My Week in Manga: December 3-December 9, 2012

My News and Reviews

Last week was another three post week here at Experiments in Manga! (In addition to the usual My Week in Manga, that is.) First up was the announcement of the Music Manga Giveaway Winner. The post also includes a list of manga that has been licensed in English that incorporate music. The other two posts were reviews. The honor of the first in-depth manga review of December goes to Dororo, Volume 2 by Osamu Tezuka. Dororo remains one of my favorite Tezuka manga. The second review posted was for Keigo Higashino’s mystery novel Salvation of a Saint. The novel is a part of his Detective Galileo series. Only one other novel in the series, The Devotion of Suspect X, is currently available in English, but there are plans to release A Midsummer’s Equation, as well. I’m a fan of Higashino’s work (so far, Naoko is my personal favorite); I’m looking forward to reading more.

It’s been a while since I’ve pointed out interesting things that I’ve found online, but I’m hoping to get back into the habit. Last week there were two things that particularly caught my attention. First of all, there’s another My Week in Manga in town! Melinda Beasi kicked off a new video feature at Manga Bookshelf—My Week in Manga, Episode 1. Over at Yuri no Boke, Katherine Hanson is reviewing Paros no Ken (Sword of Paros)—a three volume manga series which I’m fairly certain takes place in the Guin Saga universe. It will probably never, ever be licensed in English, but the reviews really make me want to read it. Also, Linda of Animemiz’s Scribblings has posted the call for contributions for December’s Manga Moveable Feast! This month’s Feast will feature Yumi Hotta and Takeshi Obata’s wonderful series Hikaru no Go as well as other game-oriented manga. The Feast will take place between December 26 and December 31.

Quick Takes

Here Is Greenwood, Volumes 3-5 by Yukie Nasu. Although I loved the first two volumes of Here Is Greenwood, I wasn’t quite as taken with these three volumes. I like the series best when it is being utterly absurd, and there wasn’t quite as much of that going on here. I still enjoyed these volumes, though; the series manages to make me laugh on a fairly regular basis. The various story arcs are fairly episodic and there doesn’t seem to be an over-arching plot to be concerned about, although the continued development of the characters’ personalities is important. All of the scenarios usually found in a series centering around a school are present here—ghost stories, school festivals, summer vacations, and so on.

Limit, Volumes 1-2 by Keiko Suenobu. For some reason I wasn’t initially going to pick up Limit (it might’ve been the schoolgirl angle), but I’m really glad that I did—the series is right up my alley. A terrible bus accident claims the lives of nearly an entire class of high school students on their way to a secluded campground. Five of the surviving girls team together while waiting to be rescued. Well, “team together” might be stretching it. The girls carry a lot of hostility and can barely get along. They’ll not only have to survive the situation in which they find themselves but survive each other as well. The power and relationship dynamics in Limit are intense and exceptionally well done. Limit can be brutally realistic at times. I’ll definitely be following the rest of the series.

Sensitive Pornograph by Ashika Sakura. Sensitive Pornograph is a collection of six short, unrelated boys’ love manga. The title story and “Trophies Belong In the Bedroom” (which were probably my favorite two), were later made into an OVA. “Please, Kiss Me” is one of Sakura’s older works. The artwork isn’t as accomplished as it is in the other stories, but it’s light fun. “Non-Adult Situations” seemed like something I’d read before. “Indirect Youth” is unfortunately rape-y, but still manages to have its cute moments. “Come Home” has a nice family-oriented twist to it. Published under Digital Manga’s 801 imprint there’s plenty of explicit, uncensored sex in Sensitive Pornograph, but there’s a bit of plot, too.

Thermae Romae, Omnibus 1 (equivalent to volumes 1-2) by Mari Yamazaki. Yen Press’ deluxe hardcover release of Thermae Romae is fantastic and the content more than lives up to its presentation. Yamazaki’s personal notes included after each chapter are also a delightful addition. Thermae Romae manages to be both extremely entertaining as well as somewhat educational. Lucius is a Roman bath engineer from the Hadrian era who has a tendency to slip, fall, and almost drown in the baths on a regular basis. This somehow causes him to time-travel to various baths and hot springs in modern Japan. Lucius transforms the bizarre experiences he has in Japan into architectural and bathing innovations upon his eventual return to ancient Rome.

Berserk: The Golden Age, Arc I: The Egg of the King directed by Toshiyuki Kubooka. Kentaro Miura’s Berserk is one of my favorite manga series, particularly the “Golden Age” arc. I was very excited about the new series of anime films. The first film is a decent adaptation. It moves very, very quickly, taking the story up through the assassination of Count Julius. Unfortunately, the pace does mean that the characters have lost some of their depth. However, most of the important plot points make it into the film. I wasn’t overly fond of the sequences that relied heavily upon 3D CG animation, although occasionally it is used to great effect. The fight choreography in particular is exciting and very nicely done.

Salvation of a Saint

Author: Keigo Higashino
Translator: Alexander O. Smith and Elye J. Alexander
U.S. publisher: St. Martin’s Press
ISBN: 9780312600686
Released: October 2012
Original release: 2008

Salvation of a Saint is the third novel by Keigo Higashino to be translated into English (and the third that I have read), following Naoko and The Devotion of Suspect X. Salvation of a Saint is the fifth book in Higashino’s Detective Galileo series (The Devotion of Suspect X is the third). But, like many mystery series, the individual Detective Galileo volumes are largely able to stand on their own. Salvation of a Saint was first published in Japan in 2008. Alexander O. Smith and Elye J. Alexander’s English translation was released in 2012 by Minotaur, the mystery and suspense imprint of St. Martin’s Press. I enjoyed both Naoko and The Devotion of Suspect X immensely; I was very excited to learn that Salvation of a Saint was being released in English. Even though technically published out of order, I am very glad to have the opportunity to read more Detective Galileo.

When Yoshitaka Mashiba is found poisoned in his home, the Tokyo police have their work cut out for them. It doesn’t appear to be a suicide and yet he doesn’t seem to have made any enemies, either. The only person with a clear motive is Yoshitaka’s wife, Ayane, except that she was in Hokkaido visiting her parents at the time of his death. The more the detectives investigate, the more is revealed about the Mashibas’ personal lives. Detectives Kusanagi and Utsumi have developed plenty of theories explaining Yoshitaka’s death, but they still need to find the evidence to support them. Eventually Utsumi calls upon Manabu Yukawa, a physicist who has helped to solve past cases, earning him the nickname of “Detective Galileo.” Even though he isn’t interested in working with the police after having a falling out with Kusanagi, Yukawa is intrigued by what at first appears to be the perfect crime.

It’s fairly clear, to the readers at least, who the culprit in Salvation of a Saint actually is. In this way, Salvation of a Saint is similar to The Devotion of Suspect X. However, each novel is filled with their own unexpected story twists. It’s not just important who committed the crime in Salvation of a Saint; much of the mystery focuses on how the person was even able to pull it off. Even the motive behind Yoshitaka’s murder is revealed to be much more complicated and involved than initially thought. Once again, Higashino has written and engaging and compelling scenario. I didn’t find it to be as emotionally hard-hitting as The Devotion of Suspect X, but Salvation of a Saint was still surprising. The novel is a clever page-turner. Once I started reading it, I didn’t want to put the novel down. I picked up on all of the clues that Higashino dropped and felt compelled to finish the book quickly in order to discover how they all fit together.

Salvation of a Saint isn’t an action-packed thriller. In fact, there is a lot of dialogue and discussion as the investigators work things out. But, the novel is still intellectually invigorating and very satisfying. I’m quite fond of Professor Yukawa. The series may take its name from him, but he’s almost a supporting character. I particularly enjoyed the scenes that he shared with Detective Kusanagi. The two may have their problems, but they’re old friends. Their good-natured ribbing greatly amuses me. I’d actually like to know more about their relationship, which I can only assume has been addressed in more detail in earlier volumes of Detective Galileo. Granted, there is still enough in Salvation of a Saint to get a good sense of their friendship. I’m sincerely looking forward to their return in the next Detective Galileo novel scheduled to be released in English, A Midsummer’s Equation.

Dororo, Volume 2

Creator: Osamu Tezuka
U.S. publisher: Vertical
ISBN: 9781934287170
Released: June 2008
Original run: 1967-1968
Awards: Eisner Award

Although I’ve read quite a few of the works by Osamu Tezuka that are available English, Dororo remains one of my personal favorites. Dororo is one of Tezuka’s transitional manga, bridging between his earlier, brighter works and his later, more mature stories. Dororo strikes a great balance between its darker elements and its action-adventure leanings. I particularly enjoy Dororo‘s mix of historical fantasy and legend. The manga was originally serialized in Japan between 1967 and 1968. The English-language edition of Dororo was initially published as three individual volumes in 2008 by Vertical, winning an Eisner Award in 2009. That particular edition is now out of print, but fortunately Vertical re-released the series as a single-volume omnibus in 2012. It makes me very happy that the series is still readily available. I’ve read Dororo several times now and am glad that others will still have the opportunity to do the same.

Dororo, Volume 2 continues to follow companions Hyakkimaru and Dororo as they travel across Japan. Outcasts of society, they have no choice but to move from one place to another; they are repeatedly driven out of the villages that they happen across along their way. The two travelers don’t have much, but at least they have each other. Although they might be reluctant to admit it, Hyakkimaru and Dororo make a good team as they face the trials and tribulations encountered on their journey across the war-torn country. Ultimately, Hyakkimaru wants to find happiness and a palace where he can live in peace, but his more immediate concern is to hunt and destroy the demons to which his body was sacrificed by his father. Little does he know that this goal will lead him back to the very family which abandoned him as a newborn, only to result in further tragedy.

Although Hyakkimaru and Dororo must repeatedly confront demons, it is often the humans they encounter who are the true monsters of the story. People can be very cruel to one another and war often brings out the worst. Some of the most horrifying acts committed in Dororo, Volume 2 have nothing to do with ghouls and demons and everything to do with individuals who lust for power and people’s propensity towards violence. Some of the most benevolent characters in Dororo, Volume 2 are actually the inhuman creatures. Even the more kindly people simply can’t bring themselves to accept Hyakkimaru, regardless of the fact that he is often the one who has saved them from the spirits and demons that plague them. Hyakkimaru has come to expect this from others, but the younger Dororo is still frustrated by the situation’s inherent unfairness. Dororo is one of the very few people who is able to completely accept Hyakkimaru for who he is.

One of the things that I enjoy the most about Dororo is the relationship between Hyakkimaru and Dororo. Dororo is a bright kid and is surprisingly optimistic despite having a tragic past. Hyakkimaru, who has certainly seen his own fair share of tragedy, is significantly darker and more world-weary. Their personalities balance each other nicely; both Dororo and Hyakkimaru provide something that the other needs. The human companionship they share is important, especially when living in a world that has rejected them. The two outcasts, even though unrelated by blood, are close enough to be siblings. Hyakkimaru and Dororo have grown quite attached to each other. They have their fights and spats and there’s plenty of good-natured teasing, but they truly seem to care for and look out for the other. Even after several rereads Dororo is still a series that I appreciate and enjoy immensely, especially for its lead characters.

Manga Giveaway: Music Manga Giveaway Winner

And the winner of the Music Manga Giveaway is…Ben Jonas!

As the winner, Ben will be receiving the first four volumes of Harold Sakuishi’s manga series Beck: Mongolian Chop Squad as published by Tokyopop. For this giveaway, I was interested in learning about everyone’s favorite music-themed manga. Check out the giveaway comments for all of the responses!

Music is one of my great loves and so I always enjoy it when music is incorporated into the manga that I read. Sometimes music is a major part of a manga’s plot, such as in Beck: Mongolian Chop Squad. (Also worth reading is Otaku Champloo’s recent feature on Beck). Sometimes music plays more of a minor role, but it always makes me happy when it shows up.

A selection of manga licensed in English which incorporate music:
20th Century Boys by Naoki Urasawa
Age Called Blue by Est Em
Ai Ore! by Mayu Shinjo
Alice the 101st by Chigusa Kawai
Astral Project written by Garon Tsuchiya, illustrated by Shyuji Takeya
Beck: Mongolian Chop Squad by Harold Sakuishi
La Corda d’Oro by Yuki Kure
Detroit Metal City by Kiminori Wakasugi
A Devil and Her Love Song by Miyoshi Tomori
Dragon Voice by Yuriko Nishiyama
Full Moon o Sagashite by Arina Tanemura
Il Gatto Sul G by Tooko Miyagi
Grand Guignol Orchestra by Kaori Yuki
Gravitation by Maki Murakami
Hard Rock by Akane Abe
K-ON! by Kakifly
Me and the Devil Blues by Akira Hiramoto
Mikansei No. 1 by Majiko
Nana by Ai Yazawa
Nodame Cantabile by Tomoko Ninomiya
Pichi Pichi Pitch written by Michiko Yokote, illustrated by Pink Hanamori
Solanin by Inio Asano
Solfege by Fumi Yoshinaga
SOS by Hinako Ashihara
Seduce Me After the Show by Est Em
Tena on S-String by Sesuna Mikabe
Utahime by Aki
Venus Capriccio by Mai Nishikata
Virtuoso di Amore by Uki Ogasawara
Voiceful by Nawoko

My Week in Manga: November 26-December 2, 2012

My News and Reviews

Although it wasn’t a particularly busy week at Experiments in Manga, I did have three posts in addition to the usual My Week in Manga. November’s Bookshelf Overload was posted over the weekend. There were some really lovely deluxe manga and box sets released in November. The most recent Library Love feature was also posted. I took a quick look at some of the manga that I borrowed from my local library: Black Blizzard, Here Is Greenwood, Nana, and Peace Maker Kurogane. Also, November’s manga giveaway is currently in progress. The winner will be announced on Wednesday, so there’s still time to enter for a chance to win the first four volumes of Harold Sakuishi’s Beck: Mongolian Chop Squad. Simply tell me about your favorite music-themed manga. I also want to mention a marvelous feature on Takehiko Inoue that CNN released as part of its “Human to Hero” feature—How ‘Slam Dunk’ Manga Artist Brings Characters to Life.

Quick Takes

13th Boy, Volume 1 by SangEun Lee. I’m not entirely sure what to make of 13th Boy, and I have no idea where Lee is taking the story, but I did enjoy the first volume—it was delightfully quirky. The manhwa could have been a fairly straightforward romantic comedy, except for the fact that it incorporates a bit of magic, destiny, and a sentient cactus. (Yes, you read that correctly, a sentient cactus.) Hee-So Eun dated Won-Jun Kang, the boy she fell in love with at first sight, for less than a month before he broke up with her. What she can’t seem to understand is why, and so she’s more determined than ever to prove to him that they should be together. But a mysterious boy in her class, Whie-Young Jang, keeps getting in the way.

Finder, Volumes 4-6 by Ayano Yamane. If I understand correctly (and I very well may be wrong), Finder was originally intended to end with the fifth volume, but its popularity was such that Yamane was able to publish more. The sixth volume mostly focuses on Akihito’s everyday life as he tries to get his feet back under him after his traumatic experiences in Japan and Hong Kong’s underworld. It was still a great volume with quite a bit of action, but I did miss the intense, dark drama and complicated character interactions that Fei Long’s presence brought to the previous volumes. The fairly extensive crossover between the Finder series and Yamane’s “In Love” short manga did make me very happy, though.

Real, Volumes 10-11 by Takehiko Inoue. I honestly believe that Real is one of the best manga series currently being published in English. I first read Real after borrowing the series from the library, but it is such a great series that I had to have a set of my own. I really can’t recommend this series enough. Inoue’s artwork is fantastic and his characters are marvelously complex. The series’ realism is phenomenal. All of the characters are struggling with their own limitations and searching for their place in the world. There are triumphs and there are failures, but how the characters deal with them is what makes the series so compelling, powerful, and even inspiring. I can hardly wait for the next volume.

Reiko the Zombie Shop, Volumes 1-6 by Rei Mikamoto. Action-packed, gory fun is probably the easiest way to describe Reiko the Zombie Shop. It reminds me a bit of Kurosagi Corpse Delivery Service, which is not at all a bad thing; granted Reiko the Zombie Shop was published first. I actually preferred the shorter one-shot stories in the series over the longer more involved plot arcs. Although the longer stories have some advantages: there’s more time to get a feel for the characters (of course, Mikamoto doesn’t hesitate to kill most of them off, anyway), and there’s a wider variety of zombies and powers displayed. Only six of the eleven volumes were released in English, ending on a cliffhanger, but the series is entertaining.