My Week in Manga: August 19-August 25, 2013

My News and Reviews

Well, the biggest news from last week (at least for me and Experiments in Manga) is that I have officially joined the Manga Bookshelf family of blogs. I posted an introductory post for new readers and anyone else interested in learning a little more about me or Experiments in Manga. I’m still getting used to WordPress, and I still have some cleaning up to do, so if you notice anything amiss, I’d appreciate you letting me know!

I also posted a review of Edogawa Rampo’s collection of short stories Japanese Tales of Mystery and Imagination. Originally released in 1956, the volume was Rampo’s English-language debut. I had previously read and enjoyed Rampo’s novella Strange Tale of Panorama Island which is why I sought out more of his work. (And on a related note: Suehiro Maruo’s The Strange Tale of Panorama Island is also marvelous.)

I also had the opportunity to help out manga critic Jason Thompson last week (who I credit as one of the major reasons I became so interested in manga.) If you’re in Vancouver, Washington this coming Sunday, Jason is presenting “Manga Hell: The Worst Manga Ever Translated” at Kumoricon. It should be pretty great. I was able to provide some images of choice pages from Kazuo Koike and Ryoichi Ikegami’s notorious manga series Wounded Man. (I first learned about Wounded Man thanks when it was selected for Kate Dacey’s Manga Hall of Shame.)

On to a few interesting things found online! I either completely missed this when it was first announced or simply forgot about it, but Bento Books has licensed five novels from Hayakawa Publishing: Hiroko Minakawa’s Pleased to Dissect You, Yuka Nakazato’s Silver Wings of the Campanula, Yu Godai’s, Quantum Devil Saga: Avatar Tuner, Volume 1, Akimaro Mori’s The Black Cat Takes a Stroll, and Issui Ogawa’s Many Many Sheep. It’s an intriguing mix of fantasy, science fiction, and mystery and quite a change of pace from Bento’s first release Math Girls.

In other licensing news, Sean Gaffney has a roundup of the Japan Expo announcements from this weekend. Finally, if you have the time I recommend giving the most recent ANNCast episode a listen—Super Manga Pals Forever. The always marvelous Deb Aoki and Rebecca Silverman join host Zac Bertschy to talk about the manga they’ve been reading and discuss the use of rape and taboos as plot elements in entertainment media. (Warning: Spoilers for the ninth volume of Yumi Unita’s Bunny Drop if by some chance you haven’t been spoiled already.)

Quick Takes

Attack on Titan, Volume 6 by Hajime Isayama. Despite the issues that I have with the art in Attack on Titan, which admittedly has been improving, I continue to be utterly absorbed and engaged by the story. The sixth volume picks up right where the fifth volume left off with the appearance of a new, seemingly intelligent, but still incredibly dangerous titan. It’s mostly one long action sequence as the titans tear through the ranks of the Survey Corps. Unsurprisingly, there are quite a few messy deaths. However, there’s a bit of character development as well. In particular, more is reveled about the members of the Special Operations Squad charged with guarding Eren who are also responsible for killing him should he get out of hand. The ending sets things up nicely for some major plot reveals in the next volume. Fortunately Kodansha has sped up the series release, so it won’t be too long of a wait to find out what happens next.

Awkward Silence, Volumes 1-3 by Hinako Takanaga. I tend to be fond of Takanaga’s boys’ love manga and so was happy when SuBLime picked up one of her ongoing series. Normally, I’m annoyed by manga where the plot hinges on a problem that would immediately be solved if the characters would just talk to one another. But in the case of Awkward Silence I didn’t mind as much because there is a very good reason that the characters don’t—Satoru has a difficult time expressing himself. It’s an integral part of his character and integral part of the story. One of the points of the series is that he and his boyfriend Keigo learn to overcome this. Their relationship is really quite sweet. Beginning with the third volume Awkward Silence starts to focus more on two of the secondary characters. (At least they started out as secondary characters.) Personally, I don’t find their relationship to be nearly as interesting. While still enjoyable, it feels more generic. Unlike the main couple, so far it’s missing something to really set it apart.

Saiyuki Reload, Volumes 4-6 by Kazuya Minekura. Although I was a little disappointed with the first three volumes of Saiyuki Reload, much preferring the earlier series Saiyuki, I think that Minekura has started to find her stride again. These volumes finish up the long flashback/backstory segement which included a look at Gojyo and Hakkai’s past when they were living together. (I’m a sucker for Hakkai, so I rather enjoyed that.) From there, Saiyuki Reload starts in on a new story arc, giving the plot the focus and direction that it needed. While the first few volumes of the series didn’t seem to be going anywhere, with the introduction of Hazel things are starting to get a bit more interesting. Sanzo and crew are faced with several moral conundrums and suddenly their journey west has some urgency behind it again. And speaking of The Journey to the West—the influences of the original work can definitely be seen. They aren’t always particularly prominent and Minekura is often very free with her interpretations, but The Journey to the West can still be found in there somewhere.

Tough, Volumes 1-6 by Tetsuya Saruwatari. Only six volumes of Tough were ever released in English. The series is actually a translation of Saruwatari’s Kōkō Tekken-den Tough and shouldn’t be confused with its sequel series which in Japan was called Tough. The fights are by far the best thing about Tough. Although the martial arts are taken to the extremes there are some legitimate styles and techniques being used. The manga is ultimately over-the-top, although dubious plausibility is maintained. Tough is violent and frequently brutal. The fighters deliver and sustain immense amounts of damage. Saruwatari doesn’t hesitate to show the resulting blood and broken bones. The few women, too, are shown to be martially capable. (Unfortunately they don’t make much of an appearance after the first volume.) The story, on the other hand, is nearly nonexistent and the attempts at humor fall flat. For the most part the plot is just an excuse to have men beat each other to a pulp. The actual fights are much more interesting than the weak justifications behind them.

X, Omnibus 6 (equivalent to Volumes 16-18) by CLAMP. Well, here it is, what is very likely to be the last volume of X. The series went on hiatus in 2003 and it doesn’t seem that CLAMP will be returning to it anytime soon. I read the first volume of X a few years ago but didn’t think much of it. I gave the series another try when Viz began to release the omnibus volumes and I’ve been hooked ever since. There are many fans frustrated by the series’ lack of ending, waiting for the final battle which may never come; I suppose I can now be counted among them. Still, I thoroughly enjoyed X in all of its epic, melodramatic, twisted, and tragic glory even if it can be a bit ridiculously excessive at times. CLAMP also uses some of the most intriguing page layouts that I’ve seen. They are very effective in conveying the emotional and dramatic moments in the story, of which the series has more than its fair share. Love and death are very closely intertwined in X and there is plenty of heartbreak to be had.

FujikoMineLupin the Third: The Woman Called Fujiko Mine directed by Sayo Yamamoto. This series has style—the animation is distinctive but appealing, the jazz-influenced soundtrack fits it perfectly, the storytelling is mature and has both darkness and levity. Familiarity with the Lupin III franchise isn’t necessary to enjoy the series; The Woman Called Fujiko Mine is a different take on the characters and story and can stand alone. Fujiko Mine is a thief and femme fatale. She is very much in charge of her sexuality and is more than willing to use it to get what she wants. It shouldn’t be too surprising, but nudity is a fairly frequent occurrence in the anime, but it is handled tastefully and artistically. In the last four episodes, things take a surprising turn for the strange when the revelation of Fujiko’s backstory really beings. Up until that point the series seemed largely to be an episodic collection of the various heists with which Fujiko was involved. There were hints of what was to come and most everything is tied together rather nicely in the end.

My Week in Manga: May 13-May 19, 2013

My News and Reviews

Last week I posted my monthly Blade of the Immortal review. This month I took a look at Hiroaki Samura’s Blade of the Immortal, Volume 21: Demon Lair II, which is the second and final volume of the finale of the fourth and penultimate major story arc of the series. It’s a great conclusion; I’m really looking forward to the next volume. As promised, I also posted about my first time attending the Toronto Comic Arts Festival. The article ended up being longer than I really intended, but there was a lot that I wanted to talk about: my general experience, Taiyo Matsumoto, Gengoroh Tagame, IKKI magazine, queer comics, and more. If you don’t feel like reading the entire thing, the take away is that TCAF is an amazing festival and I’m already making plans to go again next year.

Early last week I tweeted about a note in the RightStuf catalog indicating that Yaya Sakuragi’s boys’ love series Bond of Dreams, Bond of Love was being seized by Canadian customs. Lissa Pattillo at Kuriousity saw the tweet and wrote an article on the subject (RightStuf Warns of Boys’ Love Book Seizing at Canada Customs) and the story was subsequently picked up by Anime News Network (BL Manga Bond of Dreams, Bond of Love Sold in Canada Despite Seizure) and the Comic Book Legal Defense Fund (Online Retailer Won’t Send Some Manga to Canada Because of Customs Seizures). It was kind of neat to see the ripple effect of the tweet.

Elsewhere online, Kathryn Hemmann of Contemporary Japanese Literature (which is one of my favorite blogs) posted the article In Defense of Fujoshi. As Kathryn warns at the beginning of the post, it is not safe for work. However, it is definitely worth reading and is an excellent and  engaging look at some of the controversies surrounding bara and boys’ love manga. About a month ago I mentioned Kansai Club Publishing. Well, their Kickstarter project to release Osamu Tezuka’s short story collection The Crater has now launched.

Also, the Yumi Tamura Manga Moveable Feast is this week! Keep an eye on Tokyo Jupiter for updates. For my contribution to this month’s Feast, I’ll be reviewing at least the first volume of Tamura’s Chicago (and hopefully the second as well!)

Quick Takes

21st Century Boys, Volumes 1-2 by Naoki Urasawa. Although the title has changed to 21st Century Boys, these two volumes are actually the ending to 20th Century Boys. I thought they were a decent conclusion to a good series, but ultimately I enjoyed the earlier volumes much more than the later volumes. Even though I liked the manga, after twenty-four volumes of twists and turns and convoluted storytelling, I feel like Urasawa was somehow cheating. I’m not convinced he had a clear idea when he began 20th Century Boys where he was going with the story and where it would end up. However, most of the plot threads he introduced are at least addressed if not completely tied up in 21st Century Boys.

Hetalia: Axis Powers, Volume 3 by Hidekaz Himaruya. Despite the fact that the manga and the anime cover the same material, the manga seems to be less inherently offensive. I’ll admit though, I do prefer the Hetalia anime over the original. For some reason, the manga is more difficult for me to follow. Not that there’s a complicated story or anything—Hetalia tends to be more a series of gags than anything else. Hetalia works best for me when the focus of the manga is on actual history rather than the countries acting as characters. The third volume introduces even more countries with a particular emphasis on medieval history, Poland and Lithuania, and the Nordic States. The artwork, or perhaps just the reproduction of the artwork, seems improved over previous volumes, too.

This Night’s Everything by Akira Minazuki. After enjoying Minazuki’s collection of boys’ love manga Tonight’s Take-Out, I decided to pick up This Night’s Everything, her only other work currently available in English. Although I was left with an overall favorable impression of This Night’s Everything, I didn’t enjoy it quite as well. In fact, I wasn’t sure I even liked it at all until after finishing the entire manga. But in the end, and after a few key plot revelations, I was satisfied with it as a whole. There is a deliberate coldness to the characters which is somewhat unpleasant but eventually explained. The world-building is such that This Night’s Everything actually feels like it could be part of a much larger work.

X, Omnibus 5 (equivalent to Volumes 13-15) by CLAMP. For as much action, death, and destruction as there is in X, the plot itself doesn’t seem to be moving along very quickly. Even so, I’m completely addicted to the series and its over-the-top epic-ness. The dialogue does seem to have gotten better, or at least it doesn’t seem quite as ridiculous as it did in earlier volumes. The cast of characters in X is fairly large and they all have their own tragic backstory. But because there are so many of them, only a few are able to be developed in depth. Because of this, the impact of some of the deaths in X is lessened. Out of all of the characters, Subaru is one of the most fully realized, but then he had the entirety of Tokyo Babylon, the predecessor to X, to evolve.

Kids on the Slope directed by Shinichirō Watanabe. I adore Yoko Kanno and her music and was very excited to learn that she was working with Watanabe on Kids on the Slope, an adaptation of Yuki Kodama’s award-winning manga. I was not disappointed at all by the music in the series. The anime’s pacing is a little on the slow side, especially in the beginning, but I did like the story. The ending, however, ties everything up a bit too neatly and nicely (even if it did make me smile.) For me, the real draw of Kids on the Slope (apart from Watanabe and Kanno’s involvement) was its emphasis on music, how people express themselves through it, and the bonds people forge because of it.

My Week in Manga: December 17-December 23, 2012

My News and Reviews

It’s the holiday season and I’m doing all sorts of traveling, but I did manage to post two reviews last week. The first was for the historical novel An Alaskan Tale by Jirō Nitta. Only three of Nitta’s novels have been translated into English; An Alaskan Tale was the first to be published, but I ended up reading it last. An Alaskan Tale, based on a true story, is about the life and adventures of Frank Yasuda, a Japanese in Alaska in the late 1800s and early 1900s. I also reviewed MiSun Kim’s yonkoma-ish manhwa Aron’s Absurd Armada, Omnibus 1. I was actually surprised by how much I ended up enjoying the volume, and look forward to the next omnibus, scheduled to be released June 2013. Later this week, December 26 to be exact, the Hikaru no Go Manga Moveable Feast will begin! I’ll be reviewing the first volume of Hikaru no Go as part of my contribution. I’ll probably also be using the Feast as an excuse to talk about mahjong in manga again (having previously written about Mahjong, Kubota, and Wild Adapter.) The 26th is also the last day of Akadot Retail‘s End of the World Blowout. This is the best sale I’ve ever seen on Akadot: 45% off of orders of $60 or more, which also qualifies you for free shipping if you live in the United States. Simply use the code xmas2012 at checkout. Last year I posted Finding Manga: Akadot Retail which has some tips about finding and buying manga through Akadot.

Quick Takes

The Crimson Spell, Volumes 1-2 by Ayano Yamane. There don’t seem to be many fantasy-oriented boys’ love manga available in English. The Crimson Spell is one of the few that I have read. It was also my introduction to the work of Ayano Yamane. Even though only two of the four volumes were ever released in English, The Crimson Spell is my personal favorite Yamane manga. I enjoy the fantasy setting, Yamane’s beautiful artwork, the drama and sword fights, the outlandish characters, and the healthy dose of humor that the series incorporates. I also like that sexual energy is tied so closely to magical energy, which ends up being a perfect excuse to include plenty of explicit sex scenes.

Genshiken, Omnibus 1 (equivalent to Volumes 1-3) by Shimoku Kio. I missed out on Genshiken when it was being released by Del Rey Manga, and so was excited to get a chance to read it when Kodansha began releasing the omnibus editions. Genshiken is probably best described as an otaku slice-of-life comedy. Kanji Sasahara is a university freshmen who has never had the confidence to pursue his interests until he joins a club filled with other otaku who act as his guide to the wonderful world of fandom. Genshiken covers a lot of ground: dōjinshi, Comiket, cosplay, models, video games (including porn games), and more. While I wasn’t blow away by the first Genshiken omnibus, I still thoroughly enjoyed the story and characters. I look forward to reading more of the series.

Here Is Greenwood, Volumes 6-9 by Yukie Nasu. I really enjoyed Here Is Greenwood. I wouldn’t call it a spectacular manga, but I’m glad that I read the series. I was consistently entertained by its offbeat characters and goofy humor. Here Is Greenwood is a funny and even heartwarming series. I like the guys of the Greenwood dormitory quite a bit. The manga is mostly episodic, but these last few volumes introduce an overarching background story and love interest for the series’ main protagonist Hasukawa. Not surprisingly, he has even more to be stressed out about now than when the series first started. And though he’s able to begin to stand up for himself, he still has pranks pulled on him on a fairly regular basis.

X, Omnibus 4 (equivalent to Volumes 9-12) by CLAMP. For me, X is a series that’s so bad it’s good. I have to admit that I love the manga in all its melodramatic glory, but it really is a ridiculous series. Not ridiculous as in funny, but in how incredibly over-the-top it is. The cast of characters is huge and more and more characters continue to be introduced. None of the characters are particularly well-developed, but I do like them. The plot is a mess and doesn’t always make a lot of sense despite the fact that what has happened, what is happening, and what will happen is constantly being rehashed. Because of this, the story doesn’t go anywhere fast. But I still find the series to be engaging. I like the omnibus releases of X. I don’t think I’d have as much patience with the single volumes.

Slam Dunk, Episodes 24-38 directed by Nobutaka Nishizawa. At this point, I’ve seen more of the Slam Dunk anime than I’ve read of Takehiko Inoue’s original manga, so I can’t really compare the two. I’m still enjoying the anime, though. Basketball is the main focus of the series, but I’m glad to see that all of the delinquents are still getting some screen time. (Mito is probably my favorite character in the entire series.) The basketball team has a fair number of delinquents on it, too, including the series’ lead Sakuragi. Except for his enthusiasm and comic relief, I’m not entirely sure what purpose he serves on the team yet, but I am very fond of him as a character.

My Week in Manga: September 3-September 9, 2012

My News and Reviews

Last week the Read or Dream Giveaway Winner was announced. The post also includes some stories of surprising manga that were shared as part of the contest. As it was the beginning of the month, the Bookshelf Overload for August was also posted last week. And just to make things a little more interesting, I reviewed Shige Nakamura’s boxing manga Wolf. Although I’m interested in martial arts, I’ve never been particularly interested in boxing. Nevertheless, I really enjoyed Wolf. I also updated the Resources page last week. It’s been a while since I’ve added anything, but I recently came across a couple of interesting blogs: Brain Vs. Book (book and manga reviews and such from Japanese translator Jocelyne Allen) and Lesley’s Musings…on Manga. I’ve also updated the Manga Moveable Feast Archives page so that it now includes more of the upcoming Feasts that have been scheduled.

Onto good stuff I’ve found online! Vertical has posted a licensing survey polling readers for licensing suggestions for the summer of 2013. The poll will be available until September 26, so do check it out. Blog of the North Star and The Land of Obscusion tackled the English edition of Fist of the Blue Sky, a prequel to Fist of the North Star. I actually haven’t read Fist of the Blue sky yet, but their conversation makes me want to read it sooner rather than later. Okazu is starting a new series of posts taking a look at the history and study of yuri, beginning with Prologomena to the Study of Yuri, Part 1. Finally, Ken Liu, contributor to the Haikasoru speculative fiction collection The Future is Japanese (which I previously reviewed), has posted his story notes for “Mono no aware,” one of my favorite stories in the anthology.

Quick Takes

Chi’s Sweet Home, Volumes 8-9 by Konami Kanata. Chi’s Sweet Home is a series that always manages to make me smile. As someone who owns (or perhaps is owned by) a couple of cats, I frequently find myself chuckling out loud while reading the manga. Sometimes, that sort of levity is just what I need and Chi’s Sweet Home consistently provides it. These couple of volumes see Chi’s relationship with Cocchi, a stray kitten, grow. He and Chi explore the outside world together and they get into all sorts of trouble. It’s adorable how he’s just as out of place among people as Chi is among the outdoor cats. They make a very entertaining pair. If you like cats, Chi’s Sweet Home is a very cute series.

Right Here, Right Now, Volume 2 by Souya Himawari. Although Right Here, Right Now isn’t an outstanding series, I’ve become rather fond of it. Takakage can be endearingly affectionate (and horny) but he also has quite a temper. He does seem to shift between these two aspects of his personality a bit too easily, though; the series changes quickly from being amusingly silly to rather serious depending on his mood. Some of the time traveling tropes in Right Here, Right Now seem forced and irrelevant to the story as a whole, but overall it’s a solid little two volume series. Largely taking place during the Warring States period of Japan, I like how Himawari has incorporated the political turmoil and intrigue of the era into the plot.

Strain, Volumes 1-5 written by Buronson and illustrated by Ryoichi Ikegami. I absolutely loved Sho Fumimura and Ikegami’s manga series Sanctuary, so when I learned that they had worked on another series together I knew I had to read it. Although not nearly as good as Sanctuary (which came first), I still found Strain to be a very engaging series. The trust and connections between characters are constantly shifting. Loyalty—to family, to comrades, to country—is a huge theme in the series. Some elements, such as Angel’s sexual proclivities, seem to only be introduced for their shock value and are forgotten by the end of the series. And, as always, Ikegami’s often photo-realistic artwork is marvelous to behold.

X, Omnibus 2-3 (equivalent to Volumes 4-9) by CLAMP. X is so deliciously epic. Yes, it’s over-the-top, confusing, and the dialogue is ridiculous, but nonetheless I’m enjoying X immensely. The fight scenes are visually interesting even if it is difficult to follow the action. The plot developments don’t always make a lot of sense, but the pace is quick and the story is enthralling if you don’t mind the chaos. At times deadly serious and melodramatic, the manga is occasionally broken up by moments of humor, usually when Sorata is around. The omnibus editions include color artwork that was previously unreleased in North America, which is a very nice touch. I have no idea if or when the next omnibus volume will be published, but I’ll definitely be picking it up if it ever is.

Kamui Gaiden directed by Yoichi Sai. I was sadly disappointed with Kamui Gaiden. Based on Sanpei Shirato’s manga that was released in English as The Legend of Kamui, the original is so much better than the adaptation. I still like the overall story, but Kamui Gaiden is almost tedious to watch and some of the jumps in the narrative are hard to follow if you haven’t read the manga. Many of the special effects are distracting and lacking in quality, making the ninja’s movements seem awkward rather than natural. Some of the fight choreography still manages to be entertaining, though. And I did like Kenichi Matsuyama as Kamui. He plays vaguely melancholic characters well and I did enjoy watching him. Plus, fundoshi!

Manga Giveaway: Read or Dream Giveaway Winner

And the winner of the Read or Dream Giveaway is…Dawn H!

As the winner, Dawn will be receiving the first volume of Hideyuki Kurata and Ran Ayanaga’s manga R.O.D: Read or Dream. I had previously read the related series, R.O.D: Read or Die, and was rather surprised when Read or Dream ended up being entirely different in tone. And so for this giveaway, I asked entrants to tell me about manga that surprised them or that wasn’t quite what they were expecting. Normally, I would simply suggest reading the giveaway comments, but since there were only five submissions this month, I’ve decided to simply share them here:

X by CLAMP (submitted by Dawn H):

I think one of the first manga series to really surprise me was x/1999. Back in the 90s, my first exposure to CLAMP was their series Magic Knight Rayearth, which was rather Sailor Moon-ish (though it did have giant robots & a twist ending). So when I saw that Animerica was running a comic in it by the same artists, I assumed (stupidly) that it would be similar to Rayearth (since I hadn’t seen or read Tokyo Babylon yet…this was pre-“everyone had the internet” days, so I didn’t know about it yet). Well…you can probably imagine my surprise when I first read it, heh. NOTHING like Rayearth, unless you count the art style. But I ended up liking it, anyway.

I recently started reading X myself. Even though I had been warned, I was still surprised by how graphically violent the series is.

Emma by Kaoru Mori (submitted by teaNrice):

When I first saw my Library’s copy of the first volume of Emma: A Victorian Romance I had a quick look at the blurb on the back and put it back down unimpressed by what I thought sounded like an immensely cliche plot. It wasn’t until years later that I would realize my mistake. Emma is surprising because it shows that even a seemingly cliche plot like a romance between the upper and lower classes can still shine when the execution is so superb.

Emma is another series that I’ve only started reading recently. The manga is tragically out of print in English, but my library fortunately has the entire series, too. And yes, it is very good.

Kokou no Hito written by Yoshiro Nabeda and Jiro Nitta, illustrated by Shinichi Sakamoto (submitted by Vito):

Kokou no Hito, it’s licensed in Italy under the name Climber and in France as Ascension, great stuff. The beginning is very misleading, young introverted protagonist transfers to a new school, classmates bullies by way of which he also introduces him to climbing and it all leads to a competition, by now it’s sort of leading you to believe it’s going to be a shounen sports competition manga, complete with a mystery progeny showing up. That quickly changes, the rest of the story explores the character, his growth, follows his various mountain expeditions etc. I do recommend reading it and the art is really really good.

I didn’t previously know about Kokou no Hito, but now I really want to read it! It sounds like a series I would really enjoy.

Death Note written by Tsugumi Ohba, illustrated by Takeshi Obata (submitted by KenshinGirl)

I completely overlooked Death Note when they ran a preview for it in Shonen Jump because the art didn’t appeal to me. I decided to go back and read it a while later when I had no other manga to read, and I was instantly hooked. After that, I couldn’t wait for the next volume and ended up recommending it to everyone I knew. My older brother had no interest in manga, but once I got him to read it, he couldn’t put it down either.

You know, I really need to finish the last couple of reviews for Death Note. Coincidentally, this is a series I managed to get my brother, who isn’t a big manga reader, interested in, too.

A Bride’s Story by Kaoru Mori (submitted by Literate.Ninja)

I’d say the most recent surprise I got from a manga was reading A Bride’s Story. I got it from my library after hearing about it online, and I honestly wasn’t sure what to expect, since I am somewhat familiar with the culture and time period the book is set in. However, when it turned out to be a warm, touching story of a family coming together to embrace a new member, I was completely charmed, and have since recommended it to all my friends and co-workers.

Another Kaoru Mori manga! A Bride’s Story was actually the first work by Mori that I read. I was absolutely astonished by the gorgeously detailed artwork.

Thank you all for sharing your manga surprises with me!