Maka-Maka: Sex, Life, and Communication, Volume 1

Maka-Maka: Sex, Life, Communication, Volume 1Creator: Torajiro Kishi
U.S. publisher: Media Blasters
ISBN: 9781598832938
Released: November 2008
Original release: 2003

There have been relatively few mature, adult-oriented yuri manga licensed in English. One of the best, or at least one of my favorites, is Torajiro Kishi’s Maka-Maka: Sex, Life, and Communication. It’s a short series consisting of only two slim volumes, both of which are unfortunately very out of print. The first volume of Maka-Maka was released in English in 2008 by Kitty Media, the adult and mature content imprint of Media Blasters. Maka-Maka was also released in French as well as in German. The first volume of Maka-Maka was originally published in Japan in 2003. The English edition of Maka-Maka closely emulates the Japanese release. The cover of Kitty Media’s English-language release declares Maka-Maka to be a groundbreaking, critically acclaimed work. I can’t really comment on that, but I do know that the series was generally well-received when first released in English. One of the things that makes Maka-Maka particularly stand out is that Kishi’s artwork is completely in color. In fact, if I recall correctly, Maka-Maka was the first full-color manga that I ever came across.

Jun and Nene are exceptionally close. The two young women attend the same art college—Jun studies graphic arts while Nene pursues fashion design—and they share similar interests as well. When the two of them aren’t working on assignments for class they enjoy spending time together. They both have boyfriends (Jun actually has three), but their most satisfying relationship sexually and romantically is the one that they share with each other. Nene and Jun are friends with benefits, but they are also best friends. They care immensely about each other, support each other, and simply enjoy being together. They relax and have fun, complain about schoolwork and their boyfriends, and are generally just there for each other. Which isn’t to say that they don’t have their disagreements and arguments. Occasionally teasing goes a little too far and feelings get hurt, but in the end both Nene and Jun love each other. Their relationship is one of the most important things in their lives and it is something that neither of them wants to give up.

As previously mentioned, one of the things that sets Maka-Maka apart from many other manga is Kishi’s color artwork, which is excellent. The highlighting does sometimes make it appear as though Jun and Nene have a shiny, plastic-like sheen to their bodies, but otherwise the artwork is quite nice. The shading, textures, and skin tones are particularly lovely and realistic. They also change depending on a chapter’s setting or the lighting of the environment. Whether it’s harsh fluorescent indoor lights, the brilliant noonday sun, cool moonlight, or a warm sunset, Kishi adapts the color palette in Maka-Maka to fit the various moods and scenes. Kishi’s figure work is also very strong. Though somewhat idealized and flawless, Jun and Nene’s appearances aren’t especially exaggerated or unnatural. They are obviously adult women and they have curves. The two of them are almost constantly smiling, too. Their likeable personalities shine through their facial expressions and body language as they enjoy each other’s company.

Maka-Maka is unquestionably an erotic manga and Sex, Life, and Communication is an extremely apt subtitle. Sex, kissing, cuddling, groping, and fondling make up a large portion of the manga. Physical intimacy is one of the ways that Jun and Nene communicate with each other and show their love and affection. The sex between Nene and Jun in Maka-Maka is joyful and includes plenty of laughter. Their close, intimate relationship, of which sex is only one part, simply makes me happy. In comparison, their sexual encounters with men in the manga, at least those that are shown, are much more awkward and can even be unpleasant. Jun and Nene are happiest when they are together. Maka-Maka doesn’t have much of an ongoing story. Instead, the short chapters, each only seven pages long, allow readers brief glimpses into the everyday lives of the two young women and their close, personal relationship. Some of the content in Maka-Maka may be explicit and mature, but the manga is just as much about these wonderful, believable characters as it is about the sex.

My Week in Manga: September 24-September 30, 2012

My News and Reviews

Since it is the end of one month and the beginning of another, the most recent manga giveaway has been posted. The winner will be announced on Wednesday, so there’s still time to enter for a chance to win the first volume of Mayu Shinjo’s Ai Ore!, Volume 1 as published by Viz Media. The most recent Library Love feature was also posted. Basically, it’s a bunch of quick takes of manga that I borrowed from my library.

Also posted last week was my review of Elements of Manga Style by João Henrique Lopes, a Brazilian artist. Lopes was kind enough to send me a copy of the book for review. I found the subject matter to be fascinating and now want to read more about the theory and design of comics and manga.

Finally, there’s one item of news that I want to mention: Hiroaki Samura’s manga Blade of the Immortal is coming to an end. He’s been working on the series for nineteen years. The English release of Blade of the Immortal (which I am slowly reviewing) is still several volumes behind the Japanese release, but the end is drawing near.

Quick Takes

Barbara by Osamu Tezuka. Barbara is a very odd manga, but I’m not convinced that Tezuka was deliberately trying to be strange; I think it just happened to turn out that way. The manga focuses on Yosuke Mikura, a novelist, who happens across Barbara, a young woman and a drunk destined to become his muse. It is reveled early on that Mikura isn’t a particularly reliable narrator, so there’s always a question of how much of Barbara is the truth and how much of it is his delusions. For me, this was the most fascinating aspect of the manga. The final “twist” to the story was heavily foreshadowed and therefore wasn’t at all surprising, but even though it was completely predictable I did like the ending.

Maka-Maka, Volumes 1-2 by Torajiro Kishi. I haven’t read much explicit, adult-oriented yuri manga, but in my limited experience Maka-Maka is one of the best out there. It’s also completely in color. Each chapter is only about eight pages long and centers around a moment in the lives of Jun and Nene. The two young women are best friends and in Maka-Maka are shown to be almost constantly in each others arms, teasing, fondling, and having sex with each other. Maka-Maka is very voyeuristic but not at all sleazy. It is abundantly clear that Jun and Nene enjoy being with each other. There’s a lot of giggling involved and they are incredibly affectionate. Both Jun and Nene have boyfriends, but their relationship with each other is incredibly important.

Makeshift Miracle, Book 1: The Girl from Nowhere written by Jim Zub and illustrated by Shun Hong Chan. Makeshift Miracle originally started as a webcomic written and illustrated entirely by Zub. The present incarnation has been rewritten and Chan has been brought in to handle the art. So far, the most striking thing about Makeshift Miracle is its gorgeous artwork. The color work in particular is beautiful and dreamy. Plot-wise, not much has happened yet, the first book mostly serves to set the mood and scenario, but I find myself intrigued. I’m particularly curious about and amused by Esurio. Current plans are for the next volume to be released in 2013. I’ll certainly be keeping my eye out for it.

Otomen, Volumes 6-10 by Aya Kanno. I am still really enjoying this series. Even though it has a serious and honest message, Otomen is frequently silly and even ridiculous. But that’s what makes it such a delightfully fun series for me. That and Asuka is absolutely adorable when he blushes, which is often. The characters face trials and tribulations, but for the most part Otomen is a fluffy, feel-good manga. Granted, the characters aren’t particularly complex or deep, but I do like them. Which is good, because more and more characters keep being introduced. Technically, Otomen is a romantic comedy so supposedly there’s an overarching story dealing with the romance between Asuka and Ryo, but that particular plot point is going nowhere fast.

Rurouni Kenshin, Omnibus 4 (equivalent to Volumes 10-12) by Nobuhiro Watsuki. The long Kyoto arc continues! I find that I generally prefer the longer more involved stories in Rurouni Kenshin over the shorter ones. This particular arc has taken a few detours along the way, but I’m glad to see that the main cast has finally been reunited. As much as I like Kenshin as a character, I think the manga works best when his “family” is around him. I was pleased to see more of Kenshin’s past and background revealed in this omnibus, specifically his younger years before he became the skilled swordsman that he now is. As part of this, the master swordsman he was raised by and studied under is also introduced, which was nice to see.

Slam Dunk, Episodes 1-23 directed by Nobutaka Nishizawa. I haven’t read much of Takehiko Inoue’s Slam Dunk manga yet, preferring his more serious works, but I was still excited to discover that the anime adaptation of the series was available in English. I’m not quite a quarter of the way through the anime and there’s only been one real basketball game so far, which surprised me. I was particularly impressed that almost an entire episode was able to devote itself to a single minute of game time without losing my interest or feeling too drawn out. While the comedic elements are definitely still there, it seems like Slam Dunk is becoming more dramatic and serious as the series progresses. I’m looking forward to watching more.