What Did You Eat Yesterday?, Volume 4

What Did You Eat Yesterday?, Volume 4Creator: Fumi Yoshinaga
U.S. publisher: Vertical
ISBN: 9781939130792
Released: September 2014
Original release: 2010

With each new volume of Fumi Yoshinaga’s series What Did You Eat Yesterday? that is released in English, I seem to fall in love with the manga just a little more. What Did You Eat Yesterday? probably isn’t my favorite series by Yoshinaga, but I still enjoy the series immensely. Granted, What Did You Eat Yesterday? has a few things going for it that particularly appeal to me. First of all, I’m already a well-established fan of Yoshinaga’s work in general. I also happen to be a fan of food and food manga which What Did You Eat Yesterday? most definitely is. But perhaps most importantly, I appreciate the series’ realistic portrayal of a devoted gay couple and some of the issues that queer people face in contemporary Japan. Food and gay men are frequently found in Yoshinaga’s manga—often together for that matter—so it’s not a terribly surprising combination to see in What Did You Eat Yesterday?. I’m certainly not going to complain about it, though. The fourth volume of the What Did You Eat Yesterday? was published in Japan in 2010 before being released by Vertical in English in 2014.

Although he is a successful and respected lawyer, Shiro much prefers his time spent in the kitchen over his time spent at the office. Cooking has its challenges too though, like when Shiro’s boyfriend Kenji decides that they should have friends over for a dinner party rather than eating out. This solves the problem of Shiro’s constant worrying over being outed as gay while in public, but now he is left to fret over what to serve two men with very discerning palates. (Fortunately, Kenji is more than happy to eat whatever it is Shiro cooks up.) Every once in a while it’s actually Kenji who is set loose in the kitchen. Shiro is more particular when it comes to cooking and preparing meals so he’d much rather be the one in charge, but occasionally that’s just not possible. Kenji might not have the same confidence or natural flair that Shiro has for food, but he can still make a pretty good dish when he needs or wants to. From time to time even Shiro is faced with a technique that he hasn’t quite mastered yet. And so while cooking is often a way for Shiro to unwind, it can sometimes cause a bit of stress, too.

As always, food, it’s preparation, and the resulting recipes are all a major part of What Did You Eat Yesterday?. Some readers will find the minute details tedious, especially if they have no inclination or ability to actually try making any of the dishes, but those sections can easily be skimmed over or simply appreciated for Yoshinaga’s artwork. Her illustrations of food and cooking techniques are beautifully drawn and nearly photorealistic in many instances. Yoshinaga is able to convey a wide variety of textures which is especially important, and impressive, as she is working in black and white without the aid of color. But what particularly struck me about the cooking scenes in the fourth volume of What Did You Eat Yesterday? is how Yoshinaga skillfully captures the different moods pervading the kitchen through Shiro and Kenji’s body language and facial expressions: Shiro’s intense preoccupation when trying to put together the perfect meal, his gloom and frustration when something doesn’t turn out quite right, Kenji’s frenetic happiness when he gets a chance to take care of Shiro for a change, and so on.

Even though a fair amount of What Did You Eat Yesterday? is spent in the kitchen, Yoshinaga’s focus on the characters is a particularly important component of the manga. The series tends to be episodic from chapter to chapter, but growth and change can still be seen as Kenji and especially Shiro are further developed. The fourth volume of What Did You Eat Yesterday? shows Shiro struggling with his anxieties about still being partially in the closet, admiring and perhaps even envying how open, easygoing, and carefree Kenji is able to be about his sexuality. Kenji and their friends are exceptionally considerate and accommodating of Shiro’s fears, but those fears still understandably cause some tension in his relationships. Another interesting developement in this volume of the series is that both Shiro and Kenji at least temporarily become the confidants of their respective bosses who have a few family issues of their own to work out. While the food in What Did You Eat Yesterday? is appealing, it’s really these sorts of connections and moments between characters that make the series so engaging.

In Clothes Called Fat

In Clothes Called FatCreator: Moyoco Anno
U.S. publisher: Vertical
ISBN: 9781939130433
Released: July 2014
Original release: 2002

There is a select group of mangaka whose work I will buy without question or hesitation no matter what it is. Out of those creators, Moyoco Anno is one of my favorites. She works in multiple genres for multiple demographics and I have never failed to have been impressed by her manga. Anno’s work has been in print in English since 2003, first by Tokyopop and then followed by Viz Media and Del Rey Manga. Most recently, Vertical has been responsible for releasing more of Anno’s manga in English with superb editions of Sakuran, Insufficient Direction, and now In Clothes Called Fat. I was thrilled to learn that In Clothes Called Fat had been licensed. Collected in a single volume in Japan in 2002, the manga originally began serialization in 1997. Vertical published the English-language edition of In Clothes Called Fat in 2014, including a few pages of Anno’s color work which is always nice to see.

Noko Hanazawa is a young office worker under a fair amount of stress. She doesn’t get along very well with her coworkers and is frequently criticized by her superiors. There are, however, two things that bring uneasy comfort to Noko: Saito, her boyfriend of eight years, and food. Because Noko eats to alleviate her anxiety, she has also gained a significant amount of weight. Some of the other women in her office, especially Mayumi, bully her for being fat. Men either despise her or fetishize her because of how she looks. Noko eventually convinces herself that all of her unhappiness stems from being overweight and unattractive and that the only solution to her problems is to become skinny. While others urge her not to lose her fat, all for their own selfish reasons, Noko is determined to do anything she has to in order to drop pounds, exchanging one unhealthy relationship with food for another. Unfortunately, weight isn’t the only thing that Noko stands to lose in the process, something that she may only realize after the fact.

Obsession with appearance and the pursuit of happiness, identity, confidence, self-worth and self-esteem are all themes that frequently recur in Anno’s work. In some of her manga, such as Flowers & Bees, they are used for purposes of black comedy. While In Clothes Called Fat isn’t without humor—Vertical calls it a “dark comedy of manners,” which is very apt—Anno’s approach to the themes in the manga is more honest and bleak. It’s the brief moments of dark humor and slight absurdity that make the tragic tale bearable. In Clothes Called Fat is a tough read; there isn’t much happiness to be found in the story or its characters. However, the manga is an extraordinarily compelling and searing work. Noko and her struggles may be the focal point of In Clothes Called Fat, but she isn’t the only person in the manga who is forced to face some very harsh and hard truths about themselves and who they are as people. Some of them are able to eventually cope with reality while others will continue to try to live in denial.

As much as In Clothes Called Fat is about outward appearances, it’s even more about the characters’ internal turmoil and states of mind. Noko and the others use her weight as an excuse. She blames her unhappiness on her size and they torment her because of it, but that’s only an attempt to make themselves feel better and to assuage or avoid their own anxieties. The fixation on weight is merely a symptom of much more problematic underlying issues. Anno’s artwork in In Clothes called Fat emphasizes both the inner and outward conflicts of the characters. Backgrounds tend to be fairly minimal; the focus of the manga is very much on the people themselves: their facial expressions, their interactions with one another, and perhaps most importantly their body language. In Clothes Called Fat explores the extremes of ugliness and beauty, both physical and psychological, in appearance and in action. In Clothes Called Fat is a powerful work and easily one of the best manga—one of the best comics—that I’ve recently read. It can be uncomfortable, but it is also exceptional in its depth.

Mobile Suit Gundam: The Origin, Volume 6: To War

Mobile Suit Gundam: The Origin, Volume 6: To WarCreator: Yoshikazu Yasuhiko
Original story: Yoshiyuki Tomino and Hajime Yatate

U.S. publisher: Vertical
ISBN: 9781939130204
Released: June 2014
Original release: 2010

While I don’t necessarily consider myself to be a fan of the massive Gundam franchise as a whole, I do think that it’s safe at this point to call myself a fan of Yoshikazu Yasuhiko’s manga series Mobile Suit Gundam: The Origin. This actually doesn’t surprise me too greatly as I already knew that I enjoyed other manga by Yasuhiko. The Origin is a retelling and expansion of the original 1979 anime series Mobile Suit Gundam which Yasuhiko also worked on. Part of The Origin was initially released in English by Viz Media, but the series is now being published by Vertical in a deluxe, hardcover format based on the Japanese collector’s edition of the manga. Mobile Suit Gundam: The Origin, Volume 6: To War was originally published in Japan in 2010 while the English translation was released in 2014. Due to licensing restrictions, the bonus content in this particular volume is fairly limited—only two color pieces by Yasuhiko, one of which is the basis for the cover art. Otherwise, To War easily meets the high standards of quality set by the previous volumes.

After the death of the anti-Federation leader Zeon Zum Deikun the political situation on Side 3 was thrown into turmoil as House Zabi and House Ral maneuvered for dominance. Caught up in the power struggle were Deikun’s two young children—Casval and Artesia—who ultimately were forced to live in exile, hiding who they really were. But now Casval has taken on another identity in order to seek his revenge against House Zabi, enrolling in Zeon Academy’s Space Force Officer Training School as Char. While at the academy he manages to befriend Garma, the youngest scion of House Zabi, the two of them becoming rivals in the classroom as well as out in the field. At the same time, tension continues to mount between Side 3 and the Earth Federation, the cries for independence growing louder and more violent. As the situation becomes more volatile all-out war between the two factions becomes increasingly more likely. House Zabi has already begun developing mobile suits for use in battle; the Federation is steadily falling behind technologically in the arms race which will determine the fate of humanity.

By this point in The Origin it has been well established just how incredibly capable Char is, both physically and mentally. He is extraordinarily calculating and a master manipulator, taking advantage of events as they develop and influencing the people around him, often without them realizing entirely what is happening. Char’s relationship with Garma is one of the main focuses of To War. Although it is already known that it will end very poorly for Garma, it’s interesting to see the complexities of their friendship—if that’s what it can really be called. There are moments in To War when Char seems to exhibit genuine kindness and affection towards Garma, but at the same time he never wavers from his ultimate goal and desire for revenge, aiming for the complete destruction of House Zabi. Perhaps what Char is really showing is arrogance and pity. Either way, the scenes are striking because there are no witnesses to Char’s actions; they serve as examples of the very few incidences in which Char’s behavior has not been carefully and completely crafted and calculated for a very specific purpose.

Though they are certainly an important part of The Origin, the developing relationship between Garma and Char and Char’s personal vendetta and war against House Zabi are actually small pieces of a much larger story. Yasuhiko’s multilayered approach to The Origin—showing how the private struggles of the individual characters dovetail with the more far-reaching events and the unstoppable progress of the war—is one of the things that makes the series so effective. In addition to the continued characterization, Yasuhiko also pays close attention to technological advances and weapons development in The Origin and what those mean for the impending war. To War also includes the first mobile suit battle between the Earth Federation and the Principality of Zeon, a critical turning point in its crusade for independence and domination. The gears of war will continue to turn and the personal and political machinations behind it will continue to advance in the next volume, Battle of Loum, as more is revealed about the characters and their pasts.

What Did You Eat Yesterday?, Volume 3

What Did You Eat Yesterday?, Volume 3Creator: Fumi Yoshinaga
U.S. publisher: Vertical
ISBN: 9781939130402
Released: July 2014
Original release: 2009

As a fan of Fumi Yoshinaga’s manga, food, and stories with a queer bent to them, I was extraordinarily happy when her series What Did You Eat Yesterday? was licensed for release in English. The third volume of What Did You Eat Yesterday? was originally published in Japan in 2009 while the English-language edition was released by Vertical in 2014. I have been thoroughly enjoying the series so far and its mix of gay slice-of-life and recipes, so I was very much looking forward to reading the third volume. Personally, I like the series best when Yoshinaga focuses on the characters, but I would be lying if I tried to say that I didn’t also like all of the food found in the manga, too. What Did You Eat Yesterday? is most effective when Yoshinaga is able to combine and balance those two major aspects of the series. The ideal balance isn’t always achieved, but even when it isn’t What Did You Eat Yesterday? always has intriguing characters, delicious food, and just the right touch of humor to accompany it all.

With his father recovering from an illness, Shiro finds himself spending more time with his family than he has in a long while. Though it’s better than when he first came out to them, his parents are still coming to terms with their son’s homosexuality and their relationship can sometimes be a little strained. Granted, some of that uncomfortableness has very little to do with the fact that Shiro is gay and more to do with the fact that the entire family is made up of people with strong personalities. While Shiro is out to his family and close friends, he’s still closeted at work which, along with his incredible self-consciousness, occasionally gets him into trouble. Things are a little easier for him at home in the kitchen where he can relax and focus on what he really loves: cooking gourmet meals on a tightly kept budget. His boyfriend Kenji, who is much more open about his own sexuality, is always an appreciative audience for Shiro’s meals. It’s a good thing, too. The two of them have been living together for a few years now and food usually helps to smooth over some of the bumps in their relationship.

Generally in What Did You Eat Yesterday? the kitchen is Shiro’s domain. Kenji will gladly help out when asked and given direction, acting as a sort of sous-chef, but for the most part it’s all Shiro. However, in the third volume Kenji gets to take the lead for a chapter while Shiro is off visiting his folks for the New Year. He makes instant ramen. (Granted, with a bunch of extra trimmings.) In a delightful twist, it’s treated in the manga as though he’s having an affair. Instant ramen actually happens to be one of my comfort foods, but I’ve only recently begun trying to dress it up a bit. In addition to the food and its preparation being sumptuously drawn, one of the great things about What Did You Eat Yesterday? (at least I think it’s a great thing) is that the recipes included in the stories are detailed enough that they can be followed and produce results. After only three volumes there are already plenty of recipes that I’m interested in attempting from the series. A variation on Kenji’s ramen has been added to that growing list.

Food is certainly an important part of What Did You Eat Yesterday?, but so are the characters and their relationships. Family is a particularly prominent theme in the third volume. Shiro is on fairly good terms with his parents, but very little is actually known about Kenji’s family at this point. It’s unlikely that the two of them will have their own kids which will have implications for them later in life, something that is made all the more clear as Shiro deals with his parents as they age. What Did You Eat Yesterday? has one of the most realistic portrayals of a devoted, long-term gay couple that I’ve encountered in a manga (or comics in general). Honestly, when it comes right down to it, Kenji and Shiro’s relationship isn’t all that dissimilar from the heterosexual couples in the series, though they do face some particular challenges unique to their situation. Like any pair, they have their disagreements and small spats, but they also care about each other a great deal. Shiro in particular isn’t always the most overtly demonstrative with his affection, but often it’s the little things that really make a relationship work.

What Did You Eat Yesterday?, Volume 2

What Did You Eat Yesterday?, Volume 2Creator: Fumi Yoshinaga
U.S. publisher: Vertical
ISBN: 9781939130396
Released: May 2014
Original release: 2008

Fumi Yoshinaga’s series What Did You Eat Yesterday? is a manga which I have been hoping would be released in English for years. Happily, Vertical stepped up and recently began publishing the series. In addition to featuring a fairly realistic portrayal of a gay couple in contemporary Japan (two forty-something men who are living together), What Did You Eat Yesterday? also includes plenty of delicious food. I read and enjoyed the first volume a great deal and so was looking forward to reading the second as soon as I could get it into my hands. What Did You Eat Yesterday, Volume 2 was originally released in Japan in 2008 while Vertical’s English-language edition was published in 2014. The series is currently eight volumes long and is still being serialized, so I’m hoping and expecting to be able to enjoy the manga for some time yet. It makes me extraordinarily pleased to know that Vertical is releasing What Did You Eat Yesterday?. So far, the publisher has done a fine job with it.

Shiro Kakei and Kenji Yabuki have been living together for the last three years or so and have known each other for a little while longer than that. It’s an arrangement that works well for them. Shiro happily cooks the meals for the household while Kenji, unlike some of Shiro’s past flames, is more than willing to help out with the chores. Kenji also happens to be an appreciative audience for Shiro’s culinary creations. Shiro has a passion for food and derives great pleasure in preparing delicious meals as frugally as possible. Entire menus can be inspired by a single ingredient that just happens to be on sale at the time and he is very careful not to let anything go to waste. Granted, there seems to be only so many different ways for a person to use celery. But with a little help from his coworkers and friends, not to mention his natural creative talent in the kitchen, Shiro is usually able to figure something out. And generally Kenji doesn’t take too much convincing to happily eat whatever it is Shiro comes up with.

There are two major aspects to What Did You Eat Yesterday?: the characters and their lives, and the food itself. I feel the series does best when these two things are working in tangent to tell the stories, but quite frequently the meals and their preparation seem to be separate elements entirely. Shiro has the habit of narrating every step as he is cooking. This means that each chapter includes at least one recipe detailed enough that it could be replicated, but people who more interested in the manga’ stories will likely find it to be tedious. However, those sections can easily be skimmed by readers who don’t care for the cooking minutia without too much being lost from the narrative or plot of What Did You Eat Yesterday?. In general, Yoshinaga’s beautiful illustrations of the food and Shiro’s techniques are more than enough to follow along with what is happening in the kitchen. In some cases, the time spent and the complexities of the recipes are actually used make a point: the extra effort put into a meal imbues it with additional value and meaning for those preparing and eating it.

I do love the food in What Did You Eat Yesterday?, but I love the characters and the stories that Yoshinaga is telling even more. In this volume I was particularly delighted to learn how Shiro and Kenji first met and started living together. (One of my favorite moments is Shiro recognizing that Kenji’s not even his “type,” but that he is still incredibly lucky to have him.) I also appreciate how the two of them have important relationships outside of each other. Their friends, families, and coworkers all have their roles to play in the series. A major theme that becomes apparent in the second volume of What Did You Eat Yesterday? is communication. Usually it’s Kenji that needs to be verbally heard; Shiro tends to be more reserved, expressing himself more through his cooking than through words, but he knows when he needs it Kenji will be there to listen to him, too. I’m looking forward to learning more about the series’ characters and their relationships in the next volume of What Did You Eat Yesterday? immensely.