My Week in Manga: April 29-May 5, 2013

My News and Reviews

After a busy week at Experiments in Manga comes a much slower one. But I was out of the state for a conference for work for most of the week, so at least I have an excuse. As you can see from the number of quick takes below, I didn’t get a chance to read nearly as much manga as I would have liked.

Last week I announced the winner of the Loveless manga giveaway. The post also includes a select list of manga license rescues in English. For those of you who have an interest in my absurd manga buying habits, April’s Bookshelf Overload has also been posted. Finally, the first in-depth manga review for May is now available for your reading pleasure. I took a look at Yoshikazu Yasuhiko’s Mobile Suit Gundam: The Origin, Volume 1: Activation. You don’t need to be a Gundam fan to enjoy the series. I’m certainly not, and yet I can’t wait for the next volume. Vertical has done a fantastic job with the release, too.

The nominees for the 2012 Shirely Jackson Award have been announced. The award recognizes “outstanding achievement in the literature of psychological suspense, horror, and the dark fantastic.” This year the nominees include Koji Suzuki’s Edge for novel (which I reviewed a couple of months ago) and Project Itoh’s The Indifference Engine for novella (which was included in the anthology The Future is Japanese.)

Elsewhere online, Sheena McNeil completed a four part series looking at gender-bending in Osamu Tezuka’s Princess Knight at Sequential Tart—Part One: Raised as a Prince, Part Two: Which Heart Should Rule?, Part Three: Challenging Gender Roles, Part Four: Discovering Herself. Since I recently held a Loveless giveaway, I thought it would be appropriate to point out Melinda Beasi’s recent Fanservice Friday feature at Manga Bookshelf—Lovesick over Loveless. Finally, The Comics Reporter interviewed Anne Ishii about her work on The Passion of Gengoroh Tagame: The Master of Gay Erotic Manga (the first collection of bara manga to ever be released in English; I’ll be reviewing it later this week.)

Quick Takes

Sayonara, Zetsubou-Sensei: The Power of Negative Thinking, Volumes 5-8 by Koji Kumeta. Because of its quirky humor the sheer number of cultural references, Sayonara, Zetsubou-Sensei is a difficult series to recommend to just anyone. Personally I enjoy it, but then I appreciate its absurdity. I also really like Kumeta’s simple, stylized artwork. However, Sayonara, Zetsubou-Sensei does work better for me in small doses; I find that trying to read a large number of volumes all at once, while still amusing, can be rather tiresome and somewhat repetitive since Kumeta sticks to a very predictable format. Although there are some running jokes, the chapters are largely episodic so the manga is fairly easy to pick up and put down.

Ultra-Gash Inferno by Suehiro Maruo. Unfortunately out-of-print, Ultra-Gash Inferno is one of the very few examples of Maruo’s work available in English. The volume collects nine of Maruo’s ero guro (erotic-grotesque) manga. Most of the stories in Ultra-Gash Inferno are from the early 1980s, but two, including the longest and most involved work, are from the early ’90s. While the stories are dark, violent, and filled with sexual perversion, Maruo’s artwork is gorgeous. His style is visually stunning and disconcerting and the stories are disturbing. It’s meant for mature readers and certainly isn’t for the squeamish or easily offended. Ultra-Gash Inferno is horrifying, gruesome, cruel, and beautiful.

Mobile Suit Gundam: The Origin, Volume 1: Activation

Creator: Yoshikazu Yasuhiko
Original story: Yoshiyuki Tomino and Hajime Yatate

U.S. publisher: Vertical
ISBN: 9781935654872
Released: March 2013
Original release: 2005

Before Vertical’s 2013 release of Yoshikazu Yasuhiko’s Mobile Suit Gundam: The Origin, Volume 1: Activation, I never had a particular interest in Gundam. I’m certainly aware of the original 1979 Mobile Suit Gundam anime series and the massively influential franchise it spawned, but beyond a basic understanding I’m not especially familiar with the metaseries. But while I may not be a Gundam fan, I am a huge fan of Yasuhiko and his manga; that is the primary reason I decided to give The Origin a try. The manga is a retelling of the original Gundam series. Yasuhiko’s involvement was critical to the visual development of the anime, so it’s interesting to see him return to the story. Viz Media originally began releasing The Origin in 2002, but canceled the series before it was completed. Vertical’s release of the The Origin is based on the Japanese collector’s edition which began publication in 2005. With color pages, a hardcover, essays, and glossy paper, it’s easily one of the highest quality releases of manga in English in recent days.

In the year of Universal Century 0079, the space colony Side 3 began its war of independence from the Earth Federation. As the self-proclaimed Principality of Zeon and the Earth Federation fought, half of humanity’s total population died. For the last eight months the opposing sides of the conflict have entered into an uneasy truce; violence could erupt again with very little provocation. Unknown to the civilian population of the Federation’s Side 7 colony, a new weapon is being developed by the military stationed there in the hopes of tipping the balance of the war. The Gundam mobile suit is the most highly advanced and powerful model to have ever been created. The Principality isn’t about to let this pass unchallenged; its reconnaissance mission quickly turns into an attack on Side 7 and its people. The colony is destroyed and the survivors flee, pursued by one of the Principality’s most notorious and feared commanders.

Yasuhiko’s color illustrations are a marvelous addition to Activation but his black and white work is just as impressive. The pure white of flashes and explosions is a striking contrast to the blackness and quiet of space. Yasuhiko’s line work is delicate but conveys the destruction and devastation of battle as well as the immense proportions involved in the conflict and the power driving it. The action sequences are dynamic in their intensity and danger. Debris, chaos, and detritus leave a visual impact that enforces the sense of desperation felt by those caught in the wake of the attacks. Yasuhiko makes it quite clear in Activation that there is a very real threat to people’s lives. The consequences of war are terror and death no matter who claims to be in the right. Activation and the tragedy that unfolds at Side 7 is only the beginning.

After reading only the first volume of The Origin, I am convinced that the complete tale will be an epic an multilayered one. The world-building is fantastic and the scope of the story has tremendous depth. In addition to the larger overarching conflict between the Federation and the Principality are the smaller more personal conflicts between the characters as individuals. There is the clash between the military and the civilian population of Side 7 as they are forced together just for the chance to survive. A younger, less experienced generation is thrust into leadership roles when their predecessors repeatedly fail them. Sacrifices and growth are demanded from those who in an ideal would should have never been asked. Activation is and exciting and engaging beginning to The Origin. I am looking forward to the next installment in the series, Garma, a great deal.

Bookshelf Overload: April 2013

I made it through April, now on to May! (My poor, poor wallet.) As usual, there were quite a few acquisitions last month. A few things of note: I finished collecting Naoki Urasawa’s 20th Century Boys (as well as 21st Century Boys) and have nearly completed my collection of Osamu Tezuka’s Black Jack, which is mostly going out of print. (The only volume I’m currently missing is seven.) I went to a really nice used book sale last week and found some interesting novels and nonfiction titles. I also picked up a random volume of Wounded Man out of duty since it was the only manga that I came across while there. It’s been a little while since I’ve found out-of-print goodies that I’ve been really excited about, but there were two that I came across in April that made me particularly happy: Kazuma Kodaka’s historical yaoi manga Midare Somenishi and Sakyo Komatsu’s disaster novel Japan Sinks. Both tend to be extremely expensive even used but I managed to snag them at cover price. It’s also been a while since I’ve picked up any new music, but I finally got around to buying the two Mushishi soundtracks which are wonderfully atmospheric. Finally, The Passion of Gengoroh Tagame: The Master of Gay Erotic Manga, one of my most anticipated manga releases for the year, is now in my hands. I wasn’t expecting it until May, so was thrilled when it showed up in April. It’s extremely explicit sadomasochistic pornography and certainly not for everyone, but Tagame’s work is incredible. Review to come very soon.

Manga!
20th Century Boys, Volumes 21-22 by Naoki Urasawa
21st Century Boys, Volumes 1-2 by Naoki Urasawa
Attack on Titan, Volume 4 by Hajime Isayama
Black Jack, Volumes 4-5, 13-14, 17 by Osamu Tezuka
Bunny Drop, Volume 8 by Yumi Unita
A Distant Neighborhood, Volumes 1-2 by Jiro Taniguchi
Dengeki Daisy, Volume 12 by Kyousuke Motomie
Dorohedoro, Volume 9 by Q Hayashida
Knights of Sidonia, Volume 2 by Tsutomu Nihei
Flowers of Evil, Volume 5 by Shuzo Oshimi
Limit, Volume 4 by Keiko Suenobu
Lovless, Omnibus 3 by Yun Kouga
Midare Somenishi by Kazuma Kodaka
Otomen, Volume 15 by Aya Kanno
The Passion of Gengoroh Tagame by Gengoroh Tagame
Patriot by Mashumaro Jyuubaori
Secret Honey of the Moon by Shinobu Tanei
The Two Faces of Tomorrow by Yukinobu Hoshino
Unico by Osamu Tezuka
Wounded Man, Volume 2 written by Kazuo Koike, illustrated by Ryoichi Ikegami

Manhwa!
Click, Volume 7 by Youngran Lee

Comics!
Brody’s Ghost, Book 4 by Mark Crilley
In These Words, Chapter 8 by Guilt|Pleasure
Teahouse, Chapter 4 by Emirain

Light Novels!
Spice & Wolf, Volume 8: Town of Strife I by Isuna Hasekura

Novels!
The House of Kanze by Nobuko Albery
Japan Sinks by Sakyo Komatsu 
Shipwrecks by Akira Yoshimura

Anthologies!
Partings at Dawn: An Anthology of Japanese Gay Literature edited by Stephen D. Miller

Nonfiction!
A Different Kind of Luxury by Andy Couturier
Sex and the Floating World: Erotic Images in Japan, 1700-1820 by Timon Screech
Tokyo Vice: An American Reporter on the Police Beat in Japan by Jake Adelstein

Anime!
Apocalypse Zero directed by Toshihiro Hirano
Jin-Roh: Special Edition directed by Hiroyuki Okiura
The Place Promised in Our Early Days directed by Makoto Shinkai
Voices of a Distant Star directed by Makoto Shinkai

Music!
Mushishi, Soundtracks 1-2 by Toshio Masuda

Manga Giveaway: Loveless Giveaway Winner

And the winner of the Loveless manga giveaway is…KenshinGirl!

As the winner, KenshinGirl will be receiving two volumes of Yun Kouga’s manga series Loveless as published by Viz Media—the first omnibus as well as the ninth volume. Loveless was originally published by Tokyopop, which only released up through volume eight. Happily, the license was rescued by Viz Media last year. For this giveaway, I was interested in learning about other license rescues that made people happy. (Check out the giveaway comments for the responses.)

And, because I can, I’ve compiled select list of (North American) English license rescues that have made at least one person very happy. So here are twenty-two manga that got another chance or two in English:

07-Ghost by Yuki Amemiya and Yukino Ichihara
     (Go! Comi ► Viz Media)

Alice in the Country of Hearts by Soumei Hoshino
     (Tokyopop ► Yen Press)

Azumanga Daioh by Kiyohiko Azuma
     (ADV Manga ► Yen Press)

Blood Alone by Masayuki Takano
     (Infinity Studios ► Seven Seas)

Cardcaptor Sakura by CLAMP
     (Tokyopop ► Dark Horse)

Chobits by CLAMP
     (Tokyopop ► Dark Horse)

Clover by CLAMP
     (Tokyopop ► Dark Horse)

Crayon Shin-Chan by Yoshito Usui
     (ComicsOne ► CMX Manga ► One Peace Books)

Crying Freeman written by Kazuo Koike, illustrated by Ryoichi Ikegami
     (Viz Media ► Dark Horse)

Embracing Love by Youka Nitta
     (Be Beautiful ► Viz Media)

Fist of the North Star written by Buronson, illustrated by Tetsuo Hara
     (Viz Media ►Gutsoon! Entertainment)

Genshiken by Shimoku Kio
     (Del Rey Manga ► Kodansha Comics)

Kizuna: Bonds of Love by Kazuma Kodaka
     (Be Beautiful ► Digital Manga)

Lone Wolf & Cub written by Kazuo Koike, illustrated by Goseki Kojima
     (First Comics ► Dark Horse)

Loveless by Yun Kouga
     (Tokyopop ► Viz Media)

Paradise Kiss by Ai Yazawa
     (Tokyopop ► Vertical)

Parasyte by Hitoshi Iwaaki
     (Tokyopop ► Del Rey Manga ► Kodansha Comics)

Message to Adolf by Osamu Tezuka
     (Viz Media ► Vertical)

Slam Dunk by Takehiko Inoue
     (Gutsoon! Entertainment ► Viz Media)

Sailor Moon by Naoko Takeuchi
     (Tokyopop ► Kodansha Comics)

Tokyo Babylon by CLAMP
     (Tokyopop ► Dark Horse)

Yotsuba&! by Kiyohiko Azuma
     (ADV Manga ► Yen Press)

Why a list of twenty-two? Mostly because I felt like it. And I was being a little silly—two twos for second chances…or something. (Anyway, don’t mind me.) Thank you to everyone who participated in the giveaway; I hope to see you again for the next one!

My Week in Manga: April 22-April 28, 2013

My News and Reviews

Last week was rather busy here at Experiments in Manga. In addition to usual My Week in Manga feature, there were four other posts. (Normally, there are only two or three.) First off, you still have a couple more days to enter April’s manga giveaway. Tell me about your favorite English license rescue for a chance to win the first omnibus as well as the ninth volume of Yun Kouga’s Loveless.

About a month ago, I reviewed The Infernal Devices, Volume 1: Clockwork Angel, HyeKyung Baek’s graphic novel adaptation of Cassandra Clare’s novel by the same name. I hadn’t read the original novel, and so was thrilled when my good friend Traci (who has) agreed to share her thoughts on the adaptation. She made a video, a first for Experiments in Manga!

Last week was also the Kaori Yuki Manga Moveable Feast. For my contribution, I reviewed Grand Guignol Orchestra, Volume 1: Overture. I’ll admit, I think I like the series better in concept than in execution. And last but certainly not least, I posted some random musings on Tokyo Demons, one of my most recent obsessions. Not too long ago I reviewed the first novel in the series, but ended up with more that I wanted to say. And even now, I’m not sure that I said everything that I wanted to.

On to some interesting things found online! I recently reviewed and loved Toh EnJoe’s Self-Reference Engine. I thought Terry Gallagher’s work as the translator for the book was particularly remarkable. Haikasoru posted a Q/A with a translator: Terry Gallagher which I found very interesting. And speaking of Japanese literature in translation, translator Allison Markin Powell (who worked on Osamu Dazai’s Schoolgirl among other things) has created a searchable database of Japanese Literature in English. Entries are still being added but it’s already a fantastic resource.

Elsewhere online, The Comics Reporter interviewed Christopher Butcher, “the driving force behind the Toronto Comic Arts Festival.” Two of the featured guests this year will be mangaka Taiyo Matsumoto and Gengoroh Tagame. I mentioned last week that the 2013 Eisner Award nominees had been announced. Over at No Flying No Tights, the contributors shared their reactions to the list both good and bad, including their disappointment over the lack of manga in some of the categories. Finally, the Dark Horse manga zone takes a look at the release, and re-release, of Lone Wolf & Cub as part of the Dark Horse Manga Timeline.

Quick Takes

20th Century Boys, Volumes 20-22 by Naoki Urasawa. Don’t be fooled: these last three volumes in 20th Century Boys are not the end of the story, there are still two more volumes of 21st Century Boys to go. While it has been a long and convoluted journey, things are starting to fall together. The major players in the series have all returned and the final showdown has begun. And I’m thoroughly enjoying it now that it is here. Music has always been a part of the series and an important touchstone, but I wasn’t expecting it to be so crucial to the plot in the end. I probably shouldn’t have been surprised though since there were plenty of clues in the manga. As a musician, it makes me immensely happy.

Blue Exorcist, Volumes 5-8 by Kazue Kato. While I’m still enjoying Blue Exorcist to some extent, I did prefer the earlier volumes a bit more. Blue Exorcist works best for me when Kato finds a balance between the humor and the darker story elements. In these volumes, the balance was a little off and the more serious side of Blue Exorcist overwhelmed its goofier aspects. Personally, I like the series best when it’s being just a little sillier. To be honest, I was actually a little bored with this story arc. In part, I think it’s because the focus of the story shifts away from Rin. However, even if the pacing was slow, it was nice to see some of the other characters’ back stories filled in. Fortunately, the humor returns the action starts to ramp up again in the eighth volume.

Dorohedoro, Volumes 8-9 by Q Hayashida. I am still loving Dorohedoro. It’s just so delightfully weird and off-beat. Somehow the series manages to be incredibly gruesome and utterly charming all at the same time. In the past, Dorohedoro‘s story has been all over the place and hasn’t always been particularly cohesive, but at this point in the series the plot has developed some forward and almost linear momentum. It’s still wonderfully strange, though. The eighth and ninth volumes begin to delve further into the characters’ pasts and their connections to one another. The tone is rather ominous at the end of the ninth volume, so I’m anxious to see what developments Hayashida has in store next.

A Fallen Saint’s Kiss by You Higashino. A Fallen Saint’s Kiss is certainly one of the kinkiest yaoi I’ve come across in print in English. And because it is part of Digital Manga’s 801 imprint, it is also very explicit. A Fallen Saint’s Kiss is a one-shot featuring three interrelated couples in sadomasochistic relationships (which, as a heads up, includes student-teacher relations.) There’s bondage and humiliation and all sorts of sex toys (something I haven’t seen much of before.) Two chapters are devoted to each couple’s relationship. What works particularly well about the first two stories is that each chapter is told from a different partner’s perspective, allowing both sides of the relationship to be seen. Unfortunately, the third story breaks this pattern.

To directed by Fumihiko Sori. To is a collection of two short films (Elliptical Orbit and Symbiotic Planet) which are based on two standalone chapters of Yukinobu Hoshino’s science fiction manga 2001 Nights. I adore 2001 Nights. The films are very faithful adaptations of original stories and not many changes were made. Of the two films, I preferred Symbiotic Planet—overall, its pacing was better; Elliptical Orbit suffered from too many long, awkward, dramatic pauses. To is completely animated using CGI with mixed results. The ships and environments are absolutely gorgeous. Sadly, this makes the more stylized and less detailed humans feel flat and incomplete in comparison.