Attack on Titan: Kuklo Unbound

Attack on Titan: Kuklo UnboundAuthor: Ryo Suzukaze
Illustrator: Thores Shibamoto

Translator: Ko Ransom
U.S. publisher: Vertical
ISBN: 9781939130877
Released: May 2015
Original release: 2012

Between 2011 and 2012, three light novels written by Ryo Suzukaze and illustrated by Thores Shibamoto were released in Japan, forming a prequel trilogy to Hajime Isayama’s massively popular manga series Attack on Titan. All three novels were translated into English by Ko Ransom and published by Vertical. The first novel was released as Attack on Titan: Before the Fall, which is the title that the entire trilogy is known by in Japan. The second and third novels, originally published in 2012, were released together in English as an omnibus in 2015 called Attack on Titan: Kuklo Unbound. The manga series Attack on Titan: Before the Fall adapts the same story found in Kuklo Unbound. I’ve been reading the Before the Fall manga and I enjoyed the first Before the Fall novel well enough, so I was interested in reading Kuklo Unbound as well.

Roaming the earth in search of humans to feast upon are the Titans–giant, monstrous creatures of mysterious origins which nobody completely understands. In order to protect itself, humanity literally walled itself off from the outside world. The Titans are nearly invincible and very few people manage to live through a direct encounter with them, but Kuklo is one such survivor. Swallowed whole by a Titan while still in his mother’s womb, against all odds Kuklo was somehow saved. However, he has never been able to completely rid himself of the stigma of being born the “son” of a Titan. Feared and hated during a time when very few people have actually even seen a Titan, Kuklo is an orphan who is abused, held captive, and treated as a sideshow oddity. As he grows older he desires nothing more than to escape his cruel fate and to prove to himself and others that he is indeed human. And though his birth was ill-omened, Kuklo may in fact be the key needed to unlock humanity’s full potential in the fight against the Titans.

Attack on Titan: Kuklo Unbound, page 52Since I have been reading the ongoing Before the Fall manga series, I was already familiar with a fair amount of the story of Kuklo Unbound and wasn’t especially surprised by any of the developments. I do think that out of the two versions the original novels are the stronger, though. The manga doesn’t always capture the internal thoughts and feelings of the characters very well, and that perspective is very important to understanding Kuklo Unbound. I feel that Kuklo Unbound is better written than the first Before the Fall novel, too, or at least it was overall more enjoyable to read. Parts of Kuklo Unbound did feel very repetitive–there was a tendency to restate obvious and well-established plot points and even use the exact same descriptions over and over again–but for the most part the pace of the narrative is quick enough that the redundancy wasn’t too frustrating. As a whole, many of the characters in Kuklo Unbound seemed to be slightly better-developed and less reliant on worn tropes when compared to those of Before the Fall, too.

Kuklo Unbound works well as an omnibus, telling Kuklo’s entire story, but the two novels contained are distinct in their focus. In the first novel, Kuklo is the undisputed star. In the second novel attention is still primarily turned towards Kuklo, but by that point in the trilogy the story is really about the Vertical Maneuvering Equipment, the most recognizable technological innovation to be found in Attack on Titan. The predecessor of the Vertical Maneuvering Equipment was created in the Before the Fall novel, so this ties the prequel together quite nicely. While being different from most other Attack on Titan stories, the prequel trilogy also feels familiar, incorporating the types of scenes that have been seen before, including deadly battles with Titans, political intrigue and religious turmoil, and intense military training sequences. What makes Before the Fall and Kuklo Unbound particularly interesting is that they serve as an origin story, showing not only the development and implementation of the Vertical Maneuvering Equipment, but also the beginnings of the Survey Corps when it was still celebrated instead of despised.

What Did You Eat Yesterday?, Volume 8

What Did You Eat Yesterday, Volume 8Creator: Fumi Yoshinaga
U.S. publisher: Vertical
ISBN: 9781941220238
Released: May 2015
Original release: 2013

I have been a fan of Fumi Yoshinaga’s manga for quite some time now, so I was very happy when her series What Did You Eat Yesterday? was licensed for release in English. Although I’ve enjoyed all of Yoshinaga’s translated work, I was particularly interested in What Did You Eat Yesterday? because it promised and has since proved to be a manga realistically portraying the lives of two gay men (and boyfriends) living together in Japan. As can be safely assumed from the title of the series, What Did You Eat Yesterday? also happens to be a food manga, which is another niche genre that I especially enjoy. Unsurprisingly, with its well-developed characters a touches of humor, I find the series immensely appealing. What Did You Eat Yesterday?, Volume 8 was originally released in Japan in 2013 while Vertical published the English-language edition of the manga in 2015.

As a lawyer, Shiro often finds himself involved in sorting out other people’s relationships, helping to resolve child custody disputes and providing divorce consultations and such. In many ways, this allows him to better appreciate his relationship with his boyfriend Kenji. Shiro isn’t always the most outwardly or physically demonstrative with his affection, especially when in public or when compared to Kenji’s exuberance, but the two men have built a comfortable life together. Their relationship has its ups and downs, just like any other couple might encounter, though being gay in contemporary Japan still has its own particular challenges. While Kenji’s family is largely supportive, Shiro’s parents are still adjusting to the fact that their son is in committed relationship with another man and has been for years. Thankfully, both Kenji and Shiro have close friends and acquaintances who have no problems whatsoever with the two of them being together.

What Did You Eat Yesterday?, Volume 8, page 53While Shiro and Kenji are obviously a couple, What Did You Eat Yesterday?, Volume 8 offers several scenarios in which they’re actually acting as a couple. I honestly enjoyed all of the stories collected in the volume, but two that particularly stood out to me explicitly showed them as boyfriends. The first story featured a trip where the two of them visit Kyoto together for Kenji’s birthday in which Shiro acts more stereotypically romantic and boyfriend-like than he has during the entire rest of the series, stunning Kenji in the process. Granted, the underlying reason for Shiro treating Kenji to such an extravagant vacation is a little heartbreaking when it is revealed. A story taking place a few months later sees Kenji and Shiro baking brownies together to celebrate Valentine’s Day, which is all sorts of sweet and wonderful. That chapter is also an excellent example of how the food and recipes included in What Did You Eat Yesterday? can be directly incorporated into the story itself. Some chapters are more successful at this than others–occasionally the food in the series comes across as being tangential–but I absolutely love when Yoshinaga pulls it off well.

The relationships between the characters of What Did You Eat yesterday?, often expressed through the sharing and enjoyment of food, are a crucial part of the series. There are many different types of relationships portrayed, but What Did You Eat Yesterday?, Volume 8 in particular reminded me of the importance of family relations in the manga. Just like in real life, the opinions and actions of family members can have a tremendous impact on an individual. The eighth volume reveals more about Kenji’s family circumstances when he returns home on the occasion of the death of his father. The acceptance shown to him by his mother and his sisters and their children was comforting to see, giving hope that in time Shiro’s parents, too, will be able to more fully accept their son. Family isn’t necessarily limited by law or blood in the series, either–Shiro ends up becoming a godfather of sorts when the daughter of one of his friends has a baby. And, of course, there is the small family made up of Shiro and Kenji themselves. Though they have their disagreements, What Did You Eat Yesterday? makes it clear that they greatly care for each other.

Mushishi, Volume 6

Mushishi, Volume 6Creator: Yuki Urushibara
U.S. publisher: Del Rey
ISBN: 9780345501660
Released: November 2008
Original release: 2005
Awards: Japan Media Arts Award, Kodansha Manga Award

I discovered Yuki Urushibara’s award-winning manga series Mushishi more by chance than anything else, but it quickly became a favorite and I made a point to collect the manga as it was being released in English. I’m very glad that I did–replacing my copies would cost a fair amount since Mushishi is currently out-of-print and increasingly difficult to find. Fortunately, Kodansha Comics released the entire series digitally in 2014. Mushishi, Volume 6 was first released in print in English in 2008 by the now defunct Del Rey Manga. In Japan the volume was initially published in 2005, the same year that the series’ first anime adaptation began airing. (The Mushishi anime is also a personal favorite and I re-watch it frequently.) In addition to being popular enough to warrant multiple adaptations in a variety of different media over the course of its publication, Mushishi was also a recipient of a Japan Media Arts Award and a Kodansha Manga Award.

Mushi are creatures which are invisible to most and which few people truly understand. But even so, they are an integral part of the natural world, said to be very similar to the original form of life. Mushi’s influences on humans, though not necessarily intentional or malicious, can be both good or bad depending on the circumstances. Some people, like Ginko, have made a profession out of studying mushi. These mushishi gather and share invaluable knowledge about mushi and about the world. By closely observing mushi and their environment, mushishi are able to recognize signs of impending disaster, explain what would seem to be the unexplainable, and identify when and where balance to the natural order must be restored to avoid dire consequences. The work of mushishi is inherently dangerous as they are frequently dealing with the unknown, but their perseverance can also be extremely rewarding, allowing them to some extent to leverage and even control the abilities of mushi for their own purposes.

Mushishi, Volume 6, page 133Mushishi, Volume 6 collects five chapters of the series. Except for the presence of Ginko and mushi, none of them are directly related to one another, however three of the stories deal in some fashion with the powerful phenomenon known as kōki. Whereas mushi could be considered primordial, kōki is an even purer and more basic form of life from which the varied multitude of mushi originate. Kōki is portrayed as a river of light, the glowing liquid proving to have both harmful and healing effects depending on how it is used. Mushi are intensely attracted to these rivers and will seek them out. In “Heaven’s Thread” this becomes a problem for humans living near the light flow–mushi that prey on other mushi sometimes catch a person instead. Humans can also be infected by decaying kōki, as is seen in “The Hand That Pets the Night,” negatively impacting families for multiple generations while also benefiting them. The third story in Mushishi, Volume 6 delving into kōki is “Banquet in the Farthest Field” in which a sake brewer unknowingly attempts to replicate the taste of the liquor of life with unintended consequences.

The other two stories collected in Mushishi, Volume 6, while still unrelated, both explore the loss of a loved one. Mushi’s involvement in “The Chirping Shell” is actually fairly minimal as the chapter focuses on a man coming to terms with the tragic death of his wife and learning to forgive in the face of an even greater imminent tragedy of which the mushi are an omen. “Under the Snow” is likewise about a young man in denial who is grieving the loss of the life of his little sister. In this story snow-like mushi literally suck the heat from his body, but they also serve as a metaphor–because of his sister’s death Toki has become numb to the people and the world around him. Many of the stories in Mushishi can be read on multiple levels like this, which is one of the reasons that I love the manga so much and find it so enjoyable to read and reread. The series frequently feels like a collection of folktales and stories of the supernatural, but at its heart Mushishi is very often about an individual’s personal struggle when confronted by something in their life beyond their control or understanding.

Junji Ito’s Cat Diary: Yon & Mu

Junji Ito's Cat Diary: Yon & MuCreator: Junji Ito
U.S. publisher: Kodansha
ISBN: 9781632361974
Released: October 2015
Original release: 2009

Junji Ito’s Cat Diary: Yon & Mu was one of the manga releases I was most looking forward to in 2015. Junji Ito is primarily known for horror manga–his Uzumaki is one of my personal favorites in the genre–but in 2008 he had the opportunity to serialize an autobiographically-inspired manga based on his experiences living in a house with two cats. The result was Junji Ito’s Cat Diary, ultimately collected in a single, slim volume and published in Japan in 2009. The English-language edition of the manga released by Kodansha Comics in 2015 also includes the contributions made by Ito and his wife (Ayako Ishiguro) to the 2011 Tohoku Earthquake relief anthology Teach Me, Michael! A Textbook in Support of Feline Disaster Victims. I thoroughly enjoy Ito’s brand of unusual horror and I, too, happen to have the privilege of feline companionship, so I was very interested in Junji Ito’s Cat Diary. I expected it to be a manga that I would enjoy and I wasn’t disappointed; I absolutely loved it.

J-kun is the proud owner of a new house in pristine condition from floor to ceiling and he’s looking forward to living there with his soon-to-be wife A-ko. What he didn’t initially realize was that by inviting her to live with him he would also become host to two more guests: Yon and Mu. J-kun is convinced that Yon, one of A-ko’s family’s cats, is cursed. He’s a strange-looking feline with skull-like markings that would seem to confirm J-kun’s suspicions. Mu, on the other hand, is an adorable kitten with a pedigree and cute enough to melt even J-kun’s dog-loving heart. And so begins J-kun’s trials and tribulations as a keeper of cats, slowly falling under their spell as he grieves the loss of his perfectly-kept house. He warms up to both Yon and Mu, but they don’t quite exhibit the same amount of warmth in return, more often than not preferring A-ko’s company. But J-kun is determined–one day he, too, will enjoy Yon and Mu’s love and affection.

Junji Ito's Cat Diary: Yon & Mu, page 31Junji Ito’s Cat Diary is immensely entertaining. Ito has kept his signature style used when drawing horror manga and has applied it to a collection of stories that are closer to being gag manga. The illustrations can be intentionally grotesque and creepy, with an emphasis on J-kun’s exaggerated expressions as he reacts (and overreacts) to the events occurring in his household and the horrors of pet ownership. A-ko, too, is drawn in such a way that her disconcerting appearance adds to the atmosphere of horror in the manga. For the most part, the cats are simply cats (at least when J-kun isn’t hallucinating from lack of sleep); it’s the humans who come across as maniacal. Junji Ito’s Cat Diary looks like it should be a horror manga and has all of the genre’s visual stylings, but it really isn’t. The humor is even funnier because of this deliberate disconnect between the actual stories being told and how they are being portrayed.

As someone who tends to enjoy Ito’s work and as someone who tends to like cat comics, I was already in a position to particularly appreciate Junji Ito’s Cat Diary. It may certainly not work for everyone, though–the manga is a weird mix of horror and comedy, the grotesque and the adorable–but I loved it. In general, the stories in Junji Ito’s Cat Diary are less about Yon and Mu’s antics and more about J-kun’s reactions to their behavior and his changing relationships with the two cats. Yon and Mu are actually very normal as cats go; the humans in the manga are the ones who come across as eccentric and a bit odd. Junji Ito’s Cat Diary is hilarious but at the same time the manga maintains and oddly disconcerting and even ominous atmosphere. Ito simply excels at taking the mundane and transforming it into something truly devious and bizarre. I’m not sure, but perhaps I should be concerned by how much I can identify with the stories found in Junji Ito’s Cat Diary.

Vinland Saga, Omnibus 6

Vinland Saga, Omnibus 6Creator: Makoto Yukimura
U.S. publisher: Kodansha
ISBN: 9781612628035
Released: September 2015
Original release: 2012
Awards: Japan Media Arts Award, Kodansha Manga Award

After some delay, the sixth omnibus of Makoto Yukimura’s magnificent historical manga series Vinland Saga was finally released in 2015, nearly a year after the previous installment. It was a year in which I waited anxiously—Vinland Saga is one of my favorite manga series currently being published in English and I hope that it does well enough that Kodansha Comics can continue to released the manga. (Currently, English-reading audiences are only guaranteed to see one more omnibus, but even if the translation ends there the series is well-worth reading.) The sixth Vinland Saga omnibus collects the eleventh and twelfth volumes of the original Japanese edition, both of which were released in 2012, the same year the series won a Kodansha Manga Award. The series has also earned Yukimura a Japan Media Arts Award. As was the case with the last few omnibuses, sixth also includes a question and answer section exclusive to the English-language edition in which Yukimura discusses the series.

As the result of the Danish invasion of England in the eleventh century, Canute has successfully taken control of the county. He must still find a way to maintain that control, though. He is no longer the weak young man he once was, having grown into a powerful and cunning king who will do anything necessary to establish his ideal society. In order to gain his current position Canute had to arrange for the death of his father. Now he is turning his ambition towards Denmark and his older brother, hoping to secure rulership there as well. Meanwhile, Thorfinn, a young man from Iceland and a former mercenary who was once Canute’s bodyguard, lives his life in slavery. However, after working diligently for years clearing forested land for his master, his freedom is tantalizingly close. Thorfinn, too, wants to one day shape a world free from war and violence, but his current circumstances make such hopes little more than dreams. But as the political turmoil in Denmark increases it becomes difficult to foretell anyone’s fate, whether they be slave or king.

Vinland Saga, Omnibus 6, page 120I continue to be immensely impressed by the depth of storytelling and the character growth and development found in Vinland Saga. Particularly striking is the nearly complete reversal in Thorfinn and Canute’s respective outlooks on life. Thorfinn, who was once a fearsome warrior dealing in death and destruction, wants nothing more than peace and a way to somehow atone for everything that he has done. Canute, on the other hand, originally abhorred violence but now willingly employs it, considering it to be a necessary evil for the sake of creating a prosperous kingdom and protecting its people. I also find it fascinating that as both Canute and Thorfinn continue to mature and make their way in the world they are each beginning to follow in the footsteps of and even embody the ideals held by their respective fathers, for better or for worse. Canute has learned to successfully use his power politically and strategically as a leader while Thorfinn now fully understands how destructive such power can be.

Violence and the dynamics of power are major themes in Vinland Saga. In particular, the series explores what it means to turn away from violence and if it is even possible for someone to do that with the world and human nature being what they are. Yukimura has so far done an excellent job showing how a violent society affects the people living within it and how difficult it is for them to change that culture when it is held as an ideal. Vinland Saga incorporates many exciting and engaging fight scenes and battles which, like the rest of the manga, are dramatic and well-drawn. However, that violence hasn’t been glorified by Yukimura. Instead, a large focus has been put on the tragic consequences that result from those encounters. The action can be brutal and shockingly gruesome, but perhaps even more important is the tremendous psychological impact on the characters as violence perpetuates more violence in a seemingly endless cycle. Vinland Saga remains an exceptional series; I’m looking forward to reading more of the manga a great deal.