Real, Volume 2

Real, Volume 2Creator: Takehiko Inoue
U.S. publisher: Viz Media
ISBN: 9781421519906
Released: October 2008
Original release: 2002
Awards: Japan Media Arts Award

Although I wouldn’t necessarily consider myself to be a sports fan, I have come to the realization that I really enjoy sports manga. Out of all of the sports manga that I’ve so far read, Takehiko Inoue’s wheelchair basketball series Real is the one that stands out for me the most. (Actually, Real happens to be one of my favorite manga series in general.) But it’s really more than just a sports manga. Yes, basketball is an important part of the series, but to an even greater extent Real is about challenges faced in life and how people deal with them. It’s a mix of human drama, tragedy, and hope that earned Inoue a Japan Media Arts Award Excellence Prize in 2001. The second volume of Real was first published in Japan in 2002 while the English edition was released in 2008 by Viz Media under its Signature imprint. Real, Volume 1 did a fantastic job of introducing the series’ main characters and establishing some of the themes that the manga begins to explore more deeply in the second volume and those that follow.

After his accident, Takahashi no longer has the use of his legs. Confined to a hospital bed and with very few visitors he has had to come to terms with his condition largely on his own. He had good grades and excelled at whatever he applied himself to, becoming the captain of his high school’s basketball team with ease. No longer having the ability to walk is a devastating blow to Takahashi and how he is viewed by others and by himself. It won’t be an easy process to compensate for what he has lost. It’s been five years since Togawa lost one of his legs to bone cancer and that’s something he continues to struggle with. He still has most of his mobility, but having a leg amputated brought his dream of becoming the fastest sprinter in Japan, if not the world, to an abrupt end. An extremely competitive athlete he has redirected his ambitions towards wheelchair basketball, now one of the few things in his life for which he has any enthusiasm. Nomiya has a strong love for basketball as well, but as a high school dropout he currently has no outlet for that passion.

A large portion of Real, Volume 2 is devoted to Togawa and part of his backstory. The series turns to his middle school days as he is discovering his love of running, struggling with his relationship with his father, and developing strong, lasting friendships. Immensely talented, it is crushing to know that Togawa will never achieve his dream even as everything seems to be going his way. Just as Takahashi is now being forced to admit his limitations, Togawa also had to deal with events in his life that were beyond his control. The interplay between their two stories in Real is handled extraordinarily well. The two young men have never met, their only direct connection at this point is that they both know Nomiya, but Inoue draws on the parallels between their experiences to great effect. Takahashi is at the beginning of his recovery while Togawa has made years of progress, but the challenges that they face are very similar. Their personalities and how they handle things are very different, though.

Parallels also exist between Togawa and Nomiya. They are both very focused and intense, taking any and all opportunities that they can to practice and improve their game. Even when Togawa, Nomiya, and Takahashi’s stories don’t directly intersect, they are all still very closely tied together. The second volume of Real is very much about beginnings and endings. After originally leaving his basketball team, Togawa has found new drive and inspiration that brings him back. Nomiya doesn’t have the option of returning to his old team and can only watch from the sidelines as his former teammates play their last game. As for Takahashi, he can’t even do that. His denial is slowly turning into agonizing despair as he comes closer to admitting to himself that his life will never be the same. Inoue captures all three of their struggles in a very realistic way. The story is emotionally intense without being melodramatic and the artwork is fantastic, making Real and incredibly effective series.

Blade of the Immortal, Volume 28: Raining Chaos

Blade of the Immortal, Volume 28: Raining ChaosCreator: Hiroaki Samura
U.S. publisher: Dark Horse
ISBN: 9781616553210
Released: January 2014
Original release: 2011
Awards: Eisner Award, Japan Media Arts Award

Raining Chaos is the twenty-eighth volume in the English-language edition of Hiroaki Samura’s manga series Blade of the Immortal. Because of slight differences between the Japanese and English publications of the series, Raining Chaos is actually equivalent to the twenty-seventh volume of Blade of the Immortal released in Japan in 2011. The English edition was released by Dark Horse in 2014. Blade of the Immortal is a multi-award-winning series, having earned Samura honors both in Japan and in other countries. The series was one of the first manga that I made a point of following, so I am glad that Dark Horse is seeing Blade of the Immortal through to its end. Raining Chaos is part of the fifth and last major story arc in Blade of the Immortal. With only a few volumes left in the series, Blade of the Immortal is quickly approaching its final climax and Raining Chaos is part of that approach.

The majority of the remaining Ittō-ryū members have steadily been making their way to Hitachi, but it was only a matter of time before those in pursuit would catch up with them. After encountering the Rokki-dan en route, the Ittō-ryū has once again split its members into smaller groups so that some of them may have a better chance of survival. Most stay behind to face the Rokki-dan warriors, hoping to at least delay them if not destroy them, while a smaller force forges ahead attempting to keep the Ittō-ryū’s current second-in-command, Abayama Sōsuke, alive and safe. What they hadn’t counted on was the involvement of the Mugai-ryū, the predecessor of the Rokki-dan. Only two members of that group are still alive, and neither of them are the fighters that they once were, but they are both still extremely skilled and dangerous. With the Ittō-ryū occupied with both the Rokki-dan warriors and the Mugai-ryū assassins, the continued existence of the radical sword school looks increasingly grim.

The Ittō-ryū isn’t so much a specific style of fighting as it is a philosophy. The only agreed upon “rule” is that battles are nominally to be fought one-on-one. Other than that, almost anything goes. In part because of this, the school has attracted a diverse group of fighters with different backgrounds, martial abilities, and motivations. Some, like the Ittō-ryū’s leader Anotsu Kagehisa and several of the other high-ranking members, have very honorable intentions; they fight against what they see as corruption, though their methods may be questionable. Abayama, for example, is very concerned about the welfare of the men who train and serve under him. Others, however, are more interested in their own personal vendettas and selfish desires. They don’t care about others as long as they get what they want. The differences between these two types of people—those with noble and lofty ideals and those who are completely without morals—can be clearly seen in Raining Chaos. Even so, they are all still Ittō-ryū.

In addition to having different goals and reasons for joining the Ittō-ryū, the individual members also have different styles of fighting, which is put to good use in Raining Chaos. There isn’t much plot development in this particular volume of Blade of the Immortal, but there is plenty of action as the confrontation between the remnants of the Ittō-ryū and the Rokki-dan and the Mugai-ryū is largely brought to a conclusion. Happily, the battles in Raining Chaos are quite good; they’re well-choreographed and interesting to watch play out. Samura has a tendency to introduce unusual weapons and techniques in Blade of the Immortal, but even the most fantastic and strange have some basis in reality; legitimate tactics and fighting techniques are still applied to the battles in the series. In Raining Chaos, the importance of range and distancing is particularly emphasized. With excellent fights and compelling characters, Blade of the Immortal continues to be a series that I enjoy. I’m looking forward to the next volume, Beyond Good and Evil, a great deal.

Real, Volume 1

Real, Volume 1Creator: Takehiko Inoue
U.S. publisher: Viz Media
ISBN: 9781421519890
Released: July 2008
Original release: 2001
Awards: Japan Media Arts Award

When I first began reading Takehiko Inoue’s manga series Real it was simply because it was the only work of his that my local library had at the time. I was already familiar with and loved Inoue’s fantastic artwork but I hadn’t actually yet read any of his manga. The series that I really wanted to read was Vagabond, but it happened to be Real that was more readily available. Little did I know that Real would not only end up being my favorite series by Inoue, it would become one of my favorite manga period. I honestly believe that Real is one of the best comics currently being released in English. The first volume of Real was published in Japan in 2001, the same year that Inoue won a Japan Media Arts Award for the series. Viz Media released the English-language edition of Real, Volume 1 in 2008 under its Signature imprint.

Ever since he quit the Nishi High School basketball team, nothing seems to be going right for Tomomi Nomiya. His life is changed forever when he is involved in a motorcycle accident. Nomiya comes through it relatively unharmed, at least physically, but Natsumi Yamashita, the young woman who was riding with him, is no longer able to walk. While visiting her at the hospital Nomiya meets Kiyoharu Togawa, another young man who, like him, has a passion for basketball. He’s incredibly talented, but with only one leg it’s wheelchair basketball that has become his outlet. Thus begins a somewhat antagonistic friendship between Togawa and Nomiya. And then there is Hisanobu Takahashi, one of Nomiya’s former classmates and the current captain of Nishi High’s basketball team. He may have the skills on the court, but he has an extremely arrogant attitude and delights in making Nomiya and his friends miserable. But soon he’ll have some serious challenges to face in his own life as well.

In general, Inoue’s artwork in tends to be very realistic, with a particular focus on characters and their designs. This is certainly true for Real, and his style suits a story that emphasizes real-life issues as the source of its drama incredibly well. The characters’ personalities and attitudes can easily be determined by their actions and how they are drawn. When Nomiya is first introduced, he seems to be nothing more than a delinquent. And to some extent he is a delinquent, frequently getting into fights and finding ways to scam rich kids out of their money. But he is also exceptionally kindhearted and accepting of others. Nomiya’s facial expressions and body language range from pure anger to utter delight. Togawa, on the other hand, more often than not has a smirk or sneer on his face and barely manages to suppress his extreme irritation. He has absolutely no patience for people who can’t take themselves or what they are doing seriously and it shows. At times Nomiya and Togawa’s respective intensity can be both frightening and exhilarating.

At its heart Real is very much a manga about its characters and how they deal with the challenges and setbacks in their lives. Basketball is simply a part of that because the game is important to the characters as individuals. The first volume of Real does an excellent job of introducing the main players of the series—Nomiya, Togawa, and Takahashi. In one way or another, each one of them is searching for some direction in their lives. It is their passion for basketball that provides some of that needed purpose. Nomiya struggles a great deal with the guilt he feels over the incident that cost Natsumi the use of her legs; his love of basketball is the only thing that really remains from before the accident. Togawa holds onto a tremendous amount of anger that playing basketball helps to keep under control. As for Takahashi, his talent for basketball was one of the few things that secured his popularity. But even considering the important role that basketball plays in Real, it is not at all necessary to be a fan of the game to be able to appreciate the manga.

Vinland Saga, Omnibus 2

Vinland Saga, Omnibus 2Creator: Makoto Yukimura
U.S. publisher: Kodansha
ISBN: 9781612624211
Released: January 2014
Original release: 2006-2007
Awards: Japan Media Arts Award, Kodansha Manga Award

The second Vinland Saga omnibus, released by Kodansha in 2014, collects the third and fourth volumes of Makoto Yukimura’s historical manga series originally published in Japan in 2006 and 2007 respectively. Vinland Saga first began serialization in 2005 and has since earned Yukimura several honors, including a Japan Media Arts Award in 2009 and a Kodansha Manga Award in 2012. Vinland Saga was a series that I had been hoping would be licensed in English for years and so I was understandably thrilled when Kodansha picked the series up. Kodansha’s edition of Vinland Saga is quite nice—hardcover omnibuses which include color pages and have a larger trim size than the publisher’s previous releases. Vinland Saga is Kodansha’s first deluxe manga; personally, I think it’s a series which deserves the special treatment. I was not at all disappointed with the first omnibus of Vinland Saga and so was eagerly awaiting the release of the second.

In the early part of the eleventh century, England was under frequent attack by Vikings. In 1013, after years of fighting, England’s King Ethelred has been driven into exile in France while King Sweyn of Denmark proceeds with his invasion of the country. The Danes aren’t entirely united though, and many of the king’s forces are more like mercenaries or bands of pirates than they are loyal followers. Some groups, such as those led by Thorkell the Tall, have actually aligned themselves with the English in the conflict. Others, such as Askeladd’s band of warriors, fight under King Sweyn simply because he currently has the more advantageous position and the chance of reward is therefore much greater. But there is some infighting among Askeladd’s ranks as well. The only reason that Thorfinn, a skilled young fighter, follows him is for the chance to seek revenge against Askeladd for the death of his father. In the meantime, Thorfinn serves both as one of Askeladd’s most valuable and most expendable assets.

I enjoyed the first omnibus of Vinland Saga a great deal, but I think that I probably enjoyed the second one even more. Yukimura has struck an ideal balance between exciting action sequences and combat and the more personal and emotional character development of the fighters who are involved. Vinland Saga is both epic and intimate in its scope. War is occurring between nations, but it is the characters’ individual struggles that make the story so visceral and compelling. Many of the warriors in Vinland Saga are bloodthirsty, seeking glory and taking pleasure from battle itself rather than from any sort of perceived noble cause. But there are exceptions. Thorfinn despises this fighting for fighting’s sake. However, while his search for revenge may arguably be more righteous, that doesn’t necessarily mean that he’s in the right. Askeladd, too, has some very legitimate justifications for fighting. But while his skills as a warrior and strategist are commendable, many of his actions are deplorable.

The depth of characterization in Vinland Saga is impressive. In this omnibus, Askeladd in particular is shown to be a much more complicated figure than he may have first appeared. Vinland Saga, Omnibus 2 delves into part of his backstory, which only begins to reveal his motivations and who he really is as a person. Yukimura’s attention to detail in Vinland Saga extends beyond the characters themselves. The amount of research he has conducted allows him to portray the time period realistically, taking into consideration major historical events but also incorporating religious issues and matters of the day-to-day lives of royalty, mercenaries, and common folk. The artwork, too, can be incredibly detailed. The landscapes and environments are beautifully rendered and each character, even the multitudes of unnamed combatants, have distinctive designs. Vinland Saga really is an excellent series. I’m enjoying it immensely and am extremely happy that it’s finally available in English.

Blade of the Immortal, Volume 27: Mist on the Spider’s Web

Blade of the Immortal, Volume 27Creator: Hiroaki Samura
U.S. publisher: Dark Horse
ISBN: 9781616552152
Released: September 2013
Original release: 2010
Awards: Eisner Award, Japan Media Arts Award

Mist on the Spider’s Web is the twenty-seventh volume in the English-language edition of Hiroaki Samura’s Blade of the Immortal manga series. Released by Dark Horse in 2013, Mist on the Spider’s Web is more or less equivalent to the twenty-sixth volume of Blade of the Immortal published in Japan in 2010. Blade of the Immortal is an award-winning series. Over the course of its long publication history the manga has earned Samura a Japan Media Arts Award and an Eisner Award among other honors. Blade of the Immortal is also a series of which I am particularly fond, so I am glad to see Dark Horse sticking with the manga through to its end. Mist on the Spider’s Web takes place during the fifth and final major story arc of Blade of the Immortal. The previous volume, Blizzard, was particularly good and so I was very interested to see where Samura would take things next with Mist on the Spider’s Web.

While Rin, Manji, and the others are recovering from their final confrontation with Shira, the hunt for the remaining Ittō-ryū swordsmen continues. The main group is well on its way to Hitachi under the guidance of senior members Abayama Sosuke and Kashin Koji. Before making their escape they hope to reunite with their leader Anotsu Kagehisa who has been delayed after his attack on Edō Castle. The three other Ittō-ryū fighters who also took part in the strike are either dead, missing, or severely wounded. Habaki Kagimura is in pursuit, chasing down the Ittō-ryū and its allies. He and his Rokki-dan warriors—death row convicts with little choice but to aid Habaki in his quest—are charged with annihilating the rogue sword school. The pressure on the Ittō-ryū continues to mount as more and more of Anotsu’s enemies draw ever closer.

If it wasn’t already apparent, Mist on the Spider’s Web makes it very clear how far the Ittō-ryū has fallen since its glory days. The most talented swordsmen are slowly being killed off, the new members are few and inexperienced, and the group has had to abandon some of its core ideals and principles just for the chance of survival. It is becoming increasingly likely that the Ittō-ryū may simply cease to exist in its entirety. The sword school is a mere shadow of what it once was. The Ittō-ryū, which destroyed so many other martial groups and caused so much chaos, is now faced with its own demise. However, its members are prepared to fight to the very end and by any means necessary. Despite the questionable methods that the Ittō-ryū has employed to reach its goals, Anotsu wasn’t entirely wrong in his ambitions. It is a little disheartening to see the Ittō-ryū’s idealism fading away.

Mist on the Spider’s Web has some fantastic action sequences, but there’s also quite a bit of standing around and talking, too. It can be somewhat tedious at times, but it does make sense within the context of what is going on. In general the focus of Blade of the Immortal on the Ittō-ryū has been directed towards its fighters, but the group also has members that rely more on their mental capacities rather than on their martial capabilities. Anotsu has always been shown to be a particularly impressive strategist in addition to being a skilled swordsman, but in Mist on the Spider’s Web it is old man Kashin who demonstrates his worth through his devious intelligence. He doesn’t need physical strength to overcome his enemies, only careful thought, thorough planning, and little bit of time. Of course, time is one of the things that the Ittō-ryū has less and less of these days.