My Week in Manga: September 5-September 11, 2011

My News and Reviews

I’m still recovering from last week’s misadventures, but that hasn’t stopped me from updating Experiments in Manga. Other than that, however, I don’t have much news. I announced the winner of the Joy of Josei manga giveaway. The post also includes a list of recommended josei and josei-esque manga licensed, so please check it out. There were some titles that I hadn’t heard of before that I look forward to giving a try. I also posted a review of Shogo Oketani’s semi-autobiographical novel J-Boys: Kazuo’s World, Tokyo, 1965 that I received from Stone Bridge Press through LibraryThing’s Early Reviewers Program. It’s not the most engaging book, but I did find it to be interesting and informative. Anyway, that’s all for now!

Quick Takes

Gravitation EX, Volume 1 by Maki Murakami. Fun fact: the first print volume of Gravitation EX was released simultaneously in Japan and in the United States. The series is still ongoing, but only the first volume was ever published in English. It’s hard to tell from only one volume, but Gravitation EX seems to be very different in tone than Gravitation. I’d be hard pressed to actually put my finger on what exactly makes it different, though. The randomness and craziness is certainly still there, but feels a bit forced. Almost all of the major characters from Gravitation make at least a brief appearance, although once again some of the personalities seem to have been adjusted or changed.

Redmoon, Volumes 1-6 by Mina Hwang. As far as I know, Redmoon is one of the first examples of manhwa to be released in English. The series is eighteen volumes long, but only the first six volumes were published by ComicsOne before the company went defunct. I’ll admit, I didn’t really start to enjoy Redmoon until the fifth and sixth volumes when the story follows a major flashback. Before that, the confusing plot lines with random introductions of characters from out of nowhere developed far too slowly for me to really take an interest. However, I did like the characters. Philar’s development in particular is handled well. He starts as a fairly carefree high school student but has to come to terms with the fact that he’s sharing his body with another entity.

Riot, Volume 1 by Satoshi Shiki. I have no idea where I picked up Riot or why I even have it because, really, it’s not very good. The series only lasted for two volumes before being canceled. The world-building is a mess; Shiki can’t seem to decide between dark fantasy, post-apocalyptic, straight up science fiction, or Western. This could be fun, but Shiki isn’t quite able to pull it off. He does manage to cram a lot plot threads in a single volume. Some have decent potential, but I get the feeling that he’s being too ambitious and would have done better to focus on just one or two elements. I did like character design for Billy (a.k.a. Billy the Kid), but most everyone else’s, especially the women’s outfits, are fairly ridiculous.

Robot: Super Color Comic, Volume 1 edited by Range Murata. To me, Robot comes across more as an artbook rather than manga. It’s oversized and in full color. The first volume collects contributions from twenty different creators. Some of the works are one-shots or pinups while others are part of a continuing series. I was already familiar with some of the artists, Yoshitoshi Abe and Sho-u Tajima for example, but most were new to me. Many contributions are under ten pages, just enough to get a taste of what the creators can do. The storytelling varies tremendously in quality but the artwork is consistently top-notch. Granted, there is some unnecessary fanservice, too. But overall, Robot is a gorgeous collection to look at if not read.

Ultraman, Episodes 1-13. I’m surprised that I’ve never actually seen Ultraman until now. I’m really enjoying it so far. In case you weren’t already aware, Ultraman is a Japanese live-action television show, thirty-nine episodes, that was broadcast between 1966 and 1967. Ultraman in all its iterations continues to be a huge pop culture phenomenon to this day. The series focuses on the Japanese branch of the Science Patrol who are called upon to investigate odd and unexplained happenings. Inevitably, this leads them to confront the monster, or kaiju, of the week. The members of the Science Patrol are competent, but more often than not they need the aid of Ultraman. It’s a really fun show.

My Week in Manga: August 1-August 7, 2011

My News and Reviews

The first week of the month is always a slow one here at Experiments in Manga. I announced the Ghost Talker’s Giveaway Winner, which also includes a few recommendations for absurd manga. Interestingly enough, most of them have something to do with food in one way or another. I also posted July’s Bookshelf Overload. Since I purchase most of my new manga from Borders, which is now undergoing liquidation, I expect that the lists for future months will be somewhat shorter for the most part. Otherwise, I don’t have much to report this week.

Quick Takes

2001 Nights, Volumes 1-3 by Yukinobu Hoshino. 2001 Nights is probably the best science fiction manga that I’ve read. I absolutely loved it. Granted, I’m already a fan of Golden Age science fiction—the likes of Asimov, Clarke, and such—and 2001 Nights is definitely an homage to that tradition. The manga is a collection of nineteen interconnected stories, many of which can stand alone. But read together, they form a magnificently layered narrative. The first volume takes place in the near future, at a time that humanity is just starting to explore deep space, and each volume takes them further and further. It really is a pity that this series is out of print. If you enjoy science fiction, I highly recommend 2001 Nights.

East Coast Rising, Volume 1 by Becky Cloonan. East Coast Rising is one of the unfortunate victims of Tokyopop’s fiascos dealing with their original English-language properties. Only the first volume of the series was ever published, but not because it’s a bad comic. In fact, it was nominated for both an Eisner Award and an International Manga Award in 2007. There’s not much character or plot development in this first volume except for what can be gleaned from how individuals interact with one another. However, there is plenty of action and humor. I think East Coast Rising is fantastic, the art is great, and I am deeply saddened that we’ll probably never get to see the rest of the series.

The Embalmer, Volumes 3-4 by Mitsukazu Mihara. I have come to really like this series; each volume seems to get better and better. Tokyopop only published the first four volumes of The Embalmer, but from what I can tell it’s up to at least six volumes in Japan. However, the series is fairly episodic, so it makes it hurt a little less that it’s not available in its entirety in English. Although, I would really like to know how things turn out between Shinjyurou and Azuki. I particularly enjoyed the third volume since it delves into Shinjyurou’s backstory. I really like Shinjyurou and there is a lot more to him than first appears. In some ways, The Embalmer reminds me of the film Departures, and that is not at all a bad thing.

Gravitation Collection, Volumes 1-4 (equivalent to Volumes 1-8) by Maki Murakami. This is a reread for me—I realized that I never actually finished reading Gravitation and I wanted a quick refresher before I read the last collected volume. This is a series that could easily give a reader whiplash. Most of the time Gravitation is over-the-top insanity and craziness, thanks mostly to one of its leads—Shuichi, a budding rock star. But from time to time it will suddenly turn overly melodramatic and serious. Usually, when the plot has something to do with the other lead—the romance novelist Eiri Yuki with whom Shuichi has fallen in love. Admittedly it’s not the greatest series out there, but for the most part I do find it entertaining.

Samurai Champloo, Episodes 1-15 directed by Shinichirō Watanabe. Samurai Champloo is one of my favorite anime series. In fact, I think it’s the first series I ever purchased volume by volume. Samurai and hip hop make an excellent combination. Despite Samurai Champloo‘s obvious anachronisms, for a very long time this series formed the basis of my knowledge of Edo period Japan (don’t worry, I didn’t stop there). Samurai Champloo has style and a great sense of humor. I adore the characters of Jin, Mugen, and Fuu and enjoy getting to know them as they get to know each other. The trio’s constant bickering can’t hide the fact that they’ve become very important to one another.

Manga Giveaway: Feast of Firsts Winner

And the winner of the Feast of Firsts manga giveaway is…Katherine Dacey of The Manga Critic!

As the winner, Katherine will be receiving the first volume of Eerie Queerie!, Gravitation, Love Mode, and Shout Out Loud! Oh, and if you haven’t already visited Katherine’s site The Manga Critic, you should really check it out; it’s a great one.

For the Feast of Firsts giveaway, I had people tell me a little about the first manga they read and the first shōnen-ai/boys’ love/yaoi/whatever you want to call it manga that they read. I’ll briefly mention them here because I like making lists, but if you’ve got a moment and are interested you should read the Feast of Firsts comments, too. So, here we go!

First manga:
Emma by Kaoru Mori. I have heard a lot of good things about this manga, and know a lot of people who really enjoy it.

Hellsing by Kohta Hirano. The tenth and last volume of this manga was published by Dark Horse this past May.

Hot Gimmick by Miki Aihara. I haven’t read this one yet although I do have the first omnibus volume. It’s despised by many and a complete guilty pleasure for others.

Inuyasha by Rumiko Takahashi. I’ve seen a bit of the anime but haven’t had the chance to read the manga. I am a huge fan of Takahashi’s Ranma 1/2, though.

The Wallflower by Tomoko Hayakawa. I keep seeing this manga mentioned, so I guess it’s about time I pick it up. My library has it, so I have no excuse.

First boys’ love manga:
Fumi Yoshinaga is a creator of many excellent manga, several of which feature gay characters or are specifically boys’ love manga.

The Cornered Mouse Dreams of Cheese by Setona Mizushiro. I would really like to see this one available in English and I’m not alone.

Crimson Spell by Ayano Yamane is getting a little hard to find, especially the second volume, but rumor has it Media Blasters plans on printing more.

Gorgeous Carat by You Higuri was actually mentioned by two different people. I haven’t read it (yet) but I have read Higuri’s Cantarella.

Room Share by Sakyou Yozakura isn’t currently licensed in English, but Tokyopop’s Blu Manga imprint recently published Yozakura’s Blood Honey.

Tokyo Babylon by Clamp is sitting on my shelf at home; I should probably get around to reading it at some point.

X-Kai- by Asami Tohjoh. I’ll admit, I hadn’t even heard of this manga before this giveaway; I’ll have to check it out.

Manga Giveaway: Feast of Firsts

Tomorrow’s Thanksgiving here in the United States, probably my absolute favorite holiday seeing as it centers around food. So, I’m feeling particularly giving this month and am giving away a set of four, count them, four boys’ love/yaoi first volumes to one lucky winner. The giveaway is open world-wide but you must be over the age of 18 to enter. (Also, please don’t be asking me to be doing something illegal by sending this to your country.) So, if you’re interested in a chance to win some free manga, read on!

First, a little about of the books. Love Mode is brand new, Shout Out Loud! is used but still in good condition, and both Eerie Queerie! and Gravitation are library discards that I rescued. All of the books are quite different and should give you an opportunity to sample some of the variety of boys’ love that’s out there.

Shuri Shiozu’s Eerie Queerie! was nominated for a Gaylactic Spectrum award in 2005 and then again in 2007 when it was shortlisted. Other than Sanami Matoh’s Until the Full Moon, Eerie Queerie! is the only manga that I know of that has been nominated for this award so far.

Maki Murakami’s Gravitation is a pretty substantial property with both light novels and an anime adaptation in addition to the manga. It’s a ridiculous series and makes me laugh and has quite a following. I believe the individual volumes of Gravitation are actually no longer being printed but the series is being republished in omnibuses as Gravitation Collection.

Of the four manga being offered in this sampler, Yuki Shimizu’s Love Mode is the most explicit, and I promise the art is better than what the cover might make you think. At eleven volumes, Love Mode is one of the longest yaoi series that I’m familiar with available in English.

Last month I posted my response to the NYAF/NYCC panel Gay for You? Yaoi and Yuri Manga for GBLTQ Readers. Satosumi Takaguchi’s Shout Out Loud! was included in the panelists’ list of recommended titles and is well worth checking out.

Since I’m giving away a bunch of first volumes, I thought I’d share a few of my manga firsts. (There’s some sort of logic there, I swear.) For the longest time, I thought that Hiroaki Samura’s Blade of the Immortal was the first manga that I had read and it remains one of my favorites. However, in the process of setting up Experiments in Manga, I realized that the honor in fact goes to either Osamu Tezuka’s Adolf or Masamune Shirow’s Ghost in the Shell. As for yaoi, my introduction to the genre was Yaya Sakuragi’s Hey, Sensei? which I’m still fond of. Around the same time I randomly picked up Sanami Matoh’s Fake from the library without realizing it was a boys’ love title.

So, you may be wondering, how can you win a sampler of boys’ love first volumes?

1) In the comments section below, tell me about one of the first manga that you read.
2) For a second entry, tell me about the first boys’ love/yaoi manga you read, OR if you’ve never read boys’ love before just mention that.
3) If you’re on Twitter you can earn a bonus entry by tweeting about the contest. Make sure to include a link to this post and @PhoenixTerran (that’s me).

Pretty easy? One person can earn up to three entries for the giveaway. The winner will be randomly chosen and announced on December 1, 2010 (hey, another first!)—so you’ve only got one week to get your entries in this time. Good luck!

VERY IMPORTANT: Include some way that I can contact you. This can be an e-mail address, link to your website, Twitter username, or whatever. If I can’t figure out how to get a hold of you and you win, I’ll just draw another name.

Contest winner announced—Manga Giveaway: Feast of Firsts Winner

My Week in Manga: August 16-August 22, 2010

My News and Reviews

Obviously, my biggest news for the week was the launch of Experiments in Manga. As I’ve mentioned previously, I’m very excited about it. Probably no one else really cares all that much, but it makes me happy. You can read about the release here: Announcing Experiments in Manga!

Also, the site’s search bar only seems to return results for posts published after August 18, 2010. This kinda defeats the purpose of having a search and so I’m working on getting this fixed as soon as possible. Fortunately, everything posted before August 18, 2010 can be found linked to from the Review Index.

Reviewed this past week was Miyuki Miyabe’s novel Brave Story. It’s a great story, if a bit long, with a very good translation from Alexander O. Smith. I also talked a bit about my 365 Days of Manga Loot. The contest is still running, so if you live in the United States you should go enter.

Quick Takes

20th Century Boys, Volumes 1-2 by Naoki Urasawa. Urasawa is one of my favorite mangaka so it was a no-brainer that I would pick up his most recent series to be translated into English. The plot is slowly revealed and it’s hard to know where he’s going with it, but its good. There are also some wonderful bits of nostalgia as characters reflect back on their childhood. I particularly like the character of Kenji and his design. Obviously this very normal guy is going to be caught up in whatever happens to unfold.

Gravitation Collection, Volume 5 (equivalent to Volumes 9-10) by Maki Murakami. Up until now I’ve really enjoyed the craziness that is Gravitation, but for whatever reason this volume just didn’t do it for me. The insanity is still there but it seems to have lost its originality and is knowingly repeating itself. A slew of new characters have been introduced while older characters have unfortunately been left by the wayside. The artwork is more polished than in previous volumes, but I’m not sure that necessarily is a good thing. I almost prefer the earlier, more spastic style—it fit the story.

Rin!, Volumes 1-3 written by Satoru Kannagi and illustrated by Yukine Honami. Originally intended as a single volume, the story ended up becoming three. I’m not sure if it’s because of the translation, but the first volume feels really disjointed and fragmented but the subsequent volumes improve. It’s a sweet story, more about Katsura learning to have confidence in himself than the boy/boy romance, although that’s there too. Honami’s art is lovely and her layouts are wonderful. I love kyūdō (even if I hardly know anything about it) so I like the series for that if nothing else.

Kurau: Phantom Memory, Episodes 1-9. I first learned about this anime series while perusing the TV Tropes Bifauxnen entry. It’s good science fiction with believable relationships. I have developed a huge crush on Kurau (as to be expected) and Christmas is adorably cute without being annoying. The two of them are wonderful together. It’s nice to see a competent, likeable over-twenty woman as a lead character. I’ve really liked what I’ve seen of the series so far and am looking forward to watching the rest.