Manga Giveaway: Fairy Tail Feast

For those of you in the United States, a Happy Thanksgiving! And for those of you who are not, a Happy End of November! And since it is the end of the month, that means it’s time for another giveaway here at Experiments in Manga. As is tradition, and because Thanksgiving is my favorite holiday, November’s manga giveaway will feature multiples volumes. In this case, I have a Fairy Tail feast in store for one lucky participant. This month you’ll all have a chance to win volumes thirty, thirty-one, and thirty-two of Hiro Mashima’s manga series Fairy Tail as published by Kodansha Comics. As always, the giveaway is open worldwide!

Bonus! Hungry for even more Fairy Tail? Funimation has been kind enough to provide an early copy of the movie Fairy Tail: Phoenix Priestess for this giveaway! Scheduled for release in December, you have a chance to win it now, or guarantee a copy by pre-ordering it.

Fairy Tail, Volume 30 Fairy Tail, Volume 32
Fairy Tail: Phoenix Priestess

Fairy Tail recently reached a milestone in its English publication. It can now claim its place among all of the series that have lasted for at least thirty volumes in English. In part because of its length, Fairy Tail is a series that I probably would have never gotten around to reading except that someone very deliberately put the manga into my hand. For me, I don’t bat an eye when a manga reaches ten or so volumes. When a series is around twenty volumes, I still consider it fairly manageable. But when a series hits thirty volumes or more, it becomes rather daunting and I start to seriously consider whether it is worth the investment of my time and money to pursue it. Sometimes the answer is yes and sometimes the answer is no. Obviously, if the series has lasted for so long it must have at least some merit to it. Either that, or an extremely devoted fanbase. There are several thirty-plus manga series that I adore and count among my favorites.

So, you may be wondering, how can you win a Fairy Tail feast?

1) In the comments below, tell me about your general feelings or opinions regarding long-running manga series.
2) For a second entry, simply name a manga not mentioned by me or by someone else that has at least thirty volumes published in English. (I know of at least twenty-five series.)
3) If you’re on Twitter, you can earn a bonus entry by tweeting about the contest. Make sure to include a link to this post and @PhoenixTerran (that’s me).

And there you have it! For this giveaway, each person can earn up to three entries. As usual, there is one week to submit comments. If you have trouble leaving comments, or if you would prefer, entries can be e-mailed to phoenixterran(at)gmail(dot)com and I will post them in your name. The giveaway winner will be randomly selected and announced on December 4, 2013.

VERY IMPORTANT: Include some way that I can contact you. This can be an e-mail address, a link to your website, Twitter username, or whatever. If I can’t figure out how to get a hold of you and you win, I’ll just draw another name.

Contest winner announced—Manga Giveaway: Fairy Tail Feast Winner

My Week in Manga: November 18-November 24, 2013

My News and Reviews

I’ve never run a poll before, so I’m probably more excited about this than I should be, but you all currently have the opportunity to vote on my next monthly manga review project. I’ve narrowed it down to five different options—a mix of individual series and thematic collections—and am letting readers decide which manga I will be focusing on next. Check out the post for all the details. The poll will run through the end of November, so please come and vote!

Last week I posted my review of Hinoki Kino’s manga No. 6, Volume 3. I am very happy to be able to say that the series continues to improve. I’m really looking forward to the next volume. And for your reading pleasure, here are a couple of interesting articles that I happened across online last week: A Short History Of Japanese Sign Language (with a fascinating connection to manga) and Are Comics Too Hot For Apple?, about the impact of Apple’s inconsistent policies when it comes to digital comics, including manga.

Quick Takes

Darkside BluesDarkside Blues written by Hideyuki Kikuchi and illustrated by Yuho Ashibe. I think I’ve suspected it for a while, but reading Darkside Blues seems to confirm it—Kikuchi may have some great ideas and settings for his stories, but he can’t quite seem to focus long enough to pull them all together into something coherent. Darkside Blues features many of the elements that I’ve come to expect from Kikuchi’s work: a mix of near-future technology, magic, and bizarre horror; evil organizations bent on taking over the world, crushing those that would stand in their way; a tall, dark, and handsome (well, androgynously beautiful) anti-hero. I’m fairly certain the manga is related to Kikuchi’s Demon City universe, or at least it makes reference to it. There are some great scenes here and there, but the story as a whole is a mess and doesn’t make much sense. Kikuchi claims that the story is complete, but it feels like a small part of something much larger. However, I did like Ashibe’s artwork, and so will probably look into tracking down Bride of Deimos because of that.

Fairy Tail, Volume 32Fairy Tail, Volume 32 by Hiro Mashima. Now that the preliminaries are over, the Grand Magic Games proper have begun. Eight teams will be competing in the Games which consists of a mix of event challenges and battles. The teams themselves represent guilds that have been encountered in the series before as well as a few new ones. One thing that irked me a little was that there are actually two teams from Fairy Tail participating. That in itself didn’t bother me, but the fact that it was played up as a surprise (to both the readers and the characters) was unconvincing. Also, it has been established that Fairy Tail has always been one of the weakest guilds to participate in the Games, so I find it a little difficult to believe that not one but two teams made it past preliminaries this year. That annoyance aside, the event challenge in this volume was actually pretty interesting. I appreciate that the players have to put some actual thought and strategy into it instead of simply relying on who can out-magic the other. Magical skill certainly helps, but being clever is important, too.

I'll Be Your SlaveI’ll Be Your Slave by Miki Araya. I’ll admit it. I laughed. Several times. Out loud, even. I’ll Be Your Slave is so incredibly ridiculous, and intentionally so, that I just couldn’t help it. Moriya is having a difficult time finding the perfect model for his project when he happens across Ouno, a beautiful but extraordinarily lazy teenager. Fortunately, Ouno’s job will basically amount to him sitting around and looking pretty. He’s easily tired and loses interest in things quickly, but if he doesn’t want to put the effort into doing something he simply lets someone else do it for him. (This even includes walking from place to place.) Moriya is more than willing to pamper Ouno. Mopping up sweat? Check. Foot massages? Check. Sex? Sure, why not! I’ll Be Your Slave is definitely more of a comedy than it is a romance. The humor is great and the over-the-top reaction shots—complete with dramatic poses and bursts of sparkles—are hilarious. The characters admittedly don’t have much depth to them, but that’s also part of what makes the manga so funny.

Swan, Volume 1Swan, Volumes 1-3 by Kyoko Ariyoshi. While I appreciate and admire dance and dancers, and even watch dance performances from time to time, I’ve never had a particular interest in ballet. That’s probably the primary reason that it took me so long to get around to reading Swan. (It’s also out of print and some of the volumes can be a little hard to find.) But, I kept hearing how wonderful Swan was, so I finally made a point of seeking it out. I should have done it sooner, because it really is a fantastic series. I may not be a dancer but I am a trained musician; there are many parallels between the two arts seen in Swan with which I can personally identify. The importance of basics. The grueling practices that push the body, mind, and soul to their breaking points. The good-natured competition and the vicious rivalries. The passion, drama, frustration, and desire that go hand in hand with creative expression. The complete joy experienced with success and the utter despair felt at failure. Swan is incredible; I can’t wait to read more.

Random Musings: Picking My Next Monthly Review Project

Now that I have completed my monthly Blade of the Immortal review project it is time for me to tackle something new. And, as promised, I am putting it up to a vote and letting readers of Experiments in Manga help decide what that will be. I am looking for a project that will last roughly six months to a year, isn’t a sword-fighting epic or period piece (basically, a different genre than Blade of the Immortal), and is something that I’m interested in reviewing. Don’t expect any scathing posts to come out of this project—this is manga that I already know that I like or for which I have an established affinity. To aid in the selection of my next monthly review project, I have narrowed down the choices to the following five options:

Mermaid Medley
Children of the Sea, Volume 1I keep hearing that mermaids are the next big thing, but they’ve been around for a while. I don’t have a particular interest in mermaids, but I do love water and legends. Using a loose definition of “mermaid,” this option will include in-depth reviews of  Daisuke Igarashi’s Children of the Sea, Young-Hee Kim’s Evyione: Ocean Fantasy, Rumiko Takahashi’s Mermaid Saga, and Osamu Tezuka’s Triton of the Sea. I might try to do something with Reiko Shimizu’s Moon Child, too.

Parasyte by Hitoshi Iwaaki
Parasyte, Volume 2Parasyte may very well be my favorite horror manga. It’s also one of my favorite manga series in general, so I’ve wanted to give it a little more attention at Experiments in Manga. Originally published by Tokyopop back in its Mixx days, Parasyte was later picked up by Del Rey Manga. Del Rey Manga is no more, but happily Kodansha Comics rescued the series. (Upcoming live-action and anime adaptations were recently announced, too!) I’ve already reviewed the first volume of Parasyte, so this option will include in-depth reviews of the remaining volumes.

Real by Takehiko Inoue
Real, Volume 1I honestly believe that Real is one of the best comics currently being released in English, and I haven’t reviewed a single volume of the series. But I love it. Inoue’s artwork and storytelling is fantastic and his characters have incredible depth. Even if you’re not into sports (in this case wheelchair basketball), this series is well worth checking out. This option will include in-depth reviews of all twelve volumes currently available in English as well as reviews of any future volumes that are released.

Usamaru Furuya
Genkaku Picasso, Volume 2The first Manga Moveable Feast that I hosted at Experiments in Manga featured the work of Usamaru Furuya. At that time I reviewed the first volume of each of his series available in English, and I’ve always meant to get around to reviewing the rest of them. This option will include in-depth reviews of Genkaku Picasso, No Longer Human, and Short Cuts. If I’m feeling ambitious, I may also attempt to review Furuya’s artbook Flowers (which hasn’t been released in English.)

Year of Yuri
12 DaysIn the past I’ve read and reviewed yaoi and boys’ love manga. I’ve also read and enjoyed yuri manga, but for some reason have never gotten around to actually writing any in-depth reviews. It’s probably about time I change that. This option will include twelve in-depth reviews of manga and other comics with yuri and/or lesbian themes. I haven’t finalized the list yet, but expect a variety of genres, demographics, and styles. Some titles will be out-of-print, but I will review more recent releases as well.

So, what’ll it be? My fate is in your hands.

(The poll will be open through the end of November!)

No. 6, Volume 3

No. 6, Volume 3Creator: Hinoki Kino
Original story: Atsuko Asano

U.S. publisher: Kodansha
ISBN: 9781612623573
Released: October 2013
Original release: 2012

Hinoki Kino’s No. 6 manga is one of two adaptations available based on Atsuko Asano’s series of science fiction novels No. 6. My introduction to the story was through the anime series, but I am very glad to see the manga being released in English as well. No. 6, Volume 3 was originally published in Japan in 2012. The English-language edition was released by Kodansha Comics in 2013. Although the manga and the anime both share the same character designs and basic story, they are both different interpretations of the original novels. The manga, which is currently still an ongoing series, actually began serialization before the anime adaptation began airing. I quite enjoyed the No. 6 anime—except for its rushed original ending—which is why I was particularly interested in reading Kino’s manga. I felt the first volume was a bit uneven, but the second volume improved in both world-building and pacing, so I was looking forward to reading the third.

Even though at one point he was considered to be among No. 6’s elite, Shion is now a fugitive hiding outside of the city in West Block. Currently he is living with Rat who has already saved Shion’s life on several occasions and who himself is listed as a violent criminal by No. 6. Fortunately, the city seems to have very little interest in what is going on outside of its walls, so the two young men should at least be safe for the time being. In fact, Shion seems to be adapting surprisingly well to life in West Block, although his kindheartedness and naivety still have a tendency to get him into trouble. Inside the city, Shion’s mother is still afraid for her missing son’s safety and Shion’s childhood friend Safu wants to do anything that she can to find him. The risks involved in searching for Shion are not small and both of the women are under close surveillance by the authorities. A single mistake could lead to their arrest or convenient disappearance.

The relationship between Rat and Shion has always been an important part of the No. 6 manga. This hasn’t changed with No. 6, Volume 3, but the volume also further develops the relationships between them and the other characters. The pacing of the third volume is happily a bit slower than the first two which allows more time for Kino to better explore those relationships. Particularly telling is Rat’s interactions with Dogkeeper and how different they are from his interactions with Shion. Rat normally doesn’t hesitate to manipulate and intimidate other people and is more than willing to resort to violence. It’s his way of distancing himself from others in an attempt to avoid being hurt or taken advantage of. There is a small amount of kindness to be found in Rat’s personality, but he keeps it very well hidden. Shion is Rat’s complete opposite in this and seems to be made up of nothing but kindness, though he certainly has become less of a pushover than he once was.

It’s not only that Shion, Rat, and the others have different personalities, it’s that they have completely different worldviews and ways of thinking. This is a sources of strife in their relationships, but from this conflict comes subtle changes in their attitudes. Shion has an effect on those around him and he in turn is slowing changing as well. As an outsider in West Block, Shion asks questions that no one else would think to ask; he’s not as naive as he first appears, simply more open-minded and optimistic. Those used to living in the harsh environment of West Block have lost that idealism, and in time Shion may lose it as well as he is confronted with the terrible reality of West Block and the truth behind No. 6. He is strangely accepting of his own situation and exile, but when it comes to those he cares about he feels compelled to protect them at any cost, even if it puts him in danger. Each volume of the No. 6 manga continues to improve; I’m definitely looking forward to seeing where Kino takes things next.

My Week in Manga: November 11-November 17, 2013

My News and Reviews

Last week was apparently “Blade of the Immortal Week” here at Experiments in Manga. I finally got around to reading and reviewing Blade of the Immortal: Legend of the Sword Demon, a novel written by Junichi Ohsako with illustrations by Hiroaki Samura, which is a re-imagining of the early part of the manga series. Honestly, I was disappointed with it and would only recommend the novel to fellow Blade of the Immortal completists. I also reviewed Blade of the Immortal, Volume 27: Mist on the Spider’s Web. With that review, I have now caught up with the English released of the Blade of the Immortal manga series. And so, I wrote some random musings on Wrapping Up the Blade of the Immortal Monthly Review Project.

And now for a few interesting things found online last week. SciFi Japan has a great interview with Zack Davisson, the translator for the recently released Showa: A History of Japan by Shigeru Mizuki. The School Library Journal’s Good Comics for Kids has an interesting roundtable on Gene Luen Yang’s Boxers & Saints. Takako Shimura’s Wandering Son, Volume 4 is one of the nominees for the 2014 Rainbow Book List. (As is Julie Maroh’s Blue Is the Warmest Color, for that matter.) And finally, Kodansha Comicss participated in Reddit’s Ask Me Anything. I haven’t had the chance to read through all of the comments yet, but what I’ve read so far has been interesting.

Quick Takes

Battling BoyBattling Boy by Paul Pope. I have enjoyed Paul Pope’s work in the past and so I was very excited for the release of Battling Boy, his most recent graphic novel. What I didn’t realize was that it was the first volume in what will be at least a two-volume series, not including the recently announced prequel The Rise of Aurora West. It was a little frustrating to reach the end of Battling Boy just when things were really starting to pull together only to discover that it stops without any sort of conclusion and not even much of a cliffhanger. Still, Battling Boy is a tremendous amount of fun and I did enjoy it. I appreciate Pope’s offbeat humor and slightly surreal and absurd storytelling. The artwork’s pretty great, too. Following the eponymous demigod Battling Boy as he struggles to complete his coming-of-age ceremony and become a hero, the graphic novel is Pope’s original take on the superhero origin story. While he brings his own touch to the genre, there are plenty of influences from other comics (such as Batman and Thor to name two) that can be seen in the work.

Endless RainEndless Rain by Yuuya. I’ve not had particularly good luck with the boys’ love that I’ve been reading recently and Endless Rain hasn’t changed that. I can’t say that I enjoyed this one-shot much at all. Despite having a happy ending (which I am not at all convinced would happen) the manga isn’t particularly pleasant and includes what basically amounts to forced prostitution. The plotting is sloppy, the narrative is difficult to follow and at times doesn’t make any sense, and the characterization is inconsistent. With Hyougami’s vendetta against the Kasuga family and the bad blood between Akira Kasuga and his father Endless Rain had some potential, but Yuuya doesn’t quite pull it off. Maybe if the manga was a little longer it wouldn’t have been such a mess. As it is, Yuuya tries to cram in too much and it ends up rushed. The only part of Endless Rain that I really liked was Iwao—a scarred and severe-looking yakuza who dotes on Akira’s younger brother. Contrary to his appearance, he’s actually a very sweet guy. Unfortunately, he only briefly shows up as a side character.

Missions of Love, Volume 5Missions of Love, Volume 5 by Ema Toyama. Although I am familiar with the basic premise of Missions of Love, I haven’t actually read any of the series until this volume. When I heard the manga described it seemed so trope-filled that I just couldn’t muster up any interest in it despite the rather provocative covers. But now I’m kind of sorry that I missed out on the earlier volumes. Yes, there are quite a few tropes being used, but the twisted romantic relationships are mesmerizing even if they aren’t particularly healthy. None of the characters are really very nice people and their interactions are a mess of lies and manipulation. Missions of Love is very suggestive and scandalous even though all that really happens in this volume (well, except for the emotional exploitation) is a bit of ear nibbling. I can see why others call Missions of Love addicting; I know that I want to read more. The only thing that really annoyed me about Missions of Love is how Yukina’s glasses are drawn (or rather how the aren’t drawn)—the lines used are so minimal that they barely seem to exist at all.

Silver SpoonSilver Spoon directed by Tomohiko Ito. Based on the award-winning manga series Silver Spoon by Hiromu Arakawa (which was in part inspired by her experiences growing up on dairy farm), the Silver Spoon anime adaptation is quite well done. The series is very forthright and honest about where food comes from, including the raising and slaughtering of animals for meat. I know that particular subject will distrub some viewers, but I think it is something that is important for people to understand and the anime does handle it very well. Many of its characters are also conflicted over it. One of the major story lines of Silver Spoon has to do with Hachiken, the protagonist, trying to come to terms with what it is he eats. However, life and the taking of it is treated with immense respect in the series. I myself grew up in a farming community among the cows, corn, and soybeans (my neighbors actually happened to be dairy farmers), and so I could appreciate Silver Spoon‘s realistic portrayal of the challenges faced by those who make their living caring for animals and crops.