Maria the Virgin Witch, Volume 1

Maria the Virgin Witch, Volume 1Creator: Masayuki Ishikawa
U.S. publisher: Kodansha
ISBN: 9781632360809
Released: February 2015
Original release: 2010

I’ll admit, when I first heard about the manga series Maria the Virgin Witch, I was more than a little skeptical. I’m not particularly interested in witches, which seem to be nearly as common as vampires in translated manga these days, and the emphasis placed on the heroine’s virginity seemed like it could be a little suspect. But then I realized that Maria the Virgin Witch was by Masayuki Ishikawa, the creator of Moyasimon, a quirky manga about microbes and fermentation that I enjoyed immensely. (Sadly, only two volumes of Moyasimon were ever released in English.) If for no other reason, I wanted to give Maria the Virgin Witch a chance because of my love for Moyasimon. I’m very glad that I did; the first volume turned out to be a very promising and intriguing start to the short series. Maria the Virgin Witch, Volume 1 was initially published in Japan in 2010 while the English-language edition was released by Kodansha Comics in 2015.

During the first half of the fifteenth century, England and France were still locked in the Hundred Years War, many of the battles being waged on French soil. Maria is a powerful but young witch living in France. She abhors the killing and senseless violence and so does what she can to disrupt the conflict and protect the villages and people who live near her woods. She has discovered one particularly effective method: by sending an owl familiar in the form of a succubus among the leaders of the armies on the eve of major battles, they often lose their will to fight or their interest in the impending confrontation. However, sometimes more direct action is required and Maria will summon great beasts to wreak havoc and chaos on the battlefield. But causing such a spectacle carries with it the danger of drawing the attention of Heaven and the risk of incurring the wrath of the Archangel Michael. There is a proper order to the world, and Maria poses a threat to it.

Maria the Virgin Witch, Volume 1, page 118 Maria’s outlook on life (as well as her and her familiars’ character designs) does tend to be more contemporary than the rest of the manga’s setting, but I really like her as a character. She has strong convictions, and she is prepared to act on them, doing what she can to right the injustices she sees in the world. Michael and others criticize her for her interference and audacity; Maria is very forthright with her feelings and opinions. She is young, and perhaps a little naive, but I admire her earnestness. Despite her anger and frustration, she has yet to become embittered by the world.  Maria honestly and wholeheartedly cares about people, especially those who are powerless or taken advantage of. Though some of her methods might not be considered to be particularly respectable by most, she and the people she protects believe her to be a force for good. Even so, Maria is considered to be a heretic by the Catholic Church, an institution for which she quite obviously holds no love.

Although Maria the Virgin Witch explores some fairly serious subjects—religion, morality, power dynamics, sexuality—the manga also includes a good deal of humor. Much of the comedy has to do with sex in one way or another, but some of it simply relies of the quirkiness of the characters. Maria, for example, is old enough to be curious about sex, but is still completely embarrassed at even the mere thought of seeing a man naked. As a result Priapus, the incubus she creates, is rather indistinct where it counts and is generally just put in charge of cooking and running errands. The first volume of Maria the Virgin Witch can be a bit crass at times (personally, I could have done without the repeated “cry for me like a little whore”-type comments), but overall the manga is a surprisingly layered work. The more I think about it, the more it grows on me, and the more I want to read the rest of the series. So far, Maria the Virgin Witch is a very interesting mix of historical fiction and fantasy that can be both entertaining and sobering.

My Week in Manga: March 30-April 5, 2015

My News and Reviews

An interesting variety of things was posted last week at Experiments in Manga. First of all, I had the privilege and opportunity to announce one of Sparkler Monthly‘s most recent additions, Kôsen’s Lêttera, a three-volume comic that was originally published in Spain. The winner of the Yukarism giveaway was announced last week as well. The post also includes a list of manga that feature reincarnation. As for reviews, I took a look at Akira Arai’s debut novel A Caring Man which shared the inaugural Golden Elephant Award grand prize with Fumi Nakamura’s Enma the Immortal. Whereas Enma the Immortal is historical fiction with fantastical elements, A Caring Man is a contemporary crime thriller that by and large is very believable. Finally, over the weekend I posted March’s Bookshelf Overload, which features a slightly less absurd amount of manga than most months.

Elsewhere online, Organization Anti-Social Geniuses has been posting some great manga-related content, including recording of a panel with manga editor and letterer Abigail Blackman from the Castle Point Anime Convention and a quick interview with editor Brendan Wright about Dark Horse’s upcoming release of Makoto Yukimura’s Planetes. (I’m very excited for this license rescue! I already own Tokyopop’s edition of the series, but Dark Horse’s sounds like it will be great, so I’ll most likely be double-dipping.) And speaking of Dark Horse, the final volume of Hiroaki Samura’s Blade of the Immortal was released last week. Robot 6 has an interview with Philip Simon reflecting on the manga’s end. Chic Pixel has a guide on how to import manga cheaply from Amazon Japan. Throughout March, the Comic Book Legal Defense Fund posted a series of articles, Women Who Changed Free Expression, the last of which focused on the influential 24 Nengumi, or the Year 24 Group, as the female progenitors of shoujo manga.

Anime Boston took place over the weekend. Both Yen Press and Kodansha Comics had some pretty exciting announcements to make. Yen Press has licensed thirteen new manga, some of which will be digital-only releases. The two print releases that particularly caught my attention were the omnibus edition of Yowamushi Pedal, particularly surprising since it’s a sports manga that’s nearly forty volumes lone and still ongoing in Japan, and the yonkoma Monthly Girls’ Nozaki-kun which, if it’s anywhere near as good as the anime adaptation, should be fantastic. As for Kodansha’s announcements, Attack on Titan, Volume 16 will have a special edition. New licenses include Ninja Slayer Kills, two video game-related manga—Persona Q and Devil Survivor—and Junji Ito’s Cat Diary, which is the one I’m personally most excited for. Also revealed was the status of Vinland Saga, which had temporarily been suspended. Basically, only two more volumes are guaranteed to be released unless sales for the series improve. Vinland Saga is magnificent; if you haven’t already given it a try, this would be the time to do it!

Quick Takes

Barakamon, Volume 2Barakamon, Volumes 2-3 by Satsuki Yoshino. While I largely enjoyed the first volume of Barakamon, I wasn’t particularly blown away by it. Still, I was interested in reading more of the series. I’m glad that I did, because it’s really starting to grow on me. Barakamon does have a little bit of a story to it—the once successful and respected calligrapher Seishuu has moved to a remote island to regain his composure and maybe find some inspiration—but mostly the series is about its characters and their interactions with one another. Even though he’s still a city-boy at heart, Seishuu has started to settle in on the island and isn’t nearly as out-of-place as he once was. The humor seems to now be a little less about the differences between country folk and people from more urban areas (although there still is plenty of that, especially when a couple of Seishuu’s friends and admirers from Tokyo show up) and more about the characters’ individuality and quirkiness. I am glad to see Seishuu relax somewhat and lose a bit of his arrogance from the first volume. In general he’s becoming a much more likeable character, which is probably part of the point of the series.

Cage of Eden, Volume 17Cage of Eden, Volume 17 by Yoshinobu Yamada. Finally! The monsters have returned! Well, technically it’s only one monster (not counting the absolutely terrible people), but it’s a pretty big deal. The dinosaurs and creatures are some of the only things I actually like about Cage of Eden; they’ve been largely missing from the last few volumes, so I was glad to see them back in such a dramatic way. Most of the seventeenth volume is devoted to an intense, and most likely deadly, battle against a man-made, genetic monstrosity. Probably best described as a chimera, the creature is formidable and extremely dangerous. The students make some extraordinarily bad decisions when it comes to confronting the beast, which really makes me wonder how they’ve managed to survive for so long. (Granted, the body count in Cage of Eden is pretty high.) The fight hasn’t concluded by the end of the volume, though I suspect it won’t last too much longer. One of the good things about Cage of Eden suddenly focusing on action is there is less opportunity for the more obnoxious fanservice to interrupt the story. Some of the girls even get to put up a decent fight. (At least at first.)

Lucifer and the Biscuit Hammer, Omnibus 2Lucifer and the Biscuit Hammer, Omnibus 2 (equivalent to Volumes 3-4) by Satoshi Mizukami. I wasn’t really sure what to expect from Lucifer and the Biscuit Hammer and reading the first omnibus didn’t help much with that, but I thoroughly enjoyed it. Sadly, I wasn’t nearly as taken with the second omnibus. I still enjoyed it, and I still plan on reading more of the series, but Lucifer and the Biscuit Hammer seems to have lost a little of its spark for me. Maybe I’ve just gotten used to its strangeness, but at the same time that’s also what I enjoy most about the series. Lucifer and the Biscuit Hammer is just so marvelously weird. At times the manga can be surprisingly dark, too, which I also appreciate. In the second omnibus, a slew of new characters are introduced as the identities of the rest of the Beast Knights are uncovered, although some of them are discovered to already be dead. All of them are rather eccentric with pasts that have some significant pain or sadness to them. The mage who plans on destroying the planet makes several appearances as well, and to some extent his motivations are explained, too. Much like the rest of the series, he’s not quite what one might expect.

Virtuoso di AmoreVirtuoso di Amore by Uki Ogasawara. I was primarily drawn to Virtuoso di Amore for two reasons, the role that music plays in the boys’ love manga and the fact that it was created by Ogasawara. I enjoyed parts of her short and very smutty series Black Sun, currently the only other manga of hers available in English. (Techincally, Chronicle of the Divine Sword was at one point licensed, but I don’t think it was ever actually published.) Virtuoso di Amore follows Kenzo Shinozuka, a failed classical pianist (mostly due to his volatile temper), who has been hired by an aristocrat to live in his manor and play for him every night. His patron is Lorenzo Carlucci who, it turns out, used to attend the same music school as Kenzo. Lorenzo is determined to help Kenzo remake is name as a musician. I really liked the basic premise of Virtuoso di Amore as well as its dark ambiance and fervent drama, but Ogasawara’s storytelling is unfortunately disjointed and occasionally difficult to follow. For example, Lorenzo and Kenzo fall in love, or at least in lust, very suddenly, which makes me think their relationship at school must have been much more involved than is implied elsewhere in the manga.

Bookshelf Overload: March 2015

Compared to most other months, the number of manga that I had to find space for in March was relatively reasonable. I mostly stuck to preorders for manga, the major exception being the set of the now out-of-print City Hunter that I found. There were a few impulse buys when it came to novels and nonfiction, though. I did finally get my hands on Ajin: Demi-Human, Volume 3 by Gamon Sakurai. Technically released in February, my replacement copy arrived in March. (I’m pretty sure the first one that was sent to me was lost in a snow bank somewhere; I never saw it.) As for the manga that were actually released in March, I was particularly happy to see the third and final volume of Yaya Sakuragi’s boys’ love manga Hide and Seek. (I recently reviewed the first volume, which I enjoyed a great deal.) I’m always glad to see a new installment of Fumi Yoshinaga’s What Did You Eat Yesterday?, the seventh volume is the most recent addition to the series in English. But the manga I was most looking forward to in March was Aya Kanno’s Requiem of the Rose King, Volume 1. Actually, I was almost afraid to read it because I was worried that I would be disappointed. Fortunately, I loved the manga and can’t wait for the next volume.

Manga!
Ajin: Demi-Human, Volume 3 by Gamon Sakurai
Alice in the Country of Joker: Circus and Liar’s Game, Volumes 1-5 by Mamenosuke Fujimaru
Aquarion Evol, Volume 1 written by Shoji Kawamori, illustrated by Aogiri
Barakamon, Volume 3 by Satsuki Yoshino
Butterflies, Flowers, Volume 1 by Yuki Yoshihara
Cage of Eden, Volume 17 by Yoshinobu Yamada
Captain Ken, Volumes 1-2 by Osamu Tezuka
City Hunter, Volumes 1-5 by Hojo Tsukasa
The Drifting Classroom, Volume 8 by Kazuo Umezu
Hide and Seek, Volume 3 by Yaya Sakuragi
Knights of Sidonia, Volume 13 by Tsutomu Nihei
False Memories, Volume 1-2 by Isaku Natsume
Maria the Virgin Witch, Volume 1 by Ishikawa Masayuki
Master Keaton, Volume 2 written by Hokusei Katsushika, Takashi Nagasaki, illustrated by Naoki Urasawa
Manga Dogs, Volume 3 by Ema Toyama
Requiem of the Rose King, Volume 1 by Aya Kanno
Seraphim: 266613336 Wings by Mamoru Oshiii and Satoshi Kon
Tsubasa: Reservoir Chronicle, Omnibus 3 by CLAMP
What Did You Eat Yesterday?, Volume 7 by Fumi Yoshinaga
Yamada-kun and the Seven Witches, Volume 1 by Miki Yoshikawa

Comics!
100 Crushes by Elisha Lim
Grey Is…, Volume 1 by dee Juusan
In These Words, Volumes 1-2 by Guilt|Pleasure
Just So Happens by Fumio Obata
Last Man, Volume 1: The Stranger by Bastien Vives, Michael Sanlaville, and Balak
Only Words written by Tina Anderson, illustrated by Caroline Monaco
Sam Zabel and the Magic Pen by Dylan Horrocks
Stallion by Kôsen
Wayward, Volume 1: String Theory written by Jim Zubkavich

Novels!
Ascension by Jacqueline Koyanagi
Genocidal Organ by Project Itoh
I Want to Kick You in the Back by Risa Wataya
The Kappa Child by Hiromi Goto

Nonfiction!
The Book of Yokai: Mysterious Creatures of Japanese Folklore by Michael Dylan Foster
The Fall of Language in the Age of English by Minae Mizumura
How to Take a Japanese Bath written by Leonard Koren, illustrated by Suehiro Maruo
Miyamoto Musashi: His life and Writings by Kenji Tokitsu

Anime!
Dear Brother, Boxes 2-3 directed by Osamu Dezaki

A Caring Man

A Caring ManAuthor: Akira Arai
Translator: Marc Adler
U.S. publisher: Vertical
ISBN: 9781935654179
Released: 2011
Awards: Golden Elephant Award

A Caring Man is Akira Arai’s debut novel and his first book to be translated into English. The novel was brought to my attention primarily because it, along with Fumi Nakamura’s Enma the Immortal (which I absolutely loved), shared the inaugural Golden Elephant Award’s grand prize. A Caring Man and Enma the Immortal are two very different novels, but they are both engaging. Both novels were also released in English by Vertical. The purpose of the Golden Elephant Award was to “produce and publish promising entertainment stories in multiple languages in the global arena.” With that in mind, the jurors from the first award committee were from Japan, the United States, China, and Korea. It was this emphasis on global appeal that inspired Arai, who had previously worked in the music and film industries, to submit A Caring Man. After winning the award, the novel was simultaneously released in 2011 in Japanese and in English with a translation by Marc Adler.

On August 26, 2011, Japan fell victim to an unprecedented tragedy. Without any sort of warning, bombs strategically placed within Tokyo Tower were detonated, bringing the massive structure toppling down, killing and injuring a huge number of people. The special investigation team, a joint operation between the police force’s Criminal Investigation Department and the Public Security Bureau, is treating the incident as a terrorist attack. However, no group has emerged to claim responsibility for the bombing and the team quickly runs out of leads. There seems to be no concrete motive for the attack beyond a perverse desire to destroy for the sake of destroying. Mariko Amo is a freelance photographer working for scandal and gossip magazines who captured the fall of the tower on film, nearly losing her life in the process. Soon after she is given the opportunity to write a feature article on Yoshio Iizuka, a seemingly upstanding young man who recently established the Society of Victims of Abuse for the Prevention of Abuse. Little does she know that he is the very mastermind behind the Tokyo Tower attack.

A Caring Man deals with some very heavy subject matter. In addition to the attacks of terrorism and mass murder, personal killings and more intimate violence, such as child abuse, are also present in the novel. Yoshio himself was a victim of such abuse. Mutilated and abandoned as a newborn infant, he still carries scars on his body. He uses these and his story to gain empathy from others, employing his striking intelligence to manipulate them even further. Yoshio has an odd sort of intensity and charisma; he knows just what to say and how to act to exploit and control other people. A Caring Man, which takes its title from the characters used in Yoshio’s name, in part explores the mind and nature of a psychologically dark, twisted, and damaged young man. Yoshio’s plans are terrifying, and even more frightening is the fact that he has the abilities and influence needed to actually carry them out. The bombing of Tokyo Tower is only intended to be a dramatic prelude to even greater tragedies to come.

The story of A Caring Man is largely seen from three distinct perspectives, although they do intersect at various points in the novel when major players come into contact or become more deeply involved with one another. Those perspectives also reflect the prominent viewpoints of many modern-day crises. Yoshio and the cohort of young men aiding and in some cases nearly worshipping him form one faction as the perpetrators. The detectives, police, and other law enforcement officers are the investigators and protectors, while the third group consists of Mariko and other members of the media and press. They are the observers, chroniclers, and witnesses with the power to influence the opinions of the general public. Overall, A Caring Man is a well-written and engaging novel, particularly impressive as it is Arai’s debut. A few of the plot twists towards the end weren’t as believable or as effective as the rest of the novel, but otherwise A Caring Man is a solid crime thriller with an intense psychological component.

Manga Giveaway: Yukarism Giveaway Winner

Yukarism, Volume 1And the winner of the Yukarism manga giveaway is… Haley!

As the winner, Haley will be receiving the first volume of Chika Shiomi’s manga series Yukarism as published by Viz Media’s Shojo Beat. Because Yukarism has a plot that prominently features reincarnation, I was curious to know what other reincarnation stories people have enjoyed and so asked participants in the giveaway to tell me. Check out the giveaway comments for everyone’s responses, and check out below for a list of reincarnation manga!

Some of the manga licensed in English featuring reincarnation:
07-Ghost by Yuki Amemiya
9th Sleep by Makoto Tateno
Angel Sanctuary by Kaori Yuki
Apollo’s Song by Osamu Tezuka
Aquarion Evol written by Shoji Kawamori, illustrated by Aogiri
The Betrayal Knows My Name by Odagiri Hotaru
A Bloody Kiss Tonight by Makoto Tateno
Bride of Deimos written by Etsuko Ikeda, illustrated by Yuho Ashibe
Ceres: Celestial Legend by Yuu Watase
Enchanter by Izumi Kawachi
Gate 7 by CLAMP
Genju no Seiza by Matsuri Akino
Himeyuka & Rozione’s Story by Sumomo Yumeka
Immortal Rain by Kaori Ozaki
InuYasha by Rumiko Takahashi
Kamunagara: Rebirth Of The Demonslayer by Hajime Yamamura
Kannazuki No Miko: Destiny of Shrine Maiden by Kaishaku
Mouryou Kiden: Legend of the Nymph by Tamayo Akiyama
Night of the Beasts by Chika Shiomi
NG Life by Mizuho Kusanagi
Ninth Life Love by Lalako Kojima
Oyayubihime Infinity by Toru Fujieda
Phantom Thief Jeanne by Arina Tanemura
Phoenix by Osamu Tezuka
Please Save My Earth by Saki Hiwatari
Pieces of a Spiral by Kaimu Tachibana
Sailor Moon by Naoko Takeuchi
Seimaden by You Higuri
Sengoku Nights written by Kei Kusunoki, illustrated by Kaoru Ohashi
Sherlock Bones written by Yuma Ando, illustrated by Yuki Sato.
Tower of the Future by Saki Hiwatari
Tale of a White Knight by Tooko Miyagi
Tuxedo Gin by Tokihiko Matsuura
Yukarism by Chika Shiomi
Vampire Game by Judal

I know for a fact that the above list is incomplete and that there are more reincarnation manga out there, but it’s probably a decent place to start for anyone looking for a reincarnation story to read. Thank you to everyone who shared your favorites with me; I hope you’ll join in for the next giveaway, too!