My Week in Manga: November 27-December 3, 2017

My News and Reviews

The most recent manga giveaway at Experiments in Manga is currently underway! The winner will be announced on Wednesday, so there’s still a little time left to enter for a chance to win four of Kodansha Comics’ print debuts from 2017: Haruko Kumota’s Descending Stories: Showa Genroku Rakugo Shinju, Lily Hoshino’s Kigurumi Guardians, Haruko Ichikawa’s Land of the Lustrous, and Musawo’s Love & Lies. (Also, a couple other giveaways are going on right now that I would like to highlight: The Manga Test Drive’s annual holiday giveaway and Taneka Stott’s third annual queer comics giveaway.) Last week I finally managed to post the in-depth review that I’ve been working on for a while now, taking a closer look at Knights-Errant, Volume 1 by Jennifer Doyle. Knights-Errant is a fantastic comic, a queer-positive, dark historical fantasy with a compelling story and characters. I highly, highly recommend the series. (It can also be read online for free at Sparkler Monthly!) Initially I was intending to write one more in-depth review before the year was over (and before I retire Experiments in Manga), but after some thought I think that Knights-Errant will have the honor of receiving the last. However, I am still working on and will be posting my random musings on some of year’s notable releases, so there is that to look forward to.

Quick Takes

Arakawa Under the Bridge, Omnibus 1Arakawa Under the Bridge, Omnibus 1 (equivalent to Volumes 1-2) by Hikaru Nakamura. My introduction to Arakawa Under the Bridge was through its anime adaptation, an incredibly quirky and bizarre work which I found to be highly entertaining. Only later did I discover that the creator of the original manga was also the creator of Saint Young Men, a series that I hope might one day be translated as well. (Despite interest from fans and publishers alike, Saint Young Men has been unlicensable for the North American market, but I can’t help hoping that if Arakawa Under the Bridge is successful that might change.) Arakawa Under the Bridge is an absolutely ridiculous manga and I enjoyed it immensely. The chapters are short and somewhat episodic so the narrative flow can be disjointed, but Nakamura eventually develops a nice rhythm as more of the increasingly large, and strange, cast is introduced. The absurdity of the characters is really what makes Arakawa Under the Bridge work. I’m particularly fond of Sister, an ex-mercenary who crossdresses as a nun, but the manga is filled with astonishing personalities.

A Polar Bear in Love, Volume 1A Polar Bear in Love, Volume 1 by Koromo. Stories about star-crossed lovers aren’t especially rare, but none in my experience are quite like A Polar Bear in Love. Granted, at this point only one of the pair is actually in love. As impossible as it seems, Mr. Polar Bear as fallen for Li’l Seal. Understandably, considering the normal order of the food chain, Li’l Seal is a bit concerned by this. They’re both males, too, but the real issue is that Li’l Seal expects to be eaten at any moment. The power dynamics are a little tricky, but over the course of the first volume, Mr. Polar Bear demonstrates the earnestness of his love and at least tries not to be too pushy about his feelings. Li’l Seal slowly realizes he might not actually be on the menu, but that’s not going to solve everything about their relationship, either. A Polar Bear in Love can be both incredibly adorable and surprisingly dark, occasionally even at the same time. Even while being anthropomorphized, Li’l Seal and and Mr. Polar Bear also have to face more realistic concerns of survival. On the surface A Polar Bear in Love is delightfully silly manga, but it also has a thing or two to say about love and relationships.

To Your Eternity, Volume 1To Your Eternity, Volume 1 by Yoshitoki Oima. I have been following Oima’s progress as an artist and storyteller with great interest. Oima’s first major work was the manga adaptation of Tow Ubukata’s novel Mardock Scramble, parts of which I actually greatly preferred over its source material. However, what really impressed me was her powerful original series, A Silent Voice. When Kodansha Comics announced it would be releasing To Your Eternity, Oima’s current ongoing series, I immediately took note and looked forward to reading it with great anticipation. The first chapter of To Your Eternity is one of the most beautifully devastating narratives that I’ve read in a while and it seems as though it may only be a prelude for what is to come. (It also includes a fairly significant plot twist which makes the series a little difficult to discuss without giving away major spoilers.) Oima has created a complex fantasy world complete with it’s own legends and lore exploring the meaning of life and loyalty to family and community. To Your Eternity is absolutely heartbreaking, unsettling, and striking in both its story and artwork. I definitely plan on reading more.

My Week in Manga: July 18-July 24, 2016

My News and Reviews

Other than the regular My Week in Manga feature, there were no posts from me last week at Experiments in Manga. I was, however, able to make some progress on my review for the final volume of Setona Mizushiro’s manga series After School Nightmare. I hope to finish and post the review in the very near future, and then officially wrap up my horror manga review project.

Elsewhere online last week, I came across two interesting interviews: a translation of a 2006 conversation between Taiyo Matsumoto and Fumiko Takano as well as an interview with Kazue Kato, creator of Blue Exorcist, from Anime Expo 2016. The San Diego Comic Con took place over the weekend and there were a few licensing announcements to come out of the event: Kodansha Comics is planning a deluxe edition of Masamune Shirow’s Ghost in the Shell; Udon Entertainment has acquired Yuztan’s Dragon Crown manga adaptation in addition to more artbooks, Manga Classics, and a Street Fighter novel; and Viz Media will be releasing a Princess Mononoke artbook as well books based on RWBY.

Finally, in part due to a suggestion made by a regular reader of Experiments in Manga, I’d like to start more regularly mentioning some of the crowdfunding projects that I’m either supporting or that have caught my eye. In the past, I’ve tended to only mention projects that were directly or tangentially related to manga in some way, but I’d like to begin highlighting other campaigns as well. And so! Natasha Alterici is raising funds for the second volume of Heathen, a beautifully illustrated comic about lesbian Vikings. Jason Thompson, author of Manga: The Complete Guide and a comic creator in his own right, is printing a poster map of alien invaders. Bones of the Coast is an anthology of horror comics inspired by the Pacific Northwest.

I’d also like to take this opportunity to give the Sparkler Monthly Year 4 campaign another shout out. (If you follow me on Twitter, that’s pretty much all I’ve been doing for the last week or so, and will probably continue to do so for a while.) I really love everything that Sparkler Monthly/Chromatic Press is doing, and will be legitimately heartbroken if the Kickstarter doesn’t succeed.

Quick Takes

Fairy Tail, Omnibus 2Fairy Tail, Omnibus 2 (equivalent to Volumes 6-10) by Hiro Mashima. When I first started reading Fairy Tail, I ended up jumping into the series around the twenty-fifth volume. Fairy Tail has a huge following, but it just didn’t seem to click with me. However, now that I’ve read some of earlier volumes, I think I finally more fully understand the appeal of the series. Fairy Tail is a fun and exciting manga with likeable characters and an emphasis on friendship and found family. One of my complaints about Fairy Tail in the past has been that it often seems directionless. Even this early in the series Mashima readily admits to making things up as the he goes with no concrete plan in place. He even seemed surprised when he realized that the series would reach ten volumes. (And it’s now over fifty and still ongoing.) Interestingly, this lack of direction didn’t seem to bother me as much as it has before, I think in part due to the fact that Mashima spends a fair amount of second omnibus exploring the main characters’ back stories which provided the needed amount of focus. I liked getting to know the characters better, something I missed out on by starting with a later story arc. Also, Kodansha’s massive, oversized “Master’s Edition” omnibuses show off Mashima’s artwork and are a great way to catch up on the series.

Princess Jellyfish, Omnibus 2Princess Jellyfish, Omnibus 2 (equivalent to Volumes 3-4) by Akiko Higashimura. I am still incredibly happy that Kodansha Comics is releasing a print edition of Princess Jellyfish. I’m also glad that the series seems to be worth the risk and is doing fairly well for the publisher so far. I am especially looking forward to reaching the parts of the story that weren’t included in the anime adaptation. While there are some differences, for the most part the second omnibus fall entirely into what was adapted for the anime. Because of that I’m not at all surprised by any of the plot developments, but I still am thoroughly enjoying the story and characters. I also get a kick out of the visual nods to classic shoujo manga that Higashimura scatters throughout the series, usually when something particularly dramatic is going on. Princess Jellyfish is probably first and foremost a comedy, but through its humor it explores issues of gender roles and expectations. There is a fair amount of relationship drama, too. At this point in the series, Kuranosuke is trying to come up with a plan to raise the funds needed to save the Amamizukan apartments from being demolished and in doing so becomes more and more attached to Tsukimi. As for Tsukimi, she’s dealing with her own personal and romantic turmoils.

A Silent Voice, Volume 7A Silent Voice, Volume 7 by Yoshitoki Oima. The first volume of A Silent Voice left a huge impression on me, and the series as a whole has consistently been one of the strongest stories that I’ve recently read. Granted, A Silent Voice isn’t always an easy read and the subject matter can be pretty heavy. Bullying, depression, social anxiety, suicide attempts, and other tough issues all come into play. Oima isn’t afraid to let the relationships between the characters be extremely messy and complicated. I especially appreciate that Oima doesn’t just slap romance on the situation like magical bandage that will fix everything or erase the misdeeds of the past. From time to time, I was a little worried that might happen, but A Silent Voice takes a more nuanced and much less stereotypical route with the story. If anything, the romantic feelings just complicate matters further. The characters themselves are realistically and believably flawed people. Frankly, they can even be unlikeable, they still remain interesting and compelling. Many of them are struggling with mistakes that they have made and are dealing with devastating regret. But by the end of the series, the characters able to begin to look forward towards the future instead of wallowing in what can’t be changed; their pasts have shaped who they are, but won’t be the only thing that defines them.

My Week in Manga: April 25-May 1, 2016

My News and Reviews

April has come to a close and May has begun, but there’s still a little time left to enter April’s manga giveaway for a chance to win a duo of superhero manga: Jiro Kuwata’s Batmanga, Volume 1 and Eiichi Shimizu and Tomohiro Shimoguchi’s Ultraman, Volume 1. In addition to the manga giveaway, I also snuck in my review of Setona Mizushiro’s After School Nightmare, Volume 9 last week. It’s a particularly dramatic volume in the series with some major twists and reveals. I’m very curious to see how Mizushiro will bring things to a close in the tenth and final volume. The review was part of my monthly horror manga review project, and I just barely got it written and posted before April ended. I’ve been super busy and stressed out lately, which makes writing even more difficult for me than it usually is. There are plenty of great and wonderful things going on right now in my life, but sadly the busyness and stress probably isn’t going anywhere anytime soon.

Quick Takes

Fairy Tail: Ice Trail, Volume 1Fairy Tail: Ice Trail, Volume 1 by Yuusuke Shirato. There have recently been several manga spin-offs of Hiro Mashima’s series Fairy Tail released, but Ice Trail is the first that I’ve read. (For that matter, I’ll have to admit that I’ve not actually read most of Fairy Tail proper.) What primarily interested me in Ice Trail is that it serves as an origin story for Gray Fullbuster, one of Fairy Tail‘s most popular characters (as well as one of my personal favorites). Gray is a badass ice mage with a tragic past and the propensity for walking around without a shirt. Ice Trail shows Gray’s childhood in the brief time between when his home village was destroyed and when he joined the Fairy Tail guild. Despite the cuteness of seeing Gray as a kid, Ice Trail is very reminiscent of Fairy Tail in both style and tone. Apparently the series is only two volumes long, which may partially explain why the manga moves along at a break-neck pace with one action-packed battle after another. Ice Trail can mostly stand on its own, but will likely be most appreciated by readers who are already familiar with Gray and with Fairy Tail as a whole—though not absolutely necessary, that additional context can be helpful.

Kiss Him, Not Me, Volume 2Kiss Him, Not Me!, Volume 2 by Junko. I do get a kick out of Kiss Him, Not Me! I was a little worried at first since the series’ plot essentially hinges on the heroine’s sudden and drastic weight loss to bring her to the romantic attention of four of the hottest guys at her school. However, the manga quickly moves on from that premise and I don’t think it was even referenced at all in the second volume. Instead, Kiss Him, Not Me! revels in its humor and the comedic situation of a fujoshi finding herself on the opposite side of her usual fantasies. Basically, Serinuma’s life has become an otome game in which numerous young men are vying for her favor. The second volume of Kiss Him, Not Me! primarily focuses on two events: the school festival, during which each of the guys has the opportunity to have a mini-date with Serinuma (with varying degrees of success), and the Winter Comiket, which they all attend together although Serinuma is by far the most enthusiastic about it. One of the things that I particularly appreciate about Kiss Him, Not Me! is that no one asks Serinuma to change who she is at heart—she still gets to be an otaku. The second volume also introduces a new character who greatly intrigues me.

A Silent Voice, Volume 4A Silent Voice, Volumes 4-6 by Yoshitoki Oima. One of the manga to debut last year that I found to be particularly notable was Oima’s A Silent Voice and it continues to be a series that greatly impresses me. It’s not necessarily an especially happy read, though. The manga realistically portrays teenage angst compounded by issues of disability and bullying and explores the accompanying relationships which are extraordinarily messy and complicated. Emotional and physical violence takes its toll not only on the people who are being directly targeted, but also on the people who surround them. For better and for worse, the characters are all trying to deal with the repercussions of their past mistakes as best as they can, and even those who come across as antagonistic generally have their own problems they are working through. Just how deep a wound bullying can leave and how it can literally change a person’s life is more fully expressed in these volumes, and frankly it’s devastating. Thankfully, there are still moments of hope and redemption so A Silent Voice, while very serious and at times emotionally wrenching, never seems to become overwhelmingly bleak, but sometimes it does get close.

My Week in Manga: November 23-November 29, 2015

My News and Reviews

Last week was Thanksgiving in the United States, which means that I was fairly busy traveling and visiting family. I still posted a couple of things at Experiments in Manga, though. Because it’s the end of the month, it’s also time for a manga giveaway. And, because it’s November, the giveaway is for multiple volumes. The winner will be announced on Wednesday, so there’s still time to enter for a chance to win four first volumes of manga in the Kodansha Shoujo Smorgasbord giveaway. I also posted a review last week of Attack on Titan: Kuklo Unbound, which is an omnibus edition of the last two volumes in Ryo Suzukaze’s trilogy of novels which form a prequel to Hajime Isayama’s Attack on Titan manga series. It’s a pretty quick read, and provides an interesting perspective and backstory that fans of the franchise will appreciate.

Because I was traveling and visiting family, I didn’t spend much time online last week, but there were a few things that managed to catch my attention. Comics Forum’s Manga Studies column continued with “What are you reading? Approaches and reasons for looking at language in manga” by Giancarla Unser Schutz. Gengoroh Tagame’s Otouto No Otto (My Brother’s Husband) won a Japan Media Arts Award, which is kind of a big deal. Viz Media posted its Fall 2015 survey about anime and manga buying habits and convention attendance. And, in much sadder news, mangaka and yokai enthusiast Shigeru Mizuki has passed away.

Quick Takes

Behind Story, Volume 1Behind Story, Volume 1 by Narae Ahn. I’ve been trying to make a point to sample some of Netcomics’ recent releases which is what first brought Ahn’s boys’ love manhwa Behind Story to my attention. I wasn’t previously aware of the series, and I actually haven’t been able to find much information about Ahn, either. The the story didn’t initially engage me, likely because of the school setting which didn’t do much to distinguish itself, but by the end of the first volume I was left wanting more. Johann is a transfer student who is rumored to be gay, which means that most of his classmates avoid him, but recently Taehee has developed an interest in him. One of their teachers has, too, and Johann finds himself the target of an unhealthy and abusive obsession. Behind Story has tumultuous emotions and drama, with the potential to go in some very dark and dangerous directions. While the cover art of Behind Story is particularly striking, the interior artwork is attractive, too, although some of the transitions between scenes and flashbacks were occasionally difficult to follow.

Cross Game, Omnibus 2Cross Game, Omnibuses 2-5 (equivalent to Volumes 4-11) by Mitsuru Adachi. It’s been a long while since I read the first Cross Game manga omnibus or watched the anime series; I’d forgotten just how good the story is. I’m not even especially interested in baseball, and yet I find myself completely absorbed by Cross Game. Probably because the manga really is about more than just baseball, although the way that Adachi paces the games does makes them very exciting. And after reading the manga, I am able to better appreciate and understand the strategy involved in the sport. But for me, the baseball in Cross Game takes a backseat to the series’ exploration of love and loss. In more than one way, the characters are dealing with the utter unfairness of life. Sometimes they are able to triumph over adversity and it’s magnificent, but sometimes there is nothing to be done but to live and learn and try to move on as best as they can. Cross Game is a series that manages to be very emotionally resonant; I find that I’ve come to care about the characters and their well-being a great deal.

A Silent Voice, Volume 3A Silent Voice, Volume 3 by Yoshitoki Oima. I continue to be impressed with A Silent Voice and Oima’s willingness to include characters who are simply awful people. It does make the series a little difficult or unpleasant to read at times, but the manga is still very well done. Fortunately, the series isn’t completely depressing. There’s hope for redemption and the promise that, while the mistakes of the past can’t be undone, people can indeed change for the better. It’s a lesson that Shoya is still learning as he is constantly reminded of and trying to make up for how horrible he once was. Though he has apologized and sincerely regrets the actions of his sixth-grade self, he’s uncertain whether or not he actually deserves to be forgiven and what his motivations in seeking forgiveness truly are. Shoya is still a little oblivious and self-centered when it comes to his relationships with other people, and he still makes plenty of mistakes, but he is slowly beginning to grow and mature and form honest friendships. His heart at least is in the right place, and he has become a much more sympathetic character over the last few volumes.

My Week in Manga: August 10-August 16, 2015

My News and Reviews

Last week was a two-review week at Experiments in Manga. Both reviews were of manga and, more specifically, both reviews were of shoujo manga. First up was the first omnibus of Hiro Fujiwara’s Maid-sama!. The series was originally licensed by Tokyopop, which released the first eight volumes, but the manga was more recently rescued by Viz Media’s Shojo Beat imprint. Though he has his moments, I’m not particularly fond of the male lead Takumi at this point, but I absolutely adore the female protagonist Misaki. If for no other reason, I’ll be reading more of Maid-sama! for her sake. The second in-depth review from last week was of Setona Mizushiro’s After School Nightmare, Volume 5. I continue to find After School Nightmare to be both compelling and highly distressing. The review is part of my ongoing monthly horror manga review project; September’s review will focus on the fifth volume of Yuki Urushibara’s Mushishi.

As for a few other interesting manga-related posts found online last week, Comic Attack has a nice interview with Stacy King, the editor of Udon Entertainment’s Manga Classics line. (I’ve written a little bit about Udon’s Manga Classics in the past.) Also, Mangabrog has posted a translation of an interview of Kiyohiko Azuma, the creator of Yotsuba&!, from 2014. A few weeks ago I posted some random musings about my manga collection as part of a game of manga tag. One of the people who I specifically tagged to participate was Manga Xanadu’s Lori Henderson. She recently posted her own responses to the manga tag questions and Justin at Organization Anti-Social Geniuses took time to provide some answers, too. I really enjoy reading about other manga enthusiast’s collections. If you’re interested, be sure to check the posts out!

Quick Takes

Clan of the Nakagamis, Volume 1Clan of the Nakagamis, Volumes 1-2 by Homerun Ken. Although only two volumes of Clan of the Nakagamis have been released in English, it’s actually a three-volume boys’ love series. It’s unlikely that the third volume will be officially translated, but the manga tends to be fairly episodic. The final volume may be “missing,” but at least the series’ story doesn’t depend on it. Clan of the Nakagamis was brought to my attention due to the fact that Norikazu Akira, whose manga I’ve enjoyed, is somehow related to Homerun Ken. (She’s either one of the members of the two-person creative team or their older sister; I’m not entirely sure which.) Clan of the Nakagamis is intentionally ridiculous, a mashup of all sorts of unrelated tropes that the mangaka found amusing or were particularly fond of, everything from student-teacher relationships, to family conglomerates, to crossdressers. I actually wasn’t particularly impressed by the first volume of Clan of the Nakagamis, finding it to be too chaotic and lacking in cohesiveness, but I did legitimately enjoy the second. I even laughed out loud. It probably helped that it had a more coherent story and improved artwork.

Ninja Slayer Kills, Volume 1Ninja Slayer Kills!, Volume 1 by Koutarou Sekine. Ninja Slayer started as a series of novels, supposedly written by a couple of Americans, that inspired a recent anime adaptation as well as at least three different manga series (two of which have been licensed for English-language release). Sekine’s Ninja Slayer Kills! is the franchise’s shounen manga offering. It’s intended to be approachable and understandable even for readers who aren’t familiar with Ninja Slayer. I’m not sure it’s successful in accomplishing that, though. Very little of the story, characters, or setting is explained beyond broadly establishing a tale of super-powered revenge in a gritty near future. The first volume is mostly battle after battle and not much more. The fight scenes and their setups are marvelously epic, but unfortunately the action itself is difficult to follow so they lose their impact. That’s a significant flaw since so much of the manga is focused on these martial conflicts. On their own, the character designs of the cybernetic ninja are great, but they tend to blend together in the actual manga, which also makes determining what exactly is going on a challenge.

A Silent Voice, Volume 2A Silent Voice, Volume 2 by Yoshitoki Oima. I was greatly impressed by the first volume of A Silent Voice. It was a hard read due to its subject matter, specifically its realistic portrayal of bullying—how utterly cruel kids can be to each other and how adults, whether intentionally or not, can often encourage such behavior. While there is still some tragedy and darkness in the second volume, overall it’s a much lighter read; where the first is heartbreaking, the second makes it seem as though forgiveness and change is possible. Shoya, feeling that it is impossible to redeem himself for his past cruelty, plans to take his own life after apologizing to Shoko for adding so much misery to hers. But when he meets her again they end up forming an unexpected friendship instead. Even more surprisingly, Shoya eventually becomes friends with her younger sibling as well (though he doesn’t known that’s who the kid is at the time). Shoya recognizes that he can’t undo the harm that he’s already caused to Shoko and her family, but he’s slowly doing what he can to make up for it. I still think that A Silent Voice is one of the very best manga to debut this year.