My Week in Manga: April 22-April 28, 2013

My News and Reviews

Last week was rather busy here at Experiments in Manga. In addition to usual My Week in Manga feature, there were four other posts. (Normally, there are only two or three.) First off, you still have a couple more days to enter April’s manga giveaway. Tell me about your favorite English license rescue for a chance to win the first omnibus as well as the ninth volume of Yun Kouga’s Loveless.

About a month ago, I reviewed The Infernal Devices, Volume 1: Clockwork Angel, HyeKyung Baek’s graphic novel adaptation of Cassandra Clare’s novel by the same name. I hadn’t read the original novel, and so was thrilled when my good friend Traci (who has) agreed to share her thoughts on the adaptation. She made a video, a first for Experiments in Manga!

Last week was also the Kaori Yuki Manga Moveable Feast. For my contribution, I reviewed Grand Guignol Orchestra, Volume 1: Overture. I’ll admit, I think I like the series better in concept than in execution. And last but certainly not least, I posted some random musings on Tokyo Demons, one of my most recent obsessions. Not too long ago I reviewed the first novel in the series, but ended up with more that I wanted to say. And even now, I’m not sure that I said everything that I wanted to.

On to some interesting things found online! I recently reviewed and loved Toh EnJoe’s Self-Reference Engine. I thought Terry Gallagher’s work as the translator for the book was particularly remarkable. Haikasoru posted a Q/A with a translator: Terry Gallagher which I found very interesting. And speaking of Japanese literature in translation, translator Allison Markin Powell (who worked on Osamu Dazai’s Schoolgirl among other things) has created a searchable database of Japanese Literature in English. Entries are still being added but it’s already a fantastic resource.

Elsewhere online, The Comics Reporter interviewed Christopher Butcher, “the driving force behind the Toronto Comic Arts Festival.” Two of the featured guests this year will be mangaka Taiyo Matsumoto and Gengoroh Tagame. I mentioned last week that the 2013 Eisner Award nominees had been announced. Over at No Flying No Tights, the contributors shared their reactions to the list both good and bad, including their disappointment over the lack of manga in some of the categories. Finally, the Dark Horse manga zone takes a look at the release, and re-release, of Lone Wolf & Cub as part of the Dark Horse Manga Timeline.

Quick Takes

20th Century Boys, Volumes 20-22 by Naoki Urasawa. Don’t be fooled: these last three volumes in 20th Century Boys are not the end of the story, there are still two more volumes of 21st Century Boys to go. While it has been a long and convoluted journey, things are starting to fall together. The major players in the series have all returned and the final showdown has begun. And I’m thoroughly enjoying it now that it is here. Music has always been a part of the series and an important touchstone, but I wasn’t expecting it to be so crucial to the plot in the end. I probably shouldn’t have been surprised though since there were plenty of clues in the manga. As a musician, it makes me immensely happy.

Blue Exorcist, Volumes 5-8 by Kazue Kato. While I’m still enjoying Blue Exorcist to some extent, I did prefer the earlier volumes a bit more. Blue Exorcist works best for me when Kato finds a balance between the humor and the darker story elements. In these volumes, the balance was a little off and the more serious side of Blue Exorcist overwhelmed its goofier aspects. Personally, I like the series best when it’s being just a little sillier. To be honest, I was actually a little bored with this story arc. In part, I think it’s because the focus of the story shifts away from Rin. However, even if the pacing was slow, it was nice to see some of the other characters’ back stories filled in. Fortunately, the humor returns the action starts to ramp up again in the eighth volume.

Dorohedoro, Volumes 8-9 by Q Hayashida. I am still loving Dorohedoro. It’s just so delightfully weird and off-beat. Somehow the series manages to be incredibly gruesome and utterly charming all at the same time. In the past, Dorohedoro‘s story has been all over the place and hasn’t always been particularly cohesive, but at this point in the series the plot has developed some forward and almost linear momentum. It’s still wonderfully strange, though. The eighth and ninth volumes begin to delve further into the characters’ pasts and their connections to one another. The tone is rather ominous at the end of the ninth volume, so I’m anxious to see what developments Hayashida has in store next.

A Fallen Saint’s Kiss by You Higashino. A Fallen Saint’s Kiss is certainly one of the kinkiest yaoi I’ve come across in print in English. And because it is part of Digital Manga’s 801 imprint, it is also very explicit. A Fallen Saint’s Kiss is a one-shot featuring three interrelated couples in sadomasochistic relationships (which, as a heads up, includes student-teacher relations.) There’s bondage and humiliation and all sorts of sex toys (something I haven’t seen much of before.) Two chapters are devoted to each couple’s relationship. What works particularly well about the first two stories is that each chapter is told from a different partner’s perspective, allowing both sides of the relationship to be seen. Unfortunately, the third story breaks this pattern.

To directed by Fumihiko Sori. To is a collection of two short films (Elliptical Orbit and Symbiotic Planet) which are based on two standalone chapters of Yukinobu Hoshino’s science fiction manga 2001 Nights. I adore 2001 Nights. The films are very faithful adaptations of original stories and not many changes were made. Of the two films, I preferred Symbiotic Planet—overall, its pacing was better; Elliptical Orbit suffered from too many long, awkward, dramatic pauses. To is completely animated using CGI with mixed results. The ships and environments are absolutely gorgeous. Sadly, this makes the more stylized and less detailed humans feel flat and incomplete in comparison.

My Week in Manga: May 14-May 20, 2012

My News and Reviews

It was another two review week here at Experiments in Manga. To start off, I reviewed Goodbye Madame Butterfly: Sex, Marriage, and the Modern Japanese Woman by Sumie Kawakami. The book is an intimate look at the romantic lives of women in Japan. Unfortunately it has gone out of print, but there will be a digital version released in the near future. The second review to be posted last week was for Hiroaki Samura’s Blade of the Immortal, Volume 9: The Gathering, Part II. This volume is the end of the second major story arc in the series. I’m still loving Blade of the Immortal. Look for the review of the next volume to be posted sometime next month.

I meant to mention this last week after I finished reading The Guin Saga novels that are available in English, but Vertical has a really interesting Guin Roundtable transcript available on their website. It does include some minor spoilers, but it’s a great way to gain more insight into the series (especially the English edition). Over at About.com:Manga, Deb Aoki has started a fabulous series of posts about Making a Living in Manga, specifically examining North American creators. Also, if you’re an anime or manga fan, please consider taking time to complete the Anime and Manga Fandom survey being conducted as part of a fellow fan’s dissertation project.

Finally, May’s Manga Moveable Feast begins this week! The Feast will be focusing on Oishinbo and other food manga. Khursten of Otaku Champloo, who is hosting this month, has already posted a fantastic introduction to food manga in Japan. For the Feast I’ll be reviewing Oishinbo, A la Carte: Ramen & Gyōza and posting some random musings on the series later in the week.

Quick Takes

20th Century Boys, Volumes 10-12 by Naoki Urasawa. The Friend’s face has finally been revealed to the readers! Although the Friend’s identity makes some amount of sense to the story, I can’t help but be skeptical. I’m pretty sure Urasawa still has at least one major twist in store when it comes to the Friend. And that’s not even considering all of the other twists and turns that 20th Century Boys has been taking. The story keeps getting more and more complicated and there’s a huge number of characters to keep track of, but I’m still enjoying the series a tremendous amount. I particularly like how important people’s memories of their pasts are to the story’s current timeline.

Black Butler, Volumes 5-8 by Yana Toboso. If every volume of Black Butler was like the eighth, I would have been more enthusiastic about the series from the very beginning. Black Butler is finally starting to settle into a nice balance between the humor and the darker elements. It’s somewhat a personal preference, but I enjoy the series more the darker it gets. I am pleased to see that the Phantomhive servants get the opportunity to prove what badasses they are. I much prefer this side of the characters to their previous buffoonery. I also enjoyed Sebastian and Ciel’s brief stint at the Noah’s Ark Circus (I happen to like European-style circuses), which gave Toboso plenty of opportunity to have fun with character designs. Toboso’s version of Queen Victoria is pretty great, too.

Deeply Loving a Maniac by You Higashino. Morita is an otaku and his lover Sakura has become the object of his obsession and devoted affection. This could potentially be a creepy relationship, but Sakura enjoys the attention he gets from Morita so it’s endearing instead. Sakura even allows Morita to dress him in cosplay, which is adorable. It’s obvious that these two genuinely care for each other. Morita’s otaku tendencies can still cause some stress in their relationship, though. Apparently, Deeply Loving a Maniac is the second volume in a three book series. It stands perfectly well on its own, but I hope the other two volumes are licensed as well. I’d love to see how these guys got together in the first place.

Usagi Drop directed by Kanta Kamei. I’ve really been enjoying Yumi Unita’s Bunny Drop manga, so I was interested in seeing how the anime held up in comparison. The anime is actually a very faithful adaptation of the first four volumes of the manga. (These are all of the volumes before the story’s infamous time jump.) The anime does include some brief, wonderful moments not in the original manga which I quite enjoyed. The voice actors were cast perfectly, too. The beginning of each episode is done in a lovely style reminiscent of watercolor paintings. I actually wouldn’t have minded seeing entire episodes done in such a fashion. They weren’t, but the largely pastel color palette is carried over which helps to unify the animation.