At times, the mafia seems more honest and honorable than the politicians. I’m not even particularly interested in modern-day politics but nonetheless found Sanctuary to be incredibly gripping. The story of Hojo and Asami’s relationship and their struggle to change Japan together after surviving the killing fields of Cambodia is intense to say the least.

My Week in Manga: June 18-June 24, 2012

My News and Reviews

I posted two reviews last week, neither of which have anything to do with manga whatsoever. As I’ve mentioned before in passing, I study traditional Okinawan karate kobudō. Because of this I was interested in learning more about Okinawan history. George H. Kerr’s study Okinawa: The History of an Island People was exactly what I was looking for. It is the first and one of the only comprehensive histories of Okinawa available in English. My second review was for Todd Shimoda’s novel Subduction with artwork by his wife L. J. C. Shimoda. The illustrations and overall design of the book were some of my favorite parts of the novel.

Digital Manga has launched their latest Kickstarter project. The company hopes to publish Osamu Tezuka’s Unico in English and in full color. The project already has a ton of support and I’m expecting it to be successful. Plus, if the project meets it’s goal quickly, Digital Manga will announce yet another Tezuka manga to be licensed. As much as I love seeing Tezuka available in English, I hope that Digital Manga will consider other titles to fund through Kickstarter, too. Another project I’d like to draw your attention to is for Laurianne Uy’s Polterguys, Volume 1, a fun manga-inspired comic. You can learn more about Laurianne and read Polterguys at her website Laurbits.com.

This week is the Takehiko Inoue Manga Moveable Feast! Anna and Michelle, the co-hosts for this month’s Feast, have a nice kickoff post. Below, I have a quick take for the first couple of volumes of Inoue’s series Slam Dunk. I previously reviewed the first Vagabond omnibus and later this week I’ll be reviewing the second. Buried in some of my past Library Love posts, I have a couple of quick thoughts on Real, which is probably my favorite series by Inoue. Happy Feasting, everyone!

Quick Takes

Calling by Miu Otsuki. Calling was a really nice surprise. I wasn’t expecting much out of the manga, but it turned out to be an excellent boys’ love one shot. One of the best things about Calling is that Otsuki avoids many of the unfortunate and often used tropes of the genre, especially those dealing with rape. When Kazuaki tells Kira to stop, Kira stops. (Seriously, consent is hot.) The story is much better for it, too. The men’s relationship deepens and matures more naturally than it would have otherwise. The two obviously care for each other and make for a very affectionate couple. There are conflicts and misunderstandings in Calling, but it is a very sweet manga with well-developed characters.

Sanctuary, Volumes 1-4 written by Sho Fumimura (Buronson) and illustrated by Ryoichi Ikegami. Akira Hojo and Chiaki Asami are two ambitious young men who are determined to transform Japan together, Hojo working through the underground and Asami working through the political system. Their struggle to rise to power is fraught with challenges as they confront corruption and very real danger. They have literally put their lives on the line to reach their goal. Sanctuary is thrilling. Hojo and Asami advance only to be pushed back again. They just barely manage to hang on to control of the situation. One wrong move and all of their efforts will come to nothing. This series is fantastic and I’m really looking forward to reading the rest.

Slam Dunk, Volumes 1-2 by Takehiko Inoue. Slam Dunk was the first of Inoue’s manga to be translated into English. Initially published by Raijin Comics, the license was later rescued Viz Media. Slam Dunk was Inoue’s breakthrough manga. The story follows Hanamichi Sakuragi, a big guy and high school delinquent who joins the basketball team in order to win the affection of a girl. Except, he doesn’t really know much about basketball. I was pleasantly surprised to discover how funny the series is. It was also interesting to see Inoue’s earlier, more simple (but still dynamic) style of drawing. Although I don’t feel compelled to rush out to find out what happens next, I enjoyed these first two volumes and would like to read more.

Ghost in the Shell: Stand Alone Complex, Episodes 14-26 directed by Kenji Kamiyama. It’s been a while since I’ve watched any Stand Alone Complex, but because so many of the episodes stand on their own, I found myself falling back into the series fairly easily. Unfortunately, some of those episodes can be rather tedious; although there’s some good world building, there’s a lot of talk and not much action. I would find my attention wandering, making it difficult to follow some of the political machinations that become important later on. But when the series actually gets around to kicking into gear, it’s great. The animation quality is excellent, too. And I’m never going to complain about a soundtrack by Yoko Kanno.