Manga Giveaway: Hikaru no Go Giveaway Winner

And the winner of the Hikaru no Go manga giveaway is…Alessandra!

As the winner, Alessandra will be receiving a new copy of Hikaru no Go, Volume 1 written by Yumi Hotta, illustrated by Takeshi Obata, and published by Viz Media. For this giveaway, I asked entrants to tell me about manga that sparked an interest in something new for them. I received some great responses, which I will be excerpting here, but I hope you’ll take the time to check out the full comments as well. Thank you to everyone who participated in the giveaway. I really enjoyed reading all of your stories. I hope you’ll come back for next month’s contest, too!

Matt identified Naoki Urasawa’s Pluto as a source of intellectual stimulation:

After reading Pluto by Naoki Urasawa, I thought a lot about artificial intelligence and the questions that come with that subject. Is there an essential difference between human intelligence and artificial intelligence? Can a machine have a mind and consciousness?

Pluto is actually one of my favorite manga series and it helped to trigger my current obsession with manga. I particularly enjoy manga about androids and AI because they can be so thought provoking.

Callie was brave enough to share with all of us the influence Miyuki Kobayashi and Natsumi Ando’s Kitchen Princess had:

I always feel a little embarrassed admitting it, but ‘Kitchen Princess’ got me into baking; I started trying some of the recipes in the volumes, and found that I really enjoyed it. It’s quite funny, I’ve never been one for cooking in a form, and now I’m the family baker!

I think this is marvelous and you shouldn’t be embarrassed at all! Kitchen Princess is an award-winning series after all, and who could complain about mastering such a delicious hobby as baking?

Bakuman, which is written by Tsugumi Ohba and happens to be illustrated by Takeshi Obata (who also illustrated Hikaru no Go) was actually mentioned by two people—Arlen and Voldie Moldie—as playing a part in their desire to start creating manga of their own. Kim was also inspired to draw because of manga. Similarly, Alessandra was encouraged to become a better writer because of favorite characters who are also writers, such as Shigure Sohma in Natsuki Takaya’s Fruits Basket. (Shigure is my favorite character in the series, too!)

And finally, Courtney takes after my own heart, appreciating manga influenced by legends and mythology:

I discovered that manga with strong mythological, folklore, or religious aspects actually made me want to read and study up on what it was based on or drew influence from. […] To be honest any manga that has derived something from folklore, mythology, or religion fascinates me. It’s a shame a lot get passed up on, especially the ones with strong mythological roots. […] While a tend to not dig too deeply into studying such things I do enjoy reading even just the surface of it all. It adds an extra layer of sprinkles on top of my reading experience.

I hope everyone continues to be inspired and encouraged by the manga that they read!

My Week in Manga: October 25-October 31, 2010

My News and Reviews

Yeah, so I had great plans for this weekend, and hardly accomplished any of them. I was going to update the Resources page, write up a review of Yumiko Shirai’s Tenken, work on my podcast post… Instead I ended up cleaning out my car before taking it to the shop, playing hours upon hours of boardgames, and reading a bunch of manga and graphic novels that were due back at the library. (Katsuhiro Otomo’s Akira is really good, by the way.) So, yeah. I’ll try to catch up this week and do everything I’ve been promising to do for a while now.

My Gay for You? post from a couple weeks back is still getting quite a number of hits which makes me happy. Thank you to Brigid Alverson from MangaBlog and Alex Woolfson of Yaoi 911 (and also one of the original panelists) for helping to spread the link. I also announced the results of my second manga giveaway—Mushishi Madness Winner (congratulations again Brent!)—and posted Library Love, Part 4 which features manga that I’ve been reading from my local library.

Quick Takes

Astro Boy, Volume 3 by Osamu Tezuka. Although by now I am quite familiar with Astro Boy and Osamu Tezuka, I have actually read very little of the original manga series. I specifically picked up the third volume because it contains the story “The Greatest Robot on Earth,” which was the basis for Naoki Urasawa’s Pluto manga. Pluto is a very interesting character and antagonist; it’s hard to really call him a villain. I’m always impressed by how Tezuka, even in a manga primarily aimed at kids, creates many layers to his stories. There’s a reason “The Greatest Robot on Earth” is one of the most beloved and influential Astro Boy story arcs.

Embracing Love, Volumes 4-5 by Youka Nitta. Although there are a few annoying translation problems with this series, it is still one of the best yaoi manga that I’ve read. I adore reversible couples, and Embracing Love is one of the few series that I know of available in English that feature one. Iwaki and Katou have settled into their relationship and are now living in a house together. Their careers are also going well—both have moved on from adult films and have been accepted by the more mainstream media. Of course, some people are more interested in how they might be able to cause strife and scandals between the two men whether for personal gain or revenge.

Futaba-kun Change, Volume 1: A Whole New You! by Hiroshi Aro. I have not laughed so hard from reading manga in a long time. The premise isn’t particularly unique—Futaba changes genders at inopportune moments—but Aro’s manga is hilarious. From the wrestling team captain who’s constantly overcome by emotion, to the absurdly epic nosebleeds, to serious “What the hell?” moments, there’s plenty here to love or hate. There’s also plenty that people might take offense to—incestuous overtones, pornography, less than flattering representations of people and stereotypes. So far though, the manga doesn’t take itself too seriously which is what makes it work. I know that I want to read the rest.

Pluto: Urasawa x Tezuka, Volumes 1-8 by Naoki Urasawa. This was actually a reread for me—Pluto is one of my absolute favorite manga and is one of the reasons I’m so obsessed with the medium now. Urasawa, who is also one of my favorite mangaka, has taken “The Greatest Robot on Earth” and made the story and characters his own. Urasawa also makes references to many of Tezuka’s other works as well (Black Jack gets a cameo for one). Like Tezuka, Urasawa has created a tremendously layered, approachable, and emotionally authentic work. The result is fantastic and it’s not surprising that the series has won several awards and has been nominated for even more. 

Right Here, Right Now, Volume 1 by Souya Himawari. After hiding out in an abandoned temple, Mizuo finds himself whisked away to the Sengoku or Warring States period of Japan. There he is honored as the Living Buddha of the Yamako army. Takakage, one of the leaders of the army and the clan’s heir, has become quite fond of Mizuo. Mizuo also admires Takakage and misses him terribly once he returns to the present day. When he is finally able to return to the past, he finds Takakage changed and a very different person than he remembered. I quite enjoyed this first volume and appreciate that Himawari’s Feudal Japan and characters have some real conflict to deal with.