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14 February 2014 Leave a Comment

Blue

BlueCreator: Kiriko Nananan
U.S. publisher: Fanfare/Ponent Mon
ISBN: 9788493340971
Released: 2006
Original release: 1997

I first discovered Kiriko Nananan’s work while reading Secret Comics Japan: Underground Comics Now. Two of her short manga—”Heartless Bitch” and “Painful Love”—were included in the volume. I was quite taken by the pieces and so was determined to find more of Nananan’s manga in English. Sadly, very little has been translated. Another of her short manga, “Kisses,” was collected in Sake Jock: Comics from Today’s Japanese Underground, an early English anthology of alternative Japanese manga. Nananan debuted in the avant-garde manga magazine Garo in 1993, which is one of the reasons her work is found in these “underground” collections. She is particularly well-known for her short manga; Blue is her only long-form manga to have been released in English. Originally published in Japan in 1997, Fanfare/Ponent Mon published the English edition of the manga in 2006 after releasing a Spanish-language edition in 2004. Blue has also been translated into French and German. The manga was also popular enough to receive a live-action film adaptation directed by Hiroshi Ando in 2002.

“The sky that stretches out above the dark sea. The school uniforms and our desperate awkwardness. If those adornments of our youth held any color it would have been deep blue.” Thus begins Kiriko Nananan’s Blue. Kayako Kirishima, a senior at the Hijiri all-girls high school, is fascinated by her classmate Masami Endō, the young woman who sits directly in front of her. Endō was suspended from school the previous year. Because of that and her general attitude, many of the students at Hijiri find her difficult to approach. But Kirishima eventually musters up the courage to finally talk to Endō. Her fascination becomes friendship and eventually love. But their relationship isn’t an easy one. Uncertainty, worry for the future, and past regrets all have an impact on Kirishima and Endō and how they relate to each other and to the rest of their friends. Love can be a wonderful thing, but it can also be painful. As high school draws to an end, they must face the inevitable changes in their lives either together or alone.

Nananan’s artwork in Blue is very simple, almost minimalistic, and yet it is also incredibly arresting. There is very little shading employed. In fact, the use of negative and white space is just as important to the manga’s composition as the deep black of Nananan’s ink work. It has a distancing and cooling effect. The fragility of Kirishima and Endō’s relationship is reflected in the fragility of Nananan’s lines. At times the pages are nearly empty, giving a sense of loss and contemplativeness, as if the feelings of the two young women are in danger of disappearing altogether. Body language is especially important in Blue. Hands in particular are a recurring motif and are very expressive—they reach out to grasp someone or to push them away, they hide a face in shame or frustration. Nananan shows intimacy of varying degrees in Blue through the characters’ actions and touch. It can be extremely sensual, but it can also be very chaste.

Blue has a reflective, poetic, and lyrical quality to it. The manga is a fairly simple and straightforward story of first love which is both sweet and sad. However, Nananan is adept at capturing the realistic complexities of love and all of the feelings associated with it—the jealousy and heartache as well as the happiness and joy. Kirishima is constantly thinking about Endō. Even when she isn’t immediately present on the page Endō is the focal point of the manga and always on Kirishima’s mind. The two of them obviously care deeply about each other and so it is particularly unfortunate that they seem unable to be completely open and honest with each other or with themselves. They are both young and don’t always make the best or most mature decisions. Blue is told from Kirishima’s perspective as she looks back from some point in the future to her high school days with understandable sentimentality. Although the manga is frequently melancholic and intensely emotional, it never comes across as melodramatic. Blue is a beautiful and striking work; I would love to see more of Nananan’s manga translated.

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15 January 2014 9 Comments

S.S. Astro: Asashio Sogo Teachers’ Room, Volume 1

S.S. Astro, Volume 1Creator: Negi Banno
U.S. publisher: Yen Press
ISBN: 9780759528987
Released: August 2008
Original release: 2007

S.S. Astro: Asashio Sogo Teachers’ Room is a yonkoma, or four-panel, manga created by Negi Banno. The first volume of S.S. Astro was originally published in Japan in 2007. Yen Press released the English translation of the manga in 2008, around the same time that it was licensing several other yonkoma manga series. As for S.S. Astro, only one volume was ever released. As far as I can tell, the series has been on hiatus since 2007 in Japan. Although I believe that Banno has created more S.S. Astro strips than those found in the first volume, there have not been enough to collect into a second volume. I have no idea if Banno plans to ever return to the S.S. Astro manga, but because so many years have passed it seems increasingly unlikely. S.S. Astro was actually one of the first yonkoma manga that I ever read. I originally came across it a few years back while searching for manga in English with yuri elements, which used to be a little more difficult to find than it is now.

Seven years after she graduated, Izumi Maki is back at her old high school. Except this time she’s one of the ones responsible for molding the young minds of Tokyo’s Asashio Integrated Public High School. It’s her first year as a teacher. Maki’s now in charge of both health and physical education classes, not to mention a home room with nearly forty students. (Now she just somehow needs to find a way to remember all of their names.) Maki’s not the only fresh blood at Asashio. Her good friend Yuko Nagumo, the new Japanese instructor, is also a first year teacher. The nursing teacher Setsuna Arai has a couple of years of experience on them and Maki’s backup teacher Kaname Karasuma, the instructor for the school’s English course, has even more. She also has a huge crush on Maki, not that Maki has noticed. Throw in all of the other teachers and their quirks, as well as Maki’s older brother, and high school is just as entertaining and complicated as it was the first time around.

Yonkoma manga tend to be fairly hit-or-miss for me, but in the case of S.S. Astro it’s mostly a hit. As with many four-panel manga, whether or not someone actually likes the series will depend on whether or not the reader likes the characters as they are. Although there are plenty of running jokes in S.S. Astro, the series tends to be episodic without much of an overarching plot and very little in the way of character development. Fortunately, I do like the characters. Quite a bit, actually. Maki’s a scatterbrain but earnest. Nagumo can put away an impressive amount of food and is closet fujoshi. Arai has a delightfully sadistic streak. Of the four main characters, Karasuma is the most responsible one, at least when she isn’t completely lovestruck. About halfway through the first volume of S.S. Astro the rest of the Asashio staff are more thoroughly introduced. Prior to that they were largely relegated to the background. I like the other teachers as well and wish more time could have been spent getting to know them better, too.

Quite a few manga licensed in English take place in a school setting. What helps to set S.S. Astro apart is that it focuses on the teachers rather than on the students. I find this to be a refreshing change of pace. One of the reasons that I’m particularly fond of S.S. Astro is that the manga focuses on the adults and their lives and relationships. Granted, the main cast are all relatively young and still in their twenties, but there are some older characters as well. Maki and the others can be immature at times, but in the end they are adults with adult responsibilities. Which is not to say there isn’t room for fun in S.S. Astro; being an adult has its perks, too. Video games, drinking parties, and a little bit of workplace romance (straight and otherwise) all have their place in the series. The artwork tends to be rather cute, too. In general, I find S.S. Astro to be fun and funny. S.S. Astro may not be a manga that I go out of my way to recommend to people, but it is one that I quite enjoy. I only wish that there was more of it.

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13 December 2013 1 Comment

12 Days

12 DaysCreator: June Kim
Publisher: Tokyopop
ISBN: 9781598166910
Released: November 2006

June Kim is a Korean-born comics artist and illustrator who currently lives and works in the United States. Although some of her short comics had previously been collected in various anthologies, 12 Days was her first and, as far as I know, only graphic novel to have been published. What I can say for certain is that 12 Days was my introduction to Kim and her work. 12 Days was released by Tokyopop in 2006. The book’s cover design is really quite lovely with silver foil line work and striking red accents. Tokyopop didn’t always take such care with the presentation of its releases, so this was nice to see. 12 Days is at least partially based on a true story—a sad tale that a stranger told to Kim about her ex-girlfriend. Kim herself originally developed the story of 12 Days while getting over a breakup in her sophomore year of college. However, it wasn’t until 12 Days was picked up by Tokyopop that she completed the graphic novel.

On the way back from her honeymoon, Noah was in a lethal car accident. That was a month ago. Noah’s death hits her ex-girlfriend Jackie hard. Already a wreck from their breakup, Jackie is faced with the reality that she has now completely lost the love of her life. And so she devises a way to forget and finally let go. Over the course of twelve days she will drink Noah’s ashes as part of a personal ritual. Somehow Jackie convinces Nick, Noah’s half-brother, to steal some of his sister’s ashes for her from the urn on his parents’ mantle. It’s under these strange circumstances that the two most important people in Noah’s life meet. Nick and Jackie are each struggling to accept and cope with Noah’s death in their own ways. Their shared experience becomes a source of comfort as much as it is a source of pain. They both loved Noah dearly and it will take far more than twelve days to ever change that.

Kim’s style in 12 Days is influenced by both manga and manhwa as well as by independent comics. A prominent theme in both the artwork and narrative of 12 Days is reflection. This can be seen in Kim’s use of mirrors in the graphic novel, but also in the page layouts and panel composition. Jackie and Nick’s actions and how they are captured in the artwork often parallel or echo each other, providing yet another tenuous connection between the two of them. The narrative itself isn’t linear. Much of the story is told through the flashbacks, dreams, and memories that intrude upon Nick and Jackie’s lives. It’s as if a mirror containing all of their thoughts of Noah has been shattered and they are left picking up the pieces—a fitting metaphor for the grieving process. Some of the transitions can be a little difficult to follow at first, but overall it as a remarkably effective approach.

As a whole 12 Days is a very reflective and introspective work. There is intensity and drama but it’s not overblown; the graphic novel tends to be rather intimate and quiet. Despite the realistic portrayal of the complexities of grief, family, love, and loss, 12 Days is not overwhelmingly bleak or depressing. The graphic novel can certainly be heartbreaking considering Noah’s death, the circumstances surrounding her and Jackie’s breakups, and some of society’s prevailing attitudes towards same-sex love, but there is also a fair amount of humor in 12 Days that keeps things from getting too heavy or dark. Even while dealing with the tragedies in their lives, Jackie and Nick, who are both endearingly eccentric, are still able to joke around and tease each other. Sometimes that humor can be a bittersweet reminder of what they have lost, though. 12 Days is a work that holds extraordinarily up well to multiple readings. In fact, I think I enjoyed and appreciated its subtleties even more after reading it several times.

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