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21 October 2015 6 Comments

Another

AnotherAuthor: Yukito Ayatsuji
Translator: Karen McGillicuddy
U.S. publisher: Yen Press
ISBN: 9780316339100
Released: October 2014
Original release: 2009

Another is a horror mystery novel written by Yukito Ayatsuji which was originally serialized in Japan between 2006 and 2009 before being collected into a single volume later that year. The novel was then released again in 2011 in two separate volumes. It is that edition upon which the English translation by Karen McGillicuddy is based. Another was initially released digitally in English by Yen Press in two volumes in 2103, but in 2014 it was published as a single-volume hardcover under the newly established Yen On light novel imprint. In addition to being Ayatsuji’s first novel to be translated into English, Another is probably his most widely-known work, especially outside of Japan. This is in part due to the fact that Another was adapted as a manga series and as an anime series, both of which have been licensed in English, as well as a live-action film. Although I’ve known about Another for a while, it actually wasn’t until I read Ayatsuji’s debut novel The Decagon House Murders that I was inspired to pick it up.

Yomiyama North Middle School’s third-year Class 3 is cursed. For some strange reason, the students of that class and their immediate families seem to be more susceptible to dying. Some years pass by without any casualties while other years see multiple deaths every month. The curse is said to be tied to an incident which occurred twenty-six years ago. A popular student named Misaki died, but the entire class was in such denial that Misaki’s spirit manifested. Now more than two decades later, Misaki’s story has been embellished and retold so many times that it’s difficult to tell how much of it is rumor and urban legend and how much is really true. Koichi Sakakibara recently transferred into Class 3 and isn’t sure what to believe and nobody is being particularly forthcoming about the situation. The curse could just simply be a ghost story, but his classmates and teachers are honestly frightened of something. And soon after Koichi’s arrival, a new series of deaths begin.

Another is a marvelous combination of mystery and horror. The first half of the novel explores the “what” and “why” of the increasingly odd situation while the second reveals the “how” and “who.” As a transfer student, Koichi is an outsider. He isn’t as knowledgeable as the other people involved, and they are reluctant to share information with him, so Koichi is largely left to investigate on his own. Eventually he gains some dubious allies, the most important being a young woman named Mei Misaki who may or may not actually exist. Ayatsuji excels at creating a constant air of uncertainty in Another—he introduces just enough creepiness and doubt that readers, like Koichi, are left questioning everything. While logical analysis is a valid option, the weirdness of the situation and the possibility of supernatural interference makes the more mundane, straightforward answers feel suspect. Additionally, Koichi himself is shown to be a somewhat unreliable narrator, and it’s his perspective of the unfolding events that drives Another.

Ayatsuji is particularly well-known for his inventive stories with dramatic twists. Another definitely falls into that category, the plot taking multiple clever and surprising turns over the course of the novel. However, without spoiling things, there was one major reveal towards the end that left me feeling cheated, especially when most of the other developments were so engaging. Retrospectively, the reveal does fit into the overall narrative, and there were some clues hinting at it scattered throughout the novel, but it isn’t foreshadowed as well as it could have been. As a result, I found it to be very unsatisfying. The revelation is shocking and certainly leaves an impact, but I think that had the information been shared earlier in the novel it could have been used even more effectively. Despite this one notable complaint, I actually quite enjoyed Another. The mystery was intriguing, the horror was disconcerting, and blended together they formed a chilling novel that was highly readable and kept me eagerly turning the pages.

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16 October 2015 2 Comments

After School Nightmare, Volume 6

After School Nightmare, Volume 6Creator: Setona Mizushiro
U.S. publisher: Go! Comi
ISBN: 9781933617480
Released: January 2008
Original release: 2006

The sixth volume of the manga series After School Nightmare, an intense and dark psychological drama by Setona Mizushiro, was originally published in Japan in 2006. The English-language edition of After School Nightmare, Volume 6 was released by Go! Comi in 2008. Go! Comi is no more, so the entire series has gone out-of-print, but the manga still seems to be relatively easy to find. After School Nightmare is a series that honestly disturbs me, which isn’t necessarily a bad thing since in part it’s a horror manga. But while I find After School Nightmare to be disconcerting, I also find it to be oddly compelling. Mizushiro deals with some heavy issues in the series, including emotional, psychological, and physical abuse, trauma, and violence. The search for personal identity and the roles that gender and sexuality play in defining who a person is are major themes as well. In fact, it was those themes that first drew After School Nightmare to my attention.

Despite some lingering doubts, Mashiro made the decision to give up on his feelings for Sou in favor of his feelings for Kureha. Sadly for him, things aren’t turning out how he would have liked at all. Tying his masculinity to her insecurities, Mashiro wanted to feel needed by Kureha, to become her white knight and protector. But now Kureha is beginning to feel more confident in herself and trying to rely less on Mashiro. Suddenly finding himself without an acceptable role to play in their relationship, and no longer being able to meet the established though self-imposed requirements of what it means to be a man, Mashiro is thrown into turmoil. In the past he presented himself as a prince who would rescue those who were weaker than him, but it’s help that is no longer wanted nor needed. Just when he thought that he had everything finally figured out, Mashiro finds his relationships falling apart because they were built on his own insecurities and fears. He is desperate to be seen as a man by others and at the same time is terrified by the fact that he also yearns to express his femininity.

After School Nightmare, Volume 6, page 184Most of After School Nightmare takes place in one of three settings: the school grounds, the dormitories associated with the school, and the shared nightmares of the students participating in the special after school class required for their graduation. Granted, it’s not graduation in the usual sense. The students who successfully complete the course completely disappear from the campus and from the memories of those left behind, almost as if they never existed at all. The mysteries surrounding what it really means to graduate combined with the story’s limited settings create a marvelously ominous and claustrophobic atmosphere. As a result, when the series breaks from that narrow focus, it can be especially unsettling. In the sixth volume, for what I believe is the first time in After School Nightmare, a truly significant scene occurs away from the school entirely, which serves to emphasize Mashiro’s reluctance to deal with his issues head on. But it’s a moment of false freedom; he won’t be able to run away from his problems indefinitely without there being negative consequences.

The nightmares in After School Nightmare are intended to be an environment in which the students can work through their personal traumas and fears, but the participants are simultaneously stripped of many of their defenses and left incredibly vulnerable within the dreams as well. In theory, what happens in the dreams is meant to remain private and not to carry over into the waking world, but in practice that is rarely ever the case. Even so, most of Mashiro’s growth and maturation is thanks to those nightmares. It’s not until After School Nightmare, Volume 6 that he’s forced to really begin to recognize outside of them how selfish and self-centered his relationships with other people have been, how he’s using them to make himself feel better about himself, and how his actions affect others. In many ways, Mashiro’s waking life is just as much of a fantasy as the dreams he is made to share with his classmates, and both reality and nightmares can be troubling and traumatic. However, it’s the nightmares that are the more truthful and honest even though they can also be highly symbolic and strange. In the end, as horrifying as the dreams are, the denial and insidious falsehoods of reality may ultimately be the more damaging.

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14 October 2015 4 Comments

Hide and Seek, Volume 3

Hide and Seek, Volume 3Creator: Yaya Sakuragi
U.S. publisher: Viz Media
ISBN: 9781421579689
Released: March 2015
Original release: 2014

Yaya Sakuragi has had quite a few of her boys’ love manga translated and released in English: Tea for Two; Hey, Sensei?; Stay Close to Me; Bond of Dreams, Bond of Love; and, most recently, Hide and Seek. Hey, Sensei? was actually my introduction to boys’ love, and I tend to enjoy Sakuragi’s work, so I’ve made a point to read and collect it all. As for Hide and Seek, the third and final volume was originally published in Japan in 2014. The English-language edition was released in 2015 by Sublime Manga, the boys’ love imprint associated with Viz Media. Hide and Seek is technically a spinoff of Bond of Dreams, Bond of Love, but it stands completely on its own. However, readers familiar with Bond of Dreams, Bond of Love will likely appreciate the references made to the earlier series. Tea for Two is even more distantly related to Hide and Seek, the connection between the two being made indirectly through Bond of Dreams, Bond of Love. It’s not at all necessary to have read Tea for Two or Bond of Dreams, Bond of Love to enjoy Hide and Seek, but I do like how all three series are linked together.

It has been years since Shuji has been in a serious relationship. Although he’s still on good terms with his ex-wife, his marriage was a failure and he hasn’t done much more than casually play around since the divorce. But now, somewhat unexpectedly, Shuji finds himself in what may very well become something more long-term, and with another man no less. The relationship between Shuji and the young doctor Saji has had a few bumps along the way, and both of the men still occasionally feel insecure, but for the most part they’ve been able to move past the major drama. That doesn’t mean everything has been completely worked out, though. As grown adults, Shuji and Saji each have their own family responsibilities and careers to take into consideration. Shuji has his daughter Chii to look after and the business at his candy store isn’t as good as it once was while Saji is having a difficult time convincing his grandfather to allow him to take over the family’s local clinic. So, there are still a few matters that Shuji and Saji will need to address before their relationship can go much further.

Hide and Seek, Volume 3, page 68Although Hide and Seek tends to be more serious, mature, and realistic, especially when compared to its immediate predecessor Bond of Dreams, Bond of Love, at the same time there is still plenty of humor and lightheartedness to the series. For example, the major dilemma in the first chapter of Hide and Seek, Volume 3 revolves around Shuji “manning up” in order to cuddle, with delightful results. Shuji’s love of costume and roleplay comes up again, too, which has been something of a running joke in both Bond of Dreams, Bond of Love and Hide and Seek. I’ve really enjoyed seeing the relationship between Shuji and Saji develop as the series has progressed; they’re adorable and surprisingly sweet together, even considering (or perhaps even because of) their drastically different personalities. It’s obvious that they each care tremendously for other person. What makes their relationship work, and one of the things that I particularly love about Hide and Seek, is their willingness to push through their initial fear and embarrassment over expressing themselves and actually communicate with each other.

Seeing as I had enjoyed Sakuragi’s earlier works, I was fairly confident that I would like Hide and Seek, too. What I didn’t anticipate was just how much the series would end up appealing to me; I think it may now even be my favorite Sakuragi manga. I find this to be a little surprising because, although Saji is a type of character that I’m usually fond of, in general Shuji wasn’t. But over the course of Hide and Seek I came to really like and care about him. He has evolved from simply being supporting comic relief in Bond of Dreams, Bond of Love into a fully fledged, well-developed character in his own right. Much of Hide and Seek, Volume 3 is devoted to his family circumstances, which are revealed to be a little different than readers (and Saji, for that matter) were initially led to believe. Chii’s mother and her current boyfriend play a greater role, but the series implies and is open-ended enough that there is room for Saji, Shuji, and Chii to form a trio as well. Perhaps it’s optimism and wishful thinking on my part, but it makes me extremely happy that by the end of Hide and Seek, Chii may very well have gained two caring families.

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9 October 2015 Leave a Comment

Genocidal Organ

Genocidal OrganAuthor: Project Itoh
Translator: Edwin Hawkes
U.S. Publisher: Viz Media
ISBN: 9781421542720
Released: August 2012
Original release: 2007

Although Genocidal Organ was the third novel by Project Itoh to be translated and released in English, in Japan the book was actually his debut work as an author. My introduction to Itoh’s fiction was through the award-winning Harmony, his first novel to be translated into English, which I greatly enjoyed and found to be an intelligent, thought-provoking work of science fiction. I was also greatly impressed by his two short stories: “The Indifference Engine,” collected in The Future is Japanese, and “From Nothing, With Love,” found in Phantasm Japan. Thus, reading Genocidal Organ, released by Viz Media’s Haikasoru imprint in 2012 with a translation by Edwin Hawkes, was an obvious choice for me. The publication of Genocidal Organ in Japan in 2007 established Itoh as a talented author to watch out for. Sadly, he died two years later at the age of thirty-four from cancer. But Itoh and his work haven’t been forgotten. In 2014 it was announced that three of his novels, including Genocidal Organ, were to be adapted as feature-length animated films.

Ever since the attack on the World Trade Center on September 11, 2001, American citizens have more or less willingly given up their privacy and freedoms in order to feel safer from perceived terrorist threats. Much of the world has followed suit and there are very few places left where a person isn’t closely monitored and recorded, the immense amounts of data and metadata collected being saved indefinitely, waiting to be complied at a moments notice. In order to maintain this life of extreme hyper-surveillance there are people who must deal in death. Clavis Shepherd is one such man, an assassin who is a part of the Special Operations of the United States Military. He has killed countless people in service of his country—men, women, even children—but his recent missions have all had one target in common, an American linguist by the name of John Paul. Time and again the man seems to manage to slip away just before Shepherd’s unit arrives, leaving behind one developing country after another devastated by civil war and genocide.

Genocidal Organ is a novel that is absolutely saturated with death. It’s something that Clavis cannot escape in either his personal or professional life, whether he’s asleep or awake. Killing other people is his job and aided by modern science and medicine he is largely able to accept that, but his work is still tremendously damaging psychologically. But it’s not until Clavis had to make the decision whether or not to remove his mother from life support after she was in an accident that mortality really became personal to him. From there, his mental stability begins to steadily unravel as he is haunted by all of the death that he has seen and the death for which he has been responsible. Genocidal Organ can be horrific and tragic, gruesome and visceral. Clavis has been both a participant in and a witness to some truly terrible things—war and genocide that lay waste to entire countries and populations and all that accompanies that devastation. And, as an assassin for the government, he knows that he’s not an innocent bystander in how events unfold.

First and foremost, Genocidal Organ is Shepherd’s own personal narrative as he struggles to come to terms with his role as an assassin, but his story is couched in a much larger one dealing with global policy and international politics. Itoh has successfully incorporated many different genre styles in order to create a compelling and cohesive novel. In addition to all of the action and espionage, there are also the mysteries surrounding Paul as the “King of Genocide,” and an exceptionally strong philosophical and intellectual bent to the story as Genocidal Organ examines the worth of life and cost of freedom. Itoh presents an incredibly insightful perspective of the Untied States as a world power. Although it is perhaps more critical and frank than most American authors would likely attempt, the perspective is one that still feels surprisingly authentic. (It’s also very clear that Itoh was particularly well-versed in Western literature and popular culture.) Ultimately, though at times heavy-handed, Genocidal Organ is a fascinating and engaging novel of the near future; I remain convinced that Itoh was an author of exceptional talent.

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2 October 2015 3 Comments

Wayward, Volume 2: Ties That Bind

Wayward, Volume 2: Ties That BindCreator: Jim Zub and Steve Cummings
Publisher: Image Comics
ISBN: 9781632154033
Released: August 2015
Original run: 2015

Ties That Bind is the second volume of the American comic series Wayward, created by Jim Zub and Steve Cummings and released by Image Comics. Anything having to do with yokai immediately catches my attention, and I had previously read and enjoyed some of Zub’s earlier work, so I was very interested in reading Wayward. I thoroughly enjoyed the first collected volume in the series, String Theory, meaning that there was absolutely no question that I would be picking up the second, too. (Well, at least that was the case before I learned that a deluxe omnibus edition was going to be released—then there was a difficult choice to be made.) Ties That Bind, published in 2015, collects the sixth through tenth issues of Wayward which were originally serialized between March and July 2015. Also included is an introduction by Charles Soule as well as several yokai essays by Zack Davisson which I especially appreciate. For this particular volume, Zub is credited for the story and Cummings for the line art while the credit for the color art goes to Tamara Bonvillain and color flats to Ludwig Olimba.

Emi Ohara’s life follows a simple, predictable routine. Without much variation from day to day she wakes up, goes to school, and returns home. But Emi yearns to have the exciting lives that the heroines of her favorite shoujo manga enjoy. Little does she know that she’ll get what she wished for, but not at all in the way that she expected—Emi discovers she has the ability to manipulate her body and the materials around her in astonishing ways. Suddenly, among other strange developments, her touch is able to melt and mold plastic and her arm can take on the characteristics of metal and glass. At first she thinks it’s all a dream, but then she is chased down by a group of monstrous kitsune only to be rescued by Ayane and Nikaido, two young people who have their own special powers and who are also the yokai’s targets. It’s been three months since the other members of their group, Rori and Shirai, disappeared during the chaos of an epic confrontation with a faction of yokai. At this point Ayane and Nikaido are welcoming any allies they can find, and that includes Emi.

Wayward, Volume 2, page 40Whereas String Theory largely followed Rori’s perspective of the supernatural events unfolding in Tokyo, much of the focus of Ties that Bind is on Emi. Some of the contrasts between the young women as two of the leads in the story are particularly interesting. Rori, who is half-Japanese and half-Irish, is often considered to be an outsider within Japanese society. Emi, on the other hand, is a “proper Japanese girl,” dutiful and obedient even though she finds that role to be increasingly suffocating. Rori is a Weaver with the ability to alter reality and change a person’s fate. (Just how incredibly powerful and far-reaching her talents truly are is still in the process of being revealed, but the continuing development and evolution of her skills in Ties That Bind is impressive.) However, Emi, who like Rori is sensitive to patterns and seems to be able to at least partially identify the course of fate and destiny, feels trapped and unable to make meaningful choices or to change the direction of those events that have already been set in motion.

At times, Wayward can be an extremely violent series. Ayane’s way of taking charge of the situation is to go on the attack, dragging Nikaido and Emi along with her. The yokai, threatened by the very existence of the supernaturally-gifted teens, are more than willing to fight back. The resulting battles are intense, bloody, and even gruesome. But the yokai aren’t united in their efforts—Ties That Bind introduces the tsuchigumo, or dirt spiders, who would seem to have their own agenda. I love that Wayward incorporates the lore and, especially in the case of the dirt spiders, the history surrounding yokai. The series’ interpretation of yokai and traditional tales is its own and is closely integrated with an entirely new, contemporary story. Wayward effectively creates a cohesive and compelling narrative that can be enjoyed by readers who are already familiar with yokai as well as by those who are not. Ties That Bind brings together new characters, new conflicts, and new plot threads while expanding and further developing those that had already been established. Wayward is an excellent series with great art, characters, and story; I’m definitely looking forward to the next volume.

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