What’s Michael?, Book Two

What's Michael?, Book TwoCreator: Makoto Kobayashi
U.S. publisher: Studio Proteus
ISBN: 9781560600787
Released: February 1991
Original release: 1985
Awards: Kodansha Manga Award

Before there was Konami Kanata’s Chi’s Sweet Home there was Makoto Kobayashi’s What’s Michael?, proving that the international appeal of cats and cat manga is nothing new. What’s Michael? began serialization in Comic Morning in 1984 and ran for five years and nine volumes, winning a Kodansha Manga Award in the process. In addition to English, at least part of the series has been translated into French, German, and even Polish. What’s Michael?, Book Two is the second of two volumes to be released in English by Studio Proteus. The volume, published in 1991, collects material that was originally released in Japan in 1985. Although only two volumes of What’s Michael were released by Studio Proteus, Dark Horse later released the series almost in its entirety. (Some strips were left out due to potentially objectionable content.) Unfortunately, both the Studio Proteus and Dark Horse editions of What’s Michael? are long out of print.

Michael is an orange tabby tomcat, an American Shorthair with plenty of personality and representative of all cats and their quirks. What’s Michael? follows him and his interactions with other cats and humans, who are often just as peculiar as the felines they love. There’s the man who seems to be a living cat-magnet, the couple who didn’t completely think through the combination of claws and their new wicker furniture, the man who put far too much thought into living with a cat, a girl who delights in pestering Michael, the yakuza who despite their hardened demeanor have a soft spot in their hearts when it comes to four-legged fuzzballs, and all of the other people who can’t get enough of or who have had way too much of cats. Michael’s fellow felines, along with all their foibles and charms, also make frequent appearances. The result is an entertaining and highly amusing collection of short cat manga.

What’s Michael? works so well because Kobayashi is exceptionally attuned to cats and their behavior as well has how humans react when confronted by that behavior. Everything in What’s Michael? I have seen before with the cats, family members, and friends that I have known, which is what makes it so delightfully funny. One of the things that impressed me the most about What’s Michel?, Book Two was how little of the comedy relied on dialogue, which makes sense considering that cats don’t really communicate through words. Instead, Kobayashi relies on the actions, reactions, and overreactions of the cats and other characters to drive the humor of the series. And he succeeds magnificently—What’s Michael? is hilarious. It really is a shame that the series is currently out of print and somewhat difficult to find in English; it’s definitely worth tracking down.

Although there are recurring characters and running jokes, and even a few continuing storylines, What’s Michael? is largely episodic in nature. Before reading What’s Michael?, Book Two, I had only seen a few random chapters from the series; my unfamiliarity did not at all detract from my enjoyment of the volume. Each strip is only six pages long and range from the completely realistic to the utterly fantastic, but they are all authentic representations of the nature of cats and their owners. What’s Michael? is a genuinely funny and slightly surreal manga. Cat lovers will especially appreciate the series, but even those without a particular affinity for felines should at least occasionally find What’s Michael to be amusing. I know that I enjoyed What’s Michael?, Book Two immensely and would love to read more of the series, but then I live with cats and am quite familiar with their antics. Kobayashi captures them perfectly in What’s Michael?.

Manga Giveaway: Sankarea Giveaway Winner

Sankarea: Undying Love, Volume 1And the winner of the Sankarea manga giveaway is…inter4ever!

As the winner, inter4ever will be receiving the first volume of Mitsuru Hattori’s Sankarea: Undying Love as published by Kodansha Comics. Since Hallowe’en falls at the end of October, I thought it was thematically appropriate to offer a zombie manga. I asked that entrants tell me about the zombies that they’ve encountered while reading manga. Also, more for fun than for anything else, I asked whether they prefer slow-moving or fast-moving zombies. (Slow-moving zombies were overwhelmingly preferred, but fast-moving zombies made a showing, too.) For all the gory details, make sure to check out the Sankarea Giveaway comments!

Some Zombie Manga in English:
Biomega by Tsutomu Nihei
Black Sun, Silver Moon by Tomo Maeda
Cinderalla by Junko Mizuno
Dark Edge by Yu Aikawa
Fort of Apocalypse written by Yuu Kuraishi, illustrated by Kazu Inabe
Grand Guignol Orchestra by Kaori Yuki
Hell Baby by Hideshi Hino
Highschool of the Dead written by Daisuke Satō, illustrated by Shoji Sato
Is This a Zombie? written by Shinichi Kimura, illustrated by Sacchi
Princess Resurrection by Yasunori Mitsunaga
The Kurosagi Corpse Delivery Service written by Eiji Otsuka, illustrated by Housui Yamazaki.
Reiko the Zombie Shop by Rei Mikamoto
Sankarea: Undying Love by Mitsuru Hattori
Tokyo Zombie by Yusaku Hanakuma.
Velveteen & Mandala by Jiro Matsumoto
Zombie Fairy by Daisuke Torii
Zombie-Loan by Peach-Pit

Thank you to everyone who participated in the giveaway. I hope to see you all again for the next one!

My Week in Manga: October 28-November 3, 2013

My News and Reviews

I have been so incredibly busy recently (which is why I don’t have any fun online discoveries to share with you all this week) but I was still somehow able to post a few things here at Experiments in Manga. The most recent manga giveaway is underway and there is still time to enter for a chance to win Sankarea: Undying Love, Volume 1 by Mitsuru Hattori. For those of you interested in the absurd amount of manga that make its way onto my bookshelves, October’s Bookshelf Overload was also posted. And finally, I reviewed the second edition of Hedi Varian’s The Way of Taiko. I myself am a taiko player, and there are very few books in English devoted to taiko, so I am very happy to see the volume back in print in a new edition.

Quick Takes

His ArroganceHis Arrogance by Takashi Kanzaki. Despite being part of Digital Manga’s 801 Media imprint, His Arrogance isn’t exceptionally explicit. It’s also not very interesting and I found myself bored with both the story and the characters. Even the artwork, while fairly solid, wasn’t particularly outstanding or noteworthy. Although, occasionally Kanzaki would capture a look of utter adoration that was delightful to see. Ryou’s father established a modeling agency specifically to aid Ryou’s older brother Tomohito in his career. In addition to helping out with the company, Ryou also lives in the dorms with the models. Kazuto is one of those models, one of Ryou’s classmates, and the self-proclaimed rival of Tomohito. I think I would have enjoyed His Arrogance more if Kanzaki would have kept the manga’s focus on Ryou and Kazuto’s relationship. Instead, Ryou’s rather bizarre and vaguely incestuous bond with his brother severely encroaches upon the story. Perhaps it was supposed to be played as comedy, but it just ends up being kind of weird and awkward.

Real, Volume 12Real, Volume 12 by Takehiko Inoue. Many people assume that Inoue’s masterpiece Vagabond would be my favorite of his manga, but that honor probably goes to his series Real. I absolutely love Real, and I’m not even a huge fan of basketball. Although the sport is certainly an incredibly important part of the series, to me Real is much more about the characters themselves, their internal and external struggles, and their development as people. While the previous volume had a particular focus on Nomiya and his tryout for the Tokyo Lightnings, the twelfth volume turns its attention to Togawa and his efforts to become a better team player—something that is extremely difficult for him. Despite of or maybe because of his natural skill as an athlete, Togawa has always been very critical, harsh, and demanding of his fellow players. If there is a theme to Real, Volume 12, I would say that it is change, and specifically the need, desire, and willingness for change. Several of the manga’s characters must make important decisions about who they are and who they want to be in this volume.

Sankarea: Undying Love, Volume 3Sankarea: Undying Love, Volume 3 by Mitsuru Hattori. The best thing about the third volume of Sankarea? Rea’s father isn’t in it. (That guy is an utter creep.) Hattori also introduces an important new character—Darin Arciento Kurumiya, who is very interested in zombies and therefore very interested in Rea. She also brings along with her a marvelously ridiculous zombie owl. In addition to Kurumiya’s introduction, this particular volume also focuses on Rea and her attempt to return to school after her zombification. There are some challenges, to say the least. Her body continues to decay and fall apart and since she doesn’t really feel pain anymore she has a tendency to overtax herself physically. I was a little surprised to see how toned-down the extraneous fanservice was in this volume. It’s still there, but it’s not nearly as prominent or distracting as it once was. I am honestly enjoying Sankarea much more than I ever expected that I would. It’s a very odd series with very odd characters and I can appreciate its quirkiness. Rea and Chihiro are both weirdos, but they make a cute not-quite-couple.

KajiUltimateSurvivorKaiji: Ultimate Survivor directed by Yūzō Satō. After watching and enjoying Akagi, watching Kaji seemed to be a natural choice. It’s another anime series based on a manga Nobuyuki Fukumoto featuring some exceptionally intense and legitimately life-threatening gambles. But whereas Akagi is calm, cool, and collected, Kaiji is hot-blooded and frenetic. (The actor who voiced Akagi also voiced Kaiji; I was quite impressed by his range and how differently he was able to play the two characters.) Kaiji also has extremely bad luck. His troubles really begin when a friend defaults on a loan that Kaiji agreed to co-sign. A man comes to collect but Kaiji, himself in debt, has no way to repay the loan. But he is given an extraordinary opportunity to clear the debt by participating in a series of absurd and increasingly dangerous gambles. Kaiji is incredibly intense and occasionally disturbing with a huge focus on the psychological aspects of the story and the mental torment and despair of its characters. Even a seemingly simple game of rock-paper-scissors can be a traumatic experience.

The Way of Taiko

The Way of TaikoAuthor: Heidi Varian
Publisher: Stone Bridge
ISBN: 9781611720129
Released: September 2013
Original release: 2005

There are very few books available in English that are devoted to taiko—Japanese drums and drumming. In fact, there are only two that I know of: Heidi Varian’s The Way of Taiko and Shawn Bender’s Taiko Boom: Japanese Drumming in Place and Motion. Out of these two works, it was The Way of Taiko that first addressed the subject in depth. Originally published in 2005, by the time that I seriously started studying taiko a few years ago The Way of Taiko was already out of print and my dojo’s copy of the book was literally falling apart. And so, I was extremely pleased to learn that Stone Bridge Press was releasing a second edition of The Way of Taiko in 2013. In addition to Varian’s main text, the volume also includes an extensive glossary by David Leong and a foreword by Seiichi Tanaka—credited for introducing modern taiko to the United States.

After the prefatory material and introduction, The Way of Taiko is divided into three major sections which are then followed by the glossary and other resources for reference. The first part, “A Brief History of Taiko” is just that—a concise survey of the history of taiko drums and music from their mythological beginnings to their modern styles of performance. Notably, Varian addresses the place taiko holds in America as well as in Japan. The second section of The Way of Taiko, “Understanding Sounds and Movements,” takes a closer look at the drums themselves as well as other instruments and vocalizations used in taiko performance. Also explained in this section are some of the more visual elements of taiko, such as the players’ attire and movements. The main text of The Way of Taiko closes with “Training in the Way,” focusing on four major aspects of learning taiko: kokoro (spirit), waza (action), karada (body), and rei (etiquette).

For the most part, although updated and revised, the content of the second edition of The Way of Taiko is nearly identical to that of the first. What really makes the second edition stand out from the original printing is the increased values of production quality. The binding is much better and the colors are much sharper and more vibrant. Since the entire volume is in full-color, this really adds to the overall presentation of The Way of Taiko. The improved color is particularly welcomed for the dozens of photographs that are included in the volume exhibiting the power, dynamism, intensity, and beauty of taiko. Seiichi Tanaka’s San Francisco Taiko Dojo is predominantly represented in the photographs (Varian was associated with that dojo and it is the oldest taiko dojo in the United States), but other groups and soloists from both America and Japan are also featured. It is wonderful to be able to see the joy and spirit that the performers put into their art.

The Way of Taiko is a small but informative volume and very approachable, suited for those with a general interest in taiko as well as for those who are more actively involved in the art form. As a taiko player myself, I enjoyed learning more about its history, meaning, and form from a performance perspective. My dojo has a slightly different style and lineage than most of the groups discussed in The Way of Taiko, but I still found the book to be a very valuable resource. What will probably vary the most from school to school is the level of formality and the etiquette followed, but Varian describes the most proper forms so following her guidelines will aid in avoiding offense in most situations. What I probably appreciated most about The Way of Taiko was how many different aspects of taiko Varian addresses: its history and its future, its art and its science, and taiko’s total incorporation of mind, body, and spirit. The Way of Taiko is an excellent resource and I am very happy to see it back in print again.

Bookshelf Overload: October 2013

Thanks to gift certificates, review copies, and some choice preorders, October once again saw plenty of manga and other materials making their way onto my bookshelves at home. Thankfully, it wasn’t as absurd an amount as it has been in past months and I recently made a couple of rather large manga and anime donations to my libraries, but my room is quickly getting very crowded again. My favorite out-of-print manga find for the month was a complete set of Reiko Shimizu’s Moon Child. Coincidentally enough, I purchased it from of a regular reader of Manga Bookshelf without even realizing it! Tucked in as a bonus was a volume of Makoto Kobayashi’s What’s Michael? which I will be reviewing soon. (Yes, folks, I take review requests!) There were a few preorders that I was particularly excited for in October: Takehiko Inoue’s Real, Volume 12 (which I feel is one of the best series currently being released in English), the marvelous omnibus edition of Junji Ito’s Uzumaki: Spiral into Horror (which includes color pages and previously unreleased materials), and Baku Yumemakura and Jiro Taniguchi’s The Summit of the Gods, Volume 4 (which is one of my personal favorites). I’m also very happy to see more of Est Em’s work being released in print (Tableau Numéro 20) and am curious to give Ichiya Sazanami’s Black Bard omnibus from One Peace Books a try.

Manga!
Animal Land, Volumes 5-8 by Makoto Raiku
Attack on Titan, Volumes 8 by Hajime Isayama
Baron Gong Battle, Volumes 1-6 by Masayuki Taguchi
Black Bard by Ichiya Sazanami
Fairy Tail, Volume 31 by Hiro Mashima
Flowers of Evil, Volume 7 by Shuzo Oshimi
Knights of Sidonia, Volume 5 by Tsutomu Nihei
The Manzai Comics, Volume 1 written by Atsuko Asano, illustrated by Hizuru Imai
Missions of Love, Volume 5 by Ema Toyama
Monster Musume: Everyday Life with Monster Girls, Volume 1 by Okayado
Moon Child, Volumes 1-13 by Reiko Shimizu
No. 6, Volume 3 by Hinoki Kino
No Matter How I Look at It, It’s You Guys’ Fault I’m Not Popular!, Volume 1 by Nico Tanigawa
Real, Volume 12 by Takehiko Inoue
Rica ‘tte Kanji!? by Rica Takashima
Sankarea: Undying Love, Volume 3 by Mitsuru Hattori
The Summit of the Gods, Volume 4 written by Baku Yumemakura, illustrated by Jiro Taniguchi
Tableau Numéro 20 by Est Em
The Tyrant Falls in Love, Volume 8 by Hinako Takanaga
Uzumaki: Spiral into Horror by Junji Ito
What’s Michael, Book 2 Makoto Kobayashi

Comics!
Battling Boy by Paul Pope
Homecoming by Creative Alchemy
In These Words, Chapter 9 by Guilt | Pleasure
Prima by Yeehun
Solestar written by Siike Donnelly
The Spectral Engine by Ray Fawkes
Yuri Monogatari, Volumes 5-6 by Various

Nonfiction!
The Nobility of Failure: Tragic Heroes in the History of Japan by Ivan Morris
The Way of Taiko by Heidi Varian

Music!
Tsuritama: Original Soundtrack by Kuricorder Quartet