My Week in Manga: November 24-November 30, 2014

My News and Reviews

Last week was a busy week for me as I was traveling and such for the Thanksgiving holiday, but Experiments in Manga had quite a few things going on, too. The most recent manga giveaway was posted and there’s still time to enter for a chance to win a Seven Seas Sampler—four first volumes of some of Seven Seas’ manga series. I also posted two reviews last week. First up was Yu Godai’s novel Quantum Devil Saga: Avatar Tuner, Volume 1 which I loved. It’s based on the same story as Digital Devil Saga, a spinoff of the Shin Megami Tensei video game series. I also reviewed Ryosuke Takeuchi and Takeshi Obata’s All You Need Is Kill manga adaptation of Hiroshi Sakurazaka’s original All You Need Is Kill novel. I think the novel is the stronger of the two, but I enjoyed the manga as well. Last week I also joined in with the other Manga Bookshelf bloggers for a roundtable on food manga over at MangaBlog.

I should also probably mention that the votes have been tallied for my next monthly manga review project. After School Nightmare took an early lead, but it ended up being a very close contest between it and Dorohedoro and Mushishi. And in the end, After School Nightmare and Mushishi actually tied with each other! So, I’ve decided to review both manga. There are a few different ways to approach this, but beginning with After School Nightmare, each month I’ll alternate between the two series. If everything goes according to schedule, it should take me a year and a half to complete the review project. Thank you to everyone who participated in the poll! I was very glad to see interest expressed in all of the series to which I had narrowed down the vote. I’ll be sure to keep in mind the other series that were strongly supported and try to feature them as best as I can, too. I wish that I had more time to read and write!

Elsewhere online, Organization Anti-Social Geniuses had a couple of posts that I found particularly interesting last week—an interview with Abigail Blackman, one of Yen Press’ editors and letterers, and a discussion of some of the fears of buying manga from U.S. publishers. Digital Manga has launched yet another Osamu Tezuka manga Kickstarter, though one that seems much more reasonable than the last failed project. This time, Digital Manga is trying to raise funding for the publication of Tezuka’s Ludwig B, an unfinished manga series about Beethoven. (In part because of my background in music, I’m actually really interested in Ludwig B.) I’d also like to bring a little attention to an effort started by Becca Hillburn—a group for Western Shoujo Comic Artists. More about it and the endeavor to create a network of support for manga-influenced artists can be read at Hillburn’s website Nattosoup: Solidarity and the American Shoujo/Josei Comic Scene.

Quick Takes

Alice in the Country of Hearts, Omnibus 1Alice in the Country of Hearts, Omnibus 1 (equivalent to Volumes 1-2) by Soumei Hoshino. Based on an otome game by Quin Rose, Hoshino’s Alice in the Country of Hearts is one of many manga adaptations and spinoffs. Originally the series was partially released in English by Tokyopop, but the license was later rescued by Yen Press. Despite hearing good things about Alice in the Country of Hears, one of the reasons it took me so long to give the manga a try was the sheer number of volumes associated with the franchise. I’m glad that I finally got around to reading the first omnibus, though, because I loved it. At first, Alice in the Country of Hearts seems like a fairly straightforward re-imagining of Lewis Carroll’s Alice’s Adventures in Wonderland. (Granted, many of the characters are now bishōnen of various types.) But it soon becomes clear that something very ominous and disconcerting is brewing under the story’s surface. Alice has been transported to Wonderland and if she ever wants to return home she will have to get to know its residents better. Although they are participating in some sort of game to win her affections, those who live in Wonderland are prone to violence and have a very different sense of what is normal.

Milkyway Hitchhiking, Omnibus 1Milkyway Hitchhiking, Omnibus 1 (equivalent to Volumes 1-2) by Sirial. Although occasionally the same characters make an appearance in multiple stories, Milkyway Hitchhiking is generally an episodic manhwa. The only thing that really ties the volume together is the presence of Milkyway, a beautiful cat who can apparently travel through space and time. She may or may not actually play an active role in the stories being told. Sometimes she’s just an observer and sometimes she’s a participant. Sometimes she’s a focal point of a tale and sometimes she simply happens to be present while events unfold around her. The most striking thing about Milkyway Hitchhiking is its beautiful, full-color artwork. Some of the individual illustrations are simply stunningly gorgeous. A variety of color palettes are used to lovely effect. While I particularly appreciate Milkyway Hitchhiking for Sirial’s art, I also enjoyed the individual episodes, too. The stories range from the fantastical to those grounded in reality. Some feel very much like something out of a fairy tale while others are contemporary slice-of-life or historical in nature. At times heartwarming and at times heartbreaking, I very much enjoyed Milkyway Hitchhiking and look forward to reading more of the series.

Tale of the Waning Moon, Volume 1Tale of the Waning Moon, Volume 1 by Hyouta Fujiyama. I have a tendency to forget that Yen Press releases boys’ love series. Tale of the Waning Moon is one of those manga. Fujiyama has had quite a few of her works released in English, but I haven’t read any until now. Tale of the Waning Moon is pretty ridiculous. Ryuka is a young man whose girlfriend recently left him for another man. While drowning his sorrows Ryuka accidentally calls upon Ixto, the spirit of the last quarter moon, to grant him true love. The twist is that all of the eligible candidates that Ixto comes up with are men, which doesn’t particularly appeal to Ryuka. The real problem is that when Ryuka rejects those options, he comes under Ixto’s spell and is therefore compelled to leave his village on a quest to reunite with the spirit. From there, Ryuka sets of on his journey, unintentionally amassing an adventuring party of sorts in the process. Tale of the Waning Moon has sex (not all of it consensual) and silliness, magic and mayhem. Inspired and heavily influenced by fantasy RPGs, the manga is definitely more of a comedy than it is a romance. Tale of the Waning Moon is a short series—only four volumes—and the first installment entertained me well enough, so I’ll probably get around to picking up the rest at some point.

Ubel Blatt, Omnibus 0Übel Blatt, Omnibus 0 (equivalent to Volumes 0-1) by Etorouji Shiono. Übel Blatt, which translates as “evil blade,” has a lot going for it that generally appeals to me—a dark fantasy setting, a tale of revenge, epic battles, and so on—but for some reason, the first omnibus (the zeroth omnibus?) didn’t quite grab me as much as I expected it to. I’m not really sure why, since it seems like a series that should interest me. In fact, overall I actually did like the story. I even like many of the characters, especially its lead. But there were a few little (and big) things here and there that just didn’t work for me. For one, the sexual content and rape in the volume seems entirely unnecessary. It comes across as a superfluous attempt to add more edginess as opposed to being important to the story. Most of the female characters don’t fare particularly well, either. Occasionally there’s a little bit of hope that they’ll overcome their scantily clad fantasy tropes, but it never quite seems to happen. At this point, many of the antagonists in Übel Blatt seem fairly one-dimensional, too, though I suspect that this will change as the series progresses. All that being said, Übel Blatt does feature some excellent fight sequences and scenes of destruction. And while I’m not desperate to read the next volume, the series does show potential.

Manga Giveaway: Seven Seas Sampler

The end of the month draws near, so it’s once again time for another manga giveaway at Experiments in Manga! As is tradition, November’s giveaway features multiple volumes. This month you will all have a chance to win a sampling of some of Seven Sea’s manga releases, both old and new: A Centaur’s Life, Volume 1 by Kei Murayama; Dictatorial Grimoire, Volume 1: Cinderella by Ayumi Kanou; Gakuen Polizi, Volume 1 by Milk Morinaga; and Kashimashi: Girl Meets Girl, Omnibus 1 written by Satoru Akahori and illustrated by Yukimaru Katsura. And as always, the giveaway is open worldwide!

A Centaur's Life, Volume 1Dictatorial Grimoire, Volume 1: CinderellaGakuen Polizi, Volume 1Kashimashi: Girl Meets Girl, Omnibus 1

It used to be that I didn’t pay much attention to Seven Seas. It had a smallish catalog and I wasn’t particularly interested in most of the series it was publishing at the time. But with the success of Monster Musume and the various Alice series, Seven Seas has really taken off in recent years. And increased sales mean even more manga licenses. Seven Seas has been making a particular point to diversify its offerings lately. It has helped revive interest in yuri manga in English. A range of genres are being released, including slice-of-life, comedy, fantasy, horror, mystery, and science fiction among others. There are otome manga as well as quirky shounen series.  Ecchi and fanservice manga features heavily, but there are more wholesome titles, too. Seven Seas really is trying to have a little something of everything and a little something for everyone. I might not personally be interested in every license the publisher picks up, but I do like seeing the variety of works. You’ve caught my attention, Seven Seas. Now show me what you can do.

So, you may be wondering, how can you win a Seven Seas Sampler?

1) In the comments below, tell me a little about your favorite manga released or licensed by Seven Seas if you have one. (If you don’t have a favorite or haven’t read any of Seven Seas manga, just mention that.)
2) If you’re on Twitter, you can earn a bonus entry by tweeting, or retweeting, about the contest. Make sure to include a link to this post and @PhoenixTerran (that’s me).

It’s as easy as that. Each person can earn up to two entries for this giveaway. As usual, participants will have one week to submit comments. Entries can also be sent via e-mail to phoenixterran(at)gmail(dot)com which I will then post in your name. The giveaway winner will be randomly selected and announced on December 3, 2014. Happy feasting!

VERY IMPORTANT: Include some way that I can contact you. This can be an e-mail address in the comment form, a link to your website, Twitter username, or whatever. If I can’t figure out how to get a hold of you and you win, I’ll just draw another name.

Contest winner announced—Manga Giveaway: Seven Seas Sampler Winner

My Week in Manga: November 17-November 23, 2014

My News and Reviews

Two reviews were posted last week at Experiments in Manga, and a little something else as well! The first review was for the second part of Boogiepop Returns: VS Imaginator, the third volume in Kouhei Kadono’s Boogiepop light novel series. Boogiepop is a rather peculiar series, but I’ve really been enjoying it. And speaking of series that I enjoy, I also reviewed the fifth omnibus of Vinland Saga by Makoto Yukimura. Vinland Saga is an epic work of historical fiction, and one of my favorite manga series currently being released in English. And, as promised, last week I also posted a poll so that readers of Experiments in Manga can help pick my next monthly manga review project. I’ve narrowed the choices down to five horror manga options, and now it’s up to you to vote. The poll will be open through the end of November.

A few things of note that I encountered online last week: It was brought to my attention that Akino Kondoh’s collection Nothing Whatsoever All Out in the Open is now available to order. Publishers Weekly has a great list of 12 Awesome Comics about Outer Space compiled by Matt White which includes Makoto Yukimura’s Planetes, Chūya Koyama’s Space Brothers, and Yukinobu Hoshino’s 2001 Nights, which are all excellent choices. Finally, Johanna Draper Carlson has a nice recap of the recent Digtial Manga Tezuka Kickstarter debacle/failure over at Manga Worth Reading.

Quick Takes

Angel Sanctuary, Volume 6Angel Sanctuary, Volumes 6-10 by Kaori Yuki. Halfway through the series, and I still find Angel Sanctuary a bit frustrating and confusing. It’s difficult to follow because there is so much going and and there are so many characters, with even more being introduced in these volumes Angel Sanctuary is incredibly ambitious, but I’m afraid that Yuki has bitten off too much to chew; the series would be stronger with a little more focus. Even though it seems like Yuki is making things up as she goes along, her author’s notes would seem to indicate that she actually does have a plan and even the major plot twists were developed well in advance. To the reader, though, it feels like they come out of nowhere. If anything, it should be very clear by this point in the series that you really can’t trust any of the characters. They all have their own ambitions and motivations, so it’s almost impossible for any of them to be considered allies for a long period of time. I can’t deny that Angel Sanctuary is extraordinarily dramatic, and a string of betrayals continues to up the stakes. And even though the story is all over the place, I do still really enjoy Yuki’s gothic artwork.

Barakamon, Volume 1Barakamon, Volume 1 by Satsuki Yoshino. Seishuu Handa is a young, award-winning calligrapher who, after handling a critique of his work quite poorly, has been encouraged by his father to at least temporarily retire to the remote Gotō Island. Thus begins Barakamon, a fairly low-key comedy that’s part slice of life and part gag manga. Much of the humor either revolves around Seishuu, a city boy, being so out-of-place in the countryside, or Naru, a young, energetic troublemaker who’s grown rather attached to “Sensei.” Though generally amusing, Barakamon is never quite as funny as I actually want it to be. I’ll admit though, since I grew up in a rural village myself, I couldn’t help but feel a little bit satisfied when Seishuu gets shown up by the island’s residents, especially because he thinks so little of them to begin with. I can appreciate Seishuu’s struggles as an artist, too, though I can’t say that I like him very much as a person, yet. But, I suspect that’s what Barakamon is in part about—Seishuu becoming a better person after some much-needed self-reflection. While no means exceptional in art or story, I did largely enjoy the first volume of Barakamon and plan on continuing the series for a least another few volumes.

Smut Peddler 2014Smut Peddler 2014 by Various. After being revived in 2012, Smut Peddler is back again in 2014 with a second collection of short, erotic comics. Some of the contributors are new to Smut Peddler while others are returning to the series. Smut Peddler 2014 includes twenty-five comics from thirty-two artists and writers. Although some of the individual comics are phenomenal, overall I think the first collection is the stronger of the two. Even so, Smut Peddler remains one of the best series for diverse, sex-positive, lady-friendly, queer-friendly, kink-friendly erotic comics. There’s straight sex, and queer sex. There’s modest sex and flamboyant sex. Sweet sex and spicy sex. Sex with humor and sex with solemnity. And there’s everything in between, too. With the inclusion of a few science fiction and fantasy tales, there’s also alien and inter-species sex, which is always fun. I was particularly pleased to see how many transgender and/or nonbinary narratives were included in the 2014 edition of Smut Peddler. The sheer variety of genres, styles, characters, and stories found in Smut Peddler is one of the highlights of the series. The fact that the creators are just as diverse as their comics makes it even better.

My Week in Manga: November 10-November 16, 2014

My News and Reviews

Last week I posted two reviews at Experiments in Manga. The first review of was of Ajin: Demi-Human, Volume 1 written by Tsuina Miura and illustrated by Gamon Sakurai. It’s a manga with a rather dark atmosphere that deals with immortals, which is right up my alley. The first volume was a good start to the series; I’m looking forward to seeing how it continues to develop. The second review was of The Legend of Bold Riley, created by Leia Weathington and illustrated by a number of different artists. The review was actually the final review in my Year of Yuri project, so over the weekend I posted a wrap-up for the project as a whole. Later this week, most likely on Friday, a poll will go live so that readers of Experiments in Manga can vote to help me select my next monthly review project.

I came across a few fun and interesting things elsewhere online last week, too. Mangabrog has a translation of a conversation between Katsuhiro Otomo and Takehiko Inoue from 2012. Kate Beaton posted the second part of her collection of comics based on Natsume Sōseki Kokoro (a novel that I’ve reviewed in the past). The Ceiling Gallery posted “Girl Talk”, an article about “the life, friends and music of manga author Okazaki Kyoko” which is well worth reading. Anna Madill, a professor at The University of Leeds, is currently conducting research into boys’ love fandom. If you’re an English-speaking boys’ love fan, please consider assisting her research by completing a brief BL Fandom Survey.

Quick Takes

Lucifer and the Biscuit Hammer, Omnibus 1Lucifer and the Biscuit Hammer, Omnibus 1 (equivalent to Volumes 1-2) by Satoshi Mizukami. I really wasn’t sure what to expect from Lucifer and the Biscuit Hammer, but I ended up enjoying the first volume immensely. One morning, college student Amamiya Yuuhi wakes up to discover a talking lizard in his bed, requesting his help to protect a princess destined to save the world from an evil mage bent on destroying Earth by using a giant hammer floating in space. Despite his initial reluctance to get involved in the whole mess, Yuuhi decides to become her knight because of one simple fact: The only reason Samidare (who need little protection) wants to save the world is so that she can destroy it herself. Much like its title, Lucifer and the Biscuit Hammer is kind of strange. Both the characters and story are quirky, a little goofy, and rather bizarre. The manga is also quite a bit darker than it first appears; the characters are all revealed to have twisted pasts and tragedies to work through. It’s particularly interesting to see protagonists who are closer to being supervillians than superheros. I’m still not entirely sure where Lucifer and Biscuit Hammer is heading, but I’m really looking forward to reading more of the series and finding out.

My Japanese Husband Thinks I'm Crazy!My Japanese Husband Thinks I’m Crazy by Grace Buchele Mineta. A companions of sorts to her blog Texan in Tokyo, My Japanese Husband Thinks I’m Crazy! is a collection of autobiographical comics and essays about Mineta’s life in Japan, her work as a freelancer, and her intercultural marriage. I’ll admit, I haven’t actually read much of Texan in Tokyo, but the comics made me laugh, so I decided to pick up the book. Some of the material collected is new to the volume while other material comes directly from the blog. My Japanese Husband Thinks I’m Crazy! is a wonderfully amusing and at times even enlightening collection. The main “characters” are Mineta herself, her salaryman husband Ryosuke, and Marvin—a talking rabbit who’s a figment of her imagination, the result of “stress, coffee, and loneliness from being a freelancer in Tokyo.” The comics are sweet, charming, and short, generally only a single page consisting of a few panels. Many of the comics are personal in nature, but some of Minata’s experiences are certainly shared by other foreign residents and visitors to Japan. My Japanese Husband Thinks I’m Crazy! is a fun way to learn little tidbits about Japan and Japanese culture.

Yakuza in Love, Volume 1Yakuza in Love, Volumes 1-3 by Shiuko Kano. Despite being one of the boys’ love creators with the most manga published in English, which I assume would be an indicator of her popularity, I generally find Kano’s work to be fairly hit-or-miss with me. Sadly, Yakuza in Love largely falls into the miss category. The short series is one of Kano’s earliest works, and it shows. The pacing is all over the place and frequently rushed, the action is difficult to follow, the sex and supposed romance doesn’t always mesh with the story, the plot doesn’t distinguish itself from any other generic yakuza-themed boys’ love manga, and she can’t quite seem to decide if she’s going for comedy or drama. She probably should have stuck with the humor—as a whole, Yakuza in Love simply doesn’t work as well when it takes itself too seriously. It wasn’t all bad, though. Just perhaps a little too ambitious. The best part of Yakuza in Love is actually all of the extras at the end which take up the last half of the third volume. Kano relaxes and just has fun with her characters, actually giving them more depth while parodying her own story. As a result, the extras end up being much more enjoyable.

Monthly Girls' Nozaki-kunMonthly Girls’ Nozaki-kun directed by Mitsue Yamazaki. Based off of an ongoing yonkoma manga series by Izumi Tsubaki, Monthly Girls’ Nozaki-kun is an absolutely delightful twelve-episode anime series. The titular Nozaki is a tall, stoic, and slightly oblivious high school student who, despite what most people would assume from his appearance, also happens to be a published shoujo mangaka. Sakura has a crush on Nozaki, but when she tries to confess her love to him she somehow winds up as one of his assistants instead. Monthly Girls’ Nozaki-kun is a very funny and enjoyable series which freely plays around with shoujo manga tropes and character types. Nozaki finds inspiration for his manga from the other students at school, usually in slightly unexpected ways. He’s also amassed a handful of assistants in addition to Sakura, all with their own quirks and relationship problems which provide plenty of material for Nozaki to work with which eventually ends up in his manga. For the most part the anime tends to be fairly episodic, though there are several recurring characters and running jokes. Overall, the series is a tremendous amount of fun with a large cast of likeable characters.

My Week in Manga: November 3-November 9, 2014

My News and Reviews

Last week at Experiments in Manga the winner of the Sherlock Bones manga giveaway was announced. As usual, I took the opportunity to compile a list of manga as well, in this case a list of manga available in English that feature detectives or other crime solvers. I also posted two reviews last week. The first review was of No. 6, Volume 9, the final volume of Hinoki Kino’s No. 6 manga adaptation. I’m happy to report that the manga has a much less rushed and much more complete ending than the anime adaptation had. And for something completely different, I also reviewed Ivan Morris’ translation of The Pillow Book of Sei Shōnagon last week. It may have been written in the tenth and eleventh centuries, but it’s still an engaging and enjoyable work.

Interesting reading found elsewhere online included a look at some of the most completely collected manga series in Japan, many of which have been licensed in English in whole or in part. (I was happy to see some of my personal favorites, like Parasyte and Hikaru no Go on the list.) Brigid Alverson has a nice overview of the current state of the manga industry in North America for School Library Journal. And over at A Case for Suitable for Treatment, Sean Gaffney has a roundup of some of the recent manga licenses from various publishers. There are also two surveys that are going on right now. Viz has its Fall 2014 Anime and Manga Survey and Vertical has its first ever light novel survey. Last but not least, Khursten Santos of Otaku Champloo has an excellent writeup of the Manga Futures conference recently held in Australia.

Quick Takes

Black Jack, Volume 14Black Jack, Volumes 14-17 by Osamu Tezuka. It’s a shame that much of Black Jack has gone out of print. Fortunately, Vertical announced just last week that it will be publishing ebooks of all its Tezuka manga, so readers who missed Black Jack in print will at least be able to read it digitally. Even though Black Jack isn’t my favorite Tezuka manga, I enjoy the series immensely and Black Jack is one of my favorite Tezuka characters. He can be a bit of a bastard, but there’s usually a reason for it and it tends to mostly be a cover for his extraordinary compassion. He’s also amazingly skilled. Some of the stories in Black Jack are fairly improbable although still highly entertaining while others are actually quite realistic. (Tezuka’s medical training comes in very handy for Black Jack.) Plastic surgery, specifically surgeries that are intended to change or hide a person’s identity, are particularly prominent in these final volumes. It provides an interesting contrast to Black Jack himself who rarely denies who he is. The seventeenth volume in Vertical’s edition of Black Jack also includes a handy guide to the publication history of the individual chapters.

Black Rose Alice, Volume 2Black Rose Alice, Volume 2 by Setona Mizushiro. I absolutely loved the first volume of Black Rose Alice and I remained captivated by the second. It’s a strange, dark, and disconcerting series. Mizushiro’s vampires are completely different from any other type of vampire that I’ve come across in fiction. I do like that, but it’s also challenging since readers can’t rely on an already established mythos or assume what it actually means to be a vampire; Mizushiro has to explain it all. I’m not sure that I actually understand everything that is going on with the vampires yet, but I’m assuming that more will be revealed as the series progresses. One thing is certain, though: they are definitely very creepy. In exchange for the life of the young man with whom she is in love, Azusa has entered into an agreement with a nest of vampires. Out of the four vampires, she must choose one to procreate with after which they will both die. The relationship dynamics are bizarre, and honestly a little discomforting, but very compelling as the vampires vie for her affections. It’s not as simple as choosing one of the vampires; in order to fulfill her agreement, she will actually have to come to love them. I’m really looking forward to reading more of Black Rose Alice.

Same DifferenceSame Difference by Nozomu Hiiragi. Tsuburaya and Ozaki are the elite of the elite, and both adored by the women at the company where they work. (So much so that the ladies literally swoon in their presence.) However, Ozaki isn’t used to sharing the attention, and so decides to make Tsuburaya fall in love with him, unintentionally falling for Tsuburaya in the process. Out of the two of them, Ozaki is more muscular and crude while Tsuburaya is more elegant and refined. Despite arguably being the more masculine and aggressive of the pair, Ozaki is often the one being out-maneuvered by Tsuburaya in their seemingly antagonistic relationship. It’s not that Tsuburaya dislikes Ozaki—quite the opposite, actually—it’s just that he has a sadistic streak and enjoys making the other man squirm. Same Difference is definitely played for laughs more than romance. Apparently the manga is actually an ongoing series that’s currently up to three volumes in Japan, which I hadn’t realized while reading it. Unfortunately, only the first volume has been licensed in English at this point. Honestly, I wouldn’t mind reading more of the series. It doesn’t have the most subtle, nuanced, or realistic characters or story, but it’s amusingly ridiculous and doesn’t take itself seriously at all.