Boogiepop at Dawn

Boogiepop at DawnAuthor: Kouhei Kadono
Illustrator: Kouji Ogata

Translator: Andrew Cunningham
U.S. publisher: Seven Seas
ISBN: 9781934876060
Released: August 2008
Original release: 1999

Technically, Boogiepop at Dawn is the sixth volume in Kouhei Kadono’s series of Boogiepop light novels illustrated by Kouji Ogata, however it serves as a prequel to the entire work. Seven Seas jumped to releasing Boogiepop at Dawn after publishing the first three Boogiepop novels in English—Boogiepop and Others and Boogiepop Returns: VS Imaginator, Part 1 and Part 2. It was a decision that made sense: the entire series wasn’t able to be translated, Boogiepop at Dawn ties in directly with the early novels, and the volume was partially the basis for the Boogiepop Phantom anime. Boogiepop at Dawn was originally published in Japan in 1999 while Andrew Cunningham’s English translation was released by Seven Seas in 2008 (two years after the first three books). I discovered the Boogiepop franchise late, after the novels and manga available in English had already gone out of print, but I have still been thoroughly enjoying the series and looked forward to reading Boogiepop at Dawn

As an agent working for the secretive Towa Organization, Scarecrow is responsible for finding other humans who, like him, have extraordinary psychic and physical abilities and strengths. The Towa Organization is very interested in these remarkable people; by controlling them it hopes to control the course of human evolution. Scarecrow’s search is made easier by the fact that he poses as Kuroda Shinpei, a private detective; he is able to continue his primary investigation while working more mundane cases. Scarecrow meets Kirima Nagi, a young woman who has been hospitalized with an undiagnosed but painful condition, while searching for evidence against another Towa agent whose loyalty has been called into question. Nagi has the potential to become one of those exceptional, highly-evolved people he is searching for, but instead of reporting her to the Towa Organization, Scarecrow decides to go against his orders, saving her life by risking his own and triggering a sequence of events that will leave multiple people dead.

Boogiepop at Dawn, page 7Although Boogiepop at Dawn is a prequel, it really is intended to be read by those who are already familiar with Boogiepop in general and with the first few volumes of the series specifically. But for those readers who are, Boogiepop at Dawn is spectacular and a very satisfying addition. Ostensibly the volume is the origin story of Boogipeop—a supernatural entity in conflict with the Towa Organization who is also keeping watch over the super-evolved humans, destroying them when necessary—and to a small extent it is. But Boogiepop actually makes very few appearances in the volume. However, Boogiepop at Dawn does provide an extensive background for another of the series’ primary characters, Nagi, and explains the purpose of the Towa Organization. Many of the other protagonists and antagonists from the earlier Boogiepop novels make a showing as well, which ties everything together very nicely. I was particularly pleased to learn more about Nagi’s father, Kirima Seiichi, an author of peculiar importance to the series whose story hasn’t been fully revealed until now.

Boogiepop at Dawn is a collection of four closely connected narratives with an additional framing story that bookends the volume. Most of the stories focus on Nagi, either directly or tangentially. Much like the other Boogiepop novels, Boogiepop at Dawn employs elements from a number of different genres, but it may safely be called speculative fiction as a whole. All melded together in the volume are bits of mystery and detective work, horror, action and martial arts, the supernatural, and science fiction. Boogiepop at Dawn is engaging and at times chillingly dark with heavy psychological components. The individual stories are seen from different perspectives, at various points following Scarecrow, Seiichi, a serial murderer, and an assassin. Boogiepop is mostly a presence in the background, but an important one nonetheless. Boogiepop at Dawn is also similar to the earlier volumes of the series in that it does not adhere to a strictly chronological structure, but it’s fascinating to seen the beginnings of the plot threads that will become so entangled in the other novels.

My Week in Manga: March 2-March 8, 2015

My News and Reviews

And the honor of the first in-depth manga review for the month of March at Experiments in Manga goes to Tetsu Kariya and Akira Hanasaki’s Oishinbo, A la Carte: Vegetables which, as is probably fairly obvious, is a food manga about vegetables. I tend to enjoy the Oishinbo, A la Carte collections, finding them to be both educational and entertaining. Vegetables is a good volume, but it does get pretty political. I also posted a list of manga featuring immortals last week as part of the announcement of the UQ Holder! Giveaway Winner. February’s Bookshelf Overload was posted as well, which can mostly be summarized by me yelling “JooooooJoooooo!

I was fairly busy last week, but a few things did catch my eye online. Viz Media’s Shojo Beat imprint announced two new licenses: Bloody Mary by Akaza Samamiya and Honey So Sweet by Amu Meguro. Seven Seas had a pretty big surprise, too—it’s opened a division focused on producing anime and manga themed tabletop games. First up? A deck-building game based on Space Dandy. Tofugu posted a great article about choosing the best yokai books available in English. I’ve reviewed two of the books mentioned—Yokai Attack: The Japanese Monster Survival Guide and The Night Parade of One Hundred Demons: A Field Guide to Japanese Yokai—and have read some of the others, so I can confirm that it’s a worthwhile list. Also, Paul Gravett has a lovely post remembering mangaka Yoshihiro Tatsumi, who passed away over the weekend.

Quick Takes

Black Rose Alice, Volume 3Black Rose Alice, Volume 3 by Setona Mizushiro. After a brief detour into lighter territory in the second volume, the third volume Black Rose Alice has taken a definite turn for the darker again. The series can be legitimately disconcerting and oddly provocative at the same time. Alice is getting to know all of the vampires in the nest a little better, but it’s Leo who is in the lead for her affections. The twins are somewhat immature and Dimitri is intentionally trying to not get involved with her, so Leo seems to be Alice’s obvious choice for procreation. Going through with it will lead to both of their deaths, so she is taking her time in making the decision, wanting to feel confident that her choice is the correct one. However, time is not on Leo’s side; his death is already imminent. Alice is unaware of this, though she does notice him acting out-of-character. Black Rose Alice is a strange and disturbing series. As a whole the vampire mythology that Mizushiro has created continues to be unlike any other that I’ve encountered. There is a very dark eroticism to the story as well. Occasionally there are more humorous moments, but they only serve to emphasize the underlying horror of the series.

My Little Monster, Volume 4My Little Monster, Volumes 4-6 by Robico. The third volume back-pedaled from the progress that the story and characters had made in the first two volumes and now with these three it seems as though My Little Monster is stuck in some sort of mire. I still like the characters, most of whom are quirky or weird in one way or another, but I find it immensely frustrating that the series just isn’t going anywhere. Actually, other than the awkward romance, I’m not entirely sure what the overarching story is even supposed to be at this point. However, there is definitely one heck of a love polygon going on. But even with so many unrequited feelings, there doesn’t seem to be as much drama as would be expected. In some ways, that’s actually a little refreshing. It’s nice that the characters can enjoy one another’s company even considering the romantic rivalries. I am glad to see that Haru’s volatile and frequently violent emotional state hasn’t been romanticized, although occasionally it is used for a bit of humor. In part, My Little Monster is intended to be a comedy, but these volumes are generally a bit more serious overall. There are still some genuinely funny and endearing moments, though.

Not Enough TimeNot Enough Time by Shoko Hidaka. Because I’m enjoying her ongoing series Blue Morning so much, and to make the wait for the next volume a little easier, I’ve made a point to read more of Hidaka’s manga. Not only was Not Enough Time Hidaka’s debut in English, it was also her first volume of boys’ love manga to be released in Japan. Even though it’s an early work, Hidaka’s storytelling and nuanced characterizations were already quite excellent. Her artwork is lovely, too. Not Enough Time is a collection of six short boys’ love manga, some of which share a few recurring characters while others are completely unrelated. One lead couple consists of two high school students, but all of the other romances in the volume are between adult men. The basic settings and overall scenarios of the stories collected in Not Enough Time aren’t particularly unusual or unique. What makes them stand out is Hidaka’s willingness to allow the relationships to be complicated and messy; the endings aren’t always wrapped up happily or neatly. Instead, there is a sense of ambiguity and the feeling that characters’ lives continue on well after the manga has concluded. I thoroughly enjoyed the collection.

xxxHolic: Rei, Volume 2xxxHolic: Rei, Volume 2 by CLAMP. After two volumes, I’m not yet convinced that CLAMP knows exactly where Rei is going as it feels a bit aimless. I find that I’m much less interested in the episodic stories of the series than I am in its underlying plot. Only ominous hints are given as to what is going on, just enough to keep the manga engaging. Watanuki is as clueless as the readers are at this point (if not more so), though he is becoming increasingly suspicious about his precarious situation. Both Yuko and Domeki obviously know what is what, but they either can’t or won’t tell him. Rei may be somewhat haphazard story-wise, but I really do enjoy the series’ striking artwork. It might not be absolutely necessary to have read xxxHOlic to follow Rei, but I do get the feeling that the manga will be more meaningful to those who have at least passing familiarity with the original series. (I should actually get around to finishing xxxHolic one of these days, especially now that it’s back in print; I’ve only ever read the first few volumes or so.) I’m very curious to see how Rei ties back into xxxHolic proper, or if it ever does. The third volume of Rei has been released in Japan, but apparently the series is currently on hiatus.

Bookshelf Overload: February 2015

JooooooJoooooo! It’s finally here! By far the manga I was most excited to get my hands on in February was Hirohiko Araki’s JoJo’s Bizarre Adventure, Part 1: Phantom Blood, Volume 1. I’m thankful for the manga’s recent anime adaptation, otherwise I’m not sure we would have ever seen the series licensed in English. Viz has done a beautiful job with the release. (I hope to have an in-depth review of the volume in the near future.) Other February manga releases that I was particularly happy to see included Prophecy, Volume 2 by Tetsuya Tsutsui, the second omnibus of Satoshi Mizukami’s Lucifer and the Biscuit Hammer (the first volume surprised me, and I’m very curious to see where the series goes), and Gangsta, Volume 5 by Kohske. I’m also looking forward to reading the second Milkyway Hitchhiking omnibus, a gorgeous full-color manhwa by Sirial. And because February usually means Valentine’s Day sales on romance manga, I managed to pick up a random assortment of boys’ love manga by creators whose other work I’ve enjoyed in the past for a great price.

Manga!
Akame ga Kill!, Volume 1 written Takahiro, illustrated by Tetsuya Tashiro
Alice in the Country of Clover: Ace of Hearts by Mamenosuke Fujimaru
Alice in the Country of Clover: Nightmare by Yobu
Assassination Classroom, Volume 2 by Yusei Matsui
A Centaur’s Life, Volume 5 by Kei Murayama
Devils and Realist, Volume 4 written by Madoka Takadono, illustrated by Utako Yukihiro
From the New World, Volume 7 written by Yusuke Kishi, illustrated by Toru Oikawa
Gangsta, Volume 5 by Kohske
His Favorite, Volume 7 by Suzuki Tanaka
Intriguing Secrets by Rize Shinba
JoJo’s Bizarre Adventure, Part 1: Phantom Blood, Volume 1 by Hirohiko Araki
Juicy Cider by Rize Shinba
Little Cry Baby by Keiko Kinoshita
Love at Fourteen, Volume 1 by Fuka Mizutani
Lucifer and the Biscuit Hammer, Omnibus 2 by Satoshi Mizukami
Mars, Volumes 1-15 by Fuyumi Soryo
Mars: Horse with No Name by Fuyumi Soryo
My Little Monster, Volume 4 by Robico
No Matter How I Look at It, It’s You Guys’ Fault I’m Not Popular!, Volume 6 by Nico Tanigawa
Obediant One by Yutakamaru Kagura
Prophecy, Volume 2 by Tetsuya Tsutsui
The Seven Deadly Sins, Volume 4 by Nakaba Suzuki
Shy Intentions by Shoko Takaku
Star by Keiko Konno
Tale of the Waning Moon, Volumes 2-4 by Hyouta Fujiyama
Tsubasa: Reservoir Chronicle, Omnibus 1 by CLAMP
Ubel Blatt, Omnibus 1 by Etorouji Shiono
Wild Butterfly by Hiroki Kusumoto
Witchcraft Works, Volume 3 by Ryu Mizunagi
xxxHolic, Omnibuses 1-3 by CLAMP

Manhwa!
Milkyway Hitchhiking, Omnibus 2 by Sirial

Comics!
Fast Friends written by Dale Lazarov, illustrated by Michael Broderick
Huddle! by Ngozi Ukazu
The Unicorn and the Woodsman by Kate Brown

Novels!
Secondhand Memories by Takatsu

Anime!
Carried by the Wind: Tsukikage Ran directed by Akitaro Daichi
Wolf Children directed by Mamoru Hosoda

Oishinbo, A la Carte: Vegetables

Oishinbo, A la Carte: VegetablesAuthor: Tetsu Kariya
Illustrator: Akira Hanasaki

U.S. publisher: Viz Media
ISBN: 9781421521435
Released: September 2009
Original release: 2006
Awards: Shogakukan Manga Award

When it comes to food manga, the long-running and sometimes controversial Oishinbo is one of the most successful series in Japan. Written by Tetsu Kariya and illustrated by Akira Hanasaki, the popular Oishinbo is well over a hundred volumes long and earned its creators a Shogakukan Manga Award in 1987. I don’t expect Oishinbo to ever be released in English in its entirety, but Viz Media did license seven volumes of Oishinbo, A la Carte–thematic collections of stories selected from throughout the series. Oishinbo, A la Carte: Vegetables is technically the nineteenth A la Carte volume, published in Japan in 2006, but in 2009 it became the fifth collection to be released in English under Viz Media’s Signature imprint. If I recall correctly, Oishinbo, A la Carte: Japanese Cuisine was the very first food manga that I ever read. Since then, I have enjoyed slowly making my way through the other A la Carte collections available in English, and so was looking forward to a serving of Vegetables.

While Vegetables collects Oishinbo stories from different points the series, it also includes some of the earliest arcs. One of the primary, ongoing plotlines of the manga is the competition between Yamaoka, a newspaper journalist heading the “Ultimate Menu” project, and his estranged father Kaibara, who is developing the “Supreme Menu” for a rival paper. The three-part “Vegetable Showdown!” that opens the volume is only their second official battle for culinary dominance. Appropriately for a volume about vegetables (since getting kids to eat them is apparently a worldwide struggle), many of the stories feature children discovering that produce like eggplants, bean sprouts, and carrots might not be so bad after all. At least when they’re prepared well. Adults preconceived notions are challenged in the manga as well, not just about how vegetables are prepared and taste but also about how they are grown and produced. The stories in Vegetables often follow produce from the field to the table.

Oishinbo, A la Carte: Vegetables, page 90Oishinbo frequently delves into the politics of food and the series’ characters (and I would assume by extension its creators) have very strong opinions about the matter. Vegetables joins the previous two A la Carte collections in English–Fish, Sushi & Sashimi and Ramen & Gyōza–in particularly stressing the importance of quality ingredients and in arguing very strongly for food that has been safely, responsibly, sustainably, and often locally produced. So far, however, Vegetables seems to be the volume that is most blatant in its activism, villainizing the use of herbicides and pesticides. Opposing viewpoints are briefly entertained, but it is very clear which side of the debate Oishinbo supports. The environmentalist message in Vegetables can be very heavy-handed. Organic produce is often ideal for a number of the reason explained in Vegetables, but the reality is perhaps much more complicated and nuanced than the manga might lead readers to believe.

Overall, I think that Vegetables may actually be one of the weaker A la Carte volumes to have been released in English, but I still enjoyed it. Oishinbo is a series that is educational as well as entertaining and Vegetables is no exception. Although not particularly subtle about its politics, the manga is informative, the individual stories exploring different aspects of produce from how they are grown to what a chef should keep in mind when preparing them. When it comes to vegetables, Oishinbo would seem to argue for simplicity. Produce grown in ideal conditions and in their native environments require very little to enhance their natural goodness and flavor. A dish may be refined, but if the ingredients are of high quality to begin with it does not need to be overly complex. Sometimes only a bit of salt is all that is called for. Food is a major source of the drama in Oishinbo and is often what drives the manga’s plot. And even when it’s not, food–and in this particular volume vegetables–always plays a significant supporting role.

Manga Giveaway: UQ Holder! Giveaway Winner

UQ Holder!, Volume 1And the winner of the UQ Holder! manga giveaway is… Jenni!

As the winner, Jenni will receive a copy of UQ Holder!, Volume 1 by Ken Akamatsu as published by Kodansha Comics. With recent series like UQ Holder! and Ajin: Demi-Human coming out, I’ve been thinking about immortals in manga, and so for this giveaway I asked people to tell me about some of their favorite immortals. Check out the giveaway comments for all of the specifics, or the even longer (but still select) list of manga below.

Some of the manga available in English featuring immortals of various types:
3×3 Eyes by Yuzo Takada
Ajin: Demi-Human by Tsuina Miura and Gamon Sakurai
Black Butler by Yana Toboso
Blade of the Immortal by Hiraoki Samura
Blood+ by Katsura Asuka
Code Geass: Lelouch of the Rebellion by Majiko!
Durarara!! written by Ryohgo Narita, illustrated by Akiyo Satorigi
Five Star Stories by Mamoru Nagano
Hellsing by Kouta Hirano
Hoshin Engi by Ryu Fujisaki
Kamisama Kiss by Julietta Suzuki
Immortal Rain by Kaori Ozaki
Lunar Legend Tsukihime by Sasaki Shounen
Mermaid Saga by Rumiko Takahashi
Olympos by Aki
Kieli written by Yukako Kabei, illustrated by Shiori
Mystique Mandala of Hell by Hideshi Hino
Phoenix by Osamu Tezuka
The Seven Deadly Sins by Nakaba Suzuki
Suikoden III by Aki Shimizu
Trigun by Yasuhiro Nightow
UQ Holder! by Ken Akamatsu
Vassalord by Nanae Chrono
Vampire Knight by Matsuri Hino
Vampire Princess Miyu by Narumi Kakinouchi and Toshiki Hirano
Wish by CLAMP
Ze by Yuki Shimizu

Thank you to everyone who shared your favorite immortals with me! I hope you’ll all join me again for the next giveaway.