My Week in Manga: October 25-October 31, 2010

My News and Reviews

Yeah, so I had great plans for this weekend, and hardly accomplished any of them. I was going to update the Resources page, write up a review of Yumiko Shirai’s Tenken, work on my podcast post… Instead I ended up cleaning out my car before taking it to the shop, playing hours upon hours of boardgames, and reading a bunch of manga and graphic novels that were due back at the library. (Katsuhiro Otomo’s Akira is really good, by the way.) So, yeah. I’ll try to catch up this week and do everything I’ve been promising to do for a while now.

My Gay for You? post from a couple weeks back is still getting quite a number of hits which makes me happy. Thank you to Brigid Alverson from MangaBlog and Alex Woolfson of Yaoi 911 (and also one of the original panelists) for helping to spread the link. I also announced the results of my second manga giveaway—Mushishi Madness Winner (congratulations again Brent!)—and posted Library Love, Part 4 which features manga that I’ve been reading from my local library.

Quick Takes

Astro Boy, Volume 3 by Osamu Tezuka. Although by now I am quite familiar with Astro Boy and Osamu Tezuka, I have actually read very little of the original manga series. I specifically picked up the third volume because it contains the story “The Greatest Robot on Earth,” which was the basis for Naoki Urasawa’s Pluto manga. Pluto is a very interesting character and antagonist; it’s hard to really call him a villain. I’m always impressed by how Tezuka, even in a manga primarily aimed at kids, creates many layers to his stories. There’s a reason “The Greatest Robot on Earth” is one of the most beloved and influential Astro Boy story arcs.

Embracing Love, Volumes 4-5 by Youka Nitta. Although there are a few annoying translation problems with this series, it is still one of the best yaoi manga that I’ve read. I adore reversible couples, and Embracing Love is one of the few series that I know of available in English that feature one. Iwaki and Katou have settled into their relationship and are now living in a house together. Their careers are also going well—both have moved on from adult films and have been accepted by the more mainstream media. Of course, some people are more interested in how they might be able to cause strife and scandals between the two men whether for personal gain or revenge.

Futaba-kun Change, Volume 1: A Whole New You! by Hiroshi Aro. I have not laughed so hard from reading manga in a long time. The premise isn’t particularly unique—Futaba changes genders at inopportune moments—but Aro’s manga is hilarious. From the wrestling team captain who’s constantly overcome by emotion, to the absurdly epic nosebleeds, to serious “What the hell?” moments, there’s plenty here to love or hate. There’s also plenty that people might take offense to—incestuous overtones, pornography, less than flattering representations of people and stereotypes. So far though, the manga doesn’t take itself too seriously which is what makes it work. I know that I want to read the rest.

Pluto: Urasawa x Tezuka, Volumes 1-8 by Naoki Urasawa. This was actually a reread for me—Pluto is one of my absolute favorite manga and is one of the reasons I’m so obsessed with the medium now. Urasawa, who is also one of my favorite mangaka, has taken “The Greatest Robot on Earth” and made the story and characters his own. Urasawa also makes references to many of Tezuka’s other works as well (Black Jack gets a cameo for one). Like Tezuka, Urasawa has created a tremendously layered, approachable, and emotionally authentic work. The result is fantastic and it’s not surprising that the series has won several awards and has been nominated for even more. 

Right Here, Right Now, Volume 1 by Souya Himawari. After hiding out in an abandoned temple, Mizuo finds himself whisked away to the Sengoku or Warring States period of Japan. There he is honored as the Living Buddha of the Yamako army. Takakage, one of the leaders of the army and the clan’s heir, has become quite fond of Mizuo. Mizuo also admires Takakage and misses him terribly once he returns to the present day. When he is finally able to return to the past, he finds Takakage changed and a very different person than he remembered. I quite enjoyed this first volume and appreciate that Himawari’s Feudal Japan and characters have some real conflict to deal with.

My Week in Manga: October 18-October 24, 2010

My News and Reviews

I currently have a manga giveaway going on that ends on Wednesday, October 27 (this week)—Mushishi Madness. No one has entered yet, which makes me very sad. Mushishi is a great series and I want to share the love! So, come on, get your free manga.

I haven’t updated the Resources page in a while, but I have been collecting links and have found some great new (to me) sites. I’ll try to get most of those added this week. I’ll also be creating a new section for podcasts, so if you know of any good ones, let me know.

On Friday I posted my personal response to the Gay for You? Yaoi and Yuri Manga for GBLTQ Readers panel held at NYAF/NYCC. Deb Aoki has posted the transcript of the event. If you haven’t had a chance to read it yet, you should. I’m rather proud of myself and this post and am very happy to see the number of hits it’s been receiving. Thank you to David Welsh of The Manga Curmudgeon and Melinda Beasi of Manga Bookshelf for helping to get the link out there. I’d also like to thank everyone for the kind comments, support, and encouragement I received after posting it.

Quick Takes

Black Lagoon, Volumes 1-5 by Rei Hiroe. Black Lagoon opens with what has to be my favorite first panel ever—a close-up of a salaryman taking a hard punch to the face. From there, the action and mayhem hardly ever stop. It’s violent, over-the-top, sometimes ridiculous, and sometimes rather dark, but man is it a fun ride. I like this series best when either Revy or Rock are on the scene. Revy is a gun-toting badass with an extremely foul-mouth and viscous attitude. She’s kinda scary in a psychotically awesome sort of way. Rock on the other hand, the aforementioned salaryman, seems like he won’t last too long as part of the underworld but he’s a lot more reslient than he first appears.

Cat Paradise, Volumes1-2 by Yuji Iwahara. At Matabi Academy a small group of students, along with their cats, have been chosen to protect the school and the world against the evil demon Kaen and his minions. The superpowers granted to each pair is based on what suits them best, something that they can do better than anyone else. In the case of Yumi, that’s creating outfits for her cat Kansuke, much to his embarrassment and dismay. How can you not love magical knitting that gives a cat human form so that he can fight monsters? So it might be a little silly, but the series is extremely entertaining and I can’t wait to read more.

Embracing Love, Volumes 1-3 by Youka Nitta. Iwaki and Katou are rival porn stars that end up sleeping together as part of an audition for a mainstream film. Straight Iwaki, whose career is waning, at first can’t stand the younger, more successful Katou but ends up developing feelings for him. In addition to having to deal with career problems and media scandals, the two will also have to confront their families about their choices. Nitta includes plenty of sex scenes for the two, none of which feel out of place. Katou’s carefree nature plays nicely against Iwaki’s more restrained personality. This is seriously one of the best yaoi series that I’ve read and I really hope that someone rescues the license.

Rashomon, directed by Akira Kurosawa. Kurosawa has directed some brilliant films, including Seven Samurai, one of my personal favorites. A few years before that he directed Rashomon, which won an Oscar in 1951 for Best Foreign Language Film. A woman is raped and her husband murdered while traveling through the woods. Three days later the women, the assailant, the dead man (through a medium), and a woodcutter who happened across the scene give their testimony at the local court. But they each give a different version of the events and each has a reason to lie or hide truth of what actually happened.